Bazaar Sas

We kindly suggest that you read the whole description, as we try to give you detailed technical and historical information to ensure the authenticity of our items. Set of 4 Danish wooden chairs...

Please read the entire description carefully, as we aim to provide you with detailed technical and historical information to ensure the authenticity of our items. This elegant burnis...

We kindly suggest that you read the entire description, as with it we try to give you detailed technical and historical information to ensure the authenticity of our objects. Particu...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Monum...

We kindly invite you to read the entire description, as it provides detailed technical and historical information to ensure the authenticity of our items. This elegant and sophistica...

We kindly suggest that you read the entire description, as with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. The ...

We kindly invite you to read the entire description, as we strive to provide you with detailed technical and historical information to ensure the authenticity of our items. This eleg...

We kindly invite you to read the entire description, as we aim to provide you with detailed technical and historical information to ensure the authenticity of our items. This origina...

We kindly invite you to read the full description, as we provide detailed technical and historical information to ensure the authenticity of our items. This set includes three wall-m...

We kindly suggest that you read the entire description, as with it we try to give you detailed technical and historical information to ensure the authenticity of our objects. Peculiar, rare, and antique pair of Italian altar candlesticks in the shape of a torch; they were made completely by the technique of manual turning, a special way of working that allows the objects to have a rounded shape: the piece of wood rotates with the aid of the lathe, while the craftsman uses special tools called "gouges" to shape and decorate its surface; they were then painted with a pasty gray-white varnish, which over time has taken on the craquelure effect; on the wooden structure we did not, therefore, consider doing any restoration because its veiled patina and imperfections make it truly alluring and fascinating and attest to its antiquity and authenticity; at the top of each one is a metal "bobeche" of shaped leaves made to hold large candles; when, in more recent times, they were electrified, a candle-shaped lamp holder was applied; the base is made of three lion's paws in cast bronze. They were produced in a craft workshop in the province of Lucca (Tuscany, Italy) between 1830 and 1835; the area was famous for producing liturgical furnishings of all kinds. The master craftsman was inspired by ancient medieval torch...

Please kindly read the entire description, as we strive to provide you with detailed technical and historical information to ensure the authenticity of our items. This refined and or...

Before describing the object under consideration, we must make an important clarification; the artifact, one of many that we will publish over time, is part of the museum collection ...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Sumpt...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Uniqu...

Before describing the object under consideration, we must make an important clarification; the artifact, one of many that we will publish over time, is part of the museum collection of a historic Florentine crystal grinder that unfortunately closed recently. It is the Marcello Galgani & Son company, whose completely manual and artisanal work has not withstood the disproportionate advance of mass-produced mechanical processes! Marcello Galgani began his craft as a grinder and restorer in 1960; as the years went by, Marcello mastered and became familiar with particular techniques and shapes, resulting in the production of objects that manage to retain the freshness of grinding and engraving, the warmth and softness of light, and the inimitable flavor of unique artifacts. After several years, his son Lorenzo, who grew up among crystals, also entered the business and immediately became passionate about this ancient craft with skill and ability. Stimulated by the aesthetic sense of the past, father and son, set up a workshop in which the shapes they researched and created themselves are mouth-blown by traditional Tuscan glassmakers in Empoli, then ground and engraved using ancient sixteenth-century techniques, with motifs born from the Galgani's inexhaustible imagination or culturally inspired by designs of objects seen and studied in Florentine museums (Uffizi, Galleria Palatina, Museo degli Argenti, etc.). Marcello and Lorenzo Galgani were also Masters in the difficult art of restoration, bringing rare and precious objects back to life. As mentioned the company recently closed and disposed of all its last production, and only Marcello's old private museum collection remained, which includes unique and special objects created over time, a collection that the craftsman made available to us for a planned sale. All of the objects were made entirely by hand with old grinding wheels, but there were mainly two tools that allowed the creation of masterpieces: the right hand and the left hand of the master craftsman. Ancient glassmaking techniques were used for all the ground and engraved products: first, the object was ground with an emery wheel fed continuously by a jet of abrasive sand and water, then re-polished with a very fine-grained sandstone wheel also fed with water; the engravings were done freehand using as many as 10-15 small stone wheels for each design (flowers, branches, animals, etc. ); then the object was polished and shined; we must make, at this point, an important clarification on these last two operations: towards the end of the 1960s acid crystal polishing was devised, the object was immersed and rotated in a solution of sulfuric acid, fluoridic acid and water and in a short time all the defects left by the previous processes were eliminated, it was a fast, industrial operation that allowed to lower costs considerably, with discrete but not excellent results. But for Galgani's products polishing is done with a cork bark wheel wet with water and pumice, to make the surfaces more transparent, and finally polishing was achieved with a felt wheel wet with a paste of water, iron oxide, and cerium oxide. This series of processes takes an average of two days of work( sometimes much longer) for each object, each engraving or grinding is the result of the creative inventiveness of the two artisans, inventiveness that transforms crystal into reality material of the highest aesthetic value and inestimable value. All the items in the entire collection have never been used; they were part of the exhibition. Huge and monumental Florentine Renaissance-style vase...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Pecul...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Valu...

We kindly invite you to read the entire description, as we provide detailed technical and historical information to ensure the authenticity of our pieces. We would like to point out ...

We kindly invite you to read the full description, as we strive to provide you with detailed technical and historical information to ensure the authenticity of our items. This iconic...

We kindly invite you to read the full description, as we provide detailed technical and historical information to ensure the authenticity of our items. This exquisite French Art Nouv...

We kindly invite you to read the entire description, as we provide detailed technical and historical information to ensure the authenticity of our items. This refined pair of Italian...

Before describing the object under consideration, we must make an important clarification; the artifact, one of many that we will publish over time, is part of the museum collection ...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Parti...

We kindly suggest that you read the entire description, as it provides detailed technical and historical information to guarantee the authenticity of our items. This series of four b...

We kindly suggest that you read the entire description, as we aim to provide detailed technical and historical information to guarantee the authenticity of our objects. This original...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Ceili...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Orig...

We kindly invite you to read the entire description, as it contains detailed technical and historical information to ensure the authenticity of our items. This iconic Czechoslovakian...

We kindly invite you to read the full description, as we aim to provide detailed technical and historical information to ensure the authenticity of our items. This exquisite Chinese ...

We kindly suggest that you read the entire description, as with it we try to give you detailed technical and historical information to ensure the authenticity of our objects. Pleasi...

We kindly suggest that you read the entire description, as with it we try to give you detailed technical and historical information to ensure the authenticity of our objects. Peculi...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Rational and linear desk...

We kindly suggest that you read the whole description, as with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Pret...

We kindly invite you to read the entire description carefully, as we aim to provide detailed technical and historical information to ensure the authenticity of our items. This extrao...

We kindly invite you to read the entire description carefully, as we aim to provide detailed technical and historical information to ensure the authenticity of our items. This extrao...

We kindly suggest that you read the entire description, as with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Ori...

We kindly suggest that you read the entire description, as with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Ico...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Orig...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Lovely and refined English oval ceramic tray; elegant and rich blue decorations have been executed on the white background using the transferware method; the mark on the back tells us exactly that the object was produced by the Clementson Brothers LTD Company between 1901 and 1913 at the Phoenix factory in Shelton, the company made a wide range of objects with this decoration called "Delf" ( see mark no.909 p.150 of "Encyclopaedia of British Pottery and Porcelain Mark"). Transferware, which was very fashionable in the Victorian period, refers to glazed and decorated pottery with a specific treatment that they produced in Staffordshire, England; they used copper plates on which the design was engraved, the plate was then inked and the design transferred to a special fabric that was later placed on the pottery (plates, trays, tureens, etc.) which was glazed and fired; the first to use this printing process were John Sadler and Guy Green of Liverpool in 1756. If we look at the pottery made by this method we will notice that the designs are not perfect and often the ink is smudged: this is their characteristic. A hand-painted plate service could afford few English families, with this method even middle-class families could have a decorated plate service. The Clementson Firm was founded in 1839 by Joseph Clementson, who retired from the business in 1867, leaving the factory to his four sons and son...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. A ni...

We invite you to carefully read the entire description, as we strive to provide detailed technical and historical information to ensure the authenticity of our items. This exquisite ...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Elegant and refined mahogany cockpit chair...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Important and sturdy pair of antique curtain...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Pillo...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Particular and original German ceramic vase colored with a beautiful shade of red and a dark and vivid black; it has a simple shape but at the same time innovative and modernist; the beautiful and bright colors are balanced and proportioned respecting a minimalist design; the glazing of the vase was obtained by first laying down one color, proceeding to fix it by firing it in the kiln, then the same procedure was carried out for the other color; on the bottom is the mark "W. Germany"; it was produced between 1968 and 1971 in a craft workshop in the city of Dresden (then in East Germany), an important center for the production of porcelain and ceramics. "Fat lava" is the name given to a certain style of East German art...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Elegant and particular coffee service in fine French porcelain...

We kindly suggest that you read the entire description, as with it we try to give you detailed technical and historical information to ensure the authenticity of our objects. Exceptional and very distinctive German silver-plated metal sugar bowl...

We kindly invite you to read the entire description, as we strive to provide detailed technical and historical information to guarantee the authenticity of our items. This unique and...

We kindly invite you to read the entire description, as we strive to provide detailed technical and historical information to ensure the authenticity of our items. This exclusive pai...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Parti...

Before describing the object under consideration we must make an important clarification; the artifact, one of many that we will publish over time, is part of the museum collection o...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. For t...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Pair ...

We kindly suggest that you read the entire description, as with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Icon...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Elegant and refined English octagonal ceramic tray; on the white background, soft and rich blue decorations have been executed using the transferware method; in the center we find the poetic and graceful representation of the Severn River and the town of Bridgnorth (the name of this decoration is "Severn"), while the edges of the tray are adorned with sumptuous and spectacular flower and leaf decorations. The Severn River is the longest river in the United Kingdom (350 km), rising in Wales and flowing into the Bristol Channel; Bridgnorth is an ancient Saxon settlement; observing the view of the river and town from his castle at Bridgnorth King Charles I Stuart (1600-1649) said "the most beautiful sight in all my kingdom". On the back of the tray there are 3 imprinted marks including one with final number 14, then we find in the center a blue mark, these indicate to us exactly that the tray was produced in Stoke-on-Trent by the Copeland-Spode company in 1914 (see mark no.1079 p.172 of "Encyclopaedia of British Pottery and Porcelain Mark). The Spode firm was founded in the heart of the Potteries - Stoke-on-Trent by Josiah Spode in 1770. Josiah Spode is most famous for developing the specific design technique that meant underglaze transfers could be printed on earthenware. Later, focusing on porcelain production, Josiah Spode pioneered the development of a new form of porcelain, originally called "Stoke China...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Eleg...

We kindly suggest that you read the entire description, as with it we try to give you detailed technical and historical information to ensure the authenticity of our objects. Origina...

We kindly suggest that you read the whole description, as with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Iconic and original yellow opaline Murano glass vase; the vase was blown in one piece without joints; the most difficult and special operation was to leave the yellow opaline inside and make the outside with multiple colors; various colored oxides were applied when the draft of the yellow opaline vase...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. The c...

We kindly suggest that you read the whole description, as with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Very comfortable and elegant upholstered armchair; the frame is very solid with sturdy legs made of polished and brushed brass; the seat is deliberately low but large and comfortable; the wide overall appearance has soft and pleasing lines, perfect for conveying a feeling of comfort and well-being. The armchair was made between 1960 and 1963 by an artisan workshop in Meda (Milan, Italy) that collaborated with several Lombard architects; for the creation of the armchair, the artisans were inspired by architect Marco Zanuso, following his design. Marco Zanuso (1916-2001) was among the greatest interpreters of the culture of the modern, as an architect, designer, and university lecturer; he was one of the first designers to take an interest in the problems of product industrialization, going beyond the aesthetic question to incorporate technological, industrial, distribution and communication variables. The form of an object intended for serial reproduction, according to Zanuso, is thus a synthesis of opportunities, experimentation, and innovations located in the concrete process that links creativity, production, and sociocultural context. His countless creations include the Lady armchair, and the Antropus armchair...