Steel Decorative Objects

Brown patina steel candlestick by Lukasz Friedrich Dimensions: D 5 x H 15 cm Materials: Brown patina on steel.

Brown patina steel candlestick by Lukasz Friedrich. Dimensions: D 5 x H 15 cm Materials: Brown patina on steel.

Unique sculpted steel candleholder “Caged”. Finish: patinated steel with brass details Measures: 8 x 8 H 31 cm. Finish: patinated steel with brass details Limited Edition of 100 ...

Unique Steel and Brass Candleholder “Brut”, Signed by Lukasz Friedrich. Steel candleholder “Brut”. Measures: 8 x 8 H 20 cm. Finish: Patinated steel with brass details. Limited Ed...

Handmade Bench #1 by Henry D'ath Dimensions:D200 x W60 x H195 cm Materials:Wood, Steel, Calligraphy Ink Piece is handmade by artist. Henry d’ath...

Small quartz vase by Aver Dimensions: D 16 x H 20 cm Materials: Quartz, Steel, Polyvinyl chloride, Resin.  

Selenite candle holder by Aver Dimensions: D 14 x H 20 cm Materials: Selenite, steel.   

Honey circo flower pot 1 by Sebastian Herkner Materials: Galvanized and powder-coated tubular steel. PVC strings. Technique: Made from recycled plastic. ...

Olive Circo Flower pot 1 by Sebastian Herkner Materials: Galvanized and powder-coated tubular steel. PVC strings. Technique: Made from recycled plastic. Weaved by local craftspeopl...

Purple circo flower pot 2 by Sebastian Herkner Materials: Galvanized and powder-coated tubular steel. PVC strings. Technique: Made from recycled plastic. Weaved by local craftspeop...

Black circo flower pot 2 by Sebastian Herkner Materials: Galvanized and powder-coated tubular steel. PVC strings. Technique: Made from recycled plastic. ...

Honey Circo flower pot 2 by Sebastian Herkner Materials: galvanized and powder-coated tubular steel. PVC strings. Technique: made from recycled plastic. ...

Circo flower pot 4 by Sebastian Herkner Materials: Galvanized and powder-coated tubular steel. PVC strings. Technique: Made from recycled plastic. Weaved by local craftspeople in C...

Black Circo flower pot 3 by Sebastian Herkner. Materials: Galvanized and powder-coated tubular steel. PVC strings. Technique: Made from recycled plastic....

Olive Circo flower Pot 3 by Sebastian Herkner Materials: Galvanized and powder-coated tubular steel. PVC strings. Technique: Made from recycled plastic. Weaved by local craftspeopl...

Purple circo flower pot 1 by Sebastian Herkner. Materials: Galvanized and powder-coated tubular steel. PVC strings. Technique: Made from recycled plastic. Weaved by local craftspeo...

One pair of charming wooden shoe moulds mounted as bookends, comes with four leather bound books. Feel free to call with further questions.

Blue large christmas tree by Zieta Dimensions: H 70 x W 70 x D 15 cm. Materials: Blue carbon steel. Different sizes (small) and colors available (...

Decorative flower pot

Set of 3 White Matt Pin Wall Decor by Zieta Dimensions: Diameter 10, 12, 14 cm Material: Carbon steel. Finish: Powder-coated. Matt finish. Available in colors: Beige Grey, Graphite...

Set of 6 Moss grey pin wall decor by Zieta Dimensions: Diameter 10, 12, 14 cm Material: Stainless steel. Finish: Polished. Available powder-coated in colors: Beige grey, graphite, ...

Elevate your space with the eclectic charm of our Vintage Boho Robert Albert Steel Sculpture, blending artistic flair with American ingenuity. This striking piece, with its fusion of...

The "Leaky Vase" is a creation of Harm de Veer. Constructed from steel and finished with epoxy, it looks like this vase is wet on all sides and leaking. Appearances are deceiving! The vase is also available in several quantities. In that case, please contact us to discuss the delivery time. Atelier de Veer's creations are created by working together...

This is an object from the "Rock and Others" collection. The collection consists of objects that always come to the end result in a unique way. The object arises from an interplay be...

A large antique patent clay tile of the Meeting of Ulysses by R. Davies & Co. The perfect decorative piece for a period property looking to add eleganc...

A large antique ceramic wall plaque depicting European military figures, sourced from an ex British private collection. This unusual cera...

A fantastic vintage Boho steel sculpture. A beautiful female figure in a hooded cloak. An all over patina from time. Signed by the artist. Acquired from a Palm Beach estate.

Thomas Lollar earned his BFA and MA at Western Michigan University, and has been teaching ceramics and sculpture since 1975. A master sculptor, his subjects are rendered in both fron...

Thomas Lollar earned his BFA and MA at Western Michigan University, and has been teaching ceramics and sculpture since 1975. A master sculptor, his subjects are rendered in both fron...

Vissio is delighted to announce the launch of 2B1G, a new series of limited-edition works produced in collaboration by: Héctor Esrawe, Emiliano Godoy, and Brian Thoreen. 2B1G (2 ...

TAG COLLECTION "My time has become scarce to debate labels. I want the essence. My soul is in a hurry. " Rubem Alves For many, too much simplicity lacks subtitles. Why is it so c...

TAG COLLECTION "My time has become scarce to debate labels. I want the essence. My soul is in a hurry. " Rubem Alves For many, too much simplicity lacks subtitles. Why is it so c...

TAG COLLECTION "My time has become scarce to debate labels. I want the essence. My soul is in a hurry. " Rubem Alves For many, too much simplicity lacks subtitles. Why is it so c...

RAMALHETE COLLECTION When words escape, flowers speak. (Bruce Currie) The Ramalhete Collection flourishes under the lights of simplicity. Petals that ...

WAGASA COLLECTION In flowing water the gold, strand of brightness and history, at the birth of the new world in motion. In infinite movement, protection meets gold, the rich Asia...

SCULPTURE SERIES RECONTO “Happiest will be the one who hears the poet sing love in the square of the reunion.” Junior A. Magrafil Through the squares of the interior of Minas Gerai...

SCULPTURE SERIES RECONTO “Happiest will be the one who hears the poet sing love in the square of the reunion.” Junior A. Magrafil Through the squares of the interior of Minas Gerai...

A small table top maple storage unit with two drawers supported by a black steel frame base. This desk organizer is a product from the Planner Group, a coordinated contemporary furni...

Claude Viseux est un peintre, sculpteur et graveur aquafortiste et lithographe français né le 3 juillet 1927 à Champagne-sur-Oise et mort le 9 novembre 2008 à Anglet. 'est dans les années 1959-1960 que la sculpture de Claude Viseux, qualifiée de « protéiforme, onirique, fantastique » — ami de Max Ernst, Man Ray, Francis Ponge et Henri Michaux, il ne désavoue pas une parenté avec le Surréalisme9 — se substitue à la peinture, ses premières réalisations étant les objets trouvés en bord de mer qu'il pétrifie dans la cire10 d'une part, les empreintes de pierres et d'algues coulées en bronze d'autre part. En 1960, il signe le Manifeste des 121 titré « Déclaration sur le droit à l’insoumission dans la guerre d’Algérie ». En 1961, ses expérimentations s'orientent vers les corps organiques, notamment avec sa série Ostéales constituée d'assemblages d'os fossilisés qu'il patine ou au contraire décape, qu'il visse, scie, assemble et plastifie. Les Concrétudes ou Coulées directes qui suivent en 1961-1962 sont obtenues à partir de coulées de métal en fusion dans le sable, générant des reliefs qu'il soude sur des plaques d'acier. Il va cependant adopter rapidement l'acier inoxydable — qu'il est avec Pol Bury parmi les premiers à employer en sculpture — comme matériau de prédilection. « Il assemble divers rebus industriels — tuyaux, écrous, boulons, cuves… — pour créer des sculptures à mi-chemin du mécanique et du biologique » restitue ainsi Sophie Serra11. Claude Viseux, qui fréquente alors Jean Tinguely, Piotr Kowalski, Michel Guino, Takis et César, confirme : « Ma récupération de l'élément industriel s'élargit vers les aciers spéciaux, avec un essai de vocabulaire formel : des barres, des profilés, des sphères, des rotules, des fonds de cuves, des chambres à combustion de Boeing, des tubulures, des soupapes de navire »9. « L'artiste entre au cœur de la réalité industrielle, prospecte dans les chaînes de montage de Renault et rôde dans les terrains vaques autour des usines », restitue donc l'encyclopédie Les Muses : « il récupère ferrailles, pièces détachées, débris de voitures, vieux châssis, toute une série d'éléments devenus inutiles. Ils les assemblent, tels quels, sans les modifier. Des créatures agressives ou pathétiques vont surgir de ce combat physique et dialectique que l'artiste livre avec la matière et entrer dans le domaine d'une poétique étrange, surnaturelle5 ». Dans les années 1967-1970, Les « structures actives » en acier inoxydable procèdent ainsi de la production industrielle de série. Elles se répartissent en familles de formes combinatoires composées par addition, soustraction, multiplication, division. Il confirme : « le monde industriel est ma nature, mon bouillon de culture, où je cherche des corps, des familles de corps, des genres, des espèces, dans un aller-retour de l'artificiel au naturel pour confondre les règnes, pour en inventer d'autres selon une géométrie organique qui féconde les différents types de structures, qui aménage la forme concernée par la forme à venir »9. En 1968, Claude Viseux s'installe à la villa Baudran à Arcueil, atelier qu'il conservera jusqu'en 1992. Si des corps imaginaires naissent ainsi des pièces mécaniques que Claude Viseux emprunte à l'automobile, à l'avion et au bateau, en 1972, « la symétrie de ces formes pures en inox », constate Lydia Harambourg, « l'amène à s'interroger sur la notion d'équilibre instable »12. Ses Instables sont de la sorte exposés à la Biennale de Venise en 1972 où, rappelle encore Lydia Harambourg, une salle entière est consacrée « aux dessins qui reprennent son vocabulaire mécanique identitaire de sphères, toupies, hélices, anneaux, astrolabes et balanciers »12. Les Instables sont de même, en 1973, présentés à la galerie Le Point cardinal à Paris où Claude Viseux avait déjà exposé en 1968 avec Henri Michaux et Joaquin Ferrer...

Sweden. 2014. Marble and steel. Measures: H 124 cm/ 4' 1 1/4" L 33 cm/ 13" W 24 cm/ 9 1/2".

The D33 collection is intended to enhance the foam, a material very present in furniture, yet always hidden. Abusing its main characteristic, absorption, the entire volume of the mat...

A spectacular and fine, dovetailed poplar, rosewood grain painted and ebonized document box. The gold stenciling is of a very fine quality. Retains the original fire gilded steel bai...

Placido Zuloaga, An extremely rare Spanish gold and silver damascened window frame, in the Alhambra / Islamic taste, circa 1880. The interior is lined and fitted with an orientalist artwork throughout. Signed PZ on the reverse. Placido Zuloaga was a renowned Spanish metalworker and damascene artist known for his exceptional skills in working with gold and silver and for creating intricate and ornate designs on metal surfaces using a technique called damascening. One of Zuloaga's works is this rare gold and silver damascened frame that he created in the late 19th century. The frame is decorated with intricate designs in silver and gold, creating a stunning contrast that is characteristic of Zuloaga's work. The frame is a remarkable example of Zuloaga's artistry and skill, as well as his mastery of the damascening technique. The technique involves inlaying silver or gold wire into the surface of the metal, creating intricate and detailed designs that are both beautiful and durable. Zuloaga's work was highly sought after during his lifetime and is still highly valued today. His pieces are considered to be some of the finest examples of damascene artistry in the world, and his legacy continues to inspire and influence metalworkers and artists today. His works are in private collections and in museums worldwide. Comparative Literature: James D. Lavin, The Art and Tradition of the Zuloagas, Spanish Damascene...

Dancing Nun 1 & 2 candlesticks, designed and made by British silversmith Callum Partridge. Fabricated from COR-TEN steel and sterling silver, the latter being a ...

A highly rare and important Spanish damascene, "Egyptian Revival" iron, steel, gold, and silver inlaid clock, circa 1900 Exceptional quality, damascened in gold and silver inlay. Measures: 10" high x 16" wide x 9" deep. Definitely made by one of Placido Zuloaga...

Edition number 1 of 8. Marino di Teana originally trained as an architect and sustained an eclectic array of passions throughout his long career as ...

Marino di Teana originally trained as an architect and sustained an eclectic array of passions throughout his long career as an artist. Disciplines lik...

Examples of this patinated steel sculpture have been exhibited throughout Europe since the early 1980s, most notably as a tribute to the artist in 2008 in his birthplace and childhoo...

Important sculpture by Paul Evans, in welded and color enameled steel, New Hope, USA, 1965. Letter of Authenticity from Dorsey Reading and Provenance available on request.