Gilt Mantel Clocks

Large and stunningly figural Egyptian design, style marble clock garniture, circa 1920. If you are looking for a statement piece for your mantel and you have an interest in worldly ...

Elegant French Victorian era gilt bronze mounted alabaster antique mantel clock / shelf clock, attributed to master Parisian sculptor P.H. Mourey (1840-1910), with movement by renowned clockmaker Japey Frères (1776-1930s) circa 1870 Paris, France, second half of the 19th century, executed in luxurious Louis XVI taste, tastefully appointed, the neutral alabaster creates the perfect backdrop against the brilliant gilding. Having a soft, warm, creamy off-white alabaster base with subtle chalky beige undertones, shaped, with rounded sides, step molding and two hand-painted blue enamel parcel gilt turned tapering urn forms, raised on brass feet, decorated with lavish gilt metal ornamentation, including accents, ormolu flaming urn finials, unique recessed gilt brass perforated-like textured panels, and sculptural gilt bronze raised drum-form case, housing the classic white porcelain enameled dial with black Roman numerals, sophisticated gold-tone Breguet hands, framed by a beaded bezel, with must likely the original operational 8-day key-wind Japy Fils movement enclosed. Surmounted by an ornate brilliantly gilded spelter figural sculpture, finely detailed, depicting young boy and girl courting, holding a bird's nest with eggs over the housing, with large branching tree behind them, the couple posed leaning in to each other, wavy garb with incised detailing, standing on the alabaster base. Philippe H. Mourey (French, 1840-1910) was a master French sculptor, who produced a range of fine decorative art objects in the late 19th century. His work often combines painted porcelain panels and gilt metal mounts, similar to elements of this piece. PH Mourey was best known for his association with Japy Freres & Co. the noted 19th century Paris Clockmaker, and maker of this clocks movement. Mourey’s work can be viewed in various museums, especially in France, as well as major art collections, including the Royal Collection Trust in London. The Japy Frères workshop (1776-1930s) was started by Frédéric Japy in 1776 under a different name, eventually the iconic French clock and watchmaking firm was founded in 1806 by Frédéric Japy along with his sons, Pierre, Fritz and Louis, thus creating the trademark we know today, ‘Japy Freres’ or (Japy Brothers). Japy Frères won a number of medals at important exhibitions and achieved international recognition throughout much of the nineteenth century, including the prestigious Grand Medal of Honour, which was awarded to Japy in 1855 at the important Exposition Universelle Paris. - MARKS / SIGNED / HALLMARKED: Works stamped "Japy Fils depos 1855 medailler 1844 1840" circular medallion; "RS" within square, "2949" "55" Case housing: stamped "44", case underside "44" written in pencil, incised "IX", elaborate illegible writing in pencil, last word may say "Richebois?", possibly where the clock was to be sent or who it was commissioned by PROVENANCE / ACQUISITION: 09/2024- Acquired from the reputable auction house, Dallas Auction Gallery, Dallas Texas. Great Estates, Fine Art, Furniture & Design auction catalog, lot#0064 Owned and curated by Reyne Hirsch, a long time media personality and expert in 20th century decorative arts. Hirsch was a top appraiser for Antiques Roadshow on PBS for 13 years. She's also a leading contributer to the Huffington Post, New York Times, Wall Street Journal, Architectural Digest, amongst other publications. Hirsch has also founded highly regarded permanent art galleries as well as important exhibits throughout the United States. DIMENSIONS: (approx) 12" Tall, 12" Wide, 5" Deep CONDITION REPORT: Good original unrestored antique condition, especially considering its age, attractive appearance, patina, bright lustrous gilding, and working movement. Nicely aged patina over the whole, antique character and charm throughout, including rubbing to blue enamel with significant losses, age related patination, oxidation, tarnishing throughout, minor chips, nicks, abrasions to alabaster edges, all typical wear consistent with age, use, handling and exposure. Currently working, observed operating over long periods and keeping accurate time. Key, pendulum and bell included. Please note, as with all antique clocks...

Elegant antique clock garniture set, crafted from striking pink-veined marble and adorned with ornate gilded bronze details. This exquisite...

Good size and wonderful quality, heavy bronze clock. This late 19th century work of time telling art is in very good condition and the design is both elegant and stylish. We have cl...

Elevate your home decor with the exquisite fusion of artistry and function embodied in the Glass Dome Bronze and Porcelain Face Ansonian Crystal Palace Mantel Clock. This remarkable ...

A Large and Important Louis Philippe Period Gilt-Bronze Three-Piece Clock Garniture. Attributed to the Feuchère family. The clock movement by Hémon. In the Renaissance revival style. Comprising a clock and a pair of nine-light candelabra. The clock case of architectural out-shape with cherubic term figures supporting a rectangular pediment centred by an urn. The sides of the clock tower cast in relief with strapwork and foliage. The dial inset with enamel Roman numeral chapters. The twin-barrel clock movement with tic-tac escapement, silk suspension and countwheel strike to bell. Pendulum and winding key. The candelabra as twin-handled vases supporting tiered branches with candle nozzles. Modelled en suite with naturalistic scrolls and foliage. Surmounted by finials modelled as an eagle toying with a serpent. The scrolled handles flanked by cherubic figures and serpents. The bodies fronted by bacchic masks and supported on socles bearing angels. France, Circa 1835. The clock movement signed ‘HEMON A PARIS’. The clockmaker Claude Hémon was established at rue de St. Martin circa 1810-1820. Dimensions, the clock: Height : 106 cm 42 inches Width : 58 cm 23 inches Depth : 38 cm 15 inches Weight : 72 kg Dimensions, the candelabra: Height : 104 cm 41 inches Width : 36 cm 14 inches Depth : 36 cm 14 inches Weight : 28 kg (each) This magnificent clock garniture of palatial size is designed in the Renaissance revival style and dates to the Louis Philippe period. Executed in sculptural gilt-bronze with leaves, scrolls, masks and exotic birds, the naturalistic ornament represents an elaborate system of allegories and mythological iconography which recall the influence of Italian Mannerist art in France. The distinctive design reflects a new style which replaced the neoclassism of the French Empire period. With the fall of Napoleon Bonaparte, artists and designers sought a new decorative vocabulary with which to aggrandise the Bourbon restoration. With the French revolution and Louis XVI’s execution still within living memory, it seemed too soon for a revival of the style of the Grand Siècle. Instead they looked further back to the time of François I, whose patronage of Italian artists had brought the Renaissance to France. The idea of a renaissance revival appealed to the new Bourbon monarchs and their patronage ignited great creativity in the arts. The reigns of Louis XVIII and Charles X, who were brothers of the late King, Louis XVI, and later of Louis Philippe I, nicknamed the Citizen King, coincided with the enlightenment and the dawn of the industrial age. Great technical progress was made in metallurgy and casting which raised the art of bronze making to new heights in the hands of great masters such as Pierre-Philippe Thomire (1751-1843) and Pierre- Jean-François Denière (1774-1866). The renaissance provided a rich and varied source book in architecture, furniture and other decorative arts for designers such as Claude Aimé Chenavard (1798-1838) whose Album de l’ornemaniste (1835) became a reference work. Léon Feuchère (1804-1857) also produced drawings of interiors, silver, bronzes and furniture and was a scion of the prominent family of bronze castors established by his grandfather Pierre-François Feuchère (1737-1823) who had worked as a gilder for the bronze caster Pierre Gouthière before setting up a bronze foundry that would become one of the largest in Paris under the management of his son Lucien-François (d. 1841) and grand-son Armand (1797-1866). A number of drawings by Léon Feuchère have recently been discovered by the Rijksmuseum and probably belonged to the collection of Louis-Philippe-Albert, duc d’Orléans, comte de Paris (1838-1894). Louis-Philippe-Albert was the grandson of the French king, Louis-Philippe I (1773-1850), who granted him the title of comte de Paris, and the son of Ferdinand-Philippe, duc d’Orléans (1810-1842). Ferdinand-Philippe was an important collector and sponsored many young artists to create metalwork objets d’art, notably a celebrated surtout de table made by Claude-Aimé Chenavard and Jean-Jacques Feuchère (1807-1852), a cousin of Armand and Léon. Principally remembered as a sculptor, Jean-Jacques Feuchère trained in the family foundry and designed small objects, cigar boxes...

A very good quality Louis XVI Style Gilt Bronze Mantel Clock. French gilt bronze clock with enamel face, fruit and lion motif, on plinth. H 22.3 cm (8.8 in.), All clocks sold as is w...

This exquisite 19th-century fine gilt-bronze clocks garniture by Joseph Raingo is a masterpiece of craftsmanship and design. The set features a central clock adorned with intricate f...

Very rare, perfectly running and sculptural, French Art Deco marble pendulum clock. Movement: Japy Frères (1806-1930) If you are looking for an attractive antique mantel clock to g...

A stunning original antique French clock by Japy Frères. It is beautifully made in gilded bronze in the Louis XV style. Waisted case with a fretted front to allow a glimpse of the pe...

Early 19th century Charles X style gilt bronze with figural design detail mantel clock. The clock features a surmounted soldier holding a shield. Eight day spring driven brass moveme...

A beautiful original gilt bronze antique French clock in the neoclassical style of Louis XVI by the renown maker Japy Frères. Architecturally designed and profusely decorated with ac...

Stunning Jaeger LeCoultre inline skeleton clock, parading a clean minimalistic design suitable anywhere in the home, especially a table, mantelpiece or desk. Made with gilt brass and lucite, the beauty of these skeleton clocks is that you can see the 16 jewel Swiss movement working and it almost appears to be floating within the lucite. Owners of these iconic clocks...

A gold, antique French table clock, pendulum made of hand crafted fire-gilded bronze, in good condition. The circular enamel dial of the Pa...

A beautiful antique French gilt bronze clock by A. D. Mougin. Modelled in architectural form and covered with scrolling acanthus decoration to represent a romantic ruin. To the top ...

A stunning original antique French gilt bronze clock by Samuel Marti. Beautifully made in he Rococo style, formed of sinuous curves of acanthus and scrolls, pieced to allow the pendu...

This charming Louis XVI-style mantel clock is a fine example of French decorative craftsmanship, likely dating from the late 19th century. The clock features a white enamel dial sign...

Very large antique Louis XV style mantel clock by Beurdeley and Raingo Frères French, Late 19th Century Height 98cm, width 49cm, depth 24cm This magnificent Louis XV style mantel cl...

A Very Fine French 19th Century Gilt-Bronze Figural Mantel Clock, Horloge à Poser, by Henri Picard and Fedinand Barbedienne - ‘F. Barbédienne & Cie. / A Paris’, after the model by É...

Dimensions (Clock) - H: 16 1/2 in W: 7 1/2 in D: 4 1/4 in Dimensions (Candelabras) - H: 14 3/4 in W: 8 1/2 in D: 8 1/2 in This exquisite 19th-century clock set, crafted by the ren...

This antique clock set is a luxurious masterpiece, perfect for adding elegance to hotel lobbies, grand living rooms, spacious hallways, and museums. ...

A stunning and large original antique French gilded bronze clock set. It is of the most beautiful Rococo style, waisted case decorated with ...

Empire period portico clock in white marble and gilt bronze, 19th century This Empire period clock (circa 1800-1810) is composed of a marble terrace topped by two flat columns decor...

Fine French 19th century gilt bronze figural Louis XV style clock. The crest showing a pair of Bacchanale subject putti, one reclining on a naturalistic rocky outcropping with a chal...

Marble and gilt bronze clock with mythological decor, 19th century, Napoleon III period. A 19th century Napoleon III period clock in marble and gilt bronze with a mythological theme...

Miniature Empire Bronze Clock - Matelot Paris fire-gilded and patinated bronze early 19th century Dimensions: H x W x D: 18 x 14 x 9 cm Description: Very rare miniature of the famous Pendule Matelot "Au Bon Sauvage". The depiction deals with an important topic of the time, trade with the colonies. The rectangular base stands on pressed ball feet. Attached to the front, we see two cornucopias filled with exotic fruits and held by a bow. A young sailor, dressed in a raffia skirt and feather jewellery...

A fine French Louis XVI Style gilt and patinated bronze and white marble figural mantel clock with a figure of a drummer cherub. The brown patina cupid, seated on gilt-bronze clouds ...

A very fine and Palatial French Louis XVI style figural gilt bronze mantel clock. The vase shaped case surmounted with a pomegranate-cast finial and flanked by large satyr mask handles fitted with intertwined gilt-bronze snakes, amongst floral wreaths, ribbons and acanthus. The rectangular acanthus decorated base flanked on each side with a figure of a cherub holding a globe and a Putti writing a poem, both above a plinth decorated with fruit and floral garlands surmounted with lion-mask-legs. The circular white enamel dial with wreaths of flowers with Roman and Arabic numerals, Signed: Étienne Le Noir...

An Empire mantel clock in gilded wood, made in Austria or Germany 1820-1830. It features a warrior dressed in classical armor with his arm resting atop the clock. The clock pillar is...

A mantel clock crafted from gilt and gilded brass (also known as ormolu) and red griotte marble in the eclectic style popular during the Napoleon III period. The mantel clock featur...

Marked on the dial Furet & Bon, Hrs du Roy, à Paris Measures: Clock – Height 98 cm (38 1/2 in.), width 70 cm (27 1/2 in.), depth 25 cm (9 3/4 in.) Candelabra – Height 116 cm (45 ...

An antique 19th Century French dore bronze clock and candlestick garnitures set. The footed clock features glass panel sides and back, foliate ormolu garland, and a flower wreath mo...

Stunning Jaeger LeCoultre mid-century marina desk clock with an Oriental theme, number 349. The clock has a polished gilt brass and lucite case. It is beautifully decorated with an O...

This vintage Tiffany & Co. French bronze clock dates from the late 19th century (1896). It is elaborately designed in the style of Louis XV & exhibits a m...

Ormolu bronze mantel clock flanked by a troubadour and musical instruments, signed 'Ferdinand Berthoud a Paris'. The end of the 18th and beginning of the 19th century was a crucial time in which new technological advances helped to make watches more accurate and more portable. During the 1790s, the production of gilded bronze increased considerably as working conditions improved. The freedom of trade initiated by the French Revolution allowed many casters to develop large factories. The new factory environment gave them a chance to execute all stages of bronze work including drawing, casting, gilding, assembly, and trade of art objects. While the bronzers took creative liberty in creating all kinds of clocks in contrast to the noble and rigorous structure carried by the movement of neoclassicism. Under the reign of Empire, the case designs started gradually to develop away from a proportionate and strict classicism towards a baroque style and revival style. The rediscovery of medieval civilization was one of the intellectual curiosities of the beginning of the 19th century, with much input from the Ancien Régime and its institutions, rites and the medieval churches in which family ceremonies occurred. This early nineteenth-century figural mantel clock is surmounted by a medieval musician. To be more precise, it is a french troubadour. Troubadours were known for composing and performing lyric poetry for the nobility back during medieval times. The clock is featuring a chiselled bronze troubadour, dressed in medieval fashion while holding a flute, playing a tune from sheet music called "Du Troubadour" that is resting on top of the rectangular clock case. In addition to that, the clock features a gilt bronze lute or vielle resting on a small stool on the opposite side of the clock’s case. The white enamel dial features the inscription Berthoud and is underlined by a bronze entourage chiselled with palmette motif, plus encompassed by c-scrolls and wreaths. The original hands are in blued steel and encircled by Roman numerals indicating hour next to Arabic numerals indicating minutes. The small details that adorn the hexagonal plinth are reliefs, depicting two water fountains or basins on both sides with a lyre in between. The sculpted image of a lyre raised above the background features also foliage garlands tied on top with ribbons. The clock rests on seven spinning feet. The clock was made in the well-known workshop of the Berthoud’s family that was recognized for their excellent work by the King. Berthoud Clockmakers History. Ferdinand Berthoud was a horologist and author of extensive treatises on timekeeping as well as a Swiss clockmaker serving the king of France, that produced many marine clocks, including a weight-driven version that inspired the first American sea-going clock. He was born in Plancemont, Switzerland, the son of an architect and judiciary. In 1741 he began a three-year apprenticeship as a clockmaker under his brother, Jean-Henri. He made his first marine chronometer in 1754 (sent for trial in 1761) and in 1764 was appointed a member of the Royal Society, London and Horloger Mécanicien de Sa Majesté et de la Marine ayant l'inspection de la construction des Horloges Marines. In 1769, Ferdinand Berthoud sent for his nephew Pierre-Louis Berthoud (1754–1813), commonly known as Louis Berthoud, a talented young watchmaker and clockmaker, inviting him to come to Paris from Couvet, Switzerland, to pursue his apprenticeship. Louis helped Ferdinand manufacture and repair the sea clocks...

Figural mantel clock signed “Al. dre Destape Palais Royal” The bronze figural mantel clock depicting one of the mythical heroes - Orpheus originates from the Empire period. The cloc...

A very important French gilt bronze and Rouge marble figural mantel clock by Japy Frères Movement: Japy Frères (1806-1930) Origin: French Date: 19th century Dimension: 30 3/4 i...

Large antique French Louis XV style patinated and gilt bronze clock set French, 19th Century Clock: Height 99cm, width 83cm, depth 32cm Torchères: Height 113cm, width 33cm, depth 28...

Louis XVI style ormolu and white marble mantel set, 19th century. Louis XVI style white marble and ormolu mantel set, 19th century. Clock: H: 35cm, W: 29cm, D: 11,5cm Candelabra: H:...

An exceptional 19th-century Empire-style mantel clock by Hartmann à Paris, meticulously crafted in gilt bronze. This distinguished timepiece showcases a finely detailed white enamel ...

This exceptional mantel clock, executed in the highly sought-after Empire style, presents a captivating tableau dedicated to the theme of music. Signed "Caillouet à Paris," a clockma...

Empire clock signed à Paris The mantel clock is in gilded bronze representing Ceres as a goddess of fertility, agriculture, grain crops and motherly relationships. In ancient Rom...

A French Empire table clock, first half of the 19th century. Measures: Width 30, depth 11, height 38 cm. Key included. Later added hatch at back. F...

Grand ormolu and marble clock set by Raingo Frères and Salmson French, Late 19th Century Clock: Height 69cm, width 81cm, depth 23cm Candelabra: Height 80cm, width 34cm, depth 34cm This elegant clock set was created by Raingo Frères and Jean Jules Salmson (French, 1823–1902). Raingo Frères, founded in 1832, was famous for its astronomical clocks, one of which is now in the Windsor Castle collection. The set is complemented by bronzes from the renowned sculptor Salmson, a regular exhibitor at the Paris Salon. The garniture includes a central mantel clock and two matching eight-light candelabra, all expertly crafted from ormolu and white marble. The clock features a central column topped with a finely detailed sculptural group of bacchantes holding grapevine garlands, with cherubs draping them over large vases. The white enamel dial is framed by an acanthus ormolu mount and rests on a base with twin ormolu lion feet. The candelabra mirrors...

French mantel clock "Astronomy" Paris Bronze, marble Mid 19th century Dimensions: H x W x D: 38 x 55 x 16 cm Description: A Louis XVI-style figural mantel clock mounted on a two-t...

Louis XVI style garniture set. Torch and quiver design is centered at Bottom of the clock. A hand painted garden scene is presented at the Lower portion of the clock and a beautifu...

Large scale mantel or tabletop clock in the neoclassic style of a woman reclining and a Child with a book. The woman is holding a foliate wreath and lo...

A beautiful original antique French clock, modelled in the Baroque style in gilt bronze. It is of architectural form with an applied motif of flowers, scrolls and cornucopia. Scrolli...

Antique French portico clock is crafted in Empire style during the reign of Napoleon in the 19th century. The Empire style gives the antique clock...

A Magnificent Large Antique French 19th Century Ormolu and Rouge Griotte marble clock set of exquisite craftsmanship. This spectacular clock set is comprising a pair of very large ni...

A fabulous French antique, circa 1850, Sevres style porcelain mounted gilt metal mantel clock by Parisian sculptor and merchant Louis Hottot (1829-1905), with stamped Japy Freres sil...

A Fine & important French bronze statue 8 day clock garniture in the Orientalist style, circa 1880. The 8 day clock with a time and strike mechanism, sounding the hours and half hours on a pleasant mellow sounding bell. The clock is house in a lavish bronze case heightened with silver gilt, to the top is an engraved 'Minaret' shaped finial and below a gallery of silvered and gilt bronze leaves. The white enamel clock dial having black Arabic numerals, the center of the dial with a bas relief of palm trees and figures below the sun and a fort to the background. The front of the clock is shaped like a Mihrab (a niche in a mosque), to the base is another bas relief an East Indian scene with gilded bronze figures holding muskets and spears, with an elephant and tiger...

The Ancient Roman personifications of love and desire, Venus and Cupid, feature on this this fantastic Louis XVI mantel clock. Finely cast in resplendent gilt bronze, they are shown with a dove on Venus's hand, another ancient symbol of love. Venus is shown in draped clothing...

French Empire Ormolu Bronze Portico Mantel Clock by Gaston Jolly, Paris, Circa 1810s, with original pendulum.

This 19th-century clock is an exquisite work of art, perfectly reflecting the refined and elegant style of the Napoleon III period. Here is a detailed description of this masterpiece...

This nineteenth-century gilded bronze clock exemplifies the grandeur of the Empire style, featuring a rectangular base with four legs, each intricately carved with subtle patterns. A...

A very fine and important palatial Louis XV style 19th-20th century figural gilt bronze white marble mantel clock with figures of cherubs, the enamel dial with Arabic numerals and fo...

This fabulous Palace clock is designed & executed in Paris, France. The monumental clock is beautifully casted in bronze & retains its original mercury gi...