Enamel Clocks

Three piece French gilt bronze clock set, the clock mounted with a foilated urn, white enamel dialed inscribed Crouille Filo, Ameins, ornately cast foliate body resting on rocaille p...

A beautifully carved wall clock from the transitional period between Rococo and Gustavian styles. The clockwork was crafted by the renowned clockmaker Jacob Kock, active in Stockholm...

Monumental, impressive Art Nouveau mantel clock with enamel and soft painting. 60cm KPM Berlin probably around 1904. Designer: Hugo Cauer. Body...

A French mantel clock from the early 20th century (c.1905–1920), featuring a bronze sculpture of a lady playing a harp atop a black and siena marble base. This clock evokes classical...

Porcelain, champlevé enamel, and gilt-bronze Rococo style three-piece clock set French, Late 19th Century Clock: height 38cm, width 23cm, depth 16cm Vases: height 28cm, width 13cm, d...

An unusual gilt metal and purple guilloche enamel boudoir clock with superb inlaid designs of flowers and swags and a hand painted picture to the...

Three piece French bronze clock set with urn and swag pediment and lion head handles, embossed dial with inset porcelain numerals, along with conforming pair of 9 light candelabra, 1...

French four glass clock standing on a raised base with beaded decoration and fine Champleve enamel decoration to the pillars and bezel with fur...

This mantel clock beautifully illustrates the classical myth of ‘The Abduction of Europa’. In this story, the god Zeus falls in love with a mortal woman called Europa. To seduce her, Zeus transforms himself into a white bull. Europa then mounts the bull and Zeus whisks her away from her home to Crete. Europa becomes the Queen of Crete and bears Zeus several children. The clock takes the form of a patinated bronze bull which is saddled with a gilt bronze (ormolu) clock case. This case features a circular white enamel dial with black Roman and Arabic Numerals, as well as the maker’s name ‘Michel Baltazar...

French Japonisme style gilt bronze and enamel mantel clock French, 19th Century Height 30cm, width 18cm, depth 14.5cm This fine mantel clock is of rectangular form, with a gilt bron...

Empire period ormolu mantel clock by Le Roy et fils French, c. 1810 Height 36cm, width 37cm, depth 14cm This refined mantel clock was created during the Empire period by the esteem...

A very fine quality 19th century Louis XVI style gilded ormolu and champlevé enamel clock garniture, the four sided clock having four enamel col...

This beautiful clock set is designed in a fanciful Japanese style, known in France in the 19th Century as ‘Japonisme’. The style became highly fashionable in Europe after 1853, when ...

This ormolu (gilt bronze) mantel clock is a stunning piece of design, which features beautiful neoclassical style low-relief decorations and three-dimensional sculptures. The clock takes the form of a tall rectangular case with a circular white enamel dial near its top. This dial features black Roman Numerals and the maker’s signature, ‘Robin/ à Paris’. The dial is displayed behind a glass lens within a foliate bezel. The case is decorated in its upper corners with rosettes, and in the lower section with a stylised depiction of a swan. The case is topped by a sculpture of a wreath, propped up on a roll of paper or parchment. To the left of the case, there is a full-length statue of a man who wears a classical robe and holds a mirror. A lyre leans against the right side of the case. The clock is set on a wide rectangular base which is decorated with a low-relief scene taken from the classical myth of Dido and Aeneas...

French Champleve Gilt Bronze and Enamel Clock Garniture three piece set . Includes clock and a pair of candlesticks Paris - France, c. 1880s candlesticks - h 9.75 in; diam 4.5 in cl...

This mantel clock is a wonderful piece of French Neoclassical design. It is an unusual and very beautiful item, which has been expertly crafted from gilt bronze (ormolu). The clock will add elegance and sophistication to a mantelpiece. The clock features a table-form body which is topped by a classical urn. The urn is crowned by a pomegranate finial and mounted with twin handles in the shape of rams’ heads with rings in their mouths. The urn is decorated with twisted and cabled fluting, a belt draped with foliate swags, panelled motifs and a ropework band. The urn stands on a table-shaped body which is surmounted by outward-pointing pinecone finials and laurel branches. The stepped tabletop has scalloped corners and is decorated with an egg-and-dart and leaf-and-dart band, as well as a central Green Man mask. This top is supported on six legs which feature leafy scrolled tops draped with swags and hoof feet. Between the legs, there is a drum clock...

A very good quality French late 19th century gilded ormolu and champleve enamel mantel (fireplace) clock. Having urns and a cherub above the eight day clock that chimes...

This wonderful mantel clock is designed in the image of an ancient Roman ruin. The clock is clearly inspired by the kind of prints, paintings and drawings of dilapidated Roman buildi...

Empire period ormolu and enamel Ceres mantel clock after Thomire. French, c.1810 Measures: height 46cm, width 38cm, depth 13cm. This superb mantel clock was made in the First Fr...

Antique French Japonisme mantel clock with floral Champlevé enamel French, late 19th century Dimensions: Height 51cm, width 27.5cm, depth 22cm Beautifully wrought from patinated bronze and champlevé enamel, this mantel clock is designed in the Japonisme style. The style was popular in 19th Century Europe following the opening of Japan to trade and cultural exchange. The clock stands on four cabriole feet, with a pierced Japanese style apron to the bottom. The central case is stepped, with the main section of rectangular profile, and mounted with pierced patinated bronze vines...

This three-piece set—composed of a clock and a pair of flanking candelabra—is a truly unique and delightful piece of decorative art. The clock is modelled in the image of an 18th century sedan chair – that is, a covered chair sat in by a member of the social elite, which was carried on poles by two people. This chair-shaped clock case is crafted from gilt bronze (ormolu) and decorated with festoons and a flower finial. At its centre, there is a circular white enamel dial, which features Arabic Numbers, colorful swag paintings, and the manufacturer’s name, 'Fd Gervais / Ft du Bronzes / A Paris'. The lower part of the case is glazed, allowing one to see the clock’s sun-burst pendulum. Like a sedan chair, the clock case is carried by two patinated bronze putti...

A very good quality late 19th Century French gilded ormolu and champleve enamel clock set. The matching three brach candelabra with scrolling foliate rococo style decoration and bold...

Gilt-bronze and cloisonné garniture, France, 19th century. Clock works.

A very good quality, 19th century French gilded ormolu and champleve enamel clock garniture. The clock has a cherub on either side, an urn with swags to the top, 'C' scroll and folia...

Gilt-bronze and cloisonné garniture with angels figures, France, 19th century.

Inspired by the art and culture of Classical Greece, this three-piece garniture contains a mantel clock and two candelabra. The rectangular body of the clock is of lapis lazuli and is surmounted by a Grecian vase...

This clock set was designed in France in the late 19th century in a fanciful ‘Oriental’ style. The set is comprised of a mantel clock and a pair of candelabra, all of which have been...

A Fine Louis XVI Style Gilt-Bronze and Green Enamel Mantel Clock. French, Circa 1890. Stamped ‘Medaille d’Argent Vincenti & Cie 1855’ and with the initials ‘L.R’. This fine clock or timepiece has a spring-driven eight-day twin train movement by Vicenti et Cie, striking on a gong. The gilt-bronze case is of square-section with a stepped pediment surmounted by musical trophies above a Vitruvian scroll frieze and rosettes to each corner, below is a circular enamel dial with Arabic numerals and floral swags, set within a finely painted iridescent green enamel panel depicting a courting couple in conversation. The sides are similarly painted with fair maidens in a wooded landscape and the back cast with strap-work and Vitruvian scrolls; a circular hinged door opening to reveal the movement. Vincenti was a much respected clock maker, a Corsican who set up in 1823 in Montbeliard using machinery of his own design. Following his death in 1834 his business was carried on by Roux et Cie...

This Grecian style mantel clock was crafted at the end of the 19th century and retailed by the acclaimed Maison Marnyhac, which was based on the Rue de la Paix in Paris. Founded ...

Established in the early 1800s, Raingo Frères (Raingo Brothers) was one of the leading makers of precision clocks and astronomical “orrerey” devices du...

A Large and Important Late 19th Century Gilt and Patinated Bronze, French Champlevé Enamel and Wood Mantle Clock The top figure is of Nike of Samothrace...

A very good quality late 19th Century French Louis XVI style Champleve enamel clock set. The clock having a classical scene of a cherub handing flowers to ...

FACTORY / HOUSE: Mimo for J. E. Caldwell STYLE / REFERENCE: Art Deco Pocket Desk Clock METAL / MATERIAL: 14kt Yellow Gold and Kiln Fired Enamel CIRCA / YEAR: 1930's DIMENSIONS / SI...

FACTORY / HOUSE: Shreve & Co. STYLE / REFERENCE: Art Deco Desk Clock METAL / MATERIAL: Sterling Silver & Bronze / Kiln Fired Enamel CIRCA / YEAR: 1920's DIMENSIONS: 4 Inches X 4 Inch...

Impressive antique Austrian champlevé enamel, silver-gilt and lapis lazuli clock set Austrian, Late 19th century Clock: Height 91cm, width 37cm, depth 37cm Candelabra: Height 64cm, width 24cm, depth 24cm Clock case: Height 97cm, width 44cm, depth 41cm Candelabra case: 67cm, width 27cm, depth 27cm Crafted in Austria in the late 19th century, this magnificent three-piece clock set was most likely gifted to the Imperial Russian family by the Austro-Hungarian Royal family. Its design is inspired by various cultures and styles, whilst its high quality celebrates some of the best craftsmen of the late 19th century. Of a tiered pagoda shape, the clock is surmounted by an eagle, its wings spread wide landing atop a vibrant lapis lazuli ball. The eagle is most likely a reference to Turul, a mythological animal which is a symbol of Hungary. This bird of prey is also a popular feature within Turkish traditions. Within a canopy, supported on four sturdy lapis lazuli pillars two prominent silver-gilt bells are hanging. These are carved with various motifs such as acanthus leaf design and connect to the clock mechanism below. The bells ring informing its users of the time. All four sides of the piece are inset with a clock, an unusual feature on an object of this type and a testament to its highest quality. The inclusion of clocks on all sides signifies that the antique is aimed to be a centrepiece, admired from all sides. The dial is decorated using the champlevé enamelling technique, whereby ‘parcels’ are carved into the silver gilt and into which enamel is poured. The 12 numbers are coloured in black with a gold outline and are surrounded by a white circular background making them stand out and easy to read. The hour clock dial is cast in the form of a sun, while the minute hand is represented as the moon. The two motifs symbolise one’s bright and gloomy sides of existence. The four corners around the clocks are mounted with three-dimensional female figures dressed in traditional garments from around the world. For example, one figure is dressed in typical Turkish clothing...