Stoneware Decorative Objects

This French ceramic pitcher was produced by Accolay in Burgundy, France, during the 1960s and belongs to the Gauloise series. The piece measures 10.4 inches (26.5 cm) high and 5.3 i...

Elegant Swedish Art Deco serving bowl designed by Arthur Percy (1886–1976) for Gefle Porslinsfabrik, from the Gyllen series. The organically scalloped, undulating form gives the bowl...

This is a very old Japanese jar of Sue ware (Sueki), fired using a technique believed to have originally come from the Silla kingdom of the Korean peninsula. Similar vessel forms can...

Hand painted ceramic figural vase. Glazed interior and rim. Abstract, stylised female figure on one side and a spray of poppies on the other. Ovoid bulbous form. Two small lug handle...

A beautiful ceramic vase with a stunning glaze designed by Gunnar Nylund at Rörstrand, the vase is 20.5 cm (8.2.) tall. It´s in excellent condition but marked as 1st quality. Gunna...

A stunning Art Nouveau foliage design art pottery vase decorated in iridescent glazes by world renowned ceramic artist Clement Massier (French, 1845-1917) dating from the latter end ...

A beautiful cobalt blue and white Jasperware pitcher, with Greek-Key boarders, in the Neoclassical design style, by Wedgwood, circa early-20th century, 1930s - 1940s, England. Pitch...

Black art nouveau ceramic vase manufactured by Bo Fajans in the 1940-50s and attributed to designer Berit Ternell. Soft shaped bowl with a mother of pearl like black shine and sculpt...

Art Deco Period Gres Stoneware Vase by Belgian ceramist Roger Guérin from the 1930s. The creation is of a bulbous form terminating in a short neck finishing with a flaring rim. Beau...

A charming French Provincial stoneware confit pot, featuring a softly glazed cream finish, rounded body, and applied side handles. Traditionally used for preserving meats and storing...

Large Stoneware Vase by Richard Le Corrone, Ciboure, France, Early 1950s. Important French stoneware vase created in the early 1950s by Richard Le Corrone for the renowned Ciboure p...

Japanese Kutani Porcelain Sleeping Cat Okimono, “Nemuri-Neko” Style, Taishō–Early Shōwa Period A refined Japanese Kutani porcelain okimono depicting a peacefully sleeping cat, datin...

A beautiful, stoneware art deco globe vase, with amazing green hares fur glaze. Designed by Nils Emil Lundström for Rörstrand, Sweden, 1920s. Great original condition. Some slight s...

Large Saint-Clément Stoneware Vase, France, 1950s. This impressive and rare stoneware vase from Saint-Clément, France dates to the 1950s and is distinguished by its exceptional size ...

This Dutch Gouda vase by Zuid, produced in Holland in 1922, features the Corona pattern with richly hand-painted floral decoration inspired by the flowing organic forms of the Art No...

Ceramic midcentury hand-turned vase with horisontal lines. Griege glaze with a minty tint over the terracotta colored clay. Artist unknown. Great vintage condition consistent with a...

Knud Basse, Bornholm, Denmark. Stoneware Bird Figure, 1960s. Rare stoneware bird figure with the characteristic organic form and deep, nuanced glaze typical of Basse’s work. The soft...

From the same Danish/Japanese company that made a lot of IHQ 's - Jens Harald Quistgaard designs during the 1970s and 80s comes this stylish vase, pencil or toothbrush holder in glaz...

A simple yet very stylish Doulton Lambeth art pottery vase applied with exquisite floral patterning attributed to renowned artist John Broad and dating from around 1920. The stonewar...

A large stunning blue stoneware vase by Berndt Friberg at Gustavsberg designed in 1966, the vase has a lovely blue har-fur glaze. The vase is 24 cm (9.6") tall and about 21 cm (´8.4"...

A vase designed by Carl-Harry Stålhane at Rörstrand in 1965, it´s 7.5 cm (3") tall and it´s in excellent condition. This is a unique vase only made in one copy as you can see of the ...

Chains echo different emotions in us, some see them as a symbol of imprisonment, and vulnerability and some see as an emotion of inter connectivity and strong bond between the people. The truth is ,chains as we see them in the moment will either resonate the first or the latter symbolism depending on the emotions we feel at the moment. This eye-catching wall hanging adds a nomadic and mystical feel to any room. Created through a hand-intensive process of linking hand built stoneware rings of different sizes, this wall hanging is a dynamic decoration for an eclectic bedroom...

Large wheel thrown textured vase by Jason Fox. This textured vase was thrown on the wheel in two parts, scored/slipped, joined and then shaped. After le...

A beautiful English blue and white Jasperware box, in the Neoclassical Style, by Wedgwood, England, 1968. Box is blue and white stoneware with a 'rotunda' style dome lid decorated wi...

Maria Vessel in Brick Designed by Project 213A in 2020 Handmade Stoneware This vase is inspired by the Greco-Roman period, having a timeless appearance and finished with a contempor...

This remarkable Art Deco glazed stoneware vase was made under the direction of Charles Catteau for the Boch Frères Keramis manufactory in La Louvière, Belgium. The model was designed...

A fantastic rare early footed stoneware Japanese style California studio pottery Chawan tea bowl (circa early 1950s) by Master Greek-American potter/artist Peter Voulkos featuring ha...

Tiny sprigs of flora adorn this diminutive piece from the Argenta series by Wilhelm Kage for Gustavsberg, Sweden Wonderful mottled glaze decorated with applied silver decoration Circ...

Beautiful round white ceramic vase crafted from stoneware clay. Inspired by the vibrant marine life of the reef and the soft motion of ocean waves, this white matte vase showcases a ...

A beautifully crafted statue of an ancient Egyptian pharaoh, I believe it is Ramses the 2nd however I am not completely sure. The statue appears to be made of copper or white metal. ...

A classic decorative bust statue. Some wear with a nice patina, but this is old-age. Made of metal on a Marble base. Very decorative and nice to display in your library or any room.

A stunning yellow stoneware vase by Berndt Friberg at Gustavsberg designed in 1968, the vase has a lovely har-fur glaze. The vase is 14 cm (5.6") ta...

Stoneware pot center piece depicting different scenes of a hunt party. Made in Marzy & REmy manufacture in West Germany. You can see deer and does on one part and a hunting scene wit...

Beautifully glazed handmade stoneware candle sconce manufactured by Danish Knabstrup in the 1950s. Raw rectangular ceramic piece with a shiny crackle glaze front in pastel mint, turq...

Exceptional large mid-century modern stoneware vase by Bay Keramik, Germany, circa 1960s. This striking ceramic vessel features a bold sculptural handle and a magnificent continuous ...

This is a large stoneware vase or urn, hand potted by the Moira Pottery Company, near Burton on Trent, Leicestershire in England. The Moira Pottery works w...

A fantastic early stoneware California studio pottery vase (circa early 1950s) by Master Greek-American potter/artist Peter Voulkos featuring a ribbed design and dark, luminous glaze...

French Art Nouveau Inkwell by Pierre-Adrien Dalpayrat, France, circa 1890. A rare and exquisite Art Nouveau inkwell by renowned French ceramist Pierre-Adrien Dalpayrat (1844–1910). This finely crafted piece showcases Dalpayrat’s signature red copper-glazed stoneware, especially rich and luminous near the base. Elegantly mounted in pewter, the design exemplifies the organic flow and refined detail of the Art Nouveau period. Dimensions: Height: 3.54 in. (9 cm) Diameter: 5.12 in. (13 cm) Materials: Stoneware with pewter mount Condition: Excellent+++++, museum-quality preservation Markings: Incised signature "Dalpayrat 1500" under the base (see photo) This inkwell is a collectible example of French ceramic art at the turn of the century—perfect for collectors of Art Nouveau, 19th-century French ceramics, or the works of Dalpayrat. Adrien Dalpayrat (1844–1910): A Pioneer of French Ceramic Innovation Adrien Dalpayrat was a French ceramicist and researcher who played a key role in the revival of stoneware at the end of the 19th century. Born in 1844 in Limoges, Dalpayrat studied drawing and porcelain painting in his hometown before beginning his professional career at the Jules Vieillard faience factory in Bordeaux. There, he met his wife, Marie Tallerie, with whom he had two sons—Albert and Adolphe—who would later become his primary collaborators. Throughout his early career, Dalpayrat worked for several major ceramic manufacturers, including Ashwin (Valentine), Fouquet (Toulouse), François Blanc (Monaco), and Léon Sazerat (Limoges). In 1889, seeking greater independence, he moved to the Paris region and established his own studio in Bourg-la-Reine. Collaborations and Artistic Evolution Dalpayrat’s creative vision expanded through his collaboration with sculptor Alphonse Voisin-Delacroix. Together, they explored neo-Gothic and Palissy-inspired motifs, creating a remarkable ceramic bestiary. Following Voisin-Delacroix’s death in 1893, Dalpayrat partnered with Adèle Lesbros, which marked a shift in his work toward simpler, more refined vase forms influenced by Japonism. Japanese art had been introduced to France during the 1867 Universal Exhibition, but it wasn’t until the 1878 Exhibition, particularly through the ceremonial stoneware used in the Japanese tea ceremony, that Japonism truly captivated French artists. This influence led Dalpayrat to create vessels with organic, vegetal, and animal-inspired forms. Technical Mastery: The Secrets of Copper Red Among all the ceramists of his time who sought to replicate the elusive Chinese “sang de boeuf” (oxblood) glaze, Adrien Dalpayrat was arguably the most successful. He didn’t simply reproduce the legendary copper red—he transformed it. By manipulating glaze thickness, firing temperature, atmosphere, and copper oxide content, he developed a unique palette of flamed and mottled red glazes that became his signature: the renowned Dalpayrat red. He further enriched his pieces by introducing streaks and inclusions of turquoise, blue, green, and yellow—freeing the red glaze from monochromy and turning it into an expressive, living surface. His work pushed stoneware beyond function into expressive art, merging form and glaze in bold, sculptural harmony. Beyond Ceramics: Bronze Mounts and Architectural Works Dalpayrat also collaborated with renowned jewelers such as Ernest Cardeilhac and Keller to produce pieces mounted in gilt bronze, blending ceramics with decorative arts at the highest level. In an effort to make his work more accessible, he opened a second faience workshop focused on simpler, more affordable pieces inspired by Nevers and Rouen ware. However, this venture faced financial difficulties and closed by 1900. The main family studio followed in 1906 as the popularity of Art Nouveau declined. Dalpayrat then returned to Limoges, devoting his final years to painting and drawing until his death in 1910. Legacy and Recognition Despite financial struggles during his lifetime, Dalpayrat’s ceramics were widely acclaimed at major international exhibitions: Bronze medal, World's Columbian Exposition, Chicago (1893) Silver medal, Antwerp International Exhibition (1894) Gold medal, Exposition Universelle, Paris (1900) Today, his work is part of prestigious museum collections. In 2020, the Petit Palais in Paris acquired a large bird motif vase created in collaboration with Voisin-Delacroix, now on view in Room...

Large Art Deco Amphora Vase with Breton Maritime Scene, Bohemia, c. 1928–1930 A rare and exceptionally decorative large Art Deco ceramic vase by Amphora (Turn-Teplitz, Bohemia), pro...

Scandinavian modern handmade ceramic wall sconce by designer Marianne Starck (1931-2007) for Michael Andersen & Son. Manufactured on the island of Bornholm in the 1960s as part of th...

Mid-Century Set of 3 French Ceramic plates by Naumovitch Era Vallauris Capron Exceptional set of three plates decorated with women's faces. Emblematic creations of Ljuba Naumovitch in the Atelier Grand Chêne...

From Wedgwood, a light Blue Jasperware cache pot or jardiniere, date marked 1970. Jasperware, introduced by Josiah Wedgwood in the 1770s, is a type of unglazed stoneware known for i...

A group of six pieces of stoneware vases & one bowl with stunning white glazes designed by Gunnar Nylund and Carl-Harry Stålhane at Rörstrand in the 1950s. The vases are between ...

Mid-century ceramic artist Gunnar Nylund's Glazed Stoneware Vase made for Rörstrand, circa 1950s. Incised signature and studio mark to underside: [R Rubus GN Sweden 9]. Image 7: Gunn...

A beautiful stoneware vase with amazing glaze. Designed by Gunnar Nylund for Rorstrand, Sweden, 1960s. Great original condition. No chips, cracks or crazing. Incised with signature ...

A large and amazing Art Nouveau / Jugend (in the Secession style) ivory-colored stoneware vase. Made by Mettlach, Villeroy & Boch, Germany in 1904. Excellent original condition. No...

Shino Glazed Moon Jar by Jason Fox. A Southern Californian for over half his life, Contemporary Ceramic Artist Jason Fox draws upon his classical education in Architecture and Art H...

Antique emerald green art nouveau vase by Upsala Ekeby. Soft shaped shiny green and black organically glazed ceramic vase with two handles. Stamped and numbered under base. Beautif...

Flat vase in Baby blue. Designed by Project 213A in 2021. Handmade Stoneware. Creation demands destruction, taking the old and the typical to conceive the new and particular. The F...

These are a very good PAIR of early Mason's Ironstone pottery Desert Plates or Dishes in the very decorative Water Lily pattern, produced by the Mason's factory at Lane Delph, Staffo...

This is a superb very rare, fine quality ironstone Wine Cooler or a Two-Handled Pot, all beautifully hand painted, made by Mason's Patent Ironstone China Company, of Lane Delph, Staffordshire, England, circa 1820. This piece is substantial and heavily potted, weighing about 2.5 Kg un-packed. The handles are very strongly potted and this piece is quite suitable for use as a wine cooler as intended, or perhaps as a vase or display center piece...

Anna-Lisa Thomson stoneware vase, hand-thrown in Sweden in the mid to late 1930s at Ekeby ceramic factory. Relief structured turquoise-green glaze, signed with the artists initials ...

An extravagant Argenta stoneware, five legged fish bowl by Wilhelm Kage for Gustavsberg, Sweden A fascinating barbed fish of applied silver, decorates the interior of this tactile a...

Beautiful large centerpiece bowl crafted from stoneware clay. Inspired by the vibrant marine life of the reef and the soft motion of ocean waves, this extra large fruit bowl showcases a distinctive blend of artistry and nature, capturing the tranquil beauty of the sea. Each centerpiece bowl is wheel-thrown and hand-glazed in our studio, featuring a soft, white matte finish that beautifully enhances the organic textures of the clay. The glaze has been specially formulated for this collection, reflecting the dedication and craftsmanship that goes into each piece. Ideal for keeping your weekly fruits out on the counter or as a striking standalone accent, this white centerpiece bowl...

Flat vase in Shiny Black. Designed by Project 213A in 2021. Handmade Stoneware. Creation demands destruction, taking the old and the typical to conceive th...

This handmade bowl is hollow, constructed from seven slabs of stoneware, and glazed in matte white, with drips and overlaps embraced and unique. It is food-safe, though intended for ...

A Wedgwood Jasperware Neo-Classical blue and white stoneware vase with a flower frog insert, date marked 1968. The vase is sprig decorated with classical figures and banded with a r...

L. Hjorth, Bornholm Bowl, 1960s. Hand-thrown stoneware bowl in a low, rounded form with a matte blue glaze in gently varied tones, characteristic of Hjorth’s experimental surface tre...

A large and magnificent Scandinavian modern brown salt-glazed stoneware vase by Arthur Andersson with horizontal patterns of zig zags and striations relief decor. Inside glazed. Insi...

Here is a one of a kind, wheel-thrown sculptural vessel by Los Angeles artist, Jotham Hung. Inspired by the traditional Korean Moon Jar form, Hung subverts the form by utilizing a da...