French Mantel Clocks

A luxurious French Louis XVI style gilt bronze ormolu and alabaster (onyx-marble) three piece mantle clock and garniture set, possibly attributed to Raingo Freres. The fine quality antique originating in France in the late 19th century, exquisite Parisian work, exceptionally executed in opulent, elegant, and sophisticated King Louis XVI style, timeless neoclassical taste, comprising: classical architectural case mantel clock, having pointed bronze doré finial, flanked by scrolled foliates and lyre motifs, fancy enamel dial with Arabic numerals, inscribed F. Lapointe, Paris, eight-day time-and-strike movement signed Samuel Marti 1900 (Paris, 1870-1890), original Apollo mask sun-burst pendulum hanging below clock drum, flanked by matched pair of two arm candlestick garnitures, each with matching scrolled foliates and lyre finial, tapering column support with two candle nozzles, rising on stepped molded base, terminating in patinated brass disc feet. Markings: Pendulum stamped "R" "1721" ormolu on clock & garnitures stamped "1321"; possibly attributed to R. Freres / Raingo Freres. Dial signed by French enameller "F. Lapointe, Paris" Movement stamped by the firm of well-known French clockmaker Samuel Marti et Cie, Paris, second half of 19th century. Dimensions: (approx) As pictured: 18.5" High, 36" Wide, 5.5" Deep; 27.5 lbs total. Clock: 18.5" High, 13" Wide, 5.5" Deep; Candelabra garnitures: (each) 12" High, 8" Wide, 4.25" Deep; Condition: Presents splendidly. Great original unrestored antique condition. Currently not operating as it's lacking a suspension spring. Retaining bell, pendulum, and key. Losses to decorative elements. Wear consistent with age and use. To ensure the clock arrives as beautiful as it leaves here, and due to the rather delicate nature of antique clocks...

A French Empire gilt bronze clock showing a Caesar (resembling Napoleon), seated on a classical throne. He is slightly leaning to one s...

A French restauration period mantle clock having a large patinated bronze eagle with outstretched wings standing on a wreath on top of the clock. The stepped square patinated bronze...

Fine work of gold-plated bronze as mantel (desk, shelf) clock. Italian A renaissance girl thoughtfully holds a strand of hair in a relaxed reclining pose. Antique French gilt bronze ...

Finest quality French sevres antique (late 19th century) garniture set including mantel clock and pair of candelabra by Raingo Freres of Paris, with clock movement by Vincenti et Ci...

Mantel clock, carved wooden clock, 19th-century Black Forest craftsmanship. Clock, 19th-century mantel clock, Napoleon III period, carved wooden Black Forest craftsmanship. H: 34 cm...

A late 19th century French gilt-brass and steel novelty ‘quarterdeck’ mantel clock by Guilmet, Paris, the eight-day gong striking movement with anchor escapement, circular gilt Roman...

Marks to movement: ELR, 1903, R73 to underside of lid. Origin: French Date: circa 1880 Dimension: 19 x 22 x 8 inches Notes: Zacharie Joseph Raingo (1775-1847) The Raingo...

An exceptional and highly collectible French Empire mantel clock attributed to the celebrated Parisian bronzier Claude Galle, dating to circa 1805. Executed in richly gilded and dark...

This large and impressive clock is by the renown French Bronzier Lemerle Charpentier & Cie. It features Classical maidens holding a large urn form case surmounted by Cupid with his ...

A small, svelte French portico clock from the Directory Era, 1795-99. In the "Retour d’Egypte” style that became quite the hot thing following Napoleon’s - ahem! - incursion into Egy...

A very good quality Louis XVI Style Gilt Bronze Mantel Clock. French gilt bronze clock with enamel face, fruit and lion motif, on plinth. H 22.3 cm (8.8 in.), All clocks sold as is w...

Rare Louis XV style gilt and patinated bronze "Pendule à l'éléphant" mantel clock , the enamel dial signed: "Mafson" à Paris" This beautiful example was made in the late 19th century...

This beautifully detailed Napoleon III fire-gilt bronze figural mantel clock is from France, circa 1860-1880. Featuring a graceful maiden in classical dress seated upon a boulder whi...

Antique vase clock France Fire gilded bronze Empire around 1820 Dimensions: H x W x D: 41 x 13 x 12 Description: Beautiful all gilt French mantel clock. The basic form is in the shape of an urn vase with lid...

Antique Victorian French quality ornate ormolu and bronze mantle clock having a quality bronze cherub to the top ornate ormolu case with scroll, bow and leaf decoration, circular han...

An extremely rare Louis XVI mantel clock 'a cremaillere', a movement driven by its own weight, where the moving drum barrel is running down an inclined whi...

An exceptionally refined French ormolu mantel clock in the Louis XVI Revival style, attributed to the celebrated Parisian bronze founder Ferdinand Barbedienne. The clock was most lik...

Antique 19th century French antique rosewood marquetry inlaid eight day mantel clock with a beautiful shaped marquetry inlaid case with an eight day movement boasting a delightful Ro...

a very fine Charles X malachite and ormolu mounted mantle clock, depicting a seated Psyche, in patinated bronze, opening the golden box. France, circa 1830 21" H x 16" W x 6.5" D...

An exquisite French mid 19th century Empire st. ormolu portico clock. The clock raised on a rectangular base with finely chased borders and satin and burnish finish interlocking circ...

French mantel clock / pendulum clock, fire-gilt, around 1870-1880 Solid bronze, fire-gilded, french around 1870-1880, original French historicism. An absolute eye catcher. Finely chiselled gold-plated bronze in the best quality. Functional clockwork. The mantel clock stands on an antique wooden base.

This is a superb antique French gilt bronze mantel clock with Bleu Celeste porcelain panels in the Sevres manner, circa 1860 in date. The case crowned with two cherubs holding laurels one holding a mask emblematic of theatre, flanking an oval Bleu Celeste porcelain panel of the playwright Molière . The base decorated with ormolu flowers is raised on turned feet and inset with Sevres plaques decorated with cherubs. The circular dial has Roman and Arabic numerals and the clock has an 8 day striking movement complete with count wheel strike and bell, stamped with Miroy Freres...

19th Century French brass mounted Louis XV-style mantel clock, by Japy Freres. Decorated in the Vernis Martin style with Watteauesque-style scene of a young courtship couple beneath...

A fine quality gilt and patinated bronze library clock surmounted on a white oblong base. Having a gilt bronze eagle finial in full relief above a ...

Large French marble figural mantle clock. Hippolyte Francois Moreau (1832-1927) famous for bronze statuettes of young women. Son of Jean Baptiste Moreau...

Splendid free-standing (mantelpiece) pendulum clock in the Napoleon III style (Second half of the 19th century), a piece of fine French cabinetry and mechanics. The clock is in perfe...

This impressive example of an early 20th century French Rococo palace size clock set comes from the prestigious E. Colin & Cie of Paris foundry. The sculpted ensemble is detailed with crisp elaborate scrolling accented with a full figure cupid with quiver atop the clock. The clock & candelabras are decorated in a brilliant gold doré' finish. The set was commissioned by Tiffany & Co. & featured in the 1900, Paris Exposition. The clock has Roman numerals & bears "Tiffany & Co." on its stunning white enamel face. This face is surrounded by floral scrolls. Beneath is the face of Bacchus, framed by a pair of mythological fish. Complimenting this key wind clock...

Large 18th Century French Louis XVI White Marble Mantel Clock with Pallas Athena A large late 18th century white marble and gilt-bronze mantel clock, th...

A mid-century mantel or desk clock by Jaeger-LeCoultre, set within an elegant lucite case decorated with inset brass motifs of fish and rising air bubbles. The clock runs on an eigh...

A fine Louis XVI style gilt and patinated bronze figural clock. French, circa 1870. This fine clock has a waisted body decorated with scrolls and trellis centred by a white ena...

A TIFFANY & CO. EGYPTIAN REVIVAL MANTLE CLOCK, AMERICAN, 1880s, a bronze ormolu and marble clock made by L. Marti et Cie for Tiffany & Company, marked on clock face, "Tiffany & Co." ...

A very fine French 19th century Louis XV style gilt bronze and white marble figural mantel clock. The finely chased ormolu body, with its original two-tone mercury gilt, centered with a circular enameled porcelain clock face with Roman and Arabic numeral dials and inscribed 'A. Thomas - Fabt de Bronze - 56, Rue de Turenne - Paris', surmounted with a pair of playful seated cherubs amidst clouds and wreaths, the case crowned with a figure of a Gallic Rooster (Coq Gaulois...

An important Charles X imperial porphyry lyre clock. Crafted from red porphyry and ormolu. Movement signed and dated 1828. Clockworks have been...

French Art Deco marble mantel clock still in original condition. Bronzed metal, ivory imitation and various types of stone, in the...

A fine and stunning original antique French boudoir clock. It is beautifully made of ormolu (finely gilded bronze), very well modelled and chased, and mounted with exquisite Sèvres s...

A Napoleon III Gilt-Bronze Mantel Clock, 'Pendule à Cercles Tournants', By Jean-François Denière, Paris. Of imposing scale, surrounded by four winged putti and garlands of flowers in clouds enveloping a bleu celeste tole star-studded sphere. On a shaped base with a wreath and courting doves. The square-plated movement with Brocot escapement and outside count wheel striking on a bell. Stamped to the backplate ‘Deniere A Paris’ and numbered ‘2385’. France, Circa 1860. This clock, magnificent of scale and conception, numbers amongst Denière's most impressive creations. Denière delivered clocks to the Emperor at the château du Fontainebleau in 1857 and 1861. Both are modelled with playful cherubs pulling foliate garlands which show the same designer as those to the present clock. They can be attributed to the sculptor Albert-Ernest Carrier-Belleuse (1824 –1887) who from the 1850s produced for Denière models for candelabra, clocks, jardinieres and fireplace ornaments. Inspired by the Louis XVI style, the present clock with celestial sphere enclosing a complex rotating clock...

Fine quality and attractive French champleve gilt bronze and light blue champleve enamel clock set. Retailed by Camerden & Forster, New York. Gilt bronze and champleve enamel. Or...

Bronze dore clock and Candleabrum are decorated with cherubs in a dark Patinated bronze. This grand and elaborate set is in lovely condition. The rococo design incorporates five c...

This handsome bronze mantel clock is from the French Empire period with a standing figure placing his feathered hat on top of the clock. The clock’s enameled face is surrounded by an...

A Fine Late 19th Century French Le Roy and Fils Ormolu Mantel Clock The ornate case in the Louis XVI style with finely cast and chased ornament, a tribute to the art of the bronzier...

This exquisite three-piece alabaster clock garniture consists of a central clock with two flanking vases. The central clock is designed to resemble the shape of a neo-Gothic cathedra...

An Important French Empire Ormolu Mantel Clock “Lettre d’Amour,” Attributed to François-Louis Savart, Paris The clock is formed with a rectangular case rising from a shaped plinth base set on four flattened bun feet. The base displays a continuous frieze cast in relief with two sheep flanking a central urn, framed by scrolling foliage at each end. Above, the main case supports a circular white enamel dial with Roman numerals and two winding apertures, enclosed within a beaded ormolu bezel. Beneath the dial, a rectangular panel is cast with a reclining male figure in a landscape setting, accompanied by trees. To the left, a female figure is seated on a cushion supported by an X form empire stool, her body turned toward the dial. She raises one hand toward her face while a bird rests on her knee, and she holds a circular medallion bearing a profile portrait. To the right, a tripod table stands on three supports formed as winged griffins with lion heads and clawed feet. The table surface holds a writing box with an open lid, a quill, and a candlestick. The surfaces throughout are finished in gilt, with visible chasing across the figures, drapery, and ornamental borders. The clock is attributed to François Louis Savart, a bronzier active in Paris. Savart produced objects in gilt bronze including clocks, candelabra, and decorative mounts. He maintained a workshop in Paris where he developed figural clock models incorporating classical motifs and narrative subjects. Comparable models associated with Savart include figural compositions with seated female figures, auxiliary furniture elements, and narrative relief panels, reflecting established design types within Parisian bronze production. Savart’s workshop operated within the Paris bronze industry, where cast ormolu objects were produced using sand casting followed by chasing and gilding. The construction of this clock case reflects the use of multiple cast components assembled into a unified structure, including separately cast figures, furniture elements, and applied relief panels. The inclusion of tripod tables, X form seating, and winged supports corresponds to design sources drawn from Greco Roman models that were adapted in Empire period decorative arts. The precise casting, crisp chasing, and consistent gilt surface across the figures, mounts, and relief panels indicate a high level of production quality, with the complexity of the assembled components supporting its desirability among Paris ormolu figural clocks...

Magnificent midcentury French three-piece gilt bronze Ormolu garniture set. The set consists of a clock and two Six-light candelabrum in the Louis XV style with floral and Grape ...

Malachite inlaid black marble plinth-form mantel clock French, circa 1876 Measures: Height 24cm, width 39cm, depth 16cm This rather unusual bu...

Large gilt bronze portico regulator clock from the Restauration period. It takes the form of an antique architecture with four smooth Corinthian columns with acanthus leaf capitals. ...

A Large Gilt-Bronze Four-Glass Mantel Regulator Calendar Clock. The architectural case composed of two columns supporting a stepped top. The front and back with bevel glazed doors. The enamel clock...

This mantel clock depicts a mythological group scene in bronze of figures representing a cupid with a torch in his right hand in clouds made of scrolls and foliage flirting with a se...

Marble and gilt bronze clock with mythological decor, 19th century, Napoleon III period. A 19th century Napoleon III period clock in marble and gilt bronze with a mythological theme...

A fabulous over one hundred and sixty year old Parisian neoclassical style Bardiglio marble three piece mantel set. Born in Paris, France in the mid 19th century, featuring an an...

This vintage elaborately decorated French porcelain mantle clock dates from the 1850's. The delicate porcelain has hand painted colorful sculpted flowers, gleaming gold gilt scrolls ...

French Artist Louis Albert Carvin, Born in Paris, 1875-1951. This Art Deco, Ca. 1930 clock with a stylized base, has 2 German Shepherds mounted and on guard. With red and grey marble...

French sculptor Etienne-Maurice Falconet (1716-1791) is the inspiration for this beautiful, sumptuous mantel clock. His clock, crafted in the late 18th Century and now on display at the Louvre Museum, caused such a stir when it was exhibited over 100 years later, at the Great Exhibition in Paris in 1900 that one reviewer claimed that it "attracted so much admiration from the crowds gathered around that the pressure was sufficient at times to endanger its safety." As well as this famed 'Three Graces...

French porcelain clock, beautiful gilded decoration with inset hand painted panels on a light blue background. Enamel dial with finely cut original steel hands signed ‘Aubert Klaften...

An exquisite antique French ormolu clock mounted with Sevres style porcelain. Made in finely gilded bronze, sculptured as a large gadrooned and handled urn, draped with acanthus garl...

Marble and Patinated Bronze Egyptian Revival Mantel Garniture Set Set is comprised of a clock and a pair of obelisks. Clock features a bronze lamassu and engraved and gilt hieroglyph...

Mantel Clock "Atala and Chactas" Paris Bronze (fire-gilt and patinated), enamel Empire around 1810 Dimensions: H x W x D: 40 x 32 x 11 cm Description: Very rare and extremely high quality French mantel clock, so-called Pendule Au Bon Sauvage. Depicted are scenes from the love story "Atala or the love of two savages in the desert" written by Francois René Vicomte de Chateaubriand in 1801. At the beginning of the 19th century, this was probably the most famous love story in Europe, but today it has been forgotten. The story, set in present-day Louisiana (USA), is roughly rewritten about the forbidden love between Chactas, a young Indian, and Atala, the beautiful daughter of a Spaniard. Chactas is captured in a battle between two Indian tribes, chained to a palm tree and is to be sacrificed. Atala wants to save his life and convert him to Christianity. She unties him from the palm tree at night and they flee together into the wilderness of North America. Their love for each other grows stronger and stronger and they have prospects for a future together. The story takes a tragic turn when Atala, who must remain a virgin due to a vow made by her mother, can no longer withstand the conflict of her feelings and commits suicide. The main group of characters thus shows Chacta's liberation through Atala. Atala is leaning against a pile of logs. The animal fur thrown over the logs and the weapons leaning against the stack on the right give the impression of a night camp. The bronze is of rarely beautiful quality, finely chiselled and makes the scene appear very lively. The contrast of fire-gilded and patinated bronze adds tension to the composition. In the base we see the Entombment as the end of the tragic love story. This bronze work is also very detailed, the interplay of bright and matt gilding makes the flat relief appear much deeper than it is. The depiction of the mantel clock presented here shows that the exotic was only known from stories and that the bronzier had his own ideas about the appearance of this distant world. The Indian, for example, has very European facial features and his skin was not black in reality, of course. The palm tree was also certainly not found in the North American wilderness. The heart of the clock is a French pendulum movement, integrated into the wooden pile, with an eight-day power reserve and a lock plate striking a bell on the half and full hour. The pendulum is suspended on a thread, typical of the period. The classically shaped hands, so-called Breguet hands, are also typical of the time. The enamelled dial has black Roman hour numerals, Arabic quarter hours and bears the signature: Le Roy hr. de Madame A PARIS. Interesting facts: The period from 1795 to about 1815 saw the creation of probably the most spectacular group of bronzes: The "Au bon Sauvage" pendulums - depictions of the "Noble Savage". Today's viewers react to these objects with both fascination and irritation. Enthusiastic on the one hand about the obvious quality of the detailed bronzes and the allure of the exotic, on the other hand distanced and cautious because of the possible discrimination that is suspected behind them. The ambivalence of this feeling motivates the search for the conditions of origin of these pendulums. Europeans found their new ideal of the natural man primarily in fictional and realistic travelogues about the Indians of North America...

This is a wonderful Napoleon III ormolu mantle clock from the estate of a Los Angeles collector from around 1860. There is a zaftig little boy perched at the top of the clock, and f...

Dating from the early 20th century, this magnificent French Rococo-style mantle clock seamlessly balances striking antique artistry with the effortless convenience of modern timekeep...

The globe-form clock case surmounted by a putto and flanked by allegorical figures, on a spreading base cast with floral garlands. Origin: French Date: 19th century Dimension: 3...