Earthenware Bowls and Baskets

Wonderful set of 4 unique pictured earthenware bowls made by Danish artist Jeppe Hagedorn-Olsen in his own studio in the 1960s. These rare pieces have a rectangular shape and are dat...

Large French Ceramic Serving Bowl, Signed Lacoste A beautifully handcrafted French earthenware serving bowl signed Lacoste. This large ceramic piece features a cream glaze with deco...

Antique Danish Christmas porcelain decorative plate by Aluminia 1908. Large christmas plate by Aluminia ( later Royal Copenhagen ) in hand painted...

A rare Dutch Majolica plate with a decoration of a tulip. Northern Netherlands, probably made in the city of Rotterdam. Made 1620 - 1640 Dutch majo...

Italian contemporary post-modern Work of Art in the shape of a castle crown in majolica, exclusive design by Ceramica Gatti, an Art Studio of long tradition and Designer Ettore Sotts...

Mid-Century Modern handcrafted glazed oxblood red and shades of brown pottery earthenware round vessel or bowl. Inside marked Houston 75. One-of-a-kind pottery great for display. A-...

Arabia, Finland. Art Deco bowl in glazed faience. Beautiful marbled glaze. 1920s/30s. Measures: 27 x 5 cm. In excellent condition. Stamped.

Emile Gallé for St. Clement. Dish on four feet in hand painted faience. Decorated with flowers and birds, 1870s. In very good condition. Signed. Measures: 30.5 x 15.5 x 6.5 cm.

Roger Capron Bowl, Glazed Earthenware Made in France, c. 1960 Glazed earthenware, signature to underside ‘Capron Vallauris M82’.

Bowl Thorn all in earthenware with gold paint.

Bjørn Wiinblad for Nymølle. Oval serving dish in glazed faience. A Midsummer Night's Dream, 1970s / 80s. Measures: 36 x 29 cm. In excellent condition. Stamped.

Maiolica sugar bowl Antonio Ferretti Manufacture Lodi, Circa 1770-1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire). It measures 3.54 x 4.52 x 3.54 in (9 x 11,5 x 9 cm) Weight: 0.394 lb (0.179 kg) State of conservation: small and slight chips on the edges. The small sugar bowl has a swollen and ribbed body resting on a flat base. The cap-shaped lid follows the rib of the container and is topped with a small knob in the shape of a two-colored fruit. The sugar bowl is painted “a piccolo fuoco” (third fire) with the characteristic floral motif of bunches and isolated semis. An example which closely corresponds to this one is kept at the Civic Museum in Lodi (G. Gregorietti, Maioliche di Lodi, Milano e Pavia, Catalogo della Mostra, Milano, 1964 n. 137). This decorative style represented a strong point of the Lodi factory, which established itself thanks to the vivid nature of the colors made possible by the introduction of a new technique perfected by Paul Hannong in Strasbourg and later introduced by Antonio Ferretti to Italy. The production process, called “piccolo fuoco” (third fire), allowed the use of a greater number of colors than in the past; in particular, the purple of Cassius, a red made from gold chloride, was introduced. Its use allowed for many more tones and shades, from pink to purple. The Ferretti family started their maiolica manufacturing business in Lodi in 1725. The forefather Simpliciano started the business by purchasing an ancient furnace in 1725 and, indeed, we have evidence of the full activity of the furnaces starting from April of the same year (Novasconi-Ferrari-Corvi, 1964, p. 26 n. 4). Simpliciano started a production of excellence also thanks to the ownership of clay quarries in Stradella, not far from Pavia. The production was so successful that in 1726 a decree of the Turin Chamber came to prohibit the importation of foreign ceramics, especially from Lodi, to protect internal production (G. Lise, La ceramica a Lodi, Lodi 1981, p. 59). In its initial stages, the manufacture produced maolicas painted with the “a gran fuoco” (double fire) technique, often in turquoise monochrome, with ornamentation derived from compositional modules in vogue in Rouen in France. This was also thanks to the collaboration of painters like Giorgio Giacinto Rossetti, who placed his name on the best specimens next to the initials of the factory. In 1748 Simpliciano made his will (Gelmini, 1995, p. 30) appointing his son Giuseppe Antonio (known as Antonio) as universal heir. After 1750, when Simpliciano passed away, Antonio was directly involved in the maiolica factory, increasing its fortunes and achieving a reputation on a European level. Particularly important was the aforementioned introduction in 1760 of the innovative “a piccolo fuoco” (third fire) processing, which, expanding the ornamental repertoire with Saxon-inspired floral themes, was able to commercially compete with the German porcelains that had one of its most renowned offerings in the naturalistic Deutsche Blumen. Antonio Ferretti understood and promoted this technique and this decoration, proposing it in a fresher and more corrective version, less linked to botanical tables, both with or without contour lines, as well as in purple or green monochrome. After efforts to introduce more industrial production techniques to the sector succeeded, even the Ferretti manufacture, in the last decade of the eighteenth century, started heading towards decline despite its attempts to adapt production to neoclassical tastes. In 1796 the Napoleonic battle for the conquest of the Lodi bridge over the Adda definitively compromised the furnaces. Production resumed, albeit in a rather stunted manner, until Antonio's death on 29 December 1810. (M. L. Gelmini, pp. 28-30, 38, 43 sgg., 130-136 (for Simpliciano); pp. 31 sgg., 45-47, 142-192 (for Antonio). Bibliography G. Gregorietti, Maioliche di Lodi Milano e Pavia Catalogo della Mostra, Milano, 1964 n. 137; C. Baroni, Storia delle ceramiche nel Lodigiano, in Archivio storico per la città e i comuni del circondario e della diocesi di Lodi, XXXIV (1915), pp. 118, 124, 142; XXXV (1916), pp. 5-8; C. Baroni, La maiolica antica di Lodi, in Archivio storico lombardo, LVIII (1931), pp. 453-455; L. Ciboldi, La maiolica lodigiana, in Archivio storico lodigiano, LXXX (1953), pp. 25 sgg.; S. Levy, Maioliche settecentesche lombarde e venete, Milano 1962, pp. 17 sgg.; A. Novasconi - S. Ferrari - S. Corvi, La ceramica lodigiana, Lodi 1964, ad Indicem; Maioliche di Lodi, Milano e Pavia (catal.), Milano 1964, p. 17; O. Ferrari - G. Scavizzi, Maioliche italiane del Seicento e del Settecento, Milano 1965, pp. 26 sgg.; G. C. Sciolla, Lodi. Museo civico, Bologna 1977, pp. 69-85 passim; G. Lise, La ceramica a Lodi, Lodi 1981; M. Vitali, in Storia dell'arte ceramica...

A beautiful lidded stoneware bowl with amazing glaze. Made by Birger Åström (1931-2020) in his studio in Örnsköldsvik, Sweden, 1960s. Excellent conditio...

Beautiful, large bowl designed by Aldo Londi for Bitossi, for which he was art director, in the early 1950s. It is molded with refractory earth in shades of brown with a rather rare ...

Unusual footed cake or fruit stand/bowl decorated with blue and black spotted paint. A simple yet powerfull and vibrant in color. Designed and manufactured by Knabstrup in Denmark du...

Bjørn Wiinblad for Nymølle, Denmark. Large round dish in faience. Motif from "A Midsummer Night's Dream". 1970s. Marked. In perfect condition with natural craquelure. Dimensions: Di...

Robert Arneson Footed Bowl 1960 c. circa 1960 glazed earthenware, incised 'ARNESON' on underside Diameter 8.50" 3" high

Nils Thorsson for Royal Copenhagen Aluminia Faience glazed Baca vase, in abstract design, circa 1960s Beautiful pieces of signed and numbered Danish top cr...

Nils Thorsson for Aluminia. Large Columbine bowl in hand-painted glazed faience. White, black and yellow bird. Model number 2749. Dated 1958. Measures: 29 x 10 cm. In excellent...

Beautiful Swedish modern bowl in glazed earthenware, by Eva Jancke-Björk for Bo Fajans, ca 1940-50's. Good vintage condition, wear and patina consistent with age and use.

Nils Thorsson for Aluminia. "Marselis" faience bowl with a geometric pattern in beautiful oxblood glaze, mid-20th century. Measures: 19 x 4 cm. In very good condition. Stamped.    

Vintage earthenware handcrafted lidded bowl in hues of brown for Preservatives, Sugar, Candy Bowl, made in America. Stamped at the base, Janice Wei...

Italian contemporary post-modern Work of Art in the shape of a castle crown in majolica, exclusive design by Ceramica Gatti, an Art Studio of long tradition and Designer Ettore Sotts...

Anne Marie Trolle for Royal Copenhagen. Rare Collage bowl in faience. Late 20th century. Measures: 30 x 10 cm. In excellent condition. Stamped. 2nd factory quality.

James Tower (British 1918-1988) Footed Bowl, 1980 earthenware with green and white tin glaze 27.5cm diameter, 9cm high incised signature and date to underside Excellent condition, n...

Pablo Picasso (1881-1973), Picador, Earthenware bowl white, decoration with slips and paraffin and white enamel, “Edition Picasso Madoura” inscription on the reverse, Edition of 500 ...

Bottega Vignoli, Mediterranea large plate, hand-painted Italian majolica Approx. 55cm diameter Perfect décor for the wall or simply placed at the centre of a table, this stunning ...

This very large and very colorful Italian Majolica centrepiece bowl was made between 1900 and 1920 in the Renaissance Revival style. The sides show hand painted blue peacocks surroun...

Castelli manufacture polychrome majolica parade plate with a scene historiated with mythological subjects Diana and Endymion.

432-G Hand Crafted Golden Springing Stoneware Bowl With 22kt Gold Detail by Helen Prior A delicate hand-crafted bowl, organic in shape with a torn clay edge in natural speckled ston...

341 Hand Crafted Gathering Stoneware Bowl by Helen Prior A delicate hand-crafted bowl, organic in shape with a torn clay edge in natural speckled stoneware clay. Part of the Cross P...

Product description: This is a beautiful flared bowl with sea-like patina by Otto Zeegers. Otto and his wife Margreet made ceramics sinds 1972, Otto was responsible for the form, the...

Made in Italy, 1980s This ceramic vase is marked by Rosenthal. This is a vintage piece, therefore it might show slight traces of use, but it can be considered as in excellent origin...

394 hand-crafted blossoming stoneware bowl by Helen Prior A delicate hand-crafted bowl, organic in shape with a torn clay rim in natural speckled stoneware clay. Part of the Cross P...

Rare antique English Yorkshire or Staffordshire creamware pierced basket with intricate reticulated body. Lovely color no damage or repairs.

Nils Thorsson for Royal Copenhagen Aluminia Faience glazed Baca vase in abstract design, circa 1960s Beautiful piece of signed and numbered Danish top craf...

A delicate, handcrafted bowl with an organic form, featuring a torn clay edge in natural, speckled stoneware. Part of the Golden Promise Series, this piece explores abstracted and s...

A lead-glazed yellow earthenware two-handled bowl of the Faiencerie de Gien. Gien was founded in 1821 by Thomas Hall, and Englishman who wanted to i...

Signed by Cojoie AD, the decor-painter and on the reverse, LM et Cie, the making mark of the manufacture A circular hand painted pottery charger, decorated with an orientalist sc...

Very rare 20th century French Longwy faience and gold nets plate from the 1955. Created and stamped by M.P Chevalier, he was the artistic director of the Longwy factory between 1945...

Display your fruit or other perishables in this colorful antique Majolica dish. Created in Provence, France crafted, circa 1920, the decorative p...

382 Hand Crafted Springing Stoneware Bowl by Helen Prior A delicate hand-crafted bowl, organic in shape with a torn clay opening in natural speckled stoneware clay. Part of the Cros...

The Apollineo collection mergs classical and contemporary elements to define a unique aesthetic inspired by Mediterranean architecture and vibes. Sun-blessed pure volumes, shapes mar...

This colorful barbotine dish was created in England circa 1880; attributed to Georges Jones & Sons, the dish is rectangular in shape and sits on an attached platter base; it features...

A Dutch Delft Lobed Dish, Late 17th Century Eric Knowles Comments. Despite the flake chip this dish is a remarkable survivor, they are almost invaria...

Kari Christensen (1938-1997) for Aluminia. Handcrafted "Tenera" fajance bowl. Modernist design. Approximately from 1970. Marked. First factory quality. In perfect condition. Dimensi...

Green Bowl with Floral Motif Inside. Makers Mark on the Bottom. “ Franciscan tEarthenware” as Pictured. Vintage Condition Consistent With Age as pictured. Dimensions. 7 Diameter ; 2 H

This very large elliptical shaped earthenware dish designed by Nils Kähler (1906-1979) was executed by Herman A. Kähler, Denmark, ca. in the 1940s. It is decorated with black and tu...

Stig Lindberg for Gustavsberg Studio, Sweden Round dish in glazed faience with hand-painted flowers. 1940s. Measures: 22 x 4.5 cm. In excellent condition. Signed.

419-G Hand Crafted Golden Promise Fine Fronds Tray With 22kt Gold Detail by Helen Prior A delicate hand-crafted tray, organic in shape with a torn clay edge in natural speckled ston...

Song dynasty period earthenware glazed bowl Gorgeous patina and wear. Overall excellent condition. Height: 2.7" Diameter: 6.5"

Temptation 1 by Alice Reina Biancodichina Dimensions: 18 x H 13 cm Materials: Paper porcelain, pigment, gold luster Technique: Thin natural or colored paper-porcelain placed, ce...

341 Hand Crafted Gathering Stoneware Bowl by Helen Prior A delicate hand-crafted bowl, organic in shape with a torn clay edge in natural speckled stoneware clay. Part of the Cross P...

Big dishes by Longwy with Medusa decor. Made in faience craquelée.

Contemporary handmade Italian work of art, a bowl in the shape of a crown in majolica by Ceramica Gatti, a long tradition studio and famous designer Ettore Sottsass' favorite. This A...

Dish in Satsuma Japan in the shape of a 19th century walnut. This dish has a fel (see photo). Good state of preservation, however. Size 31 x 25cm. Add...

Temptation 2 by Alice Reina Biancodichina Unique Dimensions: 13 x H 9 cm Materials: Paper porcelain, pigment, gold luster. Technique: Thin natural or colored paper-porcelain p...

Ceramic bowl with bamboo leaves decor, full-fire reduction faience earthenware 20 cm diameter, hand-painted unique piece, 2017. Perfect decor for the wall or simply placed on a coff...

Hand Built Golden Promise Stoneware big bowl With 22kt gold detail by Helen Prior A delicate hand-crafted bowl, organic in shape with a torn clay edge in natural speckled stoneware ...

382 Hand Crafted Springing Stoneware Bowl by Helen Prior A delicate hand-crafted bowl, organic in shape with a torn clay opening in natural speckled stoneware clay. Part of the Cros...