French Desk Accessories

Place this elegant antique signed inkwell in a man’s office. Created in France, circa 1870, the bronze desk accessory sits on four small curved feet, and f...

A beautiful frosted crystal owl sculpture paperweight by Lalique of France, circa 1990s. This gorgeous piece is in very good vintage condition with no chips or cracks and measures 2"...

Quietly understated elegant Jean Gerbino for Vallauris, France, ceramic glazed pale blue mosaic lidded pot Classic form and function with signature mosaic from Gerbino Circa 1960's S...

Rare to see Cartier small tray. Very chic Cartier Jewelry Dish or a Personal Cards / Keys / Trinket Tray / Coins Plate This piece is a handsome Tray. Can be use as a jewelry dish or a personal desk...

Christofle's 'The Hand of Destiny' package: silver palm reading paperweight and accompanying booklet (plus letter of dedication) By: Christofle Material: silver, silver plate, sheet...

Beautiful 19th century letter rack from the French Napoleon III period. The letter rack is made of bronze with wooden panels. The wooden panels are decorated with red traditional lac...

Art Deco 'Chained Bulldog' Car Mascot / Hood Ornament designed by Marvel, French, 1920´s, silver-Gilt plated bronze, small version, 14cm long, compl...

Beautiful pocket watch stand, or jewelry stand, France, circa 1880. Brass with enameled ornaments.

PONT is the very first bronze exploration by Fabien Barrero-Carsenat in his studio. The alloy was custom made into his own foundry, from copper, zinc and pewter, providing to each sa...

Antique Baccarat Paperweight Landscape with Mountains, A Rare Specimen Additional information: Dimensions: 5 W x 5 D x 4 H cm Period o...

Letter Holder, By Yonel Lebovici, France 1970

Superb petit ceramic vide poche by Gabriel Fourmaintraux Intense black glaze, hand decorated with distinctive red, yellow and green enamel motifs Circa 1950 Height 1.5 inch, Width ...

Antique hinged bronze patinated apples and a pear trinket boxes on a twig with leaves, to keep or collect your little trinkets in. They used to be called bed-apple or bed-pear, and they were used for putting your jewellery in on your nightstand before going to bed...

French Paperweight with Purple Flower Arrangement of St. Louis, 1910 Additional information: Dimensions: 7.5 W x 7.5 D x 6 H cm Period of Time: 1910 Country of origin: France Cond...

A stunning paperweight dating back to the late 19th Century with roses and flowers that will spark your imagination every time you put your eyes on it. This art piece has faceted e...

This 19th-century gilded inkwell is a captivating piece of artistry, masterfully crafted to depict a charming bulldog tethered to a rustic tree stump. W...

An Unusual 19th century French Ormolu Mounted Globe Style Tantalus liquor set. The round globe top which rests on an elongated ormolu base is not common to find. The crystal top is m...

A 19th century french champlevé enameled gilt bronze ornate with colorful blue, green, yellow enameling over the bronze base in a Sevres style decor with a pen rest. Width: 8,07 i...

Fantastic french desk set with brass hardware Manufactured by Le Tanneur France, circa 1970’s All pieces are saddle leather with black contrast stitching Beautifully worn in leather ...

19th Century Inkwell "Child in Drum". Whimsical design. Glass lined inkwell interior with attached open/close lid. See photos.

Royal House Antiques Royal House Antiques is delighted to offer for sale this lovely suite of original suite if super rare and highly collectable Hermes Paris stationary items A wo...

Organic in form, abstract ceramic vide poche by Gabriel Fourmaintraux, France Strong pallet of red, yellow and orange enamels contrast wonderfully with the exterior matt black glaze ...

Pair of book presses with a rooster design, made of iron, made by Edgar Brandt (1880 - 1960). Signed E, BRANDT Reproduced in the books, Joan Kahr, Edgar Brandt: Art Deco Ironwork, N...

Decorative pâte-de-verre vide-poche: bowl in yolk yellow, one side overflowing in dark blue, swimming around each other, plastically formed goldfish couple. Signed 'AWALTER NANCY' on the top. Manufactory: Amalric Walter, Nancy, Lorraine, France Dating of manufacture: circa 1920/1925 Designer: VICTOR AMALRIC WALTER (1870-1959) was a French glass manufacturer mainly known for his pâte de verre pieces. In the Cristalleries Daum at Nancy, France, he met the designer and modelist HENRI BERGÉ, with whom he produced the first pâtes de verre, which at the time were only signed with "Daum Nancy". After the war he continued to work with Henri Bergé. From 1919 to 1935 he cast no fewer than 500 models with Bergé and other famous sculptors or designers, always in few numbers due to the sophisticated technique of glass kiln casting. Technique: Pâte de verre (English glass paste) is a technique used in the production of multi-colored glass. A cold-formed paste made of glass powder and dyes is filled into a refractory mold and then fired in a muffle furnace, whereby the glass melts into the desired shape. To achieve polychrome color effects, the process is repeated with other colors. The technique was already known in ancient Rome and Egypt. Particularly in the Art Nouveau period and later in the Art Deco period, she found artistic use again in works by French glass artists such as Gabriel Argy-Rousseau, Henry Cros...

This superb Napoleon III Gutta Percha pen holder was handcrafted in France in the 1880s. The antique desk accessory is exquisitely crafted with different molded designs on each side and delicate ornamentation throughout. There is no known maker. This desk accessory is in overall good condition for a 150-year-old piece. The material is still shiny, with minor scratches and scuffs, but they do not significantly affect the overall appearance. Check the close-up. Measurements: 12.19 in wide (31 cm) x 3.94 in deep (10 cm) x 1.75 in high (4.5 cm). Note: Gutta-percha is a tree of the genus Palaquium in the family Sapotaceae. The name also refers to the rigid, naturally biologically inert, resilient, electrically nonconductive, thermoplastic latex derived from the tree. It is a polymer of isoprene that forms a rubber-like elastomer. The word "gutta-percha" comes from the plant's name in Malay: "Getah" translates as "latex." Percha or Perca is an older name for Sumatra. Long before Gutta-percha was introduced into the Western world, it was used in a less processed form by the natives of the Malaysian archipelago for making knife handles, walking sticks, and other purposes.  William Montgomerie, a Scottish medical officer in imperial service, introduced gutta-percha into practical use in the West. He was the first to appreciate the potential of this material in medicine, and he was awarded the gold medal by the Royal Society of Arts, London, in 1843. This material was scientifically classified in 1843 and was recognized as a valuable natural thermoplastic. During the second half of the 19th century, gutta-percha was used for many domestic and industrial purposes. Gutta-percha was particularly important for the manufacture of underwater telegraph cables...

Original Victorian period Pair of photograph frame (or miniature frame) with classical Victorian design. Typical frame for wedding photographs. Made of solid cast brass with a highly...

A blue, green and gold stoneware desk writing set with four pieces and golden bronze details, with “L DAGE Grés Manganése “ marks at the bottom. Beauti...

French chess game in the thematic of Ancient Egypt. The chess pieces are in painted and waxed plaster, the board is in wood and the is also a display shel...

Bronze Sculpture Lioness / Roger Godchaux Jewish Artist & Susse Lost Wax Bibelot . An important bronze sculpture By the great Jewish Bronze Master animalier , Estampille 1- Cire perdue Lost Wax Stamp "La Lionne" by Roger Godchaux. See Photo 2- 2- With A Stamp of Susse. See Photo 3- 3- the signature of the Artist on the bronze. See Photo Incredible Executed and very fine details with Dark Brown Patina with a hue of green . The movement of the lionesse is very graceful and sinuous (as most of the lion Sculpture he produced) Mounted on a black stone base 5 1/2" x 11 1/2" Antique Dealer West Hollywood CA Melrose Ave La Cienega Blvd. Godchaux Né à Vendôme le 21 décembre 1878 et mort le 6 mars 1958 à Paris. Roger Godchaux Sculpteur animalier regularly produces animal drawings and paintings. Thus, unlike his sculptures which mainly represent wild animals, especially elephants and felines that he was going to study at the Jardin des Plantes, his paintings are often inspired by farm animals that he could observe in a small village of Brie where lived the mother of his companion. He also paints commissioned portraits or portraits of his family or friends, such as Gaston Switzerland or René Huchet . But it is above all a sculptor. He made some works by direct carving of the wood. However, he mainly worked by modeling the earth. It treats surfaces by smoothing and oblique streaks. In this respect, unlike other animal sculptors like Édouard-Marcel Sandoz , François Pompon or Armand Petersen whose works are smooth, his work is close to the art of Paul Jouve which leaves apparent textures. The lioness is finished with Godchaux’s distinctive surface modeling where the flesh is left textured like a wax model on the artists bench, still being formed and tooled. Godchaux’s animal work is characterized by gentleness and a sensitivity towards his subjects that showcases their playfulness and personality. This is captured beautifully in the present example where her curiosity and intensity of focus are fully developed; the anatomical and muscular realism is noteworthy. The naturalistic base is signed in his standard script “Roger Godchaux” and is also signed “Susse Fres. Edit. Paris” with the Susse cachet; a tiny stamp “France” is impressed into the edge below the cachet. Models in mud are most often cast plaster. It is often in this material that he exhibits in Salons and galleries. The works for sale are cast in bronze. They are entrusted to famous founders like Susse , with whom he signs publishing contracts, or Valsuani . He also works with lesser known smelters like Gatti, Andro or Planquette. Some of his bronzes do not wear a cast iron seal. While there are some large models, most are modest in size, easily finding their place in collectors' homes. Some of his works are terracotta or sandstone. Models were published by Susse both in bronze and terracotta. Terracotta remains raw or is glazed. He also worked at the Sèvres factory in the late 1930s. Roger Godchaux , born in Vendôme on December 21 , 1878 and dead the March 6 , 1958in Paris , is a painter , draftsman and sculptor of animals French . If all domestic and wild bestiary is part of his artistic universe, it is the wild beasts and elephants that have been his favorite subjects. Figurative sculptor, he represents the animal without artifice, in his attitudes of everyday life. Roger Godchaux's father is an antique dealer. His mother, Jeanne Godchaux, is a concert pianist. He has a brother Yvan with whom he studies in Vendôme under the care of his maternal grandparents, music teachers in high school. Having joined Paris, he prepared in 1894 admission to the School of Fine Arts . He soon turned to animal art . He became a pupil of Jules Adler and Jean-Léon Gérôme . In 1896, he is a pupil of the Julian Academy . Great admirer of Antoine-Louis Barye , he will build a collection of works produced in the workshop of the master 1 . In 1905, he began to exhibit in Paris. He regularly participates in the Salon des artistes français . In 1914, he was mobilized in Saint-Lô . Reformed, he is assigned to the offices of the Ministry of War. During this period, he put his drawing skills at the service of propaganda for the Allies. After the war, he saw rue Descombes . He resumes the exhibitions at the Salon des artistes français where, in 1922, he won the bronze medal. The state orders two bronze plates for the Army Museum Library . In 1924, his second companion gives him a daughter, Luce. In 1925, the jury of the International Exhibition of Modern Decorative and Industrial Arts awarded him a silver medal. In 1927, he won the contest of car manufacturer Chenard and Walcker for the creation of an emblem for their cars. In February 1928, the State bought him a bronze sculpture: Elephant , exhibited at the National Salon of animal artists, of which he becomes the treasurer in November of the same year. It was at this time that the Newark Museum in the United States bought him works. It was also in 1928 that he won the silver medal at the Salon des artistes français. In 1929, the state bought him a sculpture ( Pigeon ) again. During the inter-war period, he exhibited regularly in various galleries: Galerie Charpentier , Galerie Georges Petit , Galerie Edgar Brandt , group of animals of the Malesherbes Art Gallery. He has friendly relations with other animals, including Henri Valette and Gaston Switzerland, with whom he regularly works at the Jardin des Plantes . In 1937, he signed a contract with the Manufacture Nationale de Sèvres for the edition of terracotta. During the Second World War , he stayed in Paris and continued to work in his studio on Boileau Street , but was forced to wear the yellow star . He lives with his girlfriend and daughter Avenue de La Motte...

Antique Letter Opener with Elephants. So beautiful, very nice condition!

Viaduc is a beautiful bronze made paperweight. Inspired from bridge's typologies, it will find a perfect place onto a shelve or desk. The design, manufacturing, is fully handled at t...

Hermés, ashtray, 2nd half of the 20th century. Gray horse on a lining crib with gold rim. Underside covered with gray felt. Marked on the side: Hermés- P...

Roger Capron tree of life stoneware paperweights France, circa 1950’s Beautifully preserved Handmade, intricately etched trees Organic matte finish Marked identification Can be used...

A fine antique French Baccarat Sand Dunes (or Rock) paperweight of small Size dating from the mid 19th century. The paperweight of small rounded and domed form contains sand-like designs mottled with translucent green drawn up in two peaks. With a polished pontil and slightly concave base the paperweight is not marked but a well recorded design by renowned French glass makers Baccarat. Provenance: Acquired in the UK Art...

Late 20th century/circa 1970 silvered Napoleon Empereur letter opener by Christofle By: Christofle Material: silver, silver plate, metal, paper Technique: polished, silvered, metalw...

Beautiful antique desk utensil from brass. Letter holder with inkwell.

Elegant vintage briefcase constructed from several woods, burr walnut veneer, with combination locks and wooden handle, the interior with light beige suede lining and pockets with br...

Beautiful inkwell by the artist and sculptor Joseph D´Aste. Nicely chiseled bronze work on a red marble base. In the middle of the plinth is a boy holding gently a goose in his arms. Right and left of the boy are the two inkwells with original inlets made of porcelain. In the marble base is a space espacially for the fountain pen. The bronze is signed at the back "J. D´Aste". D´Aste was born in Naples, Italy in 1881. He moved to Paris around 1900, exhibited at the Salon from 1905. He produced numerous groups and statuettes of children, mostly depicting popular and rural scenes, as well as animal studies...

Beautiful pocket watch stand, or jewelry stand. Brass with enameled ornaments.

This exquisite desk set by Dan Karner, also known as Daniel Karner, showcases the beauty of French Art Deco design. Crafted with genuine pony skin fur, rich cognac leather, intricate...

Very nice example of a letter opener, made out of solid bronze, from the famous Jugendstil - Art Nouveau period, around 1900. This object is a beautiful desk accessory made of high...

A French white porcelain desk letter or mail holder with small flowers and leaves in the Rococo design style, circa mid-20th century, Paris, France. Piece with scalloped edge is hand...

Beautiful antique perpetual calendar made from marble with complete and original set of plates for the dates. France, early 20th century.

Late 19th century bronze letter opener knife depicting an eagle made by french animalier sculptor Jules Moigniez By: Jules Moigniez Material: bronze, copper, metal Technique: lost w...

Art Déco fench polished silvered bronze balancing dice paperweight by Edgar Brandt By: Edgar Brandt Material: copper, bronze, silver, metal Technique: cast, molded, silvered, polish...

Zoomorph paperweight by Juliette Derel, France 1960'S

A beautiful multifaceted French paperweight in sapphire blue and clear crystal from luxury Maison Baccarat, circa late-20th century, France. This clear crystal and sapphire blue pape...

Wonderful business card tray, made out of solid bronze, an original of the Jugendstil - Art Nouveau period, made around 1900. This nice historical object has a rectangular shape an...

This inkwell comprises a base and hinged cover. The base is elaborately decorated with red, gold, blue and white against a green background. The inside of the inkwell is colored red...

Beautiful and authentically preserved stamp for sealing wax.

Beautiful antique traveling inkwell, made of wood and steel. Great condition. By De La Rue.

This beautiful French modernist desk blotter pad features streamlined high polish chromed metal framing with tortoise (tortoiseshell) Lucite insert. The inside is in yellow butter si...

leather and brass desk pad attributed to Jacques Adnet circa 1950

This piece of nineteenth-century French elegance is sure to be the envy of any collector. The Napoleon III gilt bronze inkwell is a prized find, crafted in circa 1840 France with int...

Rare limited edition of a Chanel Snow Ball, which are only for VIP Customers in excellent condition and with the original box. It features the iconic Chanel Number...

Louis XV style bronze inkwell ,in the middle you have a marble plaque in the shape of a heart ,the bronze are finely executed,original condition Extremly rare this inkwell have its...

Cartier 'Must de Cartier' Crystal Gilt and Silver Mellon Inkwell France, Circa 1989 Cartier 'Must de Cartier' crystal gilt and silver mellon inkwell, made in France around 1989. This understated inkwell is a true representation of Cartier's renowned elegance and exquisite craftsmanship. The inkwell features a stunning crystal body with an opalescent lift top adorned with silver and gilt metal mounts, adding a luminous touch to the piece. The top lid is fully marked with numerous Cartier hallmarks, signifying its authenticity and origin from Cartier. The front of the melon-shaped crystal is elegantly enameled with the iconic Cartier logo in gilt enamel. Whether displayed on a writing desk or as a part of an exquisite collection, this Cartier inkwell...

Louis XV style bronze Letter Openers,the facesare decorated with foliage and crosspieces, original condition