1920s Decorative Objects

European studio ceramicist. Unique vase in glazed stoneware. Turned shape. Beautiful glaze in deep blue-green shades. 1920s / 30s. Measures: 26 x 8.5 cm. In excellent condition. ...

Red Italian marble box. Measures 6"W x 4"D x 1"H

A 1920s American salesman's sample of a playground tilting seat swing in orignal paint with a custom made wall bracket for display. 14 1/8" h., 13 7/8" dia. Whitehall Antiques is a ...

Ipsen's, Denmark. Two vases in hand-painted and glazed ceramics. Mushrooms and foliage. 1920s / 30s. Largest measures: 15 x 7.5 cm. In excellent condition. Stamped. Model numb...

A small masur birch bowl designed and produced in Sweden, c. 1920s.

An exceptional, fine and impressive, large antique George V English sterling silver photograph frame; an addition to our ornamental silverware collection. This exceptional antique G...

Blue glazed ceramic vase by Lucien Arnaud. Artist signature under the base. Circa 1920. H : 13.8 x 7.9 inches.

This is a striking Art Deco ceramic vase characterized by its bold geometric patterns and vibrant color palette. The vase features a classic rounded form with angular handles, show...

Superbe acid-etched glass vase by Daum Nancy, France ca. 1925, signed DAUM NANCY FRANCE Very good condition

"Arabian Girl" is one of the exquisite pieces produced by Dahl-Jensen which is now part of Royal Copenhagen. It is stamped #1129 with a slash across the hallmark, a mark which indica...

1920's Danish Art Nouveau Handcrafted Icebear Bowl - Ash Tray by P. Ipsens Enke Danish Art Nouveau icebear and seal bowl designed by Charles Arvesen in 1909 for P. Ipsens Enke. The...

Brilliantly glazed in rich, bold hues -- ocean blue, canary yellow, deep pink, and charcoal -- this unique, large bowl depicts a shipbuilding scene in Brittany, designed by George Re...

Pair of Palatial antique 19th-20th century solid marble obelisks on pedestals. The obelisks detach from the pedestal bases.

A small with a wide mouth, this Art Deco vase is glazed in earthy tones with bands of geometric patterns ringing its shoulder and neck. Signed: HB Quimper Odetta

An exceptional, fine and impressive, unusual antique George V English sterling silver wax jack; an addition of our ornamental silverware collection. This e...

Gorgeous vintage blue glass vase designed by Bacarat in the 1920s. The vase is made of silvered metal in the structure and through a pie of pu...

Pair of Hungarian Zsolnay hand painted decorative ceramic figurative sculpture dishes with Eosin glaze. Woman scooping water with a vase or urn is ci...

Seal Stamp "Souris" (Mouse) made in clear glass by René Lalique in 1925. Stamped signature. Perfect condition height: 5 cm Félix Marcilhac, René Lalique - Catalogue Raisonné de l'...

Large and impressive Kähler, luster glaze pottery vase, Karl Hansen Reistrup. Formed by Herman Hans Christian Kähler. Measures 32 x 18 cm. Beautiful luster glaze. In perfect condi...

Hand-crafted Danish Art Nouveau flower decorated vases by West in 1927 for P. Ipsens Enke The art nouveau vases feature very black grouses with branches and leafs are in very good c...

Round Bing & Grøndahl vase in glazed stoneware. Beautiful glaze in earth tones. 1920s / 30s. Measures: 18.5 x 12.5 cm. Stamped. In excellent condition.

Black frame with simple border and original wood. Great condition.

Pair of Chinese Cloisonné vases, Enamelled and gilded, early 20th century, with original box. China, early 20th century. Excellent co...

Rare item from the L.D. Caulk Co. of Milford Delaware. New old stock, New in box. A true Relic from yesteryears building technics. A beautiful desktop sculptural object. Temp rises w...

Art Deco glass vase by Charles Schneider in red colored glass with orange color glass trims. Made in France, circa 1924 Signature: Schneider.

Large Art Deco grocers tolewear double coffee and tea canister This is a classic of Art Deco design, the decoration is very much in the Odeon style typical of toleware of this period The Dowe Egbert double display...

Just Andersen for GAB. Rare Art Deco lidded bowl in plated silver with leaf-shaped handles, 1920s. Measures: 26 x 14.5 cm. In excellent condition. Stamped.

Arthur Boesen for Royal Copenhagen. Large unique vase in hand painted porcelain with motifs of large villa and factory. Dated 1922. Measures: 39 x 31 cm. In excellent condition. S...

Ipsen's, Denmark. Circular dish with berries and foliage in hand painted glazed ceramics. Model number 118, circa 1920 Measures: 29 x 5 cm. In excellent condition. Stamped.

Made in Italy, 1920s This vase is made in Murano glass with upwards points. It is a vintage item, therefore it might show slight traces of use, but it can be considered as in excell...

Gio Ponti Vase, Richard Ginori, Italy, 1929–30. Glazed porcelain. Beautiful and rare decoration featuring flying doves and black lines. This piece was created during the period whe...

Jean Serriere (1893-1965) Very rare hammered copper and silver bowl on "Piedouche", 1922-1925. Decor of a naked lady in Silver, typical of...

We present you this figurine depicting a girl with a garland of flowers. It is a plaster cast on a pedestal, dated the 1920s. The figurine is a part of a set, together with a depic...

Enamel ceramic flower vase by Fabbri Davide for La Salamandra, Perugia, Italy, circa 1923-1930.

Art Deco Turkey bronze bookends signed Irenee Rochard. Very nice with original patina, mounted over marble bases. Irénée René Rochard (French, 1906 ~ 19...

A very nice late 1920´s bluetoned glass bowl by Kosta after a design by Elis Bergh (1881-1954) Signed B305 Kosta on the bottom. Very nice condition. Elis Bergh, was an architect ...

Vase Sign: Schneider Charles Schneider (1881-1953) studied art in two of most prestigious French school of the Arts. First in the School of Fine Arts in Nancy, then in the elite Eco...

Ceramics Anphora Art deco period Origin Czech Rep. Floral motif sealed at its base the piece is in perfect condition circa 1920.

Heading : Blue John bust of a Roman Emperor with gilt metal and Blue John Stand Date : 20th century Origin : Most likely carved in Cornwall Decoration : In the form of a Roman Empero...

Søren Kongstrand & Jens Petersen style. Ceramic vase, glaze in brown shades. Unique work of high quality, 1920s-1930s. Measures: 16.5 x 11 cm. In perfect condition. Unsigned.

An exceptional, fine and impressive antique German sterling silver sugar box modelled in the form of a partridge; part of our collection of s...

Kai Nielsen for Kähler. "Eve with the apple" figure in earthenware. Signed HAK Denmark. Manufactured by Kähler. Measure: Height 30 cm, width 10 cm. In perfect condition.

An exceptional, fine and impressive antique George V English sterling silver cup and cover made by Omar Ramsden; an addition to our diverse presentation silverware collection This exceptional, fine and impressive antique silver cup...

Signed “E. Seger”. Black patina. Dimensions Height: 8 inches (20cm) Width: 7.5 inches (18.75cm) Depth: 8.5 inches (21.25cm) THE BIBLE STORY Samuel 17:34-36 Originally, Saul would not allow David to fight Goliath (17:33). Saul’s reason was simply that Goliath would be stronger than David. David was young and he did not have the experience to fight such a capable enemy as Goliath. David was likely to die, and his death would benefit nobody. Often people wrongly imagine that they are acting in faith (in other words, that they are trusting God). Really, they are acting in a foolish manner, as if the danger is not real. They are not trusting in God, but in their own thoughts, hopes and desires. David’s reply to Saul shows us his attitudes. This reply explains clearly why David had offered to fight Goliath. In other words, it shows how David considered himself able to defeat Goliath. Like many boys and young men in Israel, David had worked as a shepherd. That is, he looked after sheep. He was responsible to look after those sheep in every way. In particular, he had to protect them from wild animals. Lions and bears are some of the fiercest large wild animals. They were common in Israel at the time of the Bible. They are much stronger than a man (see for example 1 Kings 13:24 and 2 Kings 2:24). Only the bravest and strongest men were able to kill a lion (Judges 14:5-6; 2 Samuel 23:20). However, David had killed both a lion and a bear. He had killed animals that were stronger than him. David did not believe that the strongest man would win the fight. David had a close relationship with God; he was trusting God to rescue him (17:37). David was not pretending that there was no danger. However, God’s Holy Spirit was active in David’s life (16:13). By the power of his Holy Spirit, God had given David the faith (trust in God) to fight Goliath. Because David really was trusting God, there was no reason for him to be afraid of Goliath. THE ARTIST Ernst Seger (1865 1939), born in Neurode (Nowa Ruda, now Poland), studied sculpturing from 1884 at the Kunstschule in Breslau under Robert Härtel. From 1886 he worked in the Atelier of Christian Behrens, where he created the Eichendorff-Memorial for the Silezian City of Neisse. From 1893 to 1894 Seger stayed in Paris where he worked in the atelier of Auguste Rodin. However, Seger finally chose a ‘Jugenstill’ and a more ‘naturalistic’ or ‘Neuklassizismus’ style. His sculptures, modelled like the Greek antiques, were later greatly admired by the National Socialists. At the end of 1894 Ernst Seger went back to Berlin, founded his own atelier and created the Kaiser Wilhelm I memorial for the Silesian City of Glatz. In 1897 Seger created the sculpture ‘Jugend’ (‘Youth’), which was displayed at the ‘Große Berliner Kunstausstellung’ in 1898, at the ‘Große Berliner Kunstausstellung’ in 1899, at the ‘Münchener Glaspalast Ausstellung’ in 1899 and at the ‘Münchener Glaspalast Ausstellung’ in 1908. As a sculptor Seger regarded this as his first relevant work, his breakthrough. A copy of the sculpture in bronze, 1.60 metres high, was placed in the ‘Scheitniger Park’ in Breslau (now Wroclaw). In 1898 Segers ‘Diana’, the Roman Goddess of the Hunt, the Moon and Childbirth, was unvealed in Park Szczytnicki, Breslau, Polen (earlier ‘Schneitniger Park’). Until 1945 the sculpture stayed in the Schneitniger Park, Breslau. This part of the park is still called ’Dianagarten’. After the turn of the century the elegant female dancers and nudes by Seger gained great popularity. In 1905 Ernst Seger created -together with the sculptor Bernhard Sehring- the ‘Bismarck Brunnen’ (‘Bismarck Fountain’) in Breslau. This memorial-fountain (which still exists) represents the allegories ‘Kampf’ and ‘Sieg’ (‘Battle and Victory’). Seger’s ‘Verwundete Amazone’ (‘Wounded Amazon’), displayed at the Grosse Münchner Kunstausstellung in the Glaspalast in 1908, was placed in the garden of the ‘Kaufhauses Wertheim’ in Berlin. In the same year he was appointed as a professor. Seger’s marble sculpture ‘Kypris’, created in 1916, was placed in the Alten Nationalgalerie in Berlin. In 1925 the City of Berlin acquired his sculpture ‘Anbetung’ and placed it at the Johannaplatz. ‘Storchenbrunnen’ (‘Stork-fountain’), was placed in 1931 at the Adolf-Scheidt-Platz in Berlin. In 1935 the American newspaper publisher William Randolph Hearst bought Seger’s sleeping ‘Ganymede’. During the Third Reich Ernst Seger was commissioned numerous Hitler busts...

Presenting an exceptional pair of sterling silver five-light candelabra, hallmarked in London in 1926 by the well known silversmiths Ellis & Co. Standing at an imposing 21.5 inches (...

Art Deco ceramic with silver bronze base it may have been a lamp turquoise and black colors sealed at its base Origin France with natural wear circa 1920 in perfect condition.

An acid-etched green glass vases by Legras. Signed "Legras" Nancy, France.

Young revue dancer with pageboy hairstyle, dressed in a one-piece, lilac-coloured and abstract decorated transparent costume with short trousers and a tight-fitting, long-sleeved top...

With a basket of roses in her lap, more roses at her feet, and another at her nose, this lovely sculpture of a female nude with a very modern hair style is a classic example of Art Deco design. The sculpture was produced by the famed Onnaing pottery, established in 1821 and best known for a long line of Majolica ware...

These charming French opaline lime green glass pieces from the 1920s include a small bell-shaped vase and a round dish with raised sides. Their delicate form and subtle elegance refl...

Rare sculpture ‘Nina på kuglen’ / ‘En lille Globetrotter’ designed by Kai Nielsen. Produced by Kähler in Denmark.

George V sterling silver and enamel picture frame. Made by Sanders & Mackenzie in Birmingham in 1927. Rectangular window in surround with arched top and bracket supports. Blue guillo...

A fine French leather jewellery/ writing case by Gustave Keller, Paris, circa 1920s, red morocco, gilt escutcheons and fittings, the interior fitted with a writing case in the lid, f...

A pair of circa 1920s French serpentine stone garniture vases with bronze doré bases. Measurements: Height 10.5" Diameter at top (widest) 7" Diameter of base 5".

Art Deco glass Charles Schneider artist charles schneider Material iron and glass Origin France perfect condition Signed at the bottom Schneider. Charles Schneider was an Art Deco glass artist, born in Elzas, Germany, in 1881. Schneider later moved to Nancy, one of the most important cities in eastern France at the time. In 1898 Charles Schneider was hired by the Daum glass company. Ernest and Charles Schneider founded their own company, Verreries Schneider...

Pair of Vintage Chinese export porcelain blue and white covered jars. Circa 1920. A timeless and classic touch for a fine interior.

An unusual shaped wabi box originally used to store rice. Beautiful patina on an old teak wood piece. This box was sourced in the spirit of wabi-sabi, a Japanese philosophy that b...

Louis Dage, Art Deco Vase in céramique and bronze circa 1920/1930 "meilleur ouvrier de France" in 1928.

Perfume Burner "Danseuses Egyptiennes" made in frosted glass with black enamel by René Lalique in 1926. Molded signature. Perfect condition. Beautiful enamel. Measure: height:...

Enamel ceramic vase signed Amphora, Austria, circa 1920.