Austrian Decorative Objects

A good quality late 19th century Vienna porcelain mantel clock, having hand-painted classical figures and cherubs.

Vase with glazed ceramic column and pure gold decoration. The base and vase are designed together and feature a classic, elegant and sinuous design. The decoration starts from bottom...

A Fine and Large Pair of Vienna Style Porcelain Vases and Covers, on Stands. Each of urn out-shape with loop handles. Each with cobalt blue-ground neck and cover with gilt-embossed ...

A fine patinated bronze figure of a Native American scout by Carl Kauba. Austrian, circa 1910. Signed in the cast 'Carl Kauba'. The figure cast as an American Native scou...

Artur Kaan (Austrian, 1867-1940) 'Marbruk' Signed and dated A. Kaan '95 and Verwielfältigung vorbehalten (reproduction reserved) Bronze on marble base, H 28.5 cm? Note: ...

Made of a beautifully crafted patinated bronze, it proudly stands on its original magnificent marble base. Unsigned, the authorship is unidentified. Full of tasteful provocative ero...

Rare Goldscheider Art Déco ceramic figure of the 1920's: Depiction of a young vaudeville dancer posing in a short, low-cut, backless, light pink dress with ruffled flounces and a bow...

Rare Art Déco Goldscheider Art Ceramic Figurine around 1930. Zerline Balten, a Viennese dancer and actress, is depicted accompanying herself in her 'fantasy dance' on a banjo. The yo...

Depiction of an elegant fashionable lady in long, tight lace skirt in red with black and white, low-cut waisted top at the back, supporting her arms on her hips, her pointed black sh...

Cylindrical vase modeled by hand with top. Austria early 20th century. Every item LA Studio offers is checked by our team of 10 craftsmen in our in-house workshop. Special restorati...

Rare Large Goldscheider Art Deco ceramic figure around 1925 Standing Pierrette, bent slightly forward, putting one foot in front of the other, supporting her hands on her hips, smiling and looking to the right. She wears a cap over her chin-length hair, a dress patterned with bouquets of flowers and a wide ruff, over it a striped jacket and a wide, long, black cloak with a light brown-orange lining. The figure is based on a cream-colored, round base, artist's signature 'Kostial' on the back at the bottom of the cape. designed by Josef KOSTIAL...

Very rare Art Deco Goldscheider art ceramic figurine around 1930. Shown is Zerline Balten, a Viennese dancer and actress who accompanies herself on a banjo in her 'fantasy dance'. T...

Goldscheider Vienna Rare Figurine: Lady with Shawl Designed Before 1937 Made circa 1937 Model number 8896 / 8 Hallmarked: Goldscheider Wien (= VIENNA) stamp mark / Made in ...

A cold painted Austrian bronze of semi nude dancer on a marble base. Signed Fitz, made in Austria. Austria, circa 1910. Excellent condition. Dimensions: Height: 8" Fo...

An Art Nouveau porcelain vase marked "Amphora" and "Austria" on the bottom, hallmarks of the Riessner, Stellmacher, and Kessel factory. Design shows evidence of the work Eduard Stell...

A beautiful leather and stainless steel modernist clock from the 1950s, designed and executed by Carl Auböck in very rare and hard to find red leather, Vienna/Austria. An amazing str...

Impressive antique Austrian champlevé enamel, silver-gilt and lapis lazuli clock set Austrian, Late 19th century Clock: Height 91cm, width 37cm, depth 37cm Candelabra: Height 64cm, width 24cm, depth 24cm Clock case: Height 97cm, width 44cm, depth 41cm Candelabra case: 67cm, width 27cm, depth 27cm Crafted in Austria in the late 19th century, this magnificent three-piece clock set was most likely gifted to the Imperial Russian family by the Austro-Hungarian Royal family. Its design is inspired by various cultures and styles, whilst its high quality celebrates some of the best craftsmen of the late 19th century. Of a tiered pagoda shape, the clock is surmounted by an eagle, its wings spread wide landing atop a vibrant lapis lazuli ball. The eagle is most likely a reference to Turul, a mythological animal which is a symbol of Hungary. This bird of prey is also a popular feature within Turkish traditions. Within a canopy, supported on four sturdy lapis lazuli pillars two prominent silver-gilt bells are hanging. These are carved with various motifs such as acanthus leaf design and connect to the clock mechanism below. The bells ring informing its users of the time. All four sides of the piece are inset with a clock, an unusual feature on an object of this type and a testament to its highest quality. The inclusion of clocks on all sides signifies that the antique is aimed to be a centrepiece, admired from all sides. The dial is decorated using the champlevé enamelling technique, whereby ‘parcels’ are carved into the silver gilt and into which enamel is poured. The 12 numbers are coloured in black with a gold outline and are surrounded by a white circular background making them stand out and easy to read. The hour clock dial is cast in the form of a sun, while the minute hand is represented as the moon. The two motifs symbolise one’s bright and gloomy sides of existence. The four corners around the clocks are mounted with three-dimensional female figures dressed in traditional garments from around the world. For example, one figure is dressed in typical Turkish clothing...