Anglo-Indian Decorative Boxes

Wood with domed tops. Painted in black with multi-colored figural court scenes with colorfully dressed seated men and women. Floral borders. Painted red inside, brass hardware. Meas...

Whimsical silvered metal feline handcrafted with a folky charm that is hammered and etched in a decorated floral design that unexpectedly opens as a trinket box.

Beautiful silvered metal box of an elephant in a very traditional Anglo -Indian craft, art. Has an amazing age patina in contrast with the inside, as shown.

Vintage South Asian hand painted wooden box with removeable lid - featuring a full length portrait of an Indian woman in a pink sari to the lid...

VERY DECORATIVE VIZAGAPATAM BOX Vizagapatam, India, 19th Century. Rustic workmanship will only add to the decorative appeal of this Anglo-Indian footed domed casket in ebonized woo...

We are delighted to offer for sale this lovely 19th century Anglo-Indian Vizagapatam carved sandalwood and inlaid box Mid-19th century Anglo-Indian Vizagapatam carved sandalwood box...

A fine early 19th century coromandel work box with moulded front design and fitted interior containing a super collection of sea shells. Ivory registration number 8NEDUS4R.

Very decorative hand painted in the Anglo-Indian style. Painted back and gold with each framed panel filled with female dancers and male flower bearing suiters. A colorful and fun, a...

Antique Anglo Indian Hindu treasure jewelry metal bronze box. 19th century Anglo Indian antique metal box handcrafted with hinged lid with a swing ...

Nice Indian box in green lacquered wood dating from the end of the 20th century. It is decorated with delicate gold, black and green pattern.

Lofty antique British colonial lidded box handcrafted in indigenous hardwood clad in tortoise shell and decorated with intricate bone designs, featuring an etched and painted center ...

PRESENTING A GORGEOUS 19C Anglo Indian Highly Carved Sadeli Mosaic Sarcophagus Sewing Box. Made in Bombay, India circa 1860-80. Box made of sandalwood with highly carved teak wood reliefs and panels on all sides. Edged with bone and ebony veneers and glorious sadeli mosaic, made from tiny pieces of faux ivory, pewter, green semi-precious stone. The box is in a sarcophagus form with domed lid. The original brass carry handles are on the sides. The interior is in great condition and consists of a removeable mirror under the lid portion, with the original red velvet lining behind it. The base is removeable and contains a number of lidded compartments. 6 of the interior lids on the base, are each inlaid with sadeli mosaic banding. The rest are also carved and chased. The interior is fully complete with 7 lidded faux ivory/bone, thread canisters with sadeli domes and the original bone thimble. The box sits on 4 brass ball or bun feet with the original velvet lining on the base. Some minor repairs and losses, but this box is fully complete. This is ‘rare’ as many of these boxes have not survived in such condition! Included in the sale are 2 photos that were in the box (under the base tray). Interestingly, one of them is a view of downtown Nassau, New Providence (Bermuda) from the early 20C and stamped on the rear. What a ‘journey’ this piece has made! Made in India … travelled to Bermuda, probably via Britain … back to Ireland (where we bought it) …. then to Texas! These boxes were made by superb Indian craftsmen, specifically for sale to the ruling British elite. These types of boxes, carved padouk and sandalwood, (whilst beautiful and superbly crafted) were of a lesser quality, than the more profusely and intricately mosaic inlay, tortoiseshell and ivory boxes, made for the British ‘Upper Classes’ in the areas of Bombay and Vizagapatam. These type of boxes were much more affordable back in 1880 (and indeed today) and would probably have been bought by mid-level diplomats, civil servants or visitors. Sewing boxes (in general), were in EVERY Victorian home in Britain in the 19th Century and like other boxes etc were ‘status symbols’ of your place in society! The more ornate the box, the more ‘Upper Class’ you were! Of it’s type, this one, is one of the very higher quality one’s, than the norm! SADELI MOSAIC: “Anglo Indian boxes were made in India for the English residents from the early part of the 18th century. They were brought back or sent back to England usually by the people who had commissioned them. From the beginning of the nineteenth century they were imported more commercially, although not in any significant numbers until the middle decades. They were very highly valued, especially the early ones, to the extent that the designs were copied on late 19th and early 20th century tins. The ancient art of Sadeli Mosaic is said to have been introduced from Shiraz in Persia via Sind to Bombay, a long time before the Anglo Indian boxes were made. It was a technique, which required a high degree of skill and patience. It was executed very lavishly, in that the frequent cuts wasted a great amount of the precious materials used. The workmanship was however more than commensurable to the value of the materials. Ivory, silver, pewter (or other metals), wood and horn were cut into faceted rods which were bound together to form geometric patterns. When the glue has set, the rods were sliced in transverse sections. This gave the maker a number of angled circular pieces in the original pattern. Several variations of patterns could be achieved by combining the materials in different ways. The ivory was sometimes dyed green to give an extra color. The mosaic pieces in a combination of patterns, often separated by ivory, ebony, horn or silver stringing were used to veneer sandalwood boxes. In the early boxes, which date from the turn of the 18th to the 19th century, there are large panels of mosaic covering tops and sides of boxes. It took incredible skill to cover such large areas without any shakes or wavering of the pattern. The corners and joins on these boxes are impeccably matched. The makers (reputed to be Persian) of Sadeli mosaic made in the first two decades of the 19th century displayed a total understanding of the qualities of the different materials they used. They combined substances, which can expand and contract according to atmospheric conditions with others, which are hard and unyielding. The result was a sharp definition of the lines and patterns, which made up the whole design. On the early boxes the designs look deceptively simple. The fact is, they emerged from a culture, which had mastered geometry and understood how to generate a pattern from a set number of points. The patterns are so harmoniously combined that their incredible complexity is not immediately apparent. The earliest Sadeli boxes...

Royal House Antiques Royal House Antiques is delighted to offer for sale this lovely, super decorative antique Islamic Anglo Indian Sadeli Micro Mosaic Card Case A wonderfully orig...

Double height carved Indian box An unusual piece with 2 levels, the top of the box in the octagonal shape has an opening lid. The lower is recta...

Exquisite vintage tissue box made of solid sheesham wood with exotic brass inlays. handcrafted by Indian artisans, the box has a stylized hand carve...

Anglo Indian hardwood campaign or dowry chest. This has brass straps, handles and large hinges on the interior. The lock has the original key. The chest is in good condition. It show...

This sturdy box is slightly waxy to the touch. Giving light to the olden way of preserving carved wood. There are blue pieces to this box that give off a cultural and exotic feel. Th...

Vintage cloisonné round trinket box, with black and gold flower and foliage decorating the lid. Made in India sticker on bottom.

This seemingly simple wooden vase is a design object of infinite beauty and elegance that can be placed in either an antique or a modern or contemporary setting. They are Indian arte...

An extraordinary Anglo-Indian box from Vizagapatam in fully carved solid ebony, late 19th century. Filigree ornate and sculpted floral decoration...

PRESENTING A LOVELY 19C Anglo Indian Highly Carved Sadeli Mosaic Inlaid Sewing Box. Made in Bombay, India, circa 1880. The box is made of sandalwood with highly carved raised teak wood panels on all sides, depicting temple scenes, animals and foliage. The box is in a sarcophagus form. It is edged in bone (and we can tell it is bone and not ivory, from the color and evidence of capillaries, which are not found in ivory), and banded with Bombay Sadeli mosaic and ebony veneer. The lid opens to reveal a removable tray with various open compartments and lidded compartments. 5 lidded compartments, 1 unlidded compartment and 8 holders for thimbles, etc The tray lifts to reveal a blue velvet (original) lined section, for storing jewelry etc, with sections for collars etc. The inside of the lid has a removable mirror (the mirror is missing on this one but can easily be replaced). Behind the mirror is the original green velvet lining. It has its original brass carry handles on the sides and sits on 4 silvered button feet (of recent origin). Some repairs to the exterior and condition issues (priced accordingly), but still a LOVELY COLLECTIBLE box! These boxes were made by superb Indian craftsmen, specifically for sale to the ruling British elite. These types of boxes, carved padouk and sandalwood, (whilst beautiful and superbly crafted) were of a lesser quality, than the more profusely and intricately mosaic inlay, tortoiseshell and ivory boxes, made for the British ‘Upper Classes’ in the areas of Bombay and Vizagapatam. These type of boxes were much more affordable back in 1880 (and indeed today) and would probably have been bought by mid-level diplomats, civil servants or visitors. Sewing boxes (in general), were in EVERY Victorian home in Britain in the 19th century and like other boxes etc were ‘status symbols’ of your place in society! The more ornate the box, the more ‘Upper Class’ you were! SADELI MOSAIC: “Anglo Indian boxes were made in India for the English residents from the early part of the 18th century. They were brought back or sent back to England usually by the people who had commissioned them. From the beginning of the nineteenth century they were imported more commercially, although not in any significant numbers until the middle decades. They were very highly valued, especially the early ones, to the extent that the designs were copied on late 19th and early 20th century tins. The ancient art of Sadeli Mosaic is said to have been introduced from Shiraz in Persia via Sind to Bombay, a long time before the Anglo Indian boxes were made. It was a technique, which required a high degree of skill and patience. It was executed very lavishly, in that the frequent cuts wasted a great amount of the precious materials used. The workmanship was however more than commensurable to the value of the materials. Ivory, silver, pewter (or other metals), wood and Horn were cut into faceted rods which were bound together to form geometric patterns. When the glue has set, the rods were sliced in transverse sections. This gave the maker a number of angled circular pieces in the original pattern. Several variations of patterns could be achieved by combining the materials in different ways. The ivory was sometimes dyed green to give an extra color. The mosaic pieces in a combination of patterns, often separated by ivory, ebony, Horn or silver stringing were used to veneer sandalwood boxes. In the early boxes, which date from the turn of the 18th to the 19th century, there are large panels of mosaic covering tops and sides of boxes. It took incredible skill to cover such large areas without any shakes or wavering of the pattern. The corners and joins on these boxes are impeccably matched. The makers (reputed to be Persian) of Sadeli mosaic made in the first two decades of the 19th century displayed a total understanding of the qualities of the different materials they used. They combined substances, which can expand and contract according to atmospheric conditions with others, which are hard and unyielding. The result was a sharp definition of the lines and patterns, which made up the whole design. On the early boxes the designs look deceptively simple. The fact is, they emerged from a culture, which had mastered geometry and understood how to generate a pattern from a set number of points. The patterns are so harmoniously combined that their incredible complexity is not immediately apparent. The earliest Sadeli boxes...

Hand-carved large wooden Anglo-Raj jewelry box. Early 20th century wood box richly decorated overall with arabesques and floral carving. Hinged lid shallow relief carving with interi...

Beautiful handcrafted tinned copper decorative octagonal betel box with lid and brass latch. The metal is delicately and intricately hand-hammered and repousse with floral and geometric designs. This Vintage brass box...

A Beautiful Anglo Indian, Colonial, brass inlaid teak jewelry lidded box made for the English market. handcrafted with floral and hearts brass inlays on top are surrounded by brass inlaid border, intricate brass inlays design of florals and scrolls carries through to all four sides so will display nicely on a shelf, desk or coffee table. Displays a desirable aged patina and the teak wood shows fine grain interest and deep caramel hues. A large Anglo-Indian teak colonial Campaign casket with brass inlay, the hinged cover opens to reveal an original fitted interior with two compartments interior lined with red velvet. This is a distinctive and highly appealing vintage semi antique Anglo Indian jewelry...

PRESENTING A VERY NICE 19C Anglo Indian Highly Carved Teak and Sandalwood Sarcophagus Sewing Box. Made in Bombay, India circa 1890-1900. The box case/body is made of sandalwood wit...

Exquisite mother of pearl inlaid lacquer elephant motif tissue box, Intricately inlaid all over with numerous elephants in landscape. Fitted with a si...

Large Anglo Indian Moorish Islamic style micro mosaic inlaid jewelry box with lid. Intricate inlaid Anglo Persian box with floral and geometric Moorish Sadeli design in an hexagonal shape form with micro mosaic marquetry, very fine artwork. Museum collector piece like the one in Doris Duke Islamic Art Museum. The repeating geometric patterns of Sadeli Mosaic are what give it beauty and richness. This decorative technique is a type of micro mosaic featuring repeating geometric patterns. Dimensions: H: 5 in : 12 in W x 12 in. D. Circa 1950s. Sadeli mosaic art is a highly skilled craft, it has had a long history in India and the Middle East with early examples dating back to the 16th century. In the 1800s, it became popular as a decoration on a variety of boxes, card cases, and chess boards imported from India. Since Bombay became a center of making them, they became known as Bombay boxes. The ancient art of Sadeli Mosaic is said to have been introduced from Shiraz in Persia via Sind to Bombay, a long time before Indian boxes appeared. The designs on early boxes look deceptively simple. The fact is they emerged from a culture which had mastered geometry and understood how to generate a pattern from a set number of points. The patterns are so harmoniously combined that their incredible complexity isn’t immediately apparent to the viewer. Will look great in a Moroccan decor...

PRESENTING A LOVELY 19C Anglo Indian Vizagapatam Bone and Shell Domed Stationery Box – ‘Alice’s Box’. Made in Vizagapatam, India, circa 1860-80. We call this one: “Alice’s Box”! It has lived ‘a hard, well used and traveled life’, as is evident from the number of losses and repairs, as is obvious from the photos, especially to the faux ivory panels and bands to the top. The bonus to the loss of the frieze panels to the dome has a ‘bonus’, however, as their loss has revealed the most GORGEOUS faux blonde tortoiseshell underneath! The box is dome/casket shaped. The top has 3 bands, with the center one being the original. The 2 side bands are later ivorine. The faux ivory and hand-painted medallions on the domed lid, have been saved and they depict Hindu Gods, Vishnu and Shiva. The front and side panels are still in pretty good shape and are decorated with lac ink (indelible ink made from crushed beetles) depicting lovely floral designs. The domed lid open to reveal a series of open compartments for envelopes, writing paper etc. and one lidded panel for stamps. Inside the box are 2 paper labels: one probably being the original item ticket and the other with: ” Alice’s address is 272 Ashworth Ave, Toronto 4, Ontario”. Probably, the original owner? Hence, we call it ‘Alice’s Box’. What a journey/life this box has had! Made in India, made its way to Canada, back to Ireland and then to Texas! This is why, WE LOVE ANTIQUES...

Fabulous and large rosewood and teak fitted letter writing box with brass inlay. Numerous cubbies with lids for various items. Slotted back panel fo...

Unusual coco de mer tea caddy crafted with a double lobe nut found on the Seychelles Islands, it is said to have mystical properties. Featuring malachite f...

1950's Anglo Indian, Indo Persian style micro mosaic inlaid jewelry box with lid. Large vintage intricate inlaid middle Eastern Persian style box with floral and geometric Islamic Mo...

1950s Fine And Densely Carved Anglo-Indian Style Box Drawer at outside base of box South-Indian or Anglo-Indian style Lacking keys Decoration adorned on all sides depicting birds amo...

Rare Indian coffee made of hand carved wood with metal frame. The door opens from the top and reveals the interior. Beautiful piece that could be used as a letter box or as a small jewellery cabinet...

Folky silvered metal elephant handcrafted with a charming whimsical form hammered and etched designs that unexpectedly opens as a trinket box.

The rectangular Indian pen box with domed hinged lid is hand-painted with colorful figural Maharajah court scenes on top and floral designs on each side. Hand painted Rajasthani decorative writing...

Anglo-Indian glove or trinket box from Vizagapatam of rectangular form with sloped top. Made from sandalwood with vertically ribbed horn veneered sides and starburst ribbed lid with ...

Anglo Indian style hinged box ambitiously covered in a mother of pearl geometric mosaic and featuring a fixed cluster of amethyst stones on top. Stamped "redmile London".

Antique Anglo Indian pair of tea caddies with silvered metal tops having elephant handles over coconut bowls above carved ebony elephants with bone tusk...

This antique decorative box was made by the Apollo Manufacturing Company of the United States in approximately 1920 in an Anglo-Indian style. ...

Antique iron bound merchants chest with hidden compartments. The chest is very heavy, it has a great deal of thick iron banding and brass and iron st...

This unique 19th-century basket combines Dutch craftsmanship with Anglo-Indian stylistic influences, resulting in a truly distinctive piece. The box features paneling across the main...

Richly carved hardwood Indian box for storage of fans in a fine quality Late 19th century length 38 cm, width 6.5 and 12.5 cm, height 7 cm Aged patina