European Snuff Boxes and Tobacco Boxes

Antique early 19th Century German three-coloured 18k gold snuff box, of rectangular form with gracefully rounded corners, this exquisite piece features a central oval jasperware plaq...

A fine antique English South Staffordshire or Battersea enamel table snuff box. With a pink ground and white enamel latticework decoration thro...

The tobacco pot, a true emblem of French culture, is an object full of history and tradition that dates back several centuries. Initially designed to preserve tobacco and facilitate ...

3 beautiful antique Victorian snuff or trinket boxes with gilt metal or brass sides and banded or moss agate tops and bottoms. They have some beautiful coloring. The metal is not m...

19th century fine Austrian Majolica smoking set match striker harvest theme with a willow baskets, fruits and pitcher.

Description: Brushed silver snuff box with grooves on the edge. Metal: Silver. Origin: English. Brand: Birmingham. Weight: 111 grams. Dimensions: 8x5cm. Content: 950/1000. Assay Mark...

Rectangular snuffbox in 925/1000 sterling silver gold plated with fine hand engraving, fire enamelled, in “Rococo” style from the early 19th century. Measurements cm. 4.5 x 7.7 x 2. ...

From Paris to Cairo: René Lalique’s ‘Fouad I’ Box and Its Royal Legacy A rare and historically significant creation by the preeminent French glass artist René Lalique, this exquisite box and cover, designed in 1924, exemplifies the fusion of artistic mastery and regal symbolism. Fashioned in clear and frosted glass, the piece is adorned with a finely moulded relief of winged solar discs, a motif evocative of ancient Egyptian iconography and celestial divinity. The subtle sepia staining enhances the intricate detailing, imbuing the composition with depth and an ethereal luminosity. The frosted lid bears a distinguished engraving of King Fouad I of Egypt, his state portrait rendered with remarkable precision, underscoring both his sovereign authority and the modern aspirations of his reign. A dedication inscribed on the base—"Offert par Fakhry Pacha à Paris le 9 Octobre 1924"—further contextualizes the piece within the realm of diplomatic and ceremonial gifting, situating it as a testament to cross-cultural exchange and early 20th-century Franco-Egyptian relations. Signed ‘R. LALIQUE’ to the lid, this refined objet d’art reflects Lalique’s unparalleled ability to harmonize material innovation with historical reverence. This box stands as an exceptional example of early 20th-century glasswork, where the aesthetic ideals of Art Deco converge with the grandeur of Egyptian heritage. Now regarded as one of the finest expressions of Lalique’s oeuvre, this box not only embodies the technical virtuosity of its maker but also serves as an enduring artifact of royal patronage and artistic diplomacy. Provenance Lot 39, Lalique, Christie's, 12 May 1998 Private collection Bequeathed to the present owner in 2020 Private Collection, UK Solomon Treasure...

A fine antique English Battersea Bilston table snuff box. A very rare round form! With a pink ground, floral spray decoration, and gilt bronze mou...

This French gold cigarette case is a splendid specimen of early 20th century style and refinement. The 18-karat yellow gold accessory is surrounded by exquisite "pinstripe" white enameling with a line of channel-set blue sapphires running along the façade and thumb press. Smoking accessories...

Shaped snuffbox in gold-plated 925/1000 sterling silver with translucent fired enamels on a guilloche pattern and a hand-painted floral miniature, with fine hand-engravings on the si...

Sterling silver gold plated snuff box with translucent fired enamels on guillochè and monochrome blue hand-painted miniatures on five sides and fine hand engravings on all edges. Eng...

Three-tones gold oval snuff box. The hinged lid is decorated with a country trophy medallion. The medallion is framed by a garland of green gold foliage and roses. The medallion is d...

Oval-shaped snuffbox in 925/1000 gold-plated sterling silver with two-tone fire-enamelled stripes. English style, early 1900s. Dimensions: 8 x 4.5 x 2 cm. Weight: 84 g. Designed in 1...

This diminutive yet opulent 18th or 19th-century French snuff box exemplifies the Boulle-style, renowned for its intricate gilt and inlaid brass decoration against a tortoiseshell ba...

This rare -- perhaps unique -- enameled cigarette case or compact features a cartouche with a kneeling Egyptian figure surrounded by symbols and hieroglyphics on its lid, all in tone...

French Majolica box with Cyclamens, Circa 1890.

French Majolica tobacco jar onnaing, Circa 1890. Decorated with a medallion and flowers.

An exceptional, fine and impressive antique French 20 karat tri-coloured gold snuff box; an addition to our 19th century collection. This exceptional antique French 20k yellow gold snuff box has an oval shaped form. The body of this antique box is embellished with panels of engine turned and tooled decoration, incorporating circular and floral motifs. Each incurved cornered panel is encompassed with applied simplified foliate festoon and column style borders, accented with tri-colored gold highlights. This impressive antique 20ct gold box...

A fine and rare antique 18th century South Staffordshire or Battersea enamel table snuff box. The lid has a scene of two noble, young couples in...

An Austrian Eichwald majolica humidor tobacco jar from the late 19th century, with petite roosters pecking the ground. Created in Austria during the ...

A rare and highly unusual collection of eight Scottish horn snuff mulls, assembled over many years by a dedicated enthusiast. Examples of this quality and variety are seldom encounte...

Description: Silver snuff box with engraved floral motifs and hinged lid. Metal: Silver. Origin: English. Brand: Sheffield. Weight: 31.11 grams. Dimensions: 4.7x1.4cm. Content: 925/1...

A Swiss Carved Black Forest Linden Wood Tobacco Box Modelled as an owl probably by one of the Ruef brothers who specialised in carving owls. For a similar example see Jay Arenski an...

Formed entirely of 18K yellow gold polished to a high shine, this sleek case was created by the one and only Cartier. The exterior features a finel...

Unusually large, inlaid with crystal, amber and silver. Engraved with thistles, inside cover carved 1741, Wilm. Ruthven, WH. Provenance; Fountain Walker collection.

An English 19th century tobacco caddy of tin covered in stitched shagreen, of oblong hexagonal form with a lid surmounted by a silver whippet, retaining ...

An Exceptional and Highly Important Micromosaic Gold Mounted Jasper Snuff Box, most probably by Gioacchino Barberi with the box likely by Moulinié, ...

A handsome tortoise shell snuff box, the hinged lid with a recessed double-line border panel and applied pierced silver cartouche engraved "P. Buchanan." The rich mottled amber-and-b...

A very nice quality mid-century French ceramic jewelry box or decorative lidded box. This hand-crafted, hand-painted mid-century French box would look great on a small side table o...

Roger Capron 1 of 5 Tobacco jars, France - 1970s

Gold-Plated Sterling Silver and Enamel Pill Box with Floral Miniature by Romano Buccioni for Salimbeni, Florence, 1980 Charming shaped pill box in 925/1000 sterling silver, gold pla...

Antique silver mounted hardstone snuff box with micromosaic view of St. Peter's Cathedral, Rome. Italy, early 19th century. Dimension: 2.4" W x 1.2" D x .75" H.

A Viennese Bouquet: Art Nouveau Snuff Box by Franco Salimbeni, 1973 This exceptional round snuffbox is a profound homage to the opulent artistry of late 19th-century Viennese Art No...

Oval curved snuff-box in 925/1000 sterling silver gold-plated with translucent fired enamels on guilloché, above and below. Modern contemporary style. Size cm. 4.5 x 6.5 x 2.3. Weigh...

KPM shell and flower motif cabinet or patch box, The top realistically modelled as a clam shell, the interior revealing painted florals, and the blue undergl...

Art Deco "naughty" sterling silver novelty item; a cigarette case depicting a reclining nude woman on a bed in suggestive pose; hand painted enamel on oval raised plaque; with bright...

Rectangular table snuffbox in 925/1000 sterling silver gold plated with translucent enamels fired on guilloche and hand-painted floral miniature; external blue staff. Art Nouveau sty...

Antique 19th Century Swiss 18k gold and enamel snuff box made for the Ottoman market, oval with scalloped edges, the lid painted with a bouquet of roses and peonies and other flowers...

19th century black forest humidor hand-carved in the shape of a dog's head. His hat lifts to reveal storage for tobacco or cigars. The carving on this piece is wonderfully detailed a...

ENAMEL AND SILVER GILT TABLE SNUFF From our collectables category, we are delighted to offer this incredible quality Italian Mid-Century Modern Silver and Enamel Circular Box. The S...

A French art deco modernist cigarette case. This is a gorgeous cigarettes case created in Paris France during the art deco period, back in the 1925-1930. The case has been crafted i...

Desk cigar humidor designed by Erik Fleming (1894–1954) for Atelier Borgila. This is an extremely rare desk cigars humidor created in Stockholm Sweden by the Baron Erik Herman Fleming for the Atelier Borgila, back in 1941. The rare humidor has been masterfully hand crafted with faceted chamfered and art deco patterns in solid .925/.999 sterling silver with high polished finish. The elaborated lid depict the Swedish king's monogram of Gustav V, which implies that this piece was a kind of gift directly from the King of Sweden. It is fitted in the interior with a removable cigar holder and at the sides, with two hinged round handles. The interior's surfaces are completely lined up with cedarwood veneer. An exceptional museum quality piece with great Swedish craftmanship. Erik Herman Fleming He was a Swedish metalsmith, baron, teacher, and designer. He was one of the foremost Swedish silversmiths of his time, and worked as a Swedish court artisan. He was born on April 26, 1894, in Stockholm, to parents Sigrid Wilhelmina Amalia Söderhielm and Oscar Herman August Fleming. He attended the Althin's School of Painting in Stockholm from 1914 to 1915; and continued his studies in engineering at the Technische Universität Berlin from 1915 to 1917; and architecture at the University of Munich from 1917 to 1918. He learned silversmithing as a hobby initially, and enjoyed it enough to pursued further study under Anna Möcklin (who had worked for C. G. Hallberg and K. Andersson). In 1921, Fleming founded Atelier Borgila, a silver workshop and royal court supplier in Stockholm. C. F. Larsson was hired as the lead foreman for Atelier Borgila. Additionally Fleming taught metal arts at Konstfack in Stockholm, where he became head teacher of metal arts from 1947 until his death in 1954. He was the father of the silversmith Lars Fleming (1928–2025). Fleming's work is in the museum collection at the National-Museum in Stockholm, Sweden. Atelier Borgila This is a prestigious Swedish silversmithing workshop founded in Stockholm in the early 1920s by the baron and designer Erik Fleming (1894–1954). Considered the premier silver firm in Sweden during the mid-20th century, the workshop is renowned for its "Swedish Modern" style, characterized by simple elegance and minimalist decoration. Erik Fleming originally trained as an architect and engineer but became a silversmith almost by chance. He served as a purveyor to the Royal Court of Sweden. One of his most notable works was an 800-piece dinner service created in 1933—a wedding gift from the Swedish people to Prince Gustaf Adolf and his wife, Sibylla. In 1943, he organized the first exhibition of modern jewelry in Sweden, helping to launch the careers of many post-war artists. Following Erik's death in 1954, his son, Lars Peter Eriksson Fleming, continued the workshop's legacy. Over the decades, renowned designers and silversmiths worked for Atelier Borgila, including: Sigurd Persson: One of Sweden's most influential designers. Rey Urban, Birger Haglund, and Claes Giertta. Rikard Waterval: Known for avant-garde designs in the 1970s and 1990s. Country: Stockholm, Sweden. Period: Art-Deco, 1940-1941. Designer: Erik Fleming (1894–1954) for Atelier Borgila. Materials: Solid polished .925/.999 Sterling Silver and cedar wood veneers. Weight: 1,106.65 Grams, (709.30 Dwt). Measurements: H. 212.10 mm by L. 154.5 mm by 133.40 mm, (8.35 x 6.08 x 5.25 Inches). Hallmarks: Stamped with Swedish royal marks; the maker's mark, the mark for the assay and warranty of the silver, the production date letter-code P8 for 1941 and signed in full as follows: "BORGILA S P8 STERLING". Engraved: With a discrete dedication to the base that reads "Christer C. Skriver 2/17/1949 Fran Automobilindustrikommittkien. Notes: Automobilindustrikommittkien refers to a Swedish committee, likely the Automotive Industry Committee, which commissioned a sterling silver Art Deco humidor...

Rare and beautiful Italian goatskin wrapped lacquered parchment humidor with locking teak and brass lid by Aldo Tura, circa 1960s. The piece is in very good vintage condition and me...

An exceptional, fine and impressive, rare antique Victorian English sterling silver vesta box modelled in the form of a tortoise; an addition to our ornamental silverware collection. This exceptional antique Victorian cast sterling silver vesta box has been realistically modelled in the form of a tortoise. The plain oval body of this Victorian vesta box is embellished with cast and applied components replicating the details of the tortoise's legs and head. The anterior surface of this rare box features an applied oval serrated panel / match striker. The hinged tortoiseshell cover opens to reveal the original gilt interior. The underside of the body bears the contemporary engraved inscription 'July 1883'. Condition This antique Victorian vesta box is an exceptional gauge of silver, exceptional quality and in exceptional condition. There are some blemishes and wear to the original gilding, in keeping with age. Full hallmarks struck to the underside of the body are very clear. Dimensions length 8.4cm/3.3" width 5.5cm/2.2" height 3.2cm/1.3" Weight 2.4 troy ounces/73.9g (including tortoiseshell cover) Maker: Thomas Johnson II Date: 1882 Origin: London, England Video: A video of this fine piece is available upon request. Reflections in photographs may detract from the true representation of this antique vesta box...

18th Century Mennecy Porcelain Swan Snuff Box, modelled as a swan and decorated in polychrome enamels, the hinged lid revealing a floral interior.

Cigar Box Alligator Green with all structure in solid cedar wood, box covered with alligator skin stained in Gucci green finish. hardware and key in solid brass in polished finish...

Sterling silver Jewel box with Rectangular rounded corners gold plated with translucent fire enamel stripes on guilloche and hand engraved with late Russian Empire style ornament app...

An 18th Century Large South Staffordshire Table Snuff Box, painted with figures and animals by classical ruins on a riverscape. 8.25" wide x 5.5" depth x 3.25" high

A magnificent, fine and impressive, rare antique Victorian English sterling silver vesta box modelled in the form of a boar; an addition to our ornamental silverware collection This magnificent antique Victorian cast sterling silver vesta box has been realistically modelled in the form of a boar. This impressive antique vesta case is embellished with details replicating the features of the boar's coat of fur and anatomical features. The back of the boar incorporates a hallmarked hinged cover which opens to reveal the serrated panel/match striker. The secondary hallmarked hinged panel opens to reveal the original gilt interior; this is faciliated with a thumbpiece modelled in the form of the boar's tail. Such magnificent period examples are rare and becoming increasingly difficult to locate. Condition This antique Victorian vesta box is an exceptional gauge of silver, exceptional quality and in exceptional condition. Full hallmarks struck to the underside of the body, in addition to part hallmarks to the interior of each hinged cover are very clear; the hallmarks are struck deeply due to the exceptional gauge of silver. Reflections in photographs may detract from the true representation of this antique vesta box...

19th century hand-carved humidor in the form of a dog's head. The dog is very whimsical with a hat, which lifts to reveal a compartment for storage and finished with a cigar and a bo...

Rounded rectangular snuffbox in 925/1000 sterling silver gold plated with fine hand-painted fire-enamelled miniature depicting a female face wearing Art Nouveau style clothing, hand-...

Art Deco porcelain monkey tabacco box Hand-glazed and hand-painted, created by Edouard-Marcel Sandoz and manufactured by Theodore Haviland By: Edouard-Marcel Sandoz, Theodore Havila...

A magnificent, fine and impressive antique George IV English sterling silver gilt table snuff box; an addition to our antique box collection. This magnificent antique George IV sterling silver gilt table snuff box has an oval rounded form. The body of this impressive antique snuff box...

Square snuff box with two slightly domed sides in 925/1000 sterling silver gold plated with translucent fired enamel on guillochè and hand-painted miniature of flower bouquet, late 1...

We are delighted to offer for sale this stunning and very rare circa 1900 Shargreen cigarette box present to the Jockey Bernard Brownie Carlsake in 1927 A very rare good looking a...

Antique early 19th Century German (Hanau) snuff box in 18-carat gold and enamel. Rectangular with canted corners, the lid is painted with a finely detailed allegorical scene of fecun...

An exceptional, fine and impressive antique Austro-Hungarian silver box, an addition to the ornamental silverware collection This exceptional antique silver box...

Oval rounded "soap" shaped snuff box in 925/1000 sterling silver with fired enamels above and below and hand-painted miniature of a horse's head, English "Art Nouveau" style, early 1900s. Measurements cm. 4.7 x 6.7 x 2. Weight gr. 96. Designed by Franco Salimbeni in 1980 and manufactured in Florence in the headquarters of the Salimbeni company with completely manual execution by artisan artists with thick slab and large reinforcements suitable for withstanding numerous enamelled firings at high heat at about 800° C. Miniature is a very ancient technique which consists of painting works in small proportions. It was born for the decoration of the first letter of the paragraph of the books. Over the years, however, this technique is refined and enriched, then moving on to precious personal items. Hand-painted miniatures can be done with multiple different techniques. The most important that we use on our articles are of three kinds: 1) Fire enamel. 2) Water tempera on an ivory plate. 3) Painted on mother-of-pearl. Fire enameled miniatures: On a first layer of enamel generally white or very clear or even transparent suitably liquefied at a temperature of about 750 ° C, the chosen subject is painted using miniature colors which are as many colored crystals, ground and reduced to a very fine, almost impalpable powder washed and purified in distilled water with the addition of small quantities of deoxidizing acids which, diluted with essential oils (usually essential oil of solder), can be mixed to form a palette of colors. With very fine sable hair brushes you draw the subject starting from the perimeter and then gradually adding various layers of color. It is necessary to carry out various firings very often so that the colors harden and are not absorbed by the underlying glaze as, during the subsequent firings at 750 ° C, during liquefaction, it would spread irremediably. Hence the need to form the painting a little at a time, cooking it numerous times. Therefore it is necessary to proceed with numerous retouching, often overlapping different colors that only the painter's experience knows. A beautiful miniature needs from 20 to over 50 firings and is finished when the painter deems he does not have to further intervene. Some colors must have darker tones than others because then, by superimposing the transparent enamel placed at the end of the miniature, they fade. This transparent layer, called “fondant” in jargon, must be smoothed and polished like all other translucent enamel colors. The miniatures with water tempera colors are painted on real ivory...

18th Century Bilston Enamel Rectangular Patch / Snuff Box Circa 1780, white with hand-painted floral motifs around edges and base, and a central scene of a lady in hat, white interio...