Austrian Decorative Objects

Black Forest three-arm antler candelabra.

A set of three Austrian silver boxes and covers, Johann Hoppe, Vienna, circa 1925. These are marked on bases and covers in Secessionist style, one ...

A cold painted Austrian bronze of semi nude dancer on a marble base. Signed Fitz, made in Austria. Austria, circa 1910. Excellent condition. Dimensions: Height: 8" Fo...

Enchanting and charming small flowerrack or cactus holder by Carl Auböck, Vienna, Austria. Its basis consists of a solid and black patinated piece of brass, while the brackets are of...

Beautiful teal color bijoux size bulb vase.

A fine pair of Vienna style covered cylindrical vases, on square footed socle bases. The vases are decorated with classical scenes including Jupiter an...

Beige Large Concrete Gradient Vase by Philipp Aduatz Limited Edition of 50 Dimensions: 60 x 60 x 152 cm Materials: 3D printed concrete dyed, reinforced with steel The 3D printed gra...

Large gradient vase by Philipp Aduatz Limited Edition of 50 Dimensions: 60 x 60 x 152 cm Materials: 3D printed concrete dyed, reinforced with steel Available in red, blue, beig...

White marble and ormolu mantel clock Housed in a white marble case with stepped plinth and applied decorative mounts and surmounted by a cherub, resting on decorative feet. Enamel d...

Rare Goldscheider Ceramic Figurine Group: Boy in a sailor suit with shorts, long-sleeved top and sailor hat, carrying a school bag on his back, leading a smaller girl in a short, red...

Orientalist cold-painted bronze and marble inkstand Austrian, c. 1910 Height 21cm, width 34.5cm, depth 22.5cm This unusual inkstand combines cold-painted bronze elements with a beau...

A delightful pair of early 20th Century Austrian cold painted bronze figure of a young boy tennis player holding his racket and young girl holding a ball, both signed R.Lor and raise...

An Art Nouveau porcelain vase marked "Amphora" and "Austria" on the bottom, hallmarks of the Riessner, Stellmacher, and Kessel factory. Design shows evidence of the work Eduard Stell...

A beautiful leather and stainless steel modernist clock from the 1950s, designed and executed by Carl Auböck in very rare and hard to find red leather, Vienna/Austria. An amazing str...

Impressive antique Austrian champlevé enamel, silver-gilt and lapis lazuli clock set Austrian, Late 19th century Clock: Height 91cm, width 37cm, depth 37cm Candelabra: Height 64cm, width 24cm, depth 24cm Clock case: Height 97cm, width 44cm, depth 41cm Candelabra case: 67cm, width 27cm, depth 27cm Crafted in Austria in the late 19th century, this magnificent three-piece clock set was most likely gifted to the Imperial Russian family by the Austro-Hungarian Royal family. Its design is inspired by various cultures and styles, whilst its high quality celebrates some of the best craftsmen of the late 19th century. Of a tiered pagoda shape, the clock is surmounted by an eagle, its wings spread wide landing atop a vibrant lapis lazuli ball. The eagle is most likely a reference to Turul, a mythological animal which is a symbol of Hungary. This bird of prey is also a popular feature within Turkish traditions. Within a canopy, supported on four sturdy lapis lazuli pillars two prominent silver-gilt bells are hanging. These are carved with various motifs such as acanthus leaf design and connect to the clock mechanism below. The bells ring informing its users of the time. All four sides of the piece are inset with a clock, an unusual feature on an object of this type and a testament to its highest quality. The inclusion of clocks on all sides signifies that the antique is aimed to be a centrepiece, admired from all sides. The dial is decorated using the champlevé enamelling technique, whereby ‘parcels’ are carved into the silver gilt and into which enamel is poured. The 12 numbers are coloured in black with a gold outline and are surrounded by a white circular background making them stand out and easy to read. The hour clock dial is cast in the form of a sun, while the minute hand is represented as the moon. The two motifs symbolise one’s bright and gloomy sides of existence. The four corners around the clocks are mounted with three-dimensional female figures dressed in traditional garments from around the world. For example, one figure is dressed in typical Turkish clothing...