1890s Decorative Objects

19th Century French Marble and Bronze Tower Clock Face,,, Very unusual in that it has both Roman Numerals and Conventional numbers, (CAN NOT FIND ANOTHER) Newer wooden back recently...

A Marvelous Pair of 19th century French Ormolu Four-Arm Candelabras, Signed Paul Canaux. Paul Canaux was an incredible jeweler and silversmith, and would produce his pieces in 30 rue des Francs-Bourgeois in Paris. He originally worked for the great silversmith and plater Joseph Mégemond. Following his career with Mégemond on August 9th, 1888 he placed his own hallmark. He was a made an array of products, which included silverware, cutlery, tea sets, centerpieces, candelabras as well as many other silver and gilt-bronze objects of the highest quality. His maker’s hallmark was struck in 1892 and they changed the name to "Paul Canaux et Cie". In the 5 Generations of our business, these are some of the greatest candelabras we have ever had the pleasure of adding to our collection. This is truly an exceptional pair of candelabras. They were produced by P. Canaux, a master silversmith who made the most wonderful and outstanding pieces of silver and ormolu. These ormolu candelabras are no exception with a variety of hand-chased and hand-chiseled motifs which elevate these pieces to a different level of quality and craftsmanship. The top most finial of each candelabra is absolutely marvelous with a phoenix emerging from a cauldron of flames. Flanked on either end of each candelabra are two satyrs each holding up a candelabra arm with superior quality, each wrinkle in their faces and hair on their heads is visible. Between the candelabras is a basket of ormolu cast fruits, leaves, and vines. They are truly breathtaking and in high-relief against the main body of the candelabras. The other two candelabra arms are held up by Nereus, the Greek GD of the sea. He is known for his half-man, half-dolphin appearance with a majestic and highly detailed pair of angelic wings...

A pan boy standing on a ball supported by Fish around the base. Has the two flutes. Signed on the base Frederick William Mac Monies and dated 1890 and with the Foundry seal. Has the ...

Circa 1890, Webb, England. This outstanding rock crystal vase is a sophisticated illustration of Webb’s nineteenth century work. From its curvaceous baluster shape to its gorgeous Ar...

A mantel clock in reddish- brown figured wood veneer with dore mounts in the baroque style. The gilt metal dial with enamel numerals, the case with dore scrolled acanthus leaf frame ...

One of a kind children's crib made of bent beech wood, design attributed to the Austrians Jacob and Josef Kohn (father and son) in the purest Art Nouveau style at the end of the 19th...

An exceptional, fine and impressive pair of versatile antique English sterling silver three-light candelabra; an addition to our diverse candle holders collection. These exceptional antique cast sterling silver candelabra have a classical square form to a knopped column onto a stepped swept square foot, in the highly desirable classic English style. Each impressive three light candelabrum retains the original hallmarked detachable push fit scrolling leaf decorated arms. The branches (labra) support two circular waisted capitals, each encompassed with bands of applied gadroon decoration. The capitals are fitted with the original hallmarked push fit square-shaped sconces, embellished with an undulating swept decoration. Each capital of these antique candelabra centrepieces surmounts an impressive square drip pan, featuring identical ornamentation to that of the sconces. Each Victorian candelabrum is fitted with a third detachable central elevated capital and drip pan. These versatile three-light Victorian candelabra can be used as silver candlesticks once the arms are detached. The panelled waisted column of each candlestick is encompassed with further undulating ornamentation and gadroon decoration to the knops. The spiralling swept portion of the foot surmounts a plain stepped base, embellished with gadroon decoration to a plain collet style rim. These antique silver candlesticks do not have weighted bases. The base of each candlestick was made by William Brown in 1825 and the labra were crafted by Walker & Tolhurst Ltd (Walter Walker & Brownfield Tolhurst) in 1896*. These tall sterling silver candelabra, which can be separated into individual candlesticks, are a versatile and sophisticated gift for weddings, anniversaries or milestone occasions. Use them as dramatic centrepieces for candlelit dinners or display the candlesticks individually on a mantel, sideboard or table. * Candlesticks were widely produced and used in the early 19th century, with designs growing more elaborate as moulded candles gained popularity. To accommodate changing tastes, it was not unusual for matching candelabra to be commissioned at a later date, providing versatility and reflecting the Victorian preference for elaborate centrepieces. Condition These exceptional antique silver candelabra...

Crafted in mahogany, this handsome box features a warm, rich surface and classic proportions. The interior measures approximately 3 1/2 inches deep and retains its ivory latch with k...

A wrought iron wagon wheel on stand. Indonesia, late 19th Century. Reclaimed from an old carriage, it has been preserved intact. The inside has been refinished in dark gilt, date un...

Ceramic Vase, Vienna, Art Nouveau Period, circa 1890.

Delphin Massier French Majolica figural vase which features a pair of parrots perched on a branch. The branch is supported by blue cylindrical vases at either end. The vases have flo...

Pair 19thc French for Qajar Dynasty Amber with Hand Painted Floral Enamelled Table Lamps / Candle Holders with Crystal Shades. Manufactured by Baccarat. The amber body is floral deco...

Majolica tobacco jar signed Onnaing, circa 1890. Decorated with a goat and wheat and leaves.

A Beautiful and Quite Large 19th Century French Ormolu Mounted Footed Crystal Box. The top crystal is domed and sits on a hinged ormolu mount with a seashell clasp. The crystal is ...

A handcrafted group of Frog Musicians, sitting on a bench and two chairs. There is some loss to paint. Otherwise they are very well done.

Excellent, large tubular vase: in the lower area bulbous body on a separate stand, after constriction the neck is raised, slightly narrowing with a flared mouth edge, mould-blown, co...

This set of 4 beautiful Art Nouveau flower shaped plates designed by Hugo Leven for J.P. Kayser & Sohn in Germany in 1897. The plates are made of ‘Kayserzinn’, a special lead-free al...

Delphin Massier French Majolica vase which features three bamboo stem vases forming a support for an egg on the top. The bamboo and egg is hand painted with flowers and leaves. Birds...

Late Victorian Mahogany & Brass Horse head Wall Mounted Gong Mahogany Shield shaped Back, With Mount hook, Embossed Hollow Brass Horses Head & Bras...

Victorian Regency sterling silver lady's desk box for elegant epistles. Made by Howard & Co. in New York in 1897. Rectangular with straight sides and hinged cover. Applied oval wreat...

Elegant, festive silver vessel in an oval shape on a stepped base with projecting, pierced rocaille elements, pierced decoration also on the upper rim of the wall with irregular edge...

Late Victorian Copper Planter with Etched Foliate Decoration - 9"diam x 6"h

Crafted around 1890, the 19th-century Burmese Seated Mandalay Buddha stands as an exquisite embodiment of spiritual devotion and artistic finesse. Carved from gilded wood and adorned...

This elegant 19th-century Italian terracotta sculpture is a remarkable work of art. Although the signature is illegible, it is authenticated and represents an allegory of autumn. The...

ART NOUVEAU BRONZE BY JULIEN CAUSSE A stunning sculpture that embodies the elegance of the Art Nouveau period—an exquisite representation of a woman thoughtfully inscribing the date...

Hallmarked in Sheffield in 1894 by James Dixon & Sons, this handsome pair of Victorian, Antique Sterling Silver Candelabra, are in the Corinthian column design, holding three candles...

Presenting a stunning example of antique American glassware, dating from around 1880. Crafted from cranberry and white glass, this swirled bowl showcases the exceptional craftmanship...

Late 19th century decorative wood panel, hand carved curtain relief.

A deep carved large giltwood altar vase, probably German, in the baroque style, but dating to the latter half of the 19th century. The vase is carved with a flat back, so would have ...

Fix-Masseau set up his workshop in Paris where he attracted the admiration of Rodin. The latter was unable to convince him to join his studio. The quality of his sculptures was notic...

A neo classic green cameo amphora designed by Villeroy & Boch in Mettlach. This is a very rare tall Phanolith cameo vase, created in Germany by the Villeroy & Boch Mettlach company,...

This stoneware vase of a jar form was finely decorated with low relief carving and delicate colored glazes depicting bundles of peony flowers. It was made by Ito Tozan I (1846-1920) circa 1890-1900s in the late Meiji Period. The color pallet was both bold and subtle, with dark green and rusty leaves with golden outlines and white and light yellow peony petals covering much of the surface. Impressed with potter's mark on the base. Examples of two pieces by Ito Tozan I were in the collection of MNAAG (Guimet) Paris. Inventory no. MG 13790 an 13792. A vase with similar shape and decoration techniques is featured as Lot 1340 Fine Japanese Art, 13 Sep 2017 Bonhams New York Tozan Ito I established his ceramic business in Kyoto 1867. His studio made both porcelain and stoneware in a style some considered Satsuma while they retained a sophistication of Kyoto ware...

Circa 1890-1900, by Baccarat, Paris, France. Period fin-de-siècle Baccarat glass at its cameo-cut, etched, gilded, and enameled best! This superb pair of vases display the height of...

A wooden wagon wheel on stand. Indonesia, late 19th Century. Reclaimed from an old vehicle, it has been preserved intact, with the exception of the...

Pair antique (19th century) French Vases crafted from variegated white and charcoal marble with gilt bronze mounts including large snake-form handles, tied ribbons and floral swags, ...

Wonderful very old professional office relic with a cheeky message; Hands off! Private papers. Reminiscent of the odd fellows Victorian Era designs. Created from some kind of powdere...

Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services are an option, the defau...

A delicate and rare Japanese ceramic vase by the important Meiji imperial potter Makuzu Kozan (1842-1916) circa 1890s. Dated to his underglaze phase post 1887 after he successfully m...

Hallmarked in London in 1899 by William Hutton & Sons Ltd., this ornate Victorian sterling silver biscuit box is set on an integrated footed tray raised on cast scroll feet, and ...

An exceptional and monumental Art Nouveau bronze vase, richly sculpted with two elegant peacocks embracing the vessel in a fluid, organic composition. Standing an impressive 110 cm h...

Antiques of London A fine late Victorian 8-day longcase (grandfather) clock, retailed by Maple & Co London, dating from around 1890 and crafted in the Arts & Crafts style. This elegant clock features a beautifully proportioned oak case with geometric panelling, decorative mouldings, and subtle carved details characteristic of the Arts & Crafts movement. The brass dial is richly engraved and signed Maple London...

You don't see these everyday! Rare and exceptional architectural elements consisting of parcel gilt metal and wood with beading and ball feet attributed as late 19th Century or early...

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An exceptional, fine and impressive antique Victorian cut glass and English sterling silver mounted desk inkwell, part of our antique silver and gl...

This stunning rustic Buddha box stand table is a late 19th century offering box. Significant Triangular shape box stand table set on legs carved as Naga's a...

Emile Gallé, FRENCH (1846-1904) A early enameled and gilt-decorated Cameo glass vase, circa 1895 Measures: 7 in. (17.7 cm.) high signed Gallé Modé Le Décor Déposés Provenance E...

Japanese Art Nouveau Decorative Vase with Birds & Fish, Ca. 1900 Cloisonné Late Meiji Period Circa 1900 DIMENSIONS Height: 20.5 in (52.07 cm) Diameter: 10 in (25.4 cm) ABOUT A fi...

Bohemian Ceramic Vase Designed by Nikolaus Kannhäuser Manufactured by Amphora Riessner Stellmacher & Kessel, Turn-Teplitz circa 1898 "ivory p...

An exceptional, fine and impressive antique Victorian English sterling silver and glass match striker; an addition to our ornamental collection. This exceptional antique silver and glass match striker has a globular form. The surface of the glass body is embellished with a serrated texture which composes a match striker. The ornamentation to the glass body is segmented with plain subtly concave vertical flutes. The upper portion of this antique glass match striker...

Rococo girandoles composed of gilt metal with stepped marble bases and etched lead-crystal prism decoration (ca. late 19th Century, France). The centerpiece candelabra...

A German treasure chest desk box. This is a beautiful rectangular desk box created in Germany during the Imperial period, back in 1890-1900. The box is crafted in the shape of a treasure chest and fully carved in cedar wood and decorated with forged silver hardware’s. It is fitted with two sets of hinges and a security lock. The box is extremely well made and fitted in the interior with the original red velvet lining. Stamped with an oval bronze plaque, that read E S Schutz Marke...

Rare articulated cast iron cats head gate latch. stamped and marked with a patent date of 1895. Made for the ears flip down and lock a gate. There are 3 v...

Late 19th Century Tiger Oak Horner Tall Case Grandfather Clock Elliot Movement Dimensions : 24" Wide X 17.5" Deep X 105.25" Tall This stunning Grandfather clock was made in the lat...

An exceptional, fine and impressive antique Victorian English sterling silver photograph frame; an addition to our diverse ornamental collection. This exceptional antique Victorian photograph...

Victorian brass cased carriage clock with champleve decoration to the front, sides, rear of the case and carrying handle with bevelled glasses throughout. Gilded dial mask with ena...

Pair of Louis XVI style baluster shaped covered vases attributed to Samson & Cie, made in porcelain with green background and gold dots, flanked by two applied handles made of white ...

Loetz Rubin Matte Iris - 1898 (aka: rubin metall) Registered Model: PM I-7875 Ruby ground; metallic-bronze iridescent finish (iris) with purple highlights. Measures: Height 7.75 inches Width 4.25 inches Condition: Excellent AVANTIQUES is dedicated to providing an exclusive curated collection of Fine Arts, Paintings, Bronzes, Asian treasures, Art Glass and Antiques. Our inventory represents time-tested investment quality items with everlasting decorative beauty. We look forward to your business and appreciate any reasonable offers. All of our curated items are vetted and guaranteed authentic and as described. Avantiques only deals in original antiques and never reproductions. We stand behind our treasures with a full money back return if the items are not as described. In 1836, Johann Eisner established a glassworks in the Southern Bohemian town of Klostermühle, today part of the Czech Republic and called Klášterský Mlýn. His heirs sold the glassworks to Martin Schmid in 1849, and two years later Schmid sold it to Frank Gerstner, attorney-at-law, and his wife Susanne. Susanne was the widow (‘Witwe’ in German) of Johann Loetz, a glassmaker about whom we know very little. Gerstner transferred sole ownership to Susanne shortly before his death in 1855, and she successfully led and expanded the company during the subsequent 20 years, manufacturing mainly crystal, overlay and painted glass. In 1879, Susanne transferred the company – now called ‘Johann Loetz Witwe’ – to Maximilian von Spaun, the son of her daughter Karoline. One year later, von Spaun hired Eduard Prochaska and the two of them modernized the factory and introduced new, patented techniques and processes. The Historicist Period The first fruits of this collaboration were exciting innovations in Historicism glass, including Intarsia and Octopus glass and the very popular marbled (‘marmorisierte’) glass which imitated semi-precious stones like red chalcedony, onyx and malachite. Success at exhibitions in Brussels, Munich and Vienna were crowned by awards at the Paris World’s Exposition in 1889. In 1897, von Spaun first saw Tiffany Favrile glass exhibited in Bohemia and Vienna, and this convinced him that the art nouveau style was also the way to go for Loetz Witwe. The next eight years were to be the most artistically significant and profitable period in the entire history of the company. The Art Nouveau Period – the Glory Years Loetz Paris-Expo1900Loetz Paris-Expo1900The glassworks created large numbers of its own new designs of iridescent, trailing art nouveau glass, sometimes in collaboration with well-known artists and designers like Marie Kirschner and Franz Hofstötter (aka Franz Hofstätter). The zenith of Loetz art nouveau glass was epitomized by the so-called Phänomen series of designs, much of it designed by Hofstötter, which won a Grand Prix (alongside Tiffany, Gallé, Daum and Lobmeyr) at the Paris World’s Exposition in 1900. The company’s success during this period had two prime drivers – the technical expertise of Prochaska and the business acumen of von Spaun. Loetz Witwe created many of its own designs, and also supplied glass commissioned by major customers like E. Bakolowits (Vienna) and Max Emanuel...

A shield-shaped antefix ornament from Thailand, late 19th century. Reclaimed from old constructions and preserved in time, these architectural details were and still are a decorati...

Model #3425 Highly stylized vase with grape vine motif and secessionist handles. Paul Dachsel was the son-in-law of Alfred Stellmacher, the founder of Amphora Pottery company in Tu...

Beautiful "Panther of India" sculpture by Antoine Louis Barye mounted atop a green and white veined marble inkwell, Ferdinand Barbedienne edition, France circa 1900. Signed by the ar...