1910s Decorative Objects

Tiffany Studios, circa 1912 Fine carved Tiffany Favrile glass Egyptian collar vase, of baluster form, the shoulder carved with a band of flowers En...

Large Pit River globular basket. Period: circa 1900. Origin: California Size: 6" x 9". Family Owned & Operated Cisco’s Gallery deals in the rare, excepti...

Constantino Barbella (1852-1925) La Bagneuse, White Carrera marble. depicting a nude woman kneeling on a cushion and languidly arranging her hair; signed C. Barbella In its day t...

Iridescent glass and silver plate vase. Germany, circa 1910.

A fine Daum Frères Vase with Coreopsis flowers, made in Nancy, France circa 1914. This example of French cameo glass, was mottled with glass powder, c...

Heading : Bronze Bust Of a Noble Lady by Dominique Alonzo Date : c1910 Origin : France Decoration : Marble base, ivory head Size : Height 15.5cm, base 12.1 x 7.7 Condition : Excell...

An exceptional, fine and impressive antique George V acid etched glass, English sterling silver and enamel cologne bottle; an addition to our silver mounted glass collection. This exceptional antique George V glass cologne bottle has a cylindrical rounded form. The glass bottle is fitted with a plain cylindrical hallmarked sterling silver mount to the neck. This antique cologne bottle...

Talla facial de niño Circa 1.910 Cara tallada sobre peana de hierro y madera Magnífico detalle en las facciones faciales

Fine Daum Nancy Cameo glass vase, France, circa 1910 decorated with orange and purple flowers on an opalescent ground cameo mark Daum Nanc...

A pair of Tiffany Studios gold Favrile glass sherbets, circa 1910 each inscribed L.C.T. Dimensions: Height 3 3/8 in. (8.57 cm.) Diameter at top 3 9/1...

Silver plated pair of candelabras and centerpiece (centrepiece) made by German manufactory, made circa 1915-1920 Specifications: Each of the candelabras consists of colourless g...

An attractive turn of the century mahogany flight of Haberdashers drawers with stylish brass mounted turned mahogany handles circa 1910. Dimensio...

Émile Gallé (1846-1904) An early Galle Cameo glass stemmed vase France, circa 1910 Gilt signature E Gallé Nancy Measures: Height 5 1/2 in. (13.97 cm.),...

Viennese Art Nouveau flower container, circa 1915-1920 High quality handwork / beechwood / dark mahogany stained / shellac hand polished Elegant V...

Brown ceramic vase made by Sevrès. Signed Sevrès France and M.N.F. France, circa 1910.

Two, hand-painted, republic period, parcel-gilt, Chinese, Zun-form vases made for the U.K. market. Both pieces feature a central medallion containing a warrior on horseback. Each med...

Two, hand-painted, Republic period, parcel-gilt, lidded urns made for the U.K. market. Both pieces feature a central medallion of arms containing a warrior on horseback. Each medalli...

Blue vase on red marble column in Napoleon III style, early 20th century. Splendid cobalt blue vase with gilt bronze details housed interlockingly on French red marble and gilt bron...

A charming bust of a child’s head by Edwin Whitney-Smith, dated 1910, the girl has her head slightly tilted forwards as she looks out from under a lock of hair, set on a square block signed on the reverse ‘E Whitney-Smith 1910’. This bronze is a reduction of Whitney-Smith’s original marble piece, a photograph of which survives in the V&A (object number AAD/1990/12/63). Another version can be seen in a 1920s photograph of the artist in his studio owned by the National Portrait Gallery (NPG x194201). Neither the identity of the sitter nor title of the work is known. Edwin Whitney-Smith (1880-1952) was one of the pre-eminent sculptors of his day. Born in Bristol in 1880, he became a student of William Harbutt, the headmaster of Bath School of Art, best remembered today for inventing plasticine. Whitney-Smith showed great promise from an early age, opening a studio in St John’s Wood, London, in 1910. He exhibited over 40 pieces at the Royal Academy and despite not achieving Academician status, even with list of illustrious proposers, he became a dear friend of Sir Alfred Munnings, the famous horse painter, and sculpted his portrait. He was, however, elected to the Royal Society of British Sculptors and his works were generally well-received by critics and the general public alike. Aside from the RA, he exhibited in Bristol, at the Paris Salon and the Scottish Academy and his work attracted the attention of such important patrons as the Courtauld family. One of his most famous works, The Waking Child, is in the Ferens Art Gallery in Hull and another, The Irishman, is in the Tate. One version of his bust of Ernest Bevin, the trade unionist, stands in Tooley Street in Bermondsey to this day. An article in The Sphere, published on the 3rd of May 1924, referred to the sculptor as “a well-known sculptor of smiling children” and mentioned his “famous babies’ heads”.

A dignified and poignant bronze by America's greatest sculptor of the 1910s, 1920s and 1930s, this unique piece by Paul Manship depicts young David in ancient Israel...