Engraved Boxes

FREE WORLDWIDE SHIPPING A Victorian coromandel jewellery box attributed to George Betjemann and Sons, featuring Ashford marble pietra dura style inlay and gilt brass mounts, dating ...

FREE WORLDWIDE SHIPPING Meiji Period (1868-1912) From our Japanese collection, we are pleased to offer this decorative Japanese mixed metals box featuring a standing peacock by F...

Ornate jewelry box, possibly converted from a cigar box in gilt bronze. Engine turned (Guilloche without enamel with gilt) and hand-engraved pattern...

Grand Tour Archaeological Revival Bronze Casket with Athena and Greek Processional Friezes, Attributed to Henri Picard, Paris, circa 1865–1885 A finely cast gilt and patinated bronze casket executed in the Grand Tour archaeological revival taste, attributed to the Paris bronzier Henri Picard and dating to the late 19th century. The object reflects the fascination with ancient Greek antiquity...

Hand carved clear crystal and patinated golden bronze box. Each object is handcrafted and the care for every detail makes each item unique in its kind. The style of this box is a mod...

A good antique Georgian engraved silver gilt Vinaigrette by William Simpson, Birmingham, 1826. The vinaigrette having an engraved engine turned hinged lid with a floral border, the g...

ASPREY (Retailer) - GOURDEL VALES & CO. (Manufacturer) - Exceptional and rare George V period sterling silver and guilloché enamel round dressing table box - featuring powder blue en...

Cigarette case for handbag in 925/1000 sterling silver with black fired enamel. Opening with spring button.. Measure cm. 6.3 x 9.7 x 1.5. Weight gr.210. Created in the Art Deco style...

Articulated Silver-Plated Bronze Swan Box/Bonbonnière/Cache Pot, Portugal, Mid-20th Century, Set Two Pieces (Swan and Liner) This sculptural articulated swa...

Sphere table cigarette lighter in 925/1000 gold-plated sterling silver and translucent fire enamel on guilloché, in a modern contemporary style. Piezoelectric mechanism. Dimensions d...

Exquisite Antique Islamic-Mughal Engraved & Gilt Enamel Domed Box, #145 with import label, Persia/IIndia, 20th century This exquisite antique Mughal domed box is a stunning example of Indo-Islamic artistry from the 20th century, originating from Persia or India. Crafted from patinated cast and forged bronze, this work weighs nearly 10 pounds, emphasizing its substantial and durable construction. Standing 15 inches high with a diameter of 12.5 inches, the circular architectural design is both imposing and elegant. The box features an elaborate front latch hinge, complemented by a matching rear hinge, showcasing meticulous attention to detail in both form and function. Profusely decorated with intricate, exotic fine engravings and gilt enamel work, the surface is adorned with elaborate patterns that reflect the rich artistic heritage of the Mughal era. The patinated finish adds depth and character, enhancing the visual appeal of the engraved and gilded elements. Numbered 145 and accompanied by an import label, this piece holds not only aesthetic beauty but historic significance. The numbering suggests it may be part of a limited series or collection, adding to its uniqueness and value. Its impressive workmanship and historical roots make it a remarkable find for collectors or an addition to any interior.  Ready to place in any setting, this domed box serves as both a functional storage piece and a captivating decorative object. Its substantial size and weight make it a standout addition to any room, whether displayed on a mantle, side table, or within a curated collection. This Mughal bronze...

Sterling silver box in the shape of a perforated brick. The box was made entirely by hand starting from a raw sheet of sterling silver and shaped into the shape of a brick. Round bus...

Rectangular table box in 925/1000 sterling silver gold plated with translucent two-tone striped fired enamels on guilloché and hand-engraved motifs. English Empire style George V. Di...

Dating to 1857 hallmarks for James Vickery and makers plaque Henry Lewis From our Vanity Box collection, we are delighted to offer this exceptional Victorian Coromandel Vanity Box...

Round snuff box in 925/1000 sterling silver gold plated with fired enamel on the enameled edge with vertical stripes and fine monochrome miniature hand painted by the painter Renato Dainelli. Diameter cm. 6.2 cm high. 3.4. Weight gr. 222. Designed by Franco Salimbeni in 1967 and produced in Florence in the Salimbeni company headquarters with manual workmanship by skilled artisan artists with thick slab and large reinforcements suitable for withstanding numerous high-fire enamelled firings at approximately 750 < 800° C. Miniature is a very ancient technique which consists of painting works in small proportions. It was born for the decoration of the first letter of the paragraph of the books. Over the years, however, this technique is refined and enriched, then moving on to precious personal items. Hand-painted miniatures can be done with multiple different techniques. The most important that we use on our articles are of three kinds: 1) Fire enamel. 2) Water tempera on an ivory plate. 3) Painted on mother-of-pearl. Fire enameled miniatures: On a first layer of enamel generally white or very clear or even transparent suitably liquefied at a temperature of about 750 ° C, the chosen subject is painted using miniature colors which are as many colored crystals, ground and reduced to a very fine, almost impalpable powder washed and purified in distilled water with the addition of small quantities of deoxidizing acids which, diluted with essential oils (usually essential oil of solder), can be mixed to form a palette of colors. With very fine sable hair brushes you draw the subject starting from the perimeter and then gradually adding various layers of color. It is necessary to carry out various firings very often so that the colors harden and are not absorbed by the underlying glaze as, during the subsequent firings at 750 ° C, during liquefaction, it would spread irremediably. Hence the need to form the painting a little at a time, cooking it numerous times. Therefore it is necessary to proceed with numerous retouching, often overlapping different colors that only the painter's experience knows. A beautiful miniature needs from 20 to over 50 firings and is finished when the painter deems he does not have to further intervene. Some colors must have darker tones than others because then, by superimposing the transparent enamel placed at the end of the miniature, they fade. This transparent layer, called “fondant” in jargon, must be smoothed and polished like all other translucent enamel colors. The miniatures with water tempera colors are painted on real ivory...

Portapasticche ottagonale in argento 925/100 placcato oro con smalti traslucidi a fuoco su guillochè anche su tutti i fianchi e con rigo sul coperchio. Stile Art Nouveau Inglese prim...

Faux Book / Tome Gilt Tooled Leather & Bronze Table Box 'Old English Homes' This exquisite faux book or tome box is a remarkable piece of decorative art, blending meticulous crafts...

A refined mid-19th-century Bohemian ruby cut-to-clear crystal casket, crafted in the renowned glassmaking region of northern Bohemia (present-day Czech Republic), circa 1850–1875. Du...

Campaign Box Carved Gentleman's British Army WW2 Regimental Arms Beautifully stylized and masterfully carved wooden box of floral and fruit foliage bas-rel...

Octagonal pill box in gold-plated 925/100 sterling silver with translucent enamels fired on guilloché also on all sides and with a line on the lid. English Art Nouveau style, early 1...

Hexagonal table box with clock on the lid, in gold-plated 925/1000 sterling silver with hand-painted fired enamel in the style of lapis lazuli stone and fine hand-engraved arabesques...

Exceptional table cigar or cigarette box in 925/1000 sterling silver, gold plated, and decorated with translucent two-tone striped fired enamels over guilloché engraving. Finely hand...

A wonderful French faceted cut crystal casket with engraved scroll bronze ormolu mountings with wreath draped keyhole. Measures: 5.25&quo...

Set of 4 playing card suit-shaped boxes in 925/1000 sterling silver with Art Deco style fire enamels, early 1900s. Total weight 793 g. Designed by Renato Salimbeni in 1951 inspired b...

Late 19th Century French Fire-Gilt Ormolu and Cut Crystal Table Casket, Attributed to Baccarat A refined French fire-gilt ormolu and cut crystal table box, dating to the late 19th century and attributed to Baccarat. The rectangular casket is executed in heavy crystal, cut in the pointe de diamant (diamond point) pattern, with a richly faceted surface that sparkles with light. The base is finished with a classic starburst cut (étoile taillée), a hallmark of Baccarat’s precision craftsmanship. The crystal is mounted in finely chased fire-gilt bronze, the band encircling the box decorated with laurel leaf and berry motifs, symbols of victory, eternity, and refinement within the French neoclassical tradition. The lockplate is adorned with a foliate wreath surrounding the keyhole, adding both ornamental and symbolic significance, as the casket was intended to hold cherished personal objects, jewels, or keepsakes. The ormolu mount retains a rich, warm fire gilding, applied by the traditional mercury gilding process, and features a continuous rear hinge—an indicator of the precision fittings used by Baccarat and other leading Parisian luxury workshops of the period. The box opens to a generous interior, ideal for use as a boîte à bijoux (jewel casket), boîte à bonbons (sweetmeat box), or wedding casket...

Rectangular/octagonal table box in 925 silver. The box was completely handmade in Florence at the end of the last century. Engraved with floral and abstract motifs, it has been fin...

Antique French Silver Plated Brass Stamp Box Case Figural Cherry B. Wicker France Silver plate, brass Late 19th Century Dimensions: H x W x D: 2cm x 6.5cm x 3.5cm This antique wa...

A fine antique Engish presentation silver box. In sterling silver with a gilt interior by George Unite & Sons of Chester in 1899. Commissioned as a gift by Abbas Hilmi II, the last...

Octagonal pill box in gold-plated 925/100 sterling silver with translucent enamels fired on guilloché also on all sides and with a two-tone circle on the lid. English Art Nouveau sty...

A Nécessaire case designed by Cartier. This is a fantastic nécessaire case box created in Paris France during the Edwardian period by the jewelry house of Cartier, back in the 1900....

Rectangular with rounded corners table box for cigarettes in 925/1000 sterling silver gold plated with translucent enamels on a radial guilloché an...

Octagonal table box in semi-precious tiger's eye stone with a hinged 925/1000 sterling silver hull. The interior of the lid is in black Belgian marble. Dimensions: 11.4 x 18.4 x 4 c...

This is a beautifully preserved example of a Regency period writing slope that also functions as a sewing box. The leather-bound table work box features a stepped square central pan...

A rare and most impressive 18th century European parcel ebonized rosewood hardstone bronze pewter bone ivory marquetry tabletop cabinet casket. Of exceptionally fine quality, lavish...

Rectangular table box with rounded corners in gold-plated 925/1000 sterling silver with very fine hand-engraving, also on the sides, of peacocks with “ramage” similar to tiger tails,...

Four-leaf clover-shaped table box in gold-plated 925/1000 sterling silver with petals in lapis lazuli and red jasper. Dimensions: 8.3 x 8.3 x 2 cm. Silver weight: 175 g. Designed by ...

Hallmarked Sterling by William Vincent of London Dated 1779 From our Tea Caddy collection, we are delighted to offer this Georgian Sterling Silver Tea Caddy. The Tea Caddy of slight...

Rectangular table box in 925/1000 sterling silver with translucent fired enamels on the guilloche and, on the corners, miniature of floral shoots hand-painted by the painter Romano B...

18th century Dutch brass tobacco box with hinged lid engraved with five circular medallions containing the busts of male noblemen figures with inscriptions and dates, the most recent...

Persian/Iranian solid silver box carved/engraved repoussé with birds and flowers. Very intricate details throughout this special piece. Distinct byzantine r...

A fine antique Imperial Russian engraved silver and niello tobacco box/case, 1886, Moscow, Alexander Fuld. The case is finely engraved with engraved niello designs, the hinged lid ha...

Rectangular with rounded corners table box for cigarettes in 925/1000 sterling silver gold plated with translucent enamels on a radial guilloché an...

Baroque-style round box. The body and lid of the box are engraved with scrolls, typical of the Baroque style. To highlight this workmanship, a knurling, that is, a dense hammering, w...

Rare Engine Turned Design The Sewing Box of slight sarcophagus shape stood upon four turned ribbed feet. The Sewing Box tapers up to the convex raised lid and features scrolling fl...

Oval-shaped snuffbox in 925/1000 gold-plated sterling silver with two-tone fire-enamelled stripes. English style, early 1900s. Dimensions: 8 x 4.5 x 2 cm. Weight: 84 g. Designed in 1...

Round snuffbox in gold-plated 925/1000 sterling silver with fired enamel on the enamelled edge with vertical stripes and a fine floral miniature hand-painted by the painter M. Grumet...

A Luxury desk box designed by Wedgwood. This is a magnificent desk box created in London England during the late Victorian Era, back in the 1880's. The fabulous box has been crafted...

Playing card suit-shaped box “heart” in 925/1000 sterling silver with red fired enamel in Art Deco style, early 1900s. With lost hinge, i.e. semi-invisible. Dimensions cm. 9.5 x 10 x...

Oval table box in 925/1000 sterling silver gold-plated with fired enamels, with a fine floral miniature fired enamelled on a white background on a guilloché pattern, edge enamelled w...

6238-7239- Pocket cigarette case with spring button in 925/1000 fire-enamelled sterling silver with beautiful vessel miniature hand-painted by th...

Large oval table box with mechanical musical movement by the Swiss company Reuge S.A. in 925/1000 sterling silver gold plated with translucent fired enamels on guilloché and on fine ...

A very fine antique repousse work & engraved sterling silver gilt castle top cigar/cheroot case, Nathaniel Mills Birmingham 1840. This very finely crafted silver case is made by the ...

A horn for carrying gunpowder having engravings of two decorative trees, one decidious and one evergreen, each in a container, finely done, and also the initals MP. Retaining orig...

Early English Victorian 1st Prize Equestrian Silverplated Figural Trophy Box—England, Mid-19th Century This exquisite early Victorian silver-plated tro...

A fine quality antique Russian Imperial silver tea caddy, engraved in the Chinoiserie style, by Gustav Klingert, Moscow, dated 1894. Gu...

Agate & sterling silver English oval box, Birmingham, 1851. Gilt washed interior. Patch or snuff box, suitable for cuff links, trinkets, etc. Made by Hilliard & Thomason, Birmingham,...

Box Black and Red enamel is Inspired by drawings by Louis Cartier from the early 1900s in Art Deco style and recreated for Cartier USA in the 1980s. It is in 925/1000 sterling. Box B...

Clear crystal box with cut engravings embellished with brass detail made with the artisan lost wax technique with patinated gold finish and the semiprecious stones (Malachite). The c...

Dutch 833 standard silver scent box, 1873 hallmarked. A "loderein", aka sponge box for applying perfumed water with a sponge or cotton ball kept inside. Now useful for peppermints, s...

An exceptional Indo-Portuguese colonial mother-of-pearl veneered casket with silver mounts India, Gujarat, 2nd half of the 16th century, the silver mounts Goa or probably Lisbon Measures: H. 16 x W. 24.6 x D. 16.1 cm An exceptional Gujarati casket with a rectangular box and truncated pyramidal lid (with slopes on each side and a flat top) made from exotic wood, probably teak (Tectona grandis), covered with a mother-of-pearl mosaic. The tesserae, cut from the shell of the green turban sea snail (Turbo marmoratus, a marine gastropod) in the shape of fish scales, are pinned to the wooden structure with silver ball-headed nails. The casket is set on bracket feet on the corners. The masterfully engraved decoration of the silver mounts follows the most refined and erudite Mannerist repertoire of rinceaux and ferroneries dating from the mid-16th century. The high quality and refinement of the silver mounts and, likewise, the silver nails that replaced the original brass pins used to hold the mother-of-pearl tesserae in place indicate the work of a silversmith probably working in Lisbon in the second half of the 16th century. The Indian origin of this production, namely from Cambay (Khambhat) and Surat in the present state of Gujarat in north India, is, as for the last three decades, consensual and fully demonstrated, not only by documentary and literary evidence - such as descriptions, travelogues and contemporary archival documentation - but also by the survival in situ of 16th-century wooden structures covered in mother-of-pearl tesserae. A fine example is a canopy decorating the tomb (dargah) of the Sufi saint, Sheik Salim Chisti (1478-1572) in Fatehpur Sikri in Agra district in the state of Uttar Pradesh, north India. This is an artistic production, geometric in character and Islamic in nature, where usually the mother-of-pearl tesserae form complex designs of fish scales or, similar to the dishes also made using the same technique, with the thin brass sheets and pins, stylized lotus flowers. The truncated pyramidal shape corresponds, like their contemporary tortoiseshell counterparts also made in Gujarat, to a piece of furniture used in the Indian subcontinent within the Islamic world prior to the arrival of the first Portuguese. This shape, in fact, is very old and peculiar to East-Asian caskets, chests or boxes used to contain and protect Buddhist texts, the sutras. A similar chest is the famous and large reliquary chest from Lisbon cathedral that once contained the relics of the city's patron saint, Saint Vincent. Both match in shape, having the same kind of socle or pedestal and bracket feet, and in their engraved silver mountings, featuring the same type of refined, erudite decoration. Their differences lie in the silver borders that frame the entire length of the edges of the chest (both the box and the lid), pinned with silver nails, and on the lock plate, shaped like a coat of arms in the Lisbon example. Given the exceptional dimensions of the reliquary casket...