Stone Decorative Objects

Vintage Postmodern Stone Sculpture, in Very Good conditions. Designed 1980 to 1989. Additional information: Materials: Stone Color: Pink Item Type: Vintage, Antique or Pre-owned Dim...

Small Baccarat crystal vase, famous Lagny pattern, one of the most luxurious model the crystal maker ever designed : a deeply cut Art Deco style pattern...

A unique and spectacular pair of large antique French Louis XVI gilt bronze and marble candelabras. These candelabras are designed in monumental scale, each rising from a square gilt...

Measures: Height: 26.3'' / Weight: 60 kg Heroes in Mythology were men and women of special features and charachteristics. These feet are anonymous but they looks like Heracles.. Is...

A very fine lifetime casting of Charles Korschann's Putto Riding a Doe, the model is steeped in the elements of the Art Nouveau with a distinct celebration of the naturalistic. The putto grasps a simple harp in his hand while a loose garment bound in a belt encircling his waist billows in the unseen wind. The doe looks on with disinterest, unconcerned about its surroundings and almost at one with its rider. It is a carefully composed idealization of the natural world and the potential for harmony between man and beast. The casting is exquisite, typical of work from Louchet, and is finished in a medium-brown translucent patina. Charles Korschann Born in Brno, Monrovia in 1872 as Charles Korschmann, later dropping the "m" to appear less Germanic, he studied at the fine arts academies of Vienna, Berlin and Paris before finally establishing himself in Paris in 1894. He spent his entire career working in Paris, exhibiting at the 1900 Exposition Universelle where he was awarded a Bronze Medal and from 1894 through 1905 at the Société des Artistes Français. His work is very distinctive and immediately recognizable, a most important trait as an artist and a particular accomplishment in light of the output of his contemporaries. He was to sculpture what Alphonse Mucha was to graphics, both men originating from the same province in Czechoslovakia and having similar influences in Paris. It is rather fitting that he would execute a bust of Alphonse Mucha for the Museum of Brno in honor of his accomplishments. Artist Listings...

Large 19th century neoclassical carved marble sculpture of the three graces after Canova. A Beautiful execution of one of Canova's Masterpieces. Ours amazingly accurate to the sculpt...

Natural Large Smoky-Citrined Quartz Flame, Light Smoky Color Description With remarkable aesthetics, this Natural Smoky Quartz Flame was meticulously cut and polished to showcase a...

This spinach jade snuff bottle stands out from others because of the surface etching of a crane and its offspring, we are told. This snuff bottle is in very good condition with its original parts, as far as we can tell. Jade snuff bottles such as this, epitomize elegance and tradition in Chinese artistry. Crafted meticulously from precious jade, these diminutive vessels once held powdered tobacco, serving as ornate accessories for affluent individuals during the Qing Dynasty. Jade, revered for its symbolic significance and believed mystical properties, adds allure to these bottles. Spinach jade is a variety of jadeite, a mineral prized for its rich green color and translucency. This particular type of jadeite exhibits a deep green hue with darker veining, resembling the color of spinach leaves, hence the name. The intensity of the green can vary, ranging from light to dark shades. Spinach jade is highly valued in traditional Chinese culture and is often used in jewelry, carvings, and decorative objects. Its distinctive color and unique patterns make it sought after by collectors and enthusiasts of gemstones and lapidary art. Of rectangular section, the squared bottle with gilt-incised neck and domed lid with ivory...

Marble discobolus, rare sculpture, perfect condition, it is very difficult to find this kind intact. ADDITIONAL PHOTOS, INFORMATION OF THE LOT AND SHIPPING INFORMATION CAN BE REQUEST...

Crafted entirely by hand, this marble tissue box cover is a fusion of form and function, seamlessly blending into any space while adding sophistication and elegance. Clean, minimalis...

Val Saint Lambert Cobalt Blue Circular Crystal Ash-Tray, Handcut to Clear Signed Beautiful signed Val Saint Lambert circular crystal ash-tray, handcut-to-clear, the Crystal is thick...

Levi & Salaman - Antique nephrite pill box with floral Essex crystal (rock crystal - reverse carved intaglio) - hand painted and carved daisy in full ...

Inside Out Fruit Bowl in black Marquinia marble, designed by the internationally renowned designer Karen Chekerdjian - it is available also in other colours. It is part of the Inside...

"Sitting Kewpie" or "The Thinker", Car Mascot Hood Ornament, 1910´s. Made of silvered bronze, mounted over a green and white mrble base. Can de used as a desk paperweight. Originally appearing in the form of magazine illustrations between 1905 and 1909, Kewpie dolls...

Glorifying the effects of refracted light for 170 years, the iconic Baccarat vases are well-known all over the world. A crystal grass green masterpiece of exceptional proportions, t...

A Showstopper Centerpiece Citrine Crystal ▫️ Description A true masterpiece of nature, this large cluster of Orange Madeira Citrine showcases gorgeous aesthetics and a beautiful, r...

Cast stone group of a dancing Bacchante dancing around the bust of Dionysus on a stele. This is surrounded by colourfully painted vine leaves.

Two beautiful stone disks, hand-carved in Indonesia. Mounted on black metal stands. The largest disk is 5.5 inches diameter, 2.5 inches deep and 9.75 inches high (mounted). The sma...

EUGENE AIZELIN French, 1821-1902 Bust of a Young Woman (1864) Patinated bronze raised on an original turned rouge marble base over brass rim signed on shoulder "Eug. Aizelin 1864"...

A fine 19th century clock garniture, the clock with a finely cast and patinated bronze cherub sitting on a rouge marble column with ormolu mounts, he carries the clock movement in a ...

Price Clear Glass Perfume Bottle with Jeweled Top made in France between 1930s and 1940s. Gilded Metal and crystal decorations. Good condition.

Rare Large Amethyst Sphere with Deep-Purple, Grape-Jelly Crystals – A Natural Statement Amethyst Sphere ▫️ Description This rare amethyst sphere is an extraordinary specimen showca...

Art deco sculpture circa 1930. “The nest” in silvered bronze on a black marble base. In very good shape. Total height: 50 cm Width: 10.2cm Depth: 10.2 cm Weight: 2.4 kg ANDRÉ-VINCE...

A beautifully shaped 1940s Art Deco Baccarat crystal bottle, with a multi-faceted octagonal stopper, originally designed to grace a stylish mid-century dressing table. At just over 1...

Clarte, iconic 84 cm / 33 inch tall Art Deco style figural table lamp of a standing nude holding a glass shade by Max Le Verrier with foundry mark. Designed in 1928. Posthumous conte...

This distinctive yet characteristic, cabinet size Green Apophyllite on Stilbite specimen from India displays delicate mint-green Apophyllite crystals perched atop a bed of eggshell-t...

A very beautiful, substantial and rare natural purple charoite jewelry box, circa late-20th century. Charoite is rare mineral. A beautiful organic pattern graces this charoite stone;...

A stunning neoclassical or Grand Tour style solid marble blue, tan, and white obelisk Measures: 2.5"W x 2.5"D x 10.25"H. Very good original vintage condition.

The value of change in a simple act. Karen Chekerdjian’s new creation puts design front and centre: from one foundation, multiple possibilities. Whether empty or filled with flowers,...

Finest quality and rare brilliant cut glass and sterling silver lay down perfume bottle/vial. Top of repoussé sterling silver by Alexander Clar...

Unusual and well proportioned flat rimmed flower vase by the renowned French glass company Cristalleries de Vannes. Substantial crystal raised spheres on the outside help reflect li...

After the Antique Vintage Marble Bust by Anthony Redmile This exquisite After the Antique Vintage Marble Bust by Anthony Redmile depicts a regal Roman empress draped in a traditional toga, reflecting both imperial grandeur and timeless elegance. Known for his masterful blend of classical themes and contemporary craftsmanship, Anthony Redmile’s work stands as a pinnacle of decorative arts, making this bust a highly sought-after piece for collectors and interior designers alike. Crafted from a high-quality marble composite, this bust embodies the beauty and durability of authentic stonework. The material’s polished finish enhances the lifelike detail of the sculpture, capturing the serene expression and commanding presence characteristic of ancient Roman portraiture. The empress's finely sculpted facial features, from her calm gaze to the delicate contours of her lips, exude nobility and poise. The draped toga, symbolizing Roman dignity and imperial authority, is meticulously detailed with flowing folds that create a dynamic sense of movement and texture. Each fold showcases Redmile’s keen eye for detail, elevating this piece from mere decoration to a true work of art. The bust rests on a stately socle base, completing the elegant design with a classical foundation that enhances its majestic appeal. The Significance of an Anthony Redmile Bust...

Empire period neoclassical malachite and gilt bronze mantel clock French, early 19th century Dimensions: Height 48cm, width 23.5cm, depth 11cm This mantel clock was finely crafted in the Empire period, wrought from ormolu and a later malachite veneer. The design of the clock is based on classical architecture. It features a malachite entablature—with an ormolu pierced mount to the front—which is supported on four ormolu bun feet. The malachite column shafts are smooth and each culminate in a capital, supporting the malachite top. Between the columns, there is a drum clock...

These magnificent gilt bronze (ormolu) mounted malachite urns were created in c.1830 to a design by Ivan Ivanovich Galberg (Russian, 1782-1863). Galberg was an important figure, who ...

Our Duck and Duckling trays bring a fun and exciting twist to any space, styled in built-ins or filled with eggs, this trays is are versatile as they are playful. Available in two s...

A lovely hand-carved round Italian alabaster trinket box in purple. This piece will be fabulous to display on a coffee table or dressing ...

Decorative box in malachite.

The Rainbow Generator Sphere - High-Grade Quartz Crystal Sphere from Diamantina, Brazil ▫️ Description This is a very special Crystal Quartz Sphere, nearly flawless that brings epi...

Fun marble sculpture painted with colorful geometric figures.

Cast stone dove bird. Antique American cast stone dove originally mounted outside above a garden door. Fine pebbly grey mottling on integrated square stone base. United States, circa...

A Fine Pair of French 19th/20th Century Gilt-Bronze Sculptures of "The Marly Horses" (Now turned into lamps) After the original by Guillaume Coustou (French, 1677-1746). The large pair of equestrian bronze sculptures, finished in a gold patina, each depicting rearing horses with their groom, both raised on oval a black slate and Bardiglio marble bases and fitted with modern electrical twin-light brass fittings and cream colored shades. The base on an ebonized wooden platform. Circa: Paris, 1900-1920. Sculpture & Base Height: 31 1/4 inches (79.8 cm) Base Width: 21 3/4 inches (55.3 cm) Base Depth: 12 3/4 inches (32.4 cm) Height to top of (Adjustable) shade fitting: 48 1/4 inches (122.6 cm) Shade Height: 15 inches (38.1 cm) Shade Width: 26 inches (66.1 cm) Shade Depth: 20 inches (50.8 cm) The original Marly Horses are two 1743–1745 Carrara marble sculpted groups by Guillaume Coustou. They were commissioned by Louis XV of France for the trough at the entrance to the grounds of his château de Marly. Coustou's last works, they were intended to replace two other sculpted groups, Mercury on Pegasus and Pegasus, Renown of Horses, both by Antoine Coysevox, which had been removed to the Tuileries Gardens in 1719. Louis XV chose the modellos in 1743 and the full-size sculptures were completed in only two years, being installed at Marly in 1745. They proved highly successful in reproduction, particularly on a smaller scale, and prefigured Théodore Géricault and other Romantic artists' obsession with equestrian subjects. The Marly horses were later also used as the central motif of the monochrome 819-line RTF/ORTF test card which was used on TF1 from 1953 until 1983. The originals were moved to the place de la Concorde in Paris in 1794 and Louis-Denis Caillouette (1790–1868) restored them in 1840. In 1984 it was concluded that the annual military parades on 14 July were damaging the sculptures and they were replaced by marble copies produced by Michel Bourbon in the studio of a subsidiary of Bouygues. The latter also gained the right to an extra copy, which was placed in Bouygues's social building. The original sculptures were moved to a former courtyard in the Richelieu wing of the Louvre Museum, which was renamed the 'cour Marly' in their honour, whilst Bourbon's two main copies were moved to the originals' first site near the trough at Marly, with work overseen by the architect Serge Macel. Guillaume Coustou the Elder (29 November 1677, Lyon – 22 February 1746, Paris) was a French sculptor of the Baroque and Louis XIV style. He was a royal sculptor for Louis XIV and Louis XV and became Director of the Royal Academy of Painting and Sculpture in 1735. He is best known for his monumental statues of horses made for the Chateau of Marly, whose replicas now stand in the Place de la Concorde in Paris. Coustou was a member of a family of famous sculptors; his uncle, Antoine Coysevox, was a royal sculptor; his elder brother, Nicolas Coustou was a sculptor, and his son Guillaume Coustou the Younger also become a noted royal sculptor. Like his older brother, he won the (Prix de Rome) of the Royal Academy which entitled him to study for four years at the French Academy in Rome. However, he refused to accept the discipline of the academy, gave up his studies, set out to make his own career as an artist. He worked for a time in the atelier of the painter Pierre Legros, and eventually returned to Paris. Upon his return to Paris, he assisted his uncle Coysevox in making two monumental equestrian sculptures, Fame and Mercury, for the Château de Marly, the new residence of Louis XIV near the Palace of Versailles, where he went to escape the crowds and ceremony of the Palace. He later (1740–1745), made his own horses, The Horses of Marly, his most famous works, to replace them. The horses reinvent the theme of the colossal Roman marbles of the Horse Tamers in the Piazza Quirinale, Rome. They were commissioned by Louis XV in 1739 and installed in 1745 at the Abreuvoir ("Horse Trough") at Marly. The horses were considered masterpieces of the grace and expressiveness of the French Late Baroque or Rococo style. After the Revolution they were moved from Marly to the beginning of the Champs-Élysées on the Place de la Concorde. The originals were brought indoors for protection at the Louvre Museum in 1984. In 1704 Coustou was received into the Académie royale de peinture et de sculpture. The work he made to mark his entrance was Hercules on the Pyre, now in the Louvre. It displays the special hallmark of the Baroque, a twisting and rising transverse pose, as well as highly skillful carving. He rose to become Director of the academy in 1733. Another of his major works from his later career, the statue of Maria Leszczynska, (1731)is on display at the Louvre. Coustou also created two colossal monuments, The Ocean and the Mediterranean among other sculptures for the park at Marly; the bronze Rhone, which formed part of the statue of Louis XIV at Lyons, and the sculptures at the entrance of the Hôtel des Invalides. Of these latter, the bas-relief representing Louis XIV mounted and accompanied by Justice and Prudence was destroyed during the Revolution, but was restored in 1815 by Pierre Cartellier from Coustou's model; the bronze figures of Mars and Minerva (1733–34), on either side of the doorway, were not interfered with. In 1714 for Marly he collaborated in two marble sculptures representing Apollo Chasing Daphne (both at the Louvre), in which Nicolas Coustou sculpted the Apollo and Guillaume the Daphne. About the same time he was commissioned to produce another running figure in marble, a Hippomenes designed to complement an Atalanta copied from the Antique by Pierre Lepautre...

Extra-large natural stone decorative clip. A stylish organizer for the modern home. This gigantic clip is a giganticly playful twist on the classic Laundry peg. Whether as a stylish...

A very beautiful, signed, Lalique crystal dish with decorative leaf and indent design around edge, circa 20th century, France. Piece is from French luxury crystal maker Lalique. Made...

Presenting a stunning AAA amethyst cluster with beautiful characteristics and aesthetic appeal, this specimen is an absolute gem, sure to become the centerpiece of your collection, F...

The Heart Vase from Orrefors is shaped like a heart, with rounded edges giving it a delicate look. It represents affection and love, the perfect gift for someone you care about. Hear...

Charming Early 19th Century English Agate Bowl on Silver Plate. Classic piece to add to a collection or functional to hold jewelry such as rings or can function as a salt cellar. Mak...

High-Grade, All-Natural Clear Quartz Tower Point: A Natural Wonder in the Form of a Water-Clear Quartz Crystal ▫️ Description Spectacular in many ways, ...

A beautiful, large, and unique Citrine Heart, this specimen results from natural geological art and skilled craftsmanship to create this Heart-shaped artwork. Its "natural art" is ev...

Top quality Brazilian Quartz point Crystal Cluster. This translucent crystal cluster has fully terminated quartz point crystals with lustrous highly reflective faces. Clear Quartz e...

Indulge in the captivating allure of Kathryn McCoy's Rock Crystal Collection, a masterpiece that seamlessly blends nature's raw beauty with exquisite craftsmanship. Available in vari...

A nice group of three antique Victorian snuff or trinket boxes with metal sides and banded or moss agate tops and bottoms. I’m not quite sure what the smallest one is made of. It has...

This neoclassical style French mantel clock is crafted from patinated and gilt bronze in addition to flecked black and grey marble. The clock body is formed from a lopsidedly mounted...

Gorgeous stylized starfish sculpture / paperweight by Baccarat, circa 1990s. The piece is in excellent condition with no visible imperfections and has great clarity. Signed on the un...

Onyx Stone Modernist Lidded Jar, Italy, 1980's.

A French dore bronze mounted blue opalescent and dore bronze finial covered box. This round form box is very unusual with a blue opalescent color and dore bronze mount. The top is fi...

A stunning half geode with an incredible amethyst and overlaid calcite formation at the bottom. The interior of the piece is a very deep cavity which presents very high-quality ameth...

Alexandre Ouline sculpture of a woman with a peacock. Very faintly signed on marble.

Small Artificial Formations Concrete Vase by Davide Ronco Dimensions: D 30 x H 42 cm. Materials: Concrete. Available in white and black. Please contact us. Concrete, the most wide...

Val Saint Lambert red cut-to clear Crystal vase, Signed A Belgium red colored cut to clear crystal vase from Val Saint Lambert, Belgium, establi...

An extraordinary Amethyst Geode that showcases a superb formation with two distinct colors, this geode showcases a blend of deep purple Amethyst lines that intricately interlace with...