South Asian Decorative Objects

Product Information: Specimen Name: Aquamarine Crystal on Muscovite Weight: 244 grams Dimensions: H: 8 x W: 12 x D: 6 cm Treatment: None Locality: Nagar Valley, Skardu District, Gil...

A very attractive vintage inlaid rosewood Indian jewelry box. The hinged box made is from solid figured rosewood and finely and is sumptuously inla...

This lovely small round 2 part box is an early piece of the designs of MIchael Aram's work from the early 90's. It is a tooled design silver metal on the top of the box with a black...

Indian intricately hand carved Mughal floral design solid teak wood jewelry box with hinged top, c. 1960's. Ornate carving on top and all four sides around.

Intriguing horse sculpture made of hand carved solid wood, vivid carving details, hand painted with beautiful rustic patina. Professionally mounted on wood base. Exceptional object ...

Impressive antique Anglo Indian British colonial lidded box handcrafted in a rectangular form featuring a top with a micro marquetry medallion, co...

Nice Quality with superb decoration. Additional information: Material: Bronze / Brass Type: Vase Region of Origin: India Period: 20th century Condition: No damages found. Dimension:...

A more recent find out of the mine in Puna, India from 2016, the scolecite wraps nearly three sixty degrees around a peach-colored stilbite matrix. A delicate fiber optic explosion t...

Recreational Verb Floor Sculpture by WANAS Dimensions: D 92 x W 92 x H 194 cm. Materials: Metal, teak wood, and wood. The size and finish are customisable on request. Please contac...

Late 19th c. early 20th c. Persian Footed Wooden Round Jewelry Box. Antique rare in round shape large Persian wooden box with marquetry called "Sadeli" or "Khatam Kari" with exquisit...

Weight: 200 Gram Dimension: 8.1 x 6.6 x 6.8 Cm Origin: Skardu Valley, Pakistan Aquamarine is a pale-blue to light-green variety of beryl. The color of aquamarine can be changed by...

Stunning large-scale papier mâché vase of elegant form with beautiful hand painted an lacquered red and black abstract floral decoration. Mid-20t...

A fine and rare Indian carved sandstone stele of a Jain family group, Sarnath style, early Indian Medieval period, 6th-7th century, Uttar Pradesh, India. Carved from a single block of buff sandstone, the stele features a Jain family group comprised of a father, mother, and two children. The family group is portrayed upon a lotus pedestal under a tall palm tree. The mother and father both seated in a relaxed pose known as lalitasana, or royal ease pose, a jovial expression on their faces. The mother holds the daughter in her lap. The younger son scampers mischievously up the trunk of the palm tree, his head turned to look back at his parents. Above the family, nestled in a niche amongst the palm fronds, an image of a Jain Tirthankara...

Chic modern style fruit bowl crafted in cast aluminum with a bold faux coral composition.

Exceptional pair of vintage large scale brass elephant sculptures. One is larger, one is slightly smaller but they both stand over 2 feet tall! Each elephant’s trunk reaching upward, a symbol of good luck. These are beautifully crafted with detail in the modeling. The artist took care to represent the folds in the ears, creases in the skin, and spine on the backs. Elephants are revered by many, but are considered sacred in Hindu and Buddhist religious. The raised trunks are said to bring prosperity and protection to those in their presence. Smaller brass elephant 20.6lbs 13.5” Wide x 21” Deep x 25.75” High Larger Brass elephant...

Did you now the unicorn is Scotland's national animal? They could have picked Nessie, but went with the most magical creature ever conceived. We're not certain if this brass beast ...

Exotic Amboyna From our Jewellery Box collection, we are delighted to introduce this large Anglo-Indian Campaign Amboyna Box. The Amboyna Box of large rectangular form veneered in b...

390 Gram Magnificent Aquamarine Specimen Bunch From Skardu, Pakistan Weight: 390 Gram Dimension: 10 x 5.9 x 3.5 Cm Origin: Skardu District, Gilgit Baltistan Province, Pakistan Aq...

Very fine early 19th century carved ebony writing slope, the exterior richly carved with foliate decoration, the interior profusely inlaid with bon...

Shiva is one of the main gods of Hinduism. In Shivism, he is considered to the believers as the most important manifestation of the Supreme. As part of the "Houtuistic Trinity" (Trim...

PRESENTING a LOVELY 19C Anglo Indian Bombay MOP (Mother of Pearl) Sadeli Mosaic Trinket Box from circa 1875-85. Gorgeously detailed and hand-crafted ‘sadeli mosaic’ inlay, from the Bombay Area, with deep greens with silver, pewter, mother of pearl, bone and ebony in geometric patterns. The box case, is made of sandalwood but completely covered in MOP, bone, faux ivory, ebony and mosaic inlay. Edged with faux ivory and banded with a different pattern of sadeli mosaic. Some minor damage to the top (repair is obvious in pics) and ivorine replacements to some edging, but it still a BEAUTIFUL BOX and of real QUALITY! The mosaic work is FABULOUS! Box opens to reveal its original blue velvet lining. It sits on 4 (recently added) silvered button feet. SADELI MOSAIC: “Anglo Indian boxes were made in India for the English residents from the early part of the 18th century. They were brought back or sent back to England usually by the people who had commissioned them. From the beginning of the nineteenth century they were imported more commercially, although not in any significant numbers until the middle decades. They were very highly valued, especially the early ones, to the extent that the designs were copied on late 19th and early 20th century tins. The ancient art of Sadeli Mosaic is said to have been introduced from Shiraz in Persia via Sind to Bombay, a long time before the Anglo Indian boxes were made. It was a technique, which required a high degree of skill and patience. It was executed very lavishly, in that the frequent cuts wasted a great amount of the precious materials used. The workmanship was however more than commensurable to the value of the materials. Ivory, silver, pewter (or other metals), wood and horn were cut into faceted rods which were bound together to form geometric patterns. When the glue has set, the rods were sliced in transverse sections. This gave the maker a number of angled circular pieces in the original pattern. Several variations of patterns could be achieved by combining the materials in different ways. The ivory was sometimes dyed green to give an extra color. The mosaic pieces in a combination of patterns, often separated by ivory, ebony, horn or silver stringing were used to veneer sandalwood boxes. In the early boxes, which date from the turn of the 18th to the 19th century, there are large panels of mosaic covering tops and sides of boxes. It took incredible skill to cover such large areas without any shakes or wavering of the pattern. The corners and joins on these boxes are impeccably matched. The makers (reputed to be Persian) of Sadeli mosaic made in the first two decades of the 19th century displayed a total understanding of the qualities of the different materials they used. They combined substances, which can expand and contract according to atmospheric conditions with others, which are hard and unyielding. The result was a sharp definition of the lines and patterns, which made up the whole design. On the early boxes the designs look deceptively simple. The fact is, they emerged from a culture, which had mastered geometry and understood how to generate a pattern from a set number of points. The patterns are so harmoniously combined that their incredible complexity is not immediately apparent. The earliest Sadeli boxes...

Decorative Antique Asian round wood box container with lid and brass pull. Vintage collectible Asian wooden tobacco or opium round container. Round shaped lidded opium container...

Antique Anglo-Indian quill box handcrafted and decorated with porcupine quills and bone dots. Made in Ceylon which was the colonial name for Sri Lanka.

Handmade cast brass plate or vide poche with a brushed finish. Cast using very traditional techniques, it is brushed revealing the lustrous finish of this beautiful material. Slight...

Vintage stone pipe from Kathmandu, Nepal featuring a hand carved elephant's head. Beautiful hand carved wooden pipe from Sumatra, circa 1950. Would look great set on a minimalis...

Amusing pair of antique anglo Indian birds with a folky charm that have been carved from indigenous hardwood and painted a long ago, now with a rustic patina. Presented on custom sta...

Gorgeous pair of real curry rams horn & brass candlesticks. Largest set we've ever come across! Both are in excellent condition without damage or repairs.

Carved early 20th century monkey figure We are proud to offer a quirky unique hand carved figure of a seated monkey. Originates from India in the early ...

Harappa Candelabra in Brass, Viya by Vikram Goyal From the heart of the Indus Valley, where civilization mastered form and function, this collection draws inspiration from the once ...

PRESENTING A LOVELY 19C Anglo Indian Highly Carved Sadeli Mosaic Inlaid Sewing Box. Made in Bombay, India, circa 1880. The box is made of sandalwood with highly carved raised teak wood panels on all sides, depicting temple scenes, animals and foliage. The box is in a sarcophagus form. It is edged in bone (and we can tell it is bone and not ivory, from the color and evidence of capillaries, which are not found in ivory), and banded with Bombay Sadeli mosaic and ebony veneer. The lid opens to reveal a removable tray with various open compartments and lidded compartments. 5 lidded compartments, 1 unlidded compartment and 8 holders for thimbles, etc The tray lifts to reveal a blue velvet (original) lined section, for storing jewelry etc, with sections for collars etc. The inside of the lid has a removable mirror (the mirror is missing on this one but can easily be replaced). Behind the mirror is the original green velvet lining. It has its original brass carry handles on the sides and sits on 4 silvered button feet (of recent origin). Some repairs to the exterior and condition issues (priced accordingly), but still a LOVELY COLLECTIBLE box! These boxes were made by superb Indian craftsmen, specifically for sale to the ruling British elite. These types of boxes, carved padouk and sandalwood, (whilst beautiful and superbly crafted) were of a lesser quality, than the more profusely and intricately mosaic inlay, tortoiseshell and ivory boxes, made for the British ‘Upper Classes’ in the areas of Bombay and Vizagapatam. These type of boxes were much more affordable back in 1880 (and indeed today) and would probably have been bought by mid-level diplomats, civil servants or visitors. Sewing boxes (in general), were in EVERY Victorian home in Britain in the 19th century and like other boxes etc were ‘status symbols’ of your place in society! The more ornate the box, the more ‘Upper Class’ you were! SADELI MOSAIC: “Anglo Indian boxes were made in India for the English residents from the early part of the 18th century. They were brought back or sent back to England usually by the people who had commissioned them. From the beginning of the nineteenth century they were imported more commercially, although not in any significant numbers until the middle decades. They were very highly valued, especially the early ones, to the extent that the designs were copied on late 19th and early 20th century tins. The ancient art of Sadeli Mosaic is said to have been introduced from Shiraz in Persia via Sind to Bombay, a long time before the Anglo Indian boxes were made. It was a technique, which required a high degree of skill and patience. It was executed very lavishly, in that the frequent cuts wasted a great amount of the precious materials used. The workmanship was however more than commensurable to the value of the materials. Ivory, silver, pewter (or other metals), wood and Horn were cut into faceted rods which were bound together to form geometric patterns. When the glue has set, the rods were sliced in transverse sections. This gave the maker a number of angled circular pieces in the original pattern. Several variations of patterns could be achieved by combining the materials in different ways. The ivory was sometimes dyed green to give an extra color. The mosaic pieces in a combination of patterns, often separated by ivory, ebony, Horn or silver stringing were used to veneer sandalwood boxes. In the early boxes, which date from the turn of the 18th to the 19th century, there are large panels of mosaic covering tops and sides of boxes. It took incredible skill to cover such large areas without any shakes or wavering of the pattern. The corners and joins on these boxes are impeccably matched. The makers (reputed to be Persian) of Sadeli mosaic made in the first two decades of the 19th century displayed a total understanding of the qualities of the different materials they used. They combined substances, which can expand and contract according to atmospheric conditions with others, which are hard and unyielding. The result was a sharp definition of the lines and patterns, which made up the whole design. On the early boxes the designs look deceptively simple. The fact is, they emerged from a culture, which had mastered geometry and understood how to generate a pattern from a set number of points. The patterns are so harmoniously combined that their incredible complexity is not immediately apparent. The earliest Sadeli boxes...

A beautifully designed early fireworks or flare cannon in tiger form. A small hole is drilled at the top rear of the cannon for the wick. In India, firecrackers and fireworks are tr...

With moniker’s such as red gold, exquisite thread or golden light, saffron captivates us all. Ancient Romans prized them for their fragrance, Egyptians for their healing touch, and M...

A breathtaking fusion of nature and craftsmanship, this exquisite hand-carved amethyst bowl is a true work of art. Measuring 6 inches in diameter, it is meticulously shaped and polis...

With its smooth surface and warm, multicolored tones, this medium-size polished stone Shiva Lingam brings both visual appeal and symbolic weight to a space. Carved from natural river...

Amazing antique expertly hand-carved wood block that has been used in printing production. Stained dark black with ink, this now rustic piece shows signs of years of handling, while ...

A large antique early 19th century Indian brass votive oil lamp modeled as the Hindu deity, Lord Ganesha, circa 1800. A finely cast brass figure of Lord ...

This incredible specimen features a deep-blue cavansite crystal cluster on a creamy stilbite matrix. The contrast between the cavansite and the matrix creates an eye-catching piece. ...

Moorish style micro mosaic marquetry inlaid jewelry box with lid. Intricate inlaid Anglo Indian box with floral and geometric Islamic Moorish mosaic Sadeli design in a square shape form with mosaic inlay and marquetry, very fine artwork, lined in red velvet. Museum collector piece like the one in Doris Duke Islamic Art Museum. The repeating geometric patterns of Sadeli Mosaic are what give it beauty and richness. This decorative technique is a type of micro mosaic featuring repeating geometric patterns. A highly skilled craft, it has had a long history in India and the Middle East with early examples dating back to the 16th century. In the 1800s, it became popular as a decoration on a variety of boxes, card cases, and chess boards imported from India. Since Bombay became a center of making them, they became known as Bombay boxes...

Vintage wooden Marwari horse covered with red and yellow copper, or brass, characterful horse statue, sculpture, from India, mid-20th century. This beautiful statue is handmade from...

20th Century Polished Onyx Bowl with Natural Heart Inclusion – 8" Diameter This exquisite 20th century polished onyx bowl is a striking example of nature’s artistry. Measuring 8 inc...

Inlaid table cabinet with six compartments and two handles. This is a beautifully decorated crafted box reflecting the craftsmanship and cultural influences of Goa during the colonia...

A brass vase with an intricately engraved design with traditional patterns that may have cultural or historical significance. The vase has a flared top, a slender neck and a rounded...

Impressive antique Anglo Indian lap top desk crafted in quills and ebony decorated with bone dots. The surprising interior has multiple components featuring a felt writing surface, n...

A charming vintage Kashmiri heart-shaped paper mâché box, exquisitely hand-painted with vibrant floral decorations. This piece exemplifies the traditio...

Lofty group of four Anglo Indian swan sculptures or objects of art handcrafted with sea or nautilus shells and hammered metalwork bases necks and heads with stone eyes. Largest: H: ...

A BRASS MUGHAL INDIAN OVAL BETEL PANDAN BOX Northern India, early 19th century. Length: 5 1/4" in. (13.3 cm.) height: 3 1/4" in. (8.3 cm.) width: 4" in. (1...

Cluster of bronze leaves. Each of these splendid bronze leaves is handmade individually with incredible detail. Cast using very traditional techniques, ...

The highest quality from the heights of the Himalayas, this truly one of a kind larger than life museum quality chloride quartz cluster features a perfect 3-1/2" diameter termination...

Puna, India This amethyst stalactite is uniquely shaped like a fashionable high heel and is accented by two botryoidal fluorite spheres that are perfectly placed to resemble a styli...

Antique Hindu brass decorative box. This is an antique Mughal style brass Indian ornate locking trinket box container. It has six compartments that lock ...

Beautiful blue Lapis Lazuli and Carrara marble stone jewelry box. Created from genuine blue Lapis Lazuli, this box is low in profile and rectangular in form. This lovely jewelry or trinket box features a lid that fits onto its base. Both of which are completely covered in this beautiful blue stone. The interior of the box's base and lid, are created using Carrara marble. The lid features stays, which retrofit into the base, and allow the top to hold to the base without sliding or moving. The exterior is flanked with the gorgeous richly hued blue lapis lazuli. How we would style it: This blue stone box...

A fine antique 19th-Century British Colonial hand crafted porcupine quill and ebony box with working lock and key, made in Matara, Ceylon the colonial name for Sri Lanka. This fine b...

19th Century Hoshiarpur Inlaid Writing Box Quite simply, this is a stunning example of a 19th Century hand crafted Hoshiarpur inlaid writing box. The craftsmanship is quite amazing ...

20th century South Indian carved and painted peacock statue. Hand carved on a plinth base. Features bright colors of yellow, green, red and orange. A la...

Exquisite handcrafted white mother of pearl inlaid and hand carved lidded box. Small octagonal Anglo Indian decorative box intricately decorated with Moorish motif designs which hav...

Presenting an absolutely stunning 19c Anglo Ceylonese sewing box of museum quality. Made in Ceylon (now Sri Lanka) circa 1860, this is one of the finest sewing boxes of it’s kind that we have ever seen! The box is made from coromandel wood (an exotic hardwood found in Ceylon) and has a serpentine edging all over the front, back and sides. Very often the lids/tops of these boxes suffer cracks due to shrinkage but this one is near perfect with no crack in the lid/top. There is some evidence of natural shrinkage but that is around the edges of the lid/top. It is when you open this box that it reveals it’s true beauty, quality and treasure ! The inside of the lid/top is heavily and beautifully decorated with inlaid bone in scrolling floral patterns which have then been hand painted with red and black ‘lac’ ink. The central medallion is a circle of inlaid specimen exotic hardwoods radiating towards a central bone and hand painted flower. The circle is edged in bone, wood and silver chevrons. What makes this box Exceptionally rare is that it contains 3 lift out base sections. Normally, there would be a maximum of 2. The first tray/section is clearly for the purposes ancillary to sewing with a pair of sections with bone spools for thread etc. There are 17 other lidded compartments with each one highly decorated using hand painted bone and specimen woods to replicate tortoiseshell. The first tray lifts out to reveal a second removeable tray which is made up of a pair of open sections and 8 specimen wood lidded sections each with chevron banding. The third tray is a smaller tray underneath with 14 lidded compartments each with hand painted bone and specimen wood inlaid lids again, replicating the look of tortoiseshell. Again they are banded with a chevron border. This is a museum quality piece ! It is in fantastic condition for it’s age with the minor shrinkage to the edges of the lid/top, some finger pulls missing and some very minor cracks to the tray lids and bases but nothing that in any way detracts from the piece. No key. Dimensions: Closed the box is 16.75 inches wide, 11.25 inches deep and 7.5 inches high Fully open the box is 16.5 inches high, 16.75 inches wide and 11.4 inches deep Anglo-Indian and ceylonese boxes: Anglo Indian boxes were made in India for the English residents from the early part of the 18th century. They were brought back or sent back to England usually by the people who had commissioned them. From the beginning of the nineteenth century they were imported more commercially, although not in any significant numbers until the middle decades. They were very highly valued, especially the early ones, to the extent that the designs were copied on late 19th and early 20th century tins. Anglo-Indian boxes normally consist of 3 main types:- (1) Most of the best and highest quality Anglo-Indian boxes in the 18th and 19th centuries were made in Vizagapatam, India, renowned for its exquisite craftsmanship in using ivory and tortoiseshell and lac decoration. These are referred to as ‘Vizagapatam Boxes...

Monumental Anglo-Indian Polychromed Rajasthan Bulbous Covered Tole Urn India, Circa 1960s A monumental example of Anglo-Indian workmanship, this polychromed Rajasthan bulbous cove...

Exquisite Indian craftsmanship made of teak with decorative brass on a patinated surface. The brass fittings are hand-beaten, showcasing the exceptional skill of the artisans who cre...