European Snuff Boxes and Tobacco Boxes

Gold-Plated Sterling Silver and Enamel Pill Box with Floral Miniature by Romano Buccioni for Salimbeni, Florence, 1980 Charming shaped pill box in 925/1000 sterling silver, gold pla...

Our Beautiful and limited Jeweler-made Cigarette Dispenser hallmarked by the silversmith Legros Marius for Dunhill that resembles a stacked pair of dice with playing cards on top. Discover the allure of a vintage pre-War Dunhill dice...

Unusually large, inlaid with crystal, amber and silver. Engraved with thistles, inside cover carved 1741, Wilm. Ruthven, WH. Provenance; Fountain Walker collection.

Octagonal snuff box in gilded 925/1000 silver with English Queen Anne style borders and sides with fired enamels painted like lapis lazuli stone. On the lid, a very fine fire-enamell...

An exceptional carved horn snuff mull of traditional Scottish ram’s horn form, produced in Canton during the early nineteenth century for export to Scotland. Richly decorated with fi...

This rare -- perhaps unique -- enameled cigarette case or compact features a cartouche with a kneeling Egyptian figure surrounded by symbols and hieroglyphics on its lid, all in tone...

A wonderful, antique figural bird form Battersea or South Staffordshire enamel bonbonniere. The lid is decorated with a bird on a branch in a lan...

An exceptional, fine and impressive antique George III English sterling silver combination snuff and pill box; an addition to our Georgian silverware collection. This exceptional an...

A set of two Italian Sterling silver cigarette cases from the 19th and 20th century. They have hand-stamped details and are engraved with flowers and scrolling acanthus. One of them ...

An Austrian Eichwald majolica humidor tobacco jar from the late 19th century, with petite roosters pecking the ground. Created in Austria during the ...

Square snuffbox with two slightly rounded sides in 925/1000 sterling silver with black and red fired enamel, Art Deco style, early 1900s. Dimensions: 7.5 x 7.7 x 2 cm. Weight: 227 g....

Stamped into coin shaped feet, 273 and, Made in Austria. Chips to paint, tarnish to brass, oxidation to lid surface. Functioning properly. W 4 x D 3 x H 1.5 in.

Round pill box in 925/1000 sterling silver gold-plated with Art Deco-style engraving, early 1900s, with translucent fired enamels in various shades. Diameter 4 cm, height 1.3 cm. Wei...

Scottish silver mounted tiger cowary shell snuff box, 1817. The hinged lid is inscribed with "W. Legget Stock Bridge 1817," surrounded a laurel wreath,...

18th C Brass-Mounted Allegorical Motif Enamel Snuff Box, Attributed to the Fromery Workshop The Cartouche-shaped bombe box, the hinged lid applied with rais...

Black Forest figural carved wood humidor in the form of a monkey's head with a hinged lid carved as a hat, around the neck is a ruffled collar above a circular base with carved detail.

Scarlet tole French snuff box, circa 1800, navette form - silver trimmed. 3.5" w, 1" h, 1.75" d Whitehall Antiques is a family business that has been...

A French art deco modernist cigarette case. This is a gorgeous cigarettes case created in Paris France during the art deco period, back in the 1925-1930. The case has been crafted i...

A fine and impressive antique Victorian English sterling silver table snuff box; an addition to our diverse silverware collection. This fine antique sterling silver table snuff box has a rectangular form with rounded corners. The surface of this Victorian snuff box...

Nathaniel Mills. A very rare Castle Top Vinaigrette depicting a scarce view of Warwick Castle from the River Avon. Made in Birmingham in 1847 by Nathaniel M...

Sterling Silver Machine Turned Engraved Cheroot Case W H Haseler Ltd. 1920 Hallmarked W.H.H Birmingham V Hallmark Engraving to front 85 grams

A fine antique Austro-Hungarian silver and enamel cigarette/card case; part of our continental silverware collection This fine antique Austro-Hungarian silver and enamel cigarette/card case has a rectangular form with rounded edges. The front cover is embellished with an enamel panel depicting two Japanese ladies playing traditional Japanese instruments, the koto (13 stringed zither) and the shamisen (3 stringed guitar-like instrument). The players are seated on the ground in an outdoor scene with traditional Japanese lanterns hanging from tree branches overhead. The sides of this cigarette case and posterior cover are plain and unembellished. The case is fitted with a push fit catch which when released reveals the hallmarked gilt interior of the hinged compartments. The hallmarks to the interior of this impressive case include: Silver quality/purity: Dianakopf mark (800 standard, 800/1000) Assay mark: L (Ljubljana, Slovenia) This variation of the Dianakopf mark was used from 1872-1922, determining the date of this piece as circa 1900. Condition This antique silver business card holder...

Round snuffbox in gold-plated 800/1000 silver with translucent fired enamel on a guilloché pattern with a blue line, in the English Art Nouveau style of the early 1900s. External dia...

Late 18th century Georgian Battersea enamel box. A beautiful antique English Battersea Bilston table snuff box, created in the district of Bat...

Elegant French silver-plated cigar box from the 1950s, featuring a rectangular shape, a finely ribbed lid, and a minimalist design. Its polished silver finish and clean geometric li...

Rare and beautiful Italian goatskin wrapped lacquered parchment humidor with locking teak and brass lid by Aldo Tura, circa 1960s. The piece is in very good vintage condition and me...

Antique Horn Snuff Box with Hunting Scene Early 19th Century This antique snuff box is expertly crafted from polished horn, featuring intricate...

Oval-shaped snuffbox in 925/1000 gold-plated sterling silver with two-tone fire-enamelled stripes. English style, early 1900s. Dimensions: 8 x 4.5 x 2 cm. Weight: 84 g. Designed in 1...

Antique silver mounted hardstone snuff box with micromosaic view of St. Peter's Cathedral, Rome. Italy, early 19th century. Dimension: 2.4" W x 1.2" D x .75" H.

Classic vintage Hermès cigarette box. Cigarette box is heavy and wrapped in leather. Cornucopia (Horn of Plenty) decorative lid. Removable metal ...

This fine wood lacquered wood case is painted both on the sides: there is the elegant portrait of a pretty woman on one side and on the other side, a natura...

18th Century Bilston Enamel Rectangular Patch / Snuff Box Circa 1780, white with hand-painted floral motifs around edges and base, and a central scene of a lady in hat, white interio...

Silver - Gilded silver snuffbox - 19th century. Portuguese; 19th century in gilded silver with guilloché decoration; with monogrammed cartouche on the lid. With marks of the assayer ...

Cigar Box Alligator Green with all structure in solid cedar wood, box covered with alligator skin stained in Gucci green finish. hardware and key in solid brass in polished finish...

Rectangular snuffbox in 925/1000 sterling silver gold plated with two-tone translucent stripes fired enameled on guillochè and fine hand-engraved on all sides, French Empire Napoleon...

18th Century Bilston Enamel Rectangular Patch / Snuff Box Circa 1780, of shallow form, white with hand-painted floral motifs around edges and base, and a central scene depicting 3 ch...

A fine and rare 19th century sterling silver snuff box made specifically for the Great Exhibition of 1851, held at the Crystal Palace in Londo...

An exceptional, fine and impressive antique French 20 karat tri-coloured gold snuff box; an addition to our 19th century collection. This exceptional antique French 20k yellow gold snuff box has an oval shaped form. The body of this antique box is embellished with panels of engine turned and tooled decoration, incorporating circular and floral motifs. Each incurved cornered panel is encompassed with applied simplified foliate festoon and column style borders, accented with tri-colored gold highlights. This impressive antique 20ct gold box...

Rounded rectangular snuffbox in 925/1000 sterling silver with fine hand-painted fire-enamelled miniature depicting the Head of the Statue of Liberty in New York. Dimensions cm. 5.5 x 7 x 1.8. Weight gr. 105. Designed by Giorgio Salimbeni in 1975 in Art Deco style and executed in numerous specimens, at the specific request of the firm Tiffany & Co., in Florence in the headquarters of the Salimbeni firm with completely manual execution by artisan artists with thick slab and large reinforcements suitable for sustaining numerous high-fire enamelled firings at approximately 750 < 800° C. Miniature is a very ancient technique which consists of painting works in small proportions. It was born for the decoration of the first letter of the paragraph of the books. Over the years, however, this technique is refined and enriched, then moving on to precious personal items. Hand-painted miniatures can be done with multiple different techniques. The most important that we use on our articles are of three kinds: 1) Fire enamel. 2) Water tempera on an ivory plate. 3) Painted on mother-of-pearl. Fire enameled miniatures: On a first layer of enamel generally white or very clear or even transparent suitably liquefied at a temperature of about 750° C, the chosen subject is painted using miniature colors which are as many colored crystals, ground and reduced to a very fine, almost impalpable powder washed and purified in distilled water with the addition of small quantities of deoxidizing acids which, diluted with essential oils (usually essential oil of solder), can be mixed to form a palette of colors. With very fine sable hair brushes you draw the subject starting from the perimeter and then gradually adding various layers of color. It is necessary to carry out various firings very often so that the colors harden and are not absorbed by the underlying glaze as, during the subsequent firings at 750 ° C, during liquefaction, it would spread irremediably. Hence the need to form the painting a little at a time, cooking it numerous times. Therefore it is necessary to proceed with numerous retouching, often overlapping different colors that only the painter's experience knows. A beautiful miniature needs from 20 to over 50 firings and is finished when the painter deems he does not have to further intervene. Some colors must have darker tones than others because then, by superimposing the transparent enamel placed at the end of the miniature, they fade. This transparent layer, called “fondant” in jargon, must be smoothed and polished like all other translucent enamel colors. The miniatures with water tempera colors are painted on real...

English Georgian gilt sterling silver snuffbox, 1812. Rectangular with straight sides. Cover hinged and tabbed; on top, chased pastoral scene: A shepherd sits under a tree with a lam...

A finely turned, treen, Dutch tobacco jar with a fitted lid. Beaded detail and line detail, finished in an Ebonised painted finish.

An excellent quality late 18th or early 19th century Battersea enamel snuff or patch box. The pink enamel background with white enamel lattice and a raised gold around the hand paint...

This 18th-century English snuff box is composed of a beautiful dark hardstone body encased in gold casework mounts. The box opens with a hinged lid, allowing snuff stored inside to b...

The Chinoiserie themed snuffbox with figures on lid as well as interior lid, sides and underside. Comparable example in the Cleveland Museum of Art Provenance: Peter & Mary White

A magnificent, fine and impressive, rare antique Victorian English sterling silver vesta box modelled in the form of a boar; an addition to our ornamental silverware collection This magnificent antique Victorian cast sterling silver vesta box has been realistically modelled in the form of a boar. This impressive antique vesta case is embellished with details replicating the features of the boar's coat of fur and anatomical features. The back of the boar incorporates a hallmarked hinged cover which opens to reveal the serrated panel/match striker. The secondary hallmarked hinged panel opens to reveal the original gilt interior; this is faciliated with a thumbpiece modelled in the form of the boar's tail. Such magnificent period examples are rare and becoming increasingly difficult to locate. Condition This antique Victorian vesta box is an exceptional gauge of silver, exceptional quality and in exceptional condition. Full hallmarks struck to the underside of the body, in addition to part hallmarks to the interior of each hinged cover are very clear; the hallmarks are struck deeply due to the exceptional gauge of silver. Reflections in photographs may detract from the true representation of this antique vesta box...

This antique and fine lacquered wood box, is painted on both the sides with an elegant portrait of a woman and on the other side a dancer. The piece will be delivered with its certi...

Shaped snuffbox in gold-plated 925/1000 sterling silver with translucent fired enamels on a guilloche pattern and a hand-painted floral miniature, with fine hand-engravings on the si...

Antique early 19th Century German (Hanau) snuff box in 18-carat gold and enamel. Rectangular with canted corners, the lid is painted with a finely detailed allegorical scene of fecun...

A antique tortoiseshell singing bird box, by Bontems Circa 1890, Going-barrel movement, Motor-view light anomaly... When wound and start/...

Mid-late 18th century cast brass tobacco box, English. Eight sides with conforming cover with bell metal finial. 5 1/8" x 3 5/16" x 4.5" h. Whitehall Antiques is a family business t...

19th century hand turned treen tobacco box made from walnut. The lid is expertly turned and is topped with a finial over a fabulous hand turned base. The walnut is a handsome color...

The tobacco pot, a true emblem of French culture, is an object full of history and tradition that dates back several centuries. Initially designed to preserve tobacco and facilitate ...

Sterling silver gold plated snuff box with translucent fired enamels on guillochè and monochrome blue hand-painted miniatures on five sides and fine hand engravings on all edges. Eng...

German silver and enamel cigarette case Origin Germany Circa 1930 Hand-painted scene of two beautiful hunting dogs its interior is ver...

An English 19th century tobacco caddy of tin covered in stitched shagreen, of oblong hexagonal form with a lid surmounted by a silver whippet, retaining ...

This is a rectangular, gold-plated sterling silver pill box, exquisitely decorated with translucent enamels over a guilloché (engine-turned) pattern and featuring a hand-painted flor...

This important Louis XV gold snuff box is from the prestigious collection of the Duke and Duchess of Windsor. The engine-turned gold box or...

Oval rounded "soap" shaped snuff box in 925/1000 sterling silver with fired enamels above and below and hand-painted miniature of a horse's head, English "Art Nouveau" style, early 1900s. Measurements cm. 4.7 x 6.7 x 2. Weight gr. 96. Designed by Franco Salimbeni in 1980 and manufactured in Florence in the headquarters of the Salimbeni company with completely manual execution by artisan artists with thick slab and large reinforcements suitable for withstanding numerous enamelled firings at high heat at about 800° C. Miniature is a very ancient technique which consists of painting works in small proportions. It was born for the decoration of the first letter of the paragraph of the books. Over the years, however, this technique is refined and enriched, then moving on to precious personal items. Hand-painted miniatures can be done with multiple different techniques. The most important that we use on our articles are of three kinds: 1) Fire enamel. 2) Water tempera on an ivory plate. 3) Painted on mother-of-pearl. Fire enameled miniatures: On a first layer of enamel generally white or very clear or even transparent suitably liquefied at a temperature of about 750 ° C, the chosen subject is painted using miniature colors which are as many colored crystals, ground and reduced to a very fine, almost impalpable powder washed and purified in distilled water with the addition of small quantities of deoxidizing acids which, diluted with essential oils (usually essential oil of solder), can be mixed to form a palette of colors. With very fine sable hair brushes you draw the subject starting from the perimeter and then gradually adding various layers of color. It is necessary to carry out various firings very often so that the colors harden and are not absorbed by the underlying glaze as, during the subsequent firings at 750 ° C, during liquefaction, it would spread irremediably. Hence the need to form the painting a little at a time, cooking it numerous times. Therefore it is necessary to proceed with numerous retouching, often overlapping different colors that only the painter's experience knows. A beautiful miniature needs from 20 to over 50 firings and is finished when the painter deems he does not have to further intervene. Some colors must have darker tones than others because then, by superimposing the transparent enamel placed at the end of the miniature, they fade. This transparent layer, called “fondant” in jargon, must be smoothed and polished like all other translucent enamel colors. The miniatures with water tempera colors are painted on real ivory...

A very nice quality mid-century French ceramic jewelry box or decorative lidded box. This hand-crafted, hand-painted mid-century French box would look great on a small side table o...

No apparent hallmarks. The diaper pattern filled with small crosses throughout and the opening with a slight lip.