Steel Decorative Objects

Large table clock in steel with pearl-glass baubles.

This large bronze figure was sculpted by the French artist Marcel Debut and cast by the Oudin foundry in Marseille (‘Debut’ and ‘Oudin’ are signed to the base). The figure represe...

Perform is a solid metal candle holder in two parts, a CNC-milled base in aluminium and a perforated steel tube made in a factory in Sweden. The light transmits through the perforat...

Perform is a solid metal candle holder in two parts, a CNC-milled base in aluminium and a perforated steel tube made in a factory in Sweden. The light transmits through the perforat...

TAG COLLECTION "My time has become scarce to debate labels. I want the essence. My soul is in a hurry. " Rubem Alves For many, too much simplicity lacks subtitles. Why is it so c...

A large-sized bowl or planter in steel and red porcelain enamel with its original rare Minimalist stand fashioned from three blackened rods of iron.

This striking abstract sculpture, interpreted as a modernist weathercock rooster, was originally installed atop the Pius X Parish Church in Amsterdam’s Sloterva...

TAG COLLECTION "My time has become scarce to debate labels. I want the essence. My soul is in a hurry. " Rubem Alves For many, too much simplicity lacks subtitles. Why is it so c...

Tiles like these have decorated the floors of notable English buildings for centuries. But while many have become steadily worn and weathered away by footfall, these four armorial tiles are a rare find, having remained in beautiful condition for more than 150 years. Dating from the mid 19th century, these four reclaimed tiles are mounted on a bespoke steel...

A statuette awarded in the 2013 edition of the Baja International Film Festival in Los Cabos, México. This is a patinated steel sculpture by Mexican artist Gabriel Macotela. The sculpture is signed on the base and the silver plastic plaque under it. Gabriel Macotela was born in Guadalajara, Jalisco in 1954. He is a painter, sculptor, engraver, scenographer, book editor and musician. He attended the National School of Plastic Arts (Academia de San Carlos), where he studied under Gilberto Aceves...

JOY COLLECTION A thing of beauty is a joy for ever. John Keats I am free for the silence of shapes and colors. Manoel de Barros It is better to be happy than sad Joy is the best thing there is It is like a light inside our hearts. Vinicius de Moraes - The boredom of trivial things offends creativity. It needs daily hugs, which flood life with energy and turn challenges into ideas. Without the necessary lightness, daily life consumes inspiration and pre-shaped responses fill the void. The Joy Collection by Iludi emerges as small windows for a horizon of satisfaction and style. It colors life with three sophisticated tones and features minimalist trays, organizers, baskets and magazine holders for those who are tired of the sameness and coldness of ordinary jobs. An excellent choice to fill the home office with delicacy and energy. A perfect combination of form, function and smiles. Measurements N4 Organizer (Short divider...

BABEL COLLECTION Nothing beats the way creativity molds itself to everyday needs, as well as the sudden abstract contour of fascination. Brazil's power to create unimaginable inve...

Expertly crafted from steel and glass, the Winzacht Vase is an elegant and colorful post-modern addition to any space. The steel frame creates a stunning silhouette while the glass v...

Contemporary American ceramic artists Richard Hirsch and Ken Baskin Ladle Presentation Sculpture was created in 2011. This piece is made of soda fired stoneware, saggar fired brick and steel. In the book "With Fire: Richard Hirsch, A Life Between Chance and Design" written by Scott Meyer, Ken Baskin said; "Working collaboratively is based upon a spirit of dedication and generosity, excellent communication, similar levels of ability and an alignment of passion and vision. Most importantly, the group must have mutual trust and respect. Without question, we all hold each other in the highest esteem. I have the utmost respect for everyone involved in The Crucible Project." This sculpture is signed by both artists and ships directly from the Crucible Show inventory located in Montevello, Al. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "Outside In, Collaboration" pgs. 106 - 121 / "Ladle Presentation" pictured on pg. 119) Richard Hirsch Brief Bio: In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence. In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades. Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics. Frequently his work appears in book and magazine publications, such as; Overseas Contemporary Ceramic Art Classics by Baiming, China; Raku Investigations into Fire by David Jones, England; The History of American Ceramics from 1607 to the Present by Elaine Levin, New York; World Contemporary Ceramics by Baiming, China; and Firing, Philosophies within Contemporary Ceramic Practice by David Jones, England. Several museums have included his work for their permanent collections. These include; The Carnegie Museum of Art, Pittsburgh; The Renwick Gallery, Smithsonian Institute, Washington DC; The High Museum of Art, Atlanta; The Everson Museum of Art, Syracuse; The Nelson-Atkins Museum of Art, Kansas City, Missouri; The Taipei County Yinko Ceramics Museum, Taipei, Taiwan; and the George R. Gardiner Museum of Ceramic Art, Toronto, Canada. In 1984, Hirsch was elected as a permanent member of The International Ceramics Academy, a worldwide organization headquartered in Geneva, Switzerland. A recipient of a William J. Fulbright Research Scholar Award in 2002, Hirsch has also received several Individual Artists Grants. Most recently he was honored by The Rochester Institute of Technology, with the Board of Trustees' Outstanding Scholarship Award. Recently Hirsch collaborated with Dr. Scott Meyer on his biography, the book is entitled With Fire: Richard Hirsch and is published by The Cary Graphic Arts Press at RIT, ISBN-13: 978-1-933360-97-3. Amid the ever-shifting sands of change and new trends that is prevalent in contemporary ceramics, Richard Hirsch has maintained his steadfast personal aesthetic and continues to make a significant contribution to his field. Ken Baskin Brief Bio: Kenneth Baskin received his BFA from College for Creative Studies in Detroit, Michigan and earned his MFA from University of South Carolina. Presently he holds the position of Associate Professor of Art/Ceramics at McNeese State University in Lake Charles, Louisiana. In 2007 Baskin was honored as one of the recipients of one of the National Council on Education in the Ceramic Arts (NCECA) Emerging Artist Awards. Recently he was honored by being selected for a solo exhibition of his ceramic sculptures at the Taipei County Yingge Ceramics Museum, Taipei, Taiwan; in conjunction with this exhibition he was also invited as a visiting artist, workshop instructor and lecturer at: Tainan National University of the Arts in Tainan, Taiwan and National Taiwan University of the Arts in Taipei. Baskin’s work has also been included in numerous group and solo exhibitions both nationally and internationally. Baskin’s creative research was the topic for an essay titled “20th Century...

A Pair of Louis XVI style gilt-bronze and polished steel candlesticks By Emmanuel-Alfred (dit Alfred II) Beurdeley. Stamped 'BY' for Beurdeley. Each modelled as a bacchic putto standing on a tambourine holding atop his head a basket of fruit concealing a candle nozzle. The circular spreading base of polished steel above a band of beads and stiff-leaf foot. Provenance: Collection Pierre...

Sculpture made of steel forge.

Antique carved walnut figural relief. A carved walnut figural relief depicting a lady swathed in drapery with flowers, possibly Flemish.

A beautifully designed and sturdy, heavy tree stand made solid steel with a black patina. This stand can accommodate a tree of up to 20 feet in height.

BABEL COLLECTION Nothing beats the way creativity molds itself to everyday needs, as well as the sudden abstract contour of fascination. Brazil's power to create unimaginable inve...

JOY COLLECTION A thing of beauty is a joy for ever. John Keats I am free for the silence of shapes and colors. Manoel de Barros It is better to be happy than sad Joy is the best...

Immature Sculpture by Markus Friedrich Staab One of a Kind Dimensions: D 6 x W 23 x H 55 cm. Materials: Wood, paint, steel. Wood connection from Estonia, steel bar, wood base painte...

WAGASA COLLECTION In flowing water the gold, strand of brightness and history, at the birth of the new world in motion. In infinite movement, protection meets gold, the rich Asia...

Large Acacia sculpture on metal plinth. This stunning slice of Acacia arrives from the Philippines from a fallen tree, so as not to cause any deforestation or upset the natural or...

SCULPTURE SERIES RECONTO “Happiest will be the one who hears the poet sing love in the square of the reunion.” Junior A. Magrafil Through the squares of the interior of Minas Gerai...

Claude Viseux est un peintre, sculpteur et graveur aquafortiste et lithographe français né le 3 juillet 1927 à Champagne-sur-Oise et mort le 9 novembre 2008 à Anglet. 'est dans les années 1959-1960 que la sculpture de Claude Viseux, qualifiée de « protéiforme, onirique, fantastique » — ami de Max Ernst, Man Ray, Francis Ponge et Henri Michaux, il ne désavoue pas une parenté avec le Surréalisme9 — se substitue à la peinture, ses premières réalisations étant les objets trouvés en bord de mer qu'il pétrifie dans la cire10 d'une part, les empreintes de pierres et d'algues coulées en bronze d'autre part. En 1960, il signe le Manifeste des 121 titré « Déclaration sur le droit à l’insoumission dans la guerre d’Algérie ». En 1961, ses expérimentations s'orientent vers les corps organiques, notamment avec sa série Ostéales constituée d'assemblages d'os fossilisés qu'il patine ou au contraire décape, qu'il visse, scie, assemble et plastifie. Les Concrétudes ou Coulées directes qui suivent en 1961-1962 sont obtenues à partir de coulées de métal en fusion dans le sable, générant des reliefs qu'il soude sur des plaques d'acier. Il va cependant adopter rapidement l'acier inoxydable — qu'il est avec Pol Bury parmi les premiers à employer en sculpture — comme matériau de prédilection. « Il assemble divers rebus industriels — tuyaux, écrous, boulons, cuves… — pour créer des sculptures à mi-chemin du mécanique et du biologique » restitue ainsi Sophie Serra11. Claude Viseux, qui fréquente alors Jean Tinguely, Piotr Kowalski, Michel Guino, Takis et César, confirme : « Ma récupération de l'élément industriel s'élargit vers les aciers spéciaux, avec un essai de vocabulaire formel : des barres, des profilés, des sphères, des rotules, des fonds de cuves, des chambres à combustion de Boeing, des tubulures, des soupapes de navire »9. « L'artiste entre au cœur de la réalité industrielle, prospecte dans les chaînes de montage de Renault et rôde dans les terrains vaques autour des usines », restitue donc l'encyclopédie Les Muses : « il récupère ferrailles, pièces détachées, débris de voitures, vieux châssis, toute une série d'éléments devenus inutiles. Ils les assemblent, tels quels, sans les modifier. Des créatures agressives ou pathétiques vont surgir de ce combat physique et dialectique que l'artiste livre avec la matière et entrer dans le domaine d'une poétique étrange, surnaturelle5 ». Dans les années 1967-1970, Les « structures actives » en acier inoxydable procèdent ainsi de la production industrielle de série. Elles se répartissent en familles de formes combinatoires composées par addition, soustraction, multiplication, division. Il confirme : « le monde industriel est ma nature, mon bouillon de culture, où je cherche des corps, des familles de corps, des genres, des espèces, dans un aller-retour de l'artificiel au naturel pour confondre les règnes, pour en inventer d'autres selon une géométrie organique qui féconde les différents types de structures, qui aménage la forme concernée par la forme à venir »9. En 1968, Claude Viseux s'installe à la villa Baudran à Arcueil, atelier qu'il conservera jusqu'en 1992. Si des corps imaginaires naissent ainsi des pièces mécaniques que Claude Viseux emprunte à l'automobile, à l'avion et au bateau, en 1972, « la symétrie de ces formes pures en inox », constate Lydia Harambourg, « l'amène à s'interroger sur la notion d'équilibre instable »12. Ses Instables sont de la sorte exposés à la Biennale de Venise en 1972 où, rappelle encore Lydia Harambourg, une salle entière est consacrée « aux dessins qui reprennent son vocabulaire mécanique identitaire de sphères, toupies, hélices, anneaux, astrolabes et balanciers »12. Les Instables sont de même, en 1973, présentés à la galerie Le Point cardinal à Paris où Claude Viseux avait déjà exposé en 1968 avec Henri Michaux et Joaquin Ferrer...

Pair of fine neoclassical parcel gilt polished steel candlesticks possibly Russian early to mid 19th century, each candle nozzle chased wi...

A concrete bridge sculpture by Mexican artist Víktor Martínez. The sculpture features interesting graffiti art. Signed and dated 2013.

A Danish taper candleholder in the shape of a star.

Force/Collide's award-winning signature planter is an ongoing production available in multiple colors and sizes. This original design is a nod to playful perspectives and spatial rel...

Force/Collide's award-winning signature planter is an ongoing production available in multiple colors and sizes. This original design is a nod to playful perspectives and spatial rel...

Force/Collide's award-winning signature planter is an ongoing production available in multiple colors and sizes. This original design is a nod to playful perspectives and spatial rel...

Force/Collide's award-winning signature planter is an ongoing production available in multiple colors and sizes. This original design is a nod to playful perspectives and spatial rel...

An interesting polished steel, black marble and white alabaster abstract sculpture by Mexican artist Alberto Vargas named "El Jardín Perfumado. Desnudos Abundantes y Besos Dobles" (T...

A pair of bottle holders by unknown designer. Produced in Sweden.

For its premiere collection, exhibited at the 2011 Milan furniture fair, Oeuffice proposed “totems for living”, a series of monolithic objects that dominate the habitat, yet remain e...

Dalmatic Jasper Flower Vessel by Studio DO Dimensions: D 23 x W 19 x H 18 cm Materials: Dalmatic Jasper, steel. 7.5 kg. Flowers are intrinsically connected with composition and eart...

Force/Collide's award-winning signature planter is an ongoing production available in multiple colors and sizes. This original design is a nod to playful perspectives and spatial rel...

Force/Collide's award-winning signature planter is an ongoing production available in multiple colors and sizes. This original design is a nod to playful perspectives and spatial rel...

Force/Collide's award-winning signature planter is an ongoing production available in multiple colors and sizes. This original design is a nod to playful perspectives and spatial rel...

Force/Collide's award-winning signature planter is an ongoing production available in multiple colors and sizes. This original design is a nod to playful perspectives and spatial relationships. Proportions are thoughtful in aesthetic while optimizing function and user flexibility. The potting basin is built with extra volume for plants to grow, while integral legs serve as a built-in stand. The Deca Planter...

Mocca leather and black steel Maggiz Magazine rack by OxDenmarq Dimensions: D 24 x W 47 x H 43 cm Materials: Steel, leather Also available: Different leather and frame colors avai...

Black leather and steel Maggiz magazine rack by OxDenmarq Dimensions: D 24 x W 47 x H 43 cm Materials: Steel, Leather Also Available: Different leather and frame colors available ...

Large minimalist candleholder Dimensions: D 27 x W 9 x H 82 cm Materials: Steel. Marble. Available in sizes small and medium and, in black. Wi...

Extra large black Minimalist flower pot Dimensions: Diameter 60 x height 50 cm Materials: Matte-coated steel and polished iron. Also available in bordeaux and in sizes small and m...

Small bourdeaux Minimalist flower pot Dimensions: Diameter 30 x height 26.6 cm Materials: Matte-coated steel and polished iron. Also available in black and in sizes medium, large ...

Set of 2 Mirror Steel Twelve Wall Clocks by Sebastian Scherer Material: crystal glass, stainless steel Dimensions: ø 11.8 cm Also available in mirr...

Small Minimalist candleholder Dimensions: D 25.4 x W 12 x H 31.5 cm Materials: Steel. Marble. Also available in sizes medium and large. ...

Dichas basket II by Cristina Celestino. Materials: PVC strings made from recycled plastic, steel Dimensions: D 38 x W 38 x H 55 cm Available in colors: purple red/black red, pur...

Toys Berlin Perception Untitled II Table Sculpture by Vaust Edition of 3 + 1 a.p. Dimensions: D 32 x H 44 cm Materials: steel, foam, Kara black marble, leather covered MDF, latex ...

Toys Berlin Perception Untitled III table sculpture by Vaust Edition of 3 + 1 a.p. Dimensions: D 32 x H 44 cm Materials: transparent acrylic glass, white lacquered MDF, insulation...

Steel another candleholder by Radu Abraham Materials: Steel Dimensions: D8 x H14cm 3 piece candle holder; can be used with multiple types of candles or with standard candle pill...

Steel another candleholder by Radu Abraham Materials: steel Dimensions: D7 x H11cm 2 Piece candle holder; can be used with multiple types of candles or with standard candle pill...

Set of 2 steel one candleholders by Radu Abraham. Materials: Steel Dimensions: D 6 x H 14cm. 3 piece candle holder; can be used with multiple types of candles or with standard c...

Steel bold candleholder by Radu Abraham Materials: Steel Dimensions: D6 x H13cm 2 piece candle holder; can be used with multiple types of candles or with standard candle pill; i...

Set of 2 steel bold candleholders by Radu Abraham. Materials: Steel. Dimensions: D6 x H12cm. 2 piece candle holder; can be used with multiple types of candles or with standard c...

Set of 5 steel searching for the light by Radu Abraham. Materials: Steel Dimensions: D 6 x H 12cm Steel looking for the light A series of candle holders made out of raw, solid ...

Set of 2 steel between candle holders by Radu Abraham Materials: steel Dimensions: D 6 x H 10 cm 2 Piece candle holder; can be used with multiple types of candles or with standa...

Set of 4 brown patina steel candlestick by Lukasz Friedrich Dimensions: D 5 x H 15 cm Materials: Brown patina on steel.

Brown patina steel candlestick by Lukasz Friedrich. Dimensions: D 5 x H 15 cm. Materials: Brown patina on steel.

Brown patina steel candlestick by Lukasz Friedrich. Dimensions: D 5 x H 15 cm Materials: Brown patina on steel.