1890s Decorative Objects

A rare and stylish Burmantofts Faience art pottery vase decorated with sun burst patterning and with a saffron glazed finish dating from around 1890. This stunning and elegant lightl...

This lovely young girl seated in a chair is a fine example of the work of Emilio Fiaschi, Italian b.1858-d.1941. Known mostly for his alabaster carvings, this is a nice example of hi...

Large 19th Century Pair of Ewers Thistles Vases signed Delphin Massier. Height / 22 inches.

Majolica jardinière planter with 4 birds Delphin Massier, circa 1890. Height / 5 inches , 8 by 5 inches. The Massier are known for the quality of their unique enamels and paintings. ...

This is an impressive antique brass Victorian ecclesiastical eagle lectern, circa 1890 in date. The 5ft3inch (157cm) lectern features an eagle with wings outstretched and detailed f...

19th Century Majolica Dogs Dachshund sharing a shoe Bowl signed Villeroy & Boch. Rare piece.

Antique French Vineyard Grape Hod Wine Bucket Winery RED Urn Fireside Box c1890. Direct from France, a wonderful antique metal grape hod or “hotte”, with stunning hand painted Frenc...

Rare small majolica daisy cache pot signed Delphin Massier, circa 1890.

Large Art Nouveau enameled glass vase by Legras, France, 1890s. Made of hand-blown blue glass in the shape of a cylinder with a swirling finish on its outer face. Carefully hand-pain...

French Art Nouveau Inkwell by Pierre-Adrien Dalpayrat, France, circa 1890. A rare and exquisite Art Nouveau inkwell by renowned French ceramist Pierre-Adrien Dalpayrat (1844–1910). This finely crafted piece showcases Dalpayrat’s signature red copper-glazed stoneware, especially rich and luminous near the base. Elegantly mounted in pewter, the design exemplifies the organic flow and refined detail of the Art Nouveau period. Dimensions: Height: 3.54 in. (9 cm) Diameter: 5.12 in. (13 cm) Materials: Stoneware with pewter mount Condition: Excellent+++++, museum-quality preservation Markings: Incised signature "Dalpayrat 1500" under the base (see photo) This inkwell is a collectible example of French ceramic art at the turn of the century—perfect for collectors of Art Nouveau, 19th-century French ceramics, or the works of Dalpayrat. Adrien Dalpayrat (1844–1910): A Pioneer of French Ceramic Innovation Adrien Dalpayrat was a French ceramicist and researcher who played a key role in the revival of stoneware at the end of the 19th century. Born in 1844 in Limoges, Dalpayrat studied drawing and porcelain painting in his hometown before beginning his professional career at the Jules Vieillard faience factory in Bordeaux. There, he met his wife, Marie Tallerie, with whom he had two sons—Albert and Adolphe—who would later become his primary collaborators. Throughout his early career, Dalpayrat worked for several major ceramic manufacturers, including Ashwin (Valentine), Fouquet (Toulouse), François Blanc (Monaco), and Léon Sazerat (Limoges). In 1889, seeking greater independence, he moved to the Paris region and established his own studio in Bourg-la-Reine. Collaborations and Artistic Evolution Dalpayrat’s creative vision expanded through his collaboration with sculptor Alphonse Voisin-Delacroix. Together, they explored neo-Gothic and Palissy-inspired motifs, creating a remarkable ceramic bestiary. Following Voisin-Delacroix’s death in 1893, Dalpayrat partnered with Adèle Lesbros, which marked a shift in his work toward simpler, more refined vase forms influenced by Japonism. Japanese art had been introduced to France during the 1867 Universal Exhibition, but it wasn’t until the 1878 Exhibition, particularly through the ceremonial stoneware used in the Japanese tea ceremony, that Japonism truly captivated French artists. This influence led Dalpayrat to create vessels with organic, vegetal, and animal-inspired forms. Technical Mastery: The Secrets of Copper Red Among all the ceramists of his time who sought to replicate the elusive Chinese “sang de boeuf” (oxblood) glaze, Adrien Dalpayrat was arguably the most successful. He didn’t simply reproduce the legendary copper red—he transformed it. By manipulating glaze thickness, firing temperature, atmosphere, and copper oxide content, he developed a unique palette of flamed and mottled red glazes that became his signature: the renowned Dalpayrat red. He further enriched his pieces by introducing streaks and inclusions of turquoise, blue, green, and yellow—freeing the red glaze from monochromy and turning it into an expressive, living surface. His work pushed stoneware beyond function into expressive art, merging form and glaze in bold, sculptural harmony. Beyond Ceramics: Bronze Mounts and Architectural Works Dalpayrat also collaborated with renowned jewelers such as Ernest Cardeilhac and Keller to produce pieces mounted in gilt bronze, blending ceramics with decorative arts at the highest level. In an effort to make his work more accessible, he opened a second faience workshop focused on simpler, more affordable pieces inspired by Nevers and Rouen ware. However, this venture faced financial difficulties and closed by 1900. The main family studio followed in 1906 as the popularity of Art Nouveau declined. Dalpayrat then returned to Limoges, devoting his final years to painting and drawing until his death in 1910. Legacy and Recognition Despite financial struggles during his lifetime, Dalpayrat’s ceramics were widely acclaimed at major international exhibitions: Bronze medal, World's Columbian Exposition, Chicago (1893) Silver medal, Antwerp International Exhibition (1894) Gold medal, Exposition Universelle, Paris (1900) Today, his work is part of prestigious museum collections. In 2020, the Petit Palais in Paris acquired a large bird motif vase created in collaboration with Voisin-Delacroix, now on view in Room...

Created during the height of Europe’s fascination with richly mounted decorative porcelain, this exceptional pair combines the celebrated ceramic artistry of Royal Bonn with the refi...

Huge Antique French Bronze Roman Soldier Sculpture by Picault

Majolica dish leaf Villeroy & Boch, Circa 1890.

French Art Nouveau Centerpiece Planter by Victor Saglier, 12 rue d’Enghien, Paris, France, ca. 1890 Silverplate metal with a finely applied black patina in the recessed areas, enhan...

A tall and elegant Burmantofts Faience art pottery solifleur vase decorated in bright turquoise glazes dating from around 1890. This stunning lightly potted earthenware vase stands o...

Majolica Purple flower Violet Cache Pot signed Delphin Massier Circa 1890.

Tall antique Swedish horse in carved wood with original patinated paint in off-white color with blue dots. Made circa end of the 19th century. Th...

Antique Art Nouveau chalice shaped art glass vase created by the Loetz glassworks company, which was active during the late 19th and early 20th centuries, this vase represents a prime example of their artistic mastery. The vase features a cobalt blue ground that adds depth and richness to its overall appearance. Its surface showcases a captivating iridescent wave pattern, which adds a mesmerizing shimmer and dynamic quality to the glass. This iridescence is a hallmark of Loetz glassware and is achieved through the application of special techniques during the glassblowing process. The chalice-form of the vase gives it an elegant and graceful silhouette. This design creates a harmonious balance between the visually striking upper portion and the sturdy base. Loetz glasswares are renowned for their exceptional artistry and their ability to capture and play with light. The Phaenomen Genre 6893 vase, with its dark blue color and iridescent wave pattern, is no exception. When light interacts with the glass, it reveals a captivating range of colors and reflections, making it a visually stunning and attention-grabbing piece. As an antique Loetz glass vase...

Large French Majolica tulip Cache Pot Jérôme Massier Circa 1890 Height / 7 inches. Diameter / 10 inches.

An exceptional and scarce 19th-century dark olive green glass bottle, hand-crafted in the distinctive "bladder onion" form. This rare shape features a tall, globular body with subtly...

A refined and elegant Japanese cloisonné enamel vase from the Meiji period, attributed to the Nagoya school and executed after the celebrated naturalistic drawings of Watanabe Seitei...

A beautiful antique Continental pressed glass jewelry casket, crafted in richly molded blush pink glass and mounted in a warm patinated brass fram...

This is a large Spanish bronze sculpture of a street urchin by the renowned Catalan sculptor Charles Anfrie, 1833-1905 and Circa 1890 in date. The sta...

Antique Majolica rooster with leaves, corn and wild rose vase signed Delphin Massier, circa 1890. The Massier produced roosters in a big range of sizes, this is the medium size. The...

This is a large French bronze sculpture of Vercingetorix with his son by Emile Laporte (1858 - 1901), circa 1890 in date. The standing figure of Vercingetorix wearing a winged hel...

A crystal masterpiece of beautiful proportions, this vase crystallize the extraordinary know-how of the Baccarat craftsmen. The different cuts in the vase produce a magic visual effe...

Classic late 1890s Vienna bronze figurine, expertly crafted and beautifully detailed in the tradition of Austrian cold-painted bronzes. This charming polychromed bronze sculpture sho...

Large rare French Majolica swan vase signed Choisy le Roi, circa 1890. Height / 23.3 inches. 16 inches by 12 inches. At the end of 19th century, Choisy le roi was one of the most im...

Antique French Églomisé Casket - Souvenir from Lyon, circa 1894 A charming French antique casket from circa 1890s with gilt brass fittings and clear glass panels. The hinged lid fea...

Paul Dachsel was the son-in-law of Alfred Stellmacher, the founder of Amphora Pottery company in Turn-Teplitz, then in Austria. Very little is known or was written about Dachsel. He ...

Of Classic vessel form, with an oval, splayed foot, narrow, waisted body and wide, flaring mouth. Very heavy and archaist vessel with lucky beetles around the sides.    

French Patinated Spelter Bull Sculpture by Charles Valton (1851–1918). This striking French patinated spelter bull sculpture by Charles Valton is a fine example of late 19th-century...

Delphin Massier Majolica figural vase which features a cockerel/rooster stood in front of a vase, which is modelled in the form of corn. Colouration: yellow, pink, teal blue, are pre...

A wonderful and very large example of a figural Black Forest inkwell in the form of a Dog's head, with a beautiful bright patina. He retains his original large glass eyes, without d...

Late Victorian Double Weight "Vienna" Wall Clock of Architectural Form Having Carved Eagle Pediment - by Charles Greville & Co of Hatton Gardens, London with full technical drawings ...

Lying terracotta whippet in terracotta with a nice patina. The fur is cracked, with small traces of a grayish-blue color.

A fine Burmantofts Faience art pottery vase decorated with a sun burst pattern and dating from around 1890. The earthenware vase stands on a narrow round foot with a slightly recesse...

Unusual Majolica frog pitcher wearing a brown jacket signed Fives Lille, circa 1890.

Huge WMF tin silver plated Art Nouveau vase with female figure and putto.

Immerse yourself in the grandeur of the mid-19th century with our distinguished pair of Silver Plate Edwardian Period George III Style Three-Light Tableware Candelabra. This exceptio...

19th Century French Faience Cache Pot Desvres , hand painted with flowers on one side and coat of arms on the other side.

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Majolica Pink Daisy Candelstick Delphin Massier circa 1890.

A refined 19th century agate snuff box from an important private collection. This elegant example is beautifully constructed with polished agate panels framed by finely finished dore...

Small French white terracotta Majolica rabbit Bavent, circa 1890. (Normandy). Measures: Length / 8 inches, height / 6 ...

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1890s Belle Époque bronze sculpture of a young fisherman 'Pêcheur' by the sculptor Adolphe-Jean Lavergne, France By: Adolphe-Jean Lavergne Material: bronze, copper, metal Technique:...

A striking and unusually large French Belle Époque terracotta sculpture depicting a Bacchante, created circa 1890 by the French sculptor Lucien Pallez (1853–1933). Executed in terra...

Pair of Majolica Flowers & Leaves signed Luneville Cache Pots Circa 1890, H / 7 inches , D / 9 inches by 7 inches.

A Large French 19th Century Patinated Bronze Figure of La Pensée Prenant Son Envol et Portant la Lumière, by Émile Louis Picault, Inscribed Boyer Frères à Paris. The bronze is model...

A fine antique English porcelain twin handled pedestal vase decorated with mask terminals and painted in the desirable Imari pattern by renowned makers Royal Crown Derby and dated 18...

19th Century Majolica Flowers Cache Pot Wasmuel.

1697 Antique Japanese carved green stone containter with precicely fitted lid

19th Century Pair of French Majolica Cabbage Tureen.

Thomas Minton is believed to have created the famous Blue Willow Pattern and sold the original design to Thomas Turner in the 18th century. The pattern is clearly inspired by Canton Chinese Export...

This exquisite Art Nouveau vase by Émile Gallé in Nancy is statement pieces in the room. Signed E. Gallé. Vase with red currant decoration in frosted glass internally suffused with ...

Large Majolica colorful rooster signed Delphin Massier circa 1890. On the back of the rooster, a rare brown bamboo vase, usually the vase is a trunk.

Aqua Turquoise Majolica Turtle vase Pique Fleur Clement Massier, circa 1890.

Established in 1853 by Miklós Zsolnay, Zsolnay began as a small business producing basic stoneware and earthenware. Ten years later Miklós’ son, Vilmos, joined the company and led it...

An extraordinarily rare late 19th-century European silver coin purse, sculpted in a classic Victorian scallop shell motif. Crafted from smooth, non-magnetic silver metal with a soft...