1910s Decorative Objects

A turn of the 20th century Emmanuel Villanis styled Virgin Mary bust sculpture exudes the ethereal grace reminiscent of the virgin saint in an Art Nou...

An extraordinary early 20th-century French Art Nouveau hand-hammered repoussé pewter round lidded jar / trinket box by the renowned collaborative studio of Alice (1872–1951) & Eu...

Two exquisite early 20th Century Murano glass fruit bowl still life sculptures are packed with a various realistic sculpted pieces created by the tech...

French Brass Picture Frame, Circa. 1910. Offered is a large beautifully executed French brass Arts and Crafts picture frame with a butterfly and flowers. Great patina!

Otto Prutscher has designed several flower-stands for Thonet, this special design is extremely rare. Literature: J. Ulihr, Semper Sursum, Olmütz 2003, ill p124.

Swiss Silver & Imperial Yellow Guilloché Enamel Miniature Alarm Carriage Clock by E. Mathey-Tissot retailed by Tiffany A particularly attractive and rare Swiss miniature silver and...

A small and delightful Japanese yellow ground cloisonne round trinket or incense box, Meiji Period, circa 1910, Japan. The small box of squat, round shape, and may originally have b...

Always very popular and a very useful desk-top accessory. These large circular magnifiers actually are the condenser or magnifier from a Magic Lantern dating to around 1910; they are...

This purple lustre vase was manufactured by the Ruskin Pottery factory. The baluster shaped vase with a flared rim has been glazed with an iridescent soft purple glaze which has a sl...

German Carved Wooden Milliners Head Circa 1910 - Hand carved from sycamore - Used in the displaying and making of hats and wigs - German ~ 1910 - 22cm tall x 17cm wide x 21cm deep ...

Perfume bottle “Rosace Figurines” made in frosted glass with sepia patina by René Lalique. Molded signature. Perfect condition. Rare model and exceptional patina. Félix Marci...

A set of 2 candle holders, a pair of elegant and pure sterling silver large antique hallmarked three light candelabra in the late 19th-century taste. These fine candelabra have shape...

Large vase Richard Ginori Art Nouveau 1910 Italy Poppies.

This Mintons majolica basketweave planter, made in England in 1911, is a green glazed ceramic jardiniere distinguished by its richly modeled relief decoration. The cylindrical body ...

A striking and impressive Loetz quality Tango art glass hand-blown bowl piped with a black glass rim and legs by renowned Austrian Sculptor, Ceramist and Des...

A gorgeous Art Deco or Arts & Crafts period "Viking" collection bronze inkwell In the manner of Tiffany Studios By Marshall Field & Co. USA, Circa 1910 Measures: 5"W x 5"D x 4"H....

A rare find for collectors and enthusiasts, An extra-large exquisite Georg Jensen sterling silver centerpiece punch/ice ice bowl or wine cooler, design #268a, by Johan Rohde.  This i...

A giving joy beautiful French Fayence Floor Vase fantastic Art Nouveau pattern - Impressing Colours Manufacturer unknown - marked Design Period 1915 - 1925 Country of Manufacture : France H / height: 46 cm ~ Gew. / weight: 4550 grs DM / diameter max: 28 cm ~ DM oben / diameter inner rim: 19.8 cm .... an ode to Southern France A Legend of Provence by Adelaide Anne Procter (30 October 1825 – 2 February 1864) The lights extinguished, by the hearth I leant, Half weary with a listless discontent. The flickering giant-shadows, gathering near, Closed round me with a dim and silent fear. All dull, all dark; save when the leaping flame, Glancing, lit up a Picture's ancient frame. Above the hearth it hung. Perhaps the night, My foolish tremors, or the gleaming light, Lent power to that Portrait dark and quaint, — A Portrait such as Rembrandt loved to paint, — The likeness of a Nun. I seemed to trace A world of sorrow in the patient face, In the thin hands folded across her breast: — Its own and the room's shadow hid the rest. I gazed and dreamed, and the dull embers stirred, Till an old legend that I once had heard Came back to me; linked to the mystic gloom Of that dark Picture in the ghostly room. In the far south, where clustering vines are hung; Where first the old chivalric lays were sung; Where earliest smiled that gracious child of France, Angel and knight and fairy, called Romance, I stood one day. The warm blue June was spread Upon the earth; blue summer overhead, Without a cloud to fleck its radiant glare, Without a breath to stir its sultry air. All still, all silent, save the sobbing rush Of rippling waves, that lapsed in silver hush Upon the beach; where, glittering towards the strand The purple Mediterranean kissed the land. All still, all peaceful; when a convent chime Broke on the mid-day silence for a time, Then trembling into quiet, seemed to cease, In deeper silence and more utter peace. So as I turned to gaze, where gleaming white, Half hid by shadowy trees from passers' sight, The Convent lay, one who had dwelt for long In that fair home of ancient tale and song, Who knew the story of each cave and hill, And every haunting fancy lingering still Within the land, spake thus to me, and told The Convent's treasured Legend, quaint and old: — Long years ago, a dense and flowering wood, Still more concealed where the white convent stood, Borne on its perfumed wings the title came: " Our Lady of the Hawthorns " is its name. Then did that bell, which still rings out to-day, Bid all the country rise, or eat, or pray. Before that convent shrine, the haughty knight Passed the lone vigil of his perilous fight; For humbler cottage strife or village brawl, The Abbess listened, prayed, and settled all. Young hearts that came, weighed down by love or wrong, Left her kind presence comforted and strong. Each passing pilgrim, and each beggar's right Was food, and rest, and shelter for the night. But, more than this, the Nuns could well impart The deepest mysteries of the healing art; Their store of herbs and simples was renowned, And held in wondering faith for miles around. Thus strife, love, sorrow, good and evil fate, Found help and blessing at the convent gate. Of all the nuns, no heart was half so light, No eyelids veiling glances half as bright, No step that glided with such noiseless feet, No face that looked so tender or so sweet, No voice that rose in choir so pure, so clear, No heart to all the others half so dear, So surely touched by others' pain or woe, (Guessing the grief her young life could not know,) No soul in childlike faith so undefiled, As Sister Angela's, the " Convent Child. " For thus they loved to call her. She had known No home, no love, no kindred, save their own. An orphan, to their tender nursing given, Child, plaything, pupil, now the Bride of Heaven And she it was who trimmed the lamp's red light That swung before the altar, day and night; Her hands it was whose patient skill could trace The finest broidery, weave the costliest lace; But most of all, her first and dearest care, The office she would never miss or share, Was every day to weave fresh garlands sweet, To place before the shrine at Mary's feet. Nature is bounteous in that region fair, For even winter has her blossoms there. Thus Angela loved to count each feast the best, By telling with what flowers the shrine was dressed. In pomp supreme the countless Roses passed, Battalion on battalion thronging fast, Each with a different banner, flaming bright, Damask, or striped, or crimson, pink, or white, Until they bowed before a newborn queen, And the pure virgin Lily rose serene. Though Angela always thought the Mother blest Must love the time of her own hawthorn best, Each evening through the years, with equal care, She placed her flowers; then kneeling down in prayer, As their faint perfume rose before the shrine, So rose her thoughts, as pure and as divine. She knelt until the shades grew dim without, Till one by one the altar lights...

French Art Deco bronze panther on marble base with jade trim, signed by hand, LEDUC This object is a very rare depiction of a panther playing with a ball. The seated animal is in an attacking position, teeth bared, ears flattened, and paw extended to strike the ball. The situation is skillfully captured, and the overall arrangement of materials and colors is harmonious. The jade edging is interrupted at the front and back by black stripes in marble, and the panther has a very beautiful patina. The jade setting has different tones ranging from light to slightly richer. There are also white inclusions in the stone, but no chipped corners or edges. Arthur Jacques LEDUC...

An exceptional seven-piece desk set by Tiffany Studios New York, crafted circa early 20th century in the iconic Pine Needle Pattern. This finely detailed ensemble features warm bronz...

René Lalique (1860-1945) « Panier de Roses » Box 1919 Two parts oval glass with a frosted basket of roses motif lid covering the clear bottom of the R. Lalique Box. White and blue ...

Monumental Antique Art Nouveau Andre Delatte Cameo Glass Vase

Perfume Bottle “Rosace Figurines” made in frosted glass with grey patina by René Lalique in 1912. Acid-stamped signature on bottom. Perfect condition. Superb patina. Height: 11 cm ...

One of the most finely sculpted and executed bronzes we have ever offered, this 22-inch sculpture portrays David as a handsome, lithe young man, with a small stone in his hand, ready...

Introducing a very rare and adorable Arts and Craft Yellow Flower Vase in Irregular Shape by Hilma Persson Hjelm, Sweden. It embodies the essence of...

Vase "Perruches" made in electric blue glass with white patina by René Lalique in 1919. Engraved control signature on bottom. Perfect condition. Exceptionnal and deep color and grea...

A rare Moorcroft for Liberty & Co green glazed flamminian ware cannister shaped vase dated 1913. Flamminian Ware was produced between 1905 and 1915 and was produced for renowned...

An exceptional Bohemian cut crystal vase manufactured by Carl Meltzer & Co. in Langenau near Haida, circa 1915–1916. The design is associated with the renowned Haida School of Gl...

An Iznik-style polychrome vase in the Lindus decor, hand-painted in blue, ochre, green, and terracotta on a matte glaze, made by the Arnhemsche Fayencefabriek in the Netherlands, cir...

Art Nouveau golden patinated bronze bust model/seal with acrylic base 'La Poésie' signed by Lecci, exhibited at the Salon des Artistes Français, Paris 1910 By: Lecci Material: coppe...

A striking French Animalier gilt and patina tied bronze study of a seated Alsatian in alert pose with head turned slightly and ears pricked. The surface with excellent naturalistic detail and very fine colour, signed L.Riché and stamped with foundry seal for Thiebaut Frères Additional information Height: 50 cm Width: 46 cm Condition: excellent original condition Foundry: Thiebaut Frères Circa: 1910 Materials: Bronze SKU: 7528 ABOUT Louis Riché Bronze...

A gorgeous set of three Arts & Crafts or Art Nouveau period Favrile iridescent art glass finger bowls or salt cellars with ruffled edges By Louis Comfort Tiffany for Tiffany Studios...

A wonderful little pill box made from solid English / Sterling silver fully hallmarked for Birmingham 1913. The lid fits well and the hinge is in full working order, once opened, ...

Art Nouveau Green Glass Vase with Silver Overlay, Early 20th Century An exceptional Art Nouveau decorative vase, featuring a luminous green art glass body encased in an exquisitely ...

A French Art Nouveau wheel-carved cameo glass vase by Daum, featuring a decoration of blue flowers and light blue and grey stems and leaves on an opa...

This antique Art Nouveau art glass vase by Michael Powolny for Loetz is an impressive and highly sought-after art piece from the early 20th cen...

Nephrite jade and gilded silver desk frame. Beautiful neo classic desk picture frame, created in Moscow Russia, back in the 1915. Carefully crafted in the Russian imperial and Louis XVI style, with solid gilded silver, translucent nephrite green jade...

Large antique, Industrial factory wooden foundry form mold, wheel, cog, gear, very unusual and rare size measuring 52" in diameter, retains original facto...

Vase "Six Figurines et Masques" made in frosted glass with grey sepina patina by René Lalique in 1912. Engraved and molded signatures. Perfect condition. Very beautiful patina. ...

EUGENE MARIOTON French, 1857-1933 "Vainqueur" Dark-brown patinated bronze signed "E. Marioton", foundry cachet for Siot-Decauville, cold-stamped D718 cast circa 1910 stock ref. ...

Rare unusual Majolica frog playing guitar sitting on a chair signed Jerome Massier, circa 1910.

Paul Dachsel was the son-in-law of Alfred Stellmacher, the founder of Amphora Pottery company in Turn-Teplitz, then in Austria. Very little is known or was written about Dachsel. He ...

Tiffany Studios Pulled-feather vase with mount A beautiful Pulled feather favrile glass trumpet with my favorite pink orange highlights. One of Tiffany’s iconic designs. USA, New Yor...

This fine geometric Pima round tray is in fine condition with a wonderful original patina.Very unusual design or pattern.

Antique Awaji pottery vase from the Danto kiln, successor to the famous Minpei kiln, featuring three different views of irises around the sides. Circa 1910. The flowers have been inc...

This exceptional pair of Japanese hand-painted porcelain wall pockets dates to the early 20th century, circa 1910–1920, a period defined by the international fascination with refined...

Perfume Bottle "L'Effleurt" made in glass with grey patina by René Lalique in 1911 for Coty. Molded signature. Perfect condition. Very beautiful patina. height: 11.5 cm Félix Marc...

Hallmarked in London in 1914 by Goldsmiths & Silversmiths Co., this striking, Antique Sterling Silver Porringer, features ornate flat chased and ...

Box "Fontenay" made in glass with pink sepia patina by René Lalique in 1910. Molded signature. Perfect condition. Very rare model and sublime patina. Diameter : 7 cm Félix Marcilh...

Elegant silver photo frame Good clear hallmark for Birmingham 1913 Good condition Original velvet back Free UK shipping  

A wonderful and most unusual Pot Pourri box made from solid English sterling silver fully hallmarked for Sheffield 1911 together with the makers mark for the top notch silversmith, W...

A monumental antique Goliath clock in the form of a pocket watch in its own silver customized case with easel support. This item was made for the Europea...

Daum Cameo Glass Bowl, France, circa 1910. A rare Art Nouveau Daum cameo glass vitrified Monnaies du Pape round coupe (Honesty). Very finely acid etched, wheel carved decor of Hones...

Box "Quatre Scarabees" (Scarabs) made in glass with grey patina by René Lalique in 1911. Molded signature. Perfect condition. Superb color. height: 6 cm diameter: 8.5 cm Félix Mar...

Impressive English mahogany clock by J.J. Elliot retailed by Tiffany & Co. showcasing delicate floral marquetry. The sculptural bonnet adorned w...

We are happy to offer you this brass-hammered menorah. With Hanukkah just a few weeks away, now is the time to treat yourself to a gorgeous new brass menorah. It has a hammered finish that is contemporary and yet classic. So light up your home and the festival with this beauty! Approximate Height 30 - 35 cm. We sell several of these candle holders through a year and because these items are unique individual handcrafted they would have a slight diffrences on each one. Rare Antique Solid Brass 7-Branch Menorah, Heavy Sweden Hanukkah Candelabrum, Jewish Candle...

Statuette "Voilee Mains Jointes" made in opalescent glass with blue patina by René Lalique in 1919. Engraved signature on base. Perfect condition. Extremely rare model. Height: 2...

A pair of early Georg Jensen monumental Art Nouveau sterling silver candelabra, design #200 by Georg Jensen, circa 1918. Each candelabrum rests on a large circular domed base with a ...

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A German Art Nouveau wooden mantel clock by Junghans, made circa 1910. The case has an architectural arched form with decorative wood inlay to the front, rounded bun feet and side sound grilles. The clock features an ornate brass dial plate with engraved floral decoration, a silvered chapter ring with Arabic numerals and two subsidiary dials above. One subsidiary dial is marked Chime / Silent, while the other is for regulation of the movement. The brass movement is stamped with the Junghans eight-point star trademark and marked “B10”. On Junghans movements of this period, this marking is generally understood as a date code: “B” indicating the second half of the year and “10” indicating 1910. Therefore, the movement can be dated to the second half of 1910. The case combines dark polished wood with warm brass details, giving the clock a refined early 20th century Art Nouveau appearance. A decorative and collectible German mantel clock...