Art Deco Bronze Statuette Depicting A Young Gymnast

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Pretty and elegant statuette in cast bronze with marble base, depicts a young dancer who performs with harmony and plasticity a difficult dance number holding lightly a bouquet of flowers, is a young dancer with clothing, hairstyle and fashion face Art Noveau, very well represented the slender body full of an elegant grace and composed, the excellent fusion of bronze statuary...

We kindly suggest that you read the entire description, as with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects Beau...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Nice ...

We kindly suggest that you read the entire description, as with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Spec...

We kindly suggest that you read the entire description, as with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Beautiful Art Deco sculpture in white craquelé ceramic depicting a pair of panthers; the noble animals are depicted walking, with their plush stride, in the tall grass in a calm and relaxed attitude; the powerful muscles of the beasts are relaxed, but the representation is always charged with strength and pride, a classic example of the Art Deco style that exalted in its artistic expressions the forms, strength, and power of both humans and animals. The object features very distinctive workmanship: the piece of raw ceramic was first molded into its final soft and elegant form, then fired at about 1000° C, then an ancient technique was used by applying "crystalline" (a transparent vitreous coating) with an ox brush; then distributed, again with a brush, white glaze over the entire body of the panthers; the glazing stage requires a lot of skill, as the glaze must be evenly deposited on the surface of the object, at which point, very quickly, to fix the glaze, the piece was put into the kiln between 920 and 940 degrees for the final firing. By looking at the underside we can better understand this technique. The panther pair...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Statuette of a naked woman sitting in patinated plaster of Paris; plaster of Paris, is a very resistant material, used since ancient times, it was used by the ancient Egyptians as a binder in the construction of the pyramids and is used in sculpture for its strength, the name is linked to the ancient quarries of Montmartre in Paris; the statue is a work of the famous Belgian sculptor and bronze artist Joseph Zomers which he executed between 1915 and 1920 and whose signature is on the pedestal. The woman is represented posing with ill-concealed malice and shows without reticence her body with a thin erotic veil, the artist has not executed the face precisely to accentuate a mysterious charm; it is a figure of harmonic proportions that takes into greater consideration the erotic connotations, however, a refined and elegant eroticism that presents itself in a courteous manner, subtle and suggestive but at the same time provocative and irreverent; the woman, in her most intimate dimension, as a naked presence, defenseless but seductive, becomes the embodiment of the poetic essence of the artist, the emblematic figure of his aesthetics. It is an object in perfect Art Nouveau style (Jugendstil), in fact, many artists of this current used eroticism as their work, portraying women as ethereal and fatal beings, letting themselves be inspired by "le beau sexe" thanks to their naked forms, soft and seductive. Joseph Zomers was born in Liege in Belgium in 1895 and died in 1928; he studied art in Maredsous (Belgium), many of his works are permanently exhibited at the Musèe de Liège; Zomers is well known for his public monument "Tchantchès" in Liege. This great work in stone and bronze is located in the Otremeuse district in Rue Pont-Saint-Nicolas; designed by Joseph Zomers, the statue represents a "hiercheuse", the name was given to the women who pulled the carts in the mine, a tribute to those valiant young people vilified and victims of the exploitation of women's labor, the woman holds aloft the puppet of Tchantchès. Tchantchès is the name given to a puppet that appeared in Liège in the 19th century. The popular character, Tchantchès became over time the archetype of the goodman of Liege, witty and good-natured, wise and subtle, quick to find resolutions and fertile in resources, when he is depressed, he recovers with a joke that reveals the popular Walloon citizen, mocking and sentimental. It was therefore fitting to erect a monument to these two popular and significant symbols of the proud city...

A vintage bronze statuette from the mid-20th century depicting Quan Yin. Created during the midcentury period, this bronze statuette features the Quan Yin, the Goddess of Compassion,...

Work done by Italian sculptor. In cast bronze, chiselled and original patination. Signed: Rogelio Gonzalez Roberts, Firenze, Italy.

A rare pair of bookends featuring Chimpanzee pulling goose statue in Bronze on marble base. Signed on the base. Excellent condition. French. Around 1920.

An abstract inspired bronze tabletop statuette of a woman on black marble base. Exemplifying elegance, this modern abstract bronze statuette of a woman exudes a contemporary aestheti...

An Art Deco patinated and parcel silvered bronze sculpture depicting three flying seagulls, swooping close to the rising sea swell. Set over an angular black stone base. Signed to ca...

Pair of seagull statuette Material: Terracota Source: France - Art Deco Period: 1920-1929.