Sculptures

Endearing pair of stylish and quality carved turtle bookend. If you like animal sculptures in general and turtles and turtle sculptures in particular then you will love this pair ...

A rustic yet sophisticated 19th century Bulgarian flax thresher comprised of two curved wood panels covered in hundreds of flint blades and mou...

18th century reliquary from northern Italy. Giltwood, polychromed and looks to be hand carved from one piece of wood. Mortised thru the base. A reliquary was used to house a religio...

Handsome figurative Greco-Roman style nude Patrician sculpture crafted in the neoclassical taste. The figurative sculpture is constructed from resin composite and has a weathered pai...

Elegant Art Deco sculpture depicting Diana the Huntress with a bow, created in the 1930s by Italian sculptor Salvatore Melani. The figure is crafted from plaster and finished with si...

The proposal from Rampinelli Edizioni was accepted enthusiastically, driven by their talented art directors. The exchange of technologies is perceived as significant for disseminatin...

This sculpture is a hand carved reclaimed natural teak wood root sphere. The outer section is polished and the inner root left untouched in contrast. By leaving the live edge it give...

This huge megalodon tooth is five to ten million years old out of South Carolina, USA. The megalodon was the biggest predatory shark to ever live. Reaching lengths of 70 feet or more...

The Oval Queen by Patrick Coard Paris, shown here in its black oak veneer inlaid on a fiberglass core, exudes an understated elegance that brings a sense of depth and warmth to its m...

A substantial polished natural agate/geode/onyx decorative object in shades of grey and white. Piece can be used as a decorative piece for a shelf, table, desk, etc., or as a display...

South Carolina, USA This huge megalodon tooth is five to ten million years old out of South Carolina, USA. The megalodon was the biggest predatory shark to ever live. Reaching lengt...

Handcarved and remarkable work of art of the 'Dying Gaul’ or 'The Dying Galatian'. If you are a collector of rare and good quality antiques then this rare and wonderfully hand carve...

Italian ceramic, signatures, very good original very good vintage condition. No damages. Leopard was produced in 1960s in Italy.

A fine antique German porcelain figurine. By Meissen. In the form of a barefoot young girl in a dirndl dress carrying a wicker basket full of many different flowers. Atop a Rococo-style gilt plinth. Marked to the base with Meissen's blue underglaze crossed swords mark / an impressed 9 / an incised 'No. 5'. Simply a wonderful antique Meissen figurine...

Beautifully cast bronze copies of the Furietti Centaurs, one elder and one younger. Each is mounted on a bronze base and both are unsigned with no foundry marks. These bronzes are copies of the two Roman (or Hellenistic) monumental marble versions excavated at Hadrian's Villa in December 1736 by Monsignor Giuseppe Alessandro Furietti. The original models now reside at the Capitoline Museum in Rome. These bronzes were a popular subject for collecting in both the 18th and 19th century Grand Tour periods. Engravings of the pair were widely disseminated in Europe in the 18th century which increased their fame. Provenance: The Estate of John Nelson, a noted Los Angeles antiques dealer...

Inspired by planetary forms and textures, Atelier001's Cosmic Collection artfully explores the interplay of metal properties with a curated selection of patina finishes. Handcrafted from uniquely patinated brass plates, a finely brushed brass framework, and hand-wrapped leather, the Solstice Verdigris...

World-Class AAA Large Amethyst Geode Cluster on Stand with Extra-Large Dark Purple Druzy and Polished Agate Borders. ▫️ Description This AAA-grade Amethyst cluster from Ametista do...

A fine French bronze figural rooster sculpture. Entitled "Coq Français Chantant" (French Rooster Crowing). Modeled by Auguste-Nicolas Cain (b. 1821 - b. 1894), the renowned French ...

Paolo Soleri Special Order Large 55 inch Brutalist Windbell 1975 Cast aluminum, patinated bronze, and copper 55 h × 13 w × 7½ d in Cast artist's cipher to body. Condition: Natural pa...

Stony-iron, pallasite - PMG Circa 4.5 Billion y/o Weight: 34.68 kg Height (including base): 53 cm Width: 29 cm A magnificent and extremely sculptural specimen of the Seymchan meteor...

1980s Italian Pop Art Sculpture of a Purse, Museum Mounted A striking and possibly one-of-a-kind 1980s Italian Pop Art sculpture, designed as a purse and expertly mounted on a muse...

Miguel Berrocal Portrait De Michele Nickel- Plated Steel Signed and editioned

Beautiful sculpture, a representation of the Greek goddess Hygeia. In Greek mythology, Hygieia was the goddess of health. The statue is made of white terracotta (pipeclay), patinated...

Original restored Space Age white Bibendum Michelin advertising mascot, circa 1960s France. The Michelin man is made of white plastic and shows the...

Carl Auböck Model #5275 'Zumbusch Hand' Brass Sculpture Designed in the 1950s, as an homage to German sculptor Kaspar von Zumbusch, this incredibly refined and sculptural bejeweled ...

Madigascar Jurassic - Cretaceous Period, 200 - 145 million years old Dimensions: 6.5 x.5.25 × 1.25 in./ 16.5 × 13.5 × 3 cm Weight: 1 lb 9 oz/ 710 gms A richly colored example wit...

The Bonnie range is designed around the stylized form of a Saffron flower, known around the world for its valuable beauty, fragrance and essence. Each organic flower-like form is ...

Cast iron coffee grinder made by Peugeot Freres in France in the latter part of the 19th century. The grinder is Modele A No 1 and is in good working order. The cast iron base inclu...

This is a superb Vintage model of a Ferrari Hydroplane 1954, late 20th Century in date. Ferrari's cars are adored on all corners of the globe and are seen as the ultimate status sym...

19th century English Staffordshire figure, signed at the bottom.  

Inspired by planet-like shapes and textures, the Cosmic collection plays with both metal properties and a selection of patina finishes. The Rust Chandelier...

Two finely hand-spun brass plates make up this pendant light, finished in a gloss or matt white lacquer to create this unique appearance. Please note the process is random and each p...

Fun blue ceramic "William the Hippo" sculpture, circa 1980s. The piece is in very good vintage condition and measures 7.75"W x 2.75"D x 4.5"H. It is initialed on the underside "MMA"....

Pair of diminutive red Staffordshire Spaniels, circa 1860, Each one exceptionally painted with expressive faces.

Beautiful Murano hand blown Italian art glass Statue, paper weight or sculpture. Showing a giant octopus. Colors are a blue, white, black and clear. A beautiful nice addition to your...

Rare decorative driftwood toteme sculpture in a wabi sabi and brutalist style with a black stained foot. In good condition. Dimensions: H: 140 cm / 55" W: 25 cm / 9.85" D: 20 cm / ...

Mid-Century Modern abstract bronze female torso sculpture. This is a striking bronze statue of a female torso. It is mounted on a black marble p...

This antique wooden Buddhist figure was crafted in the Edo Period (1603–1868). Although the specific identity of the deity it represents is unknown, the figure has a gentle presence...

A Rome 1960s Souvenir sculpture. Some wear with a nice patina, but this is old-age. Made of metal on a marble base. This was bought as a souvenir in Italy. A beautiful nice desktop item or just a display item...

Amazing and skillfully handmade, one of a kind wrought iron Art pendant Probably Alessandro Mazzucotelli (1865-1938). This artistically designed and outstandingly executed wrought iron chandelier is in excellent condition and it comes with a mint and stunningly stylized salamander sculpture and an equally artistic flower...

15 Inch Loet Vanderveen Bronze Monkey Sculpture, Signed & Numbered 425/750 This sleek mid-century modern sculpture measures about 15 inches d...

This is a small vintage Aztec idol figure. A South American, obsidian Mayan sculpture, dating to the Mid-20th Century, circa 1950. Distinctive chief...

Beautiful vintage Murano hand blown Sommerso aqua blue and gold flecks Italian art glass kitty cat figurine. Documented to designer Alfredo Barbini, circa 1950-60s. I have owned seve...

Beautiful, and large, vintage Murano hand blown Sommerso dark orang and red Italian art glass Dachshund puppy dog sculpture. The puppy has a cartoony feel, with black collar, floppy ...

The initial inspiration for the elemental top collection by Alvaro Uribe for Wooda was wooda’s iconic logo of a tree. We felt it captured the company’s synergy for working with wood ...

Painted ceramic, very good original vintage condition. No damages or cracks. Beautiful and unique decorative sculpture. Mini White Poodle Dog Sculpture was produced in Italy. Only on...

19th Century Fernando De Luca, After Furietti, Bronze Centaur Sculpture is a fine example of the Grand Tour tradition. Furietti, an Italian sculptor, was known for his skill in creat...

This very rare rendition and unique small edition of the vintage Robert Indiana love paperweight sculpture is captivating. This rarely seen version i...

20th Century classically styled white glazed and unglazed Italian bust of Roman Emperor Augustus.

Great French sculpture from the second half of the 19th century. Polychrome terracotta work depicting a mythological subject, the bust of the God Pan, of great quality and personalit...

A rare and very fine bronze corpus of Christ after a model by Michelangelo, cast ca. 1597-1600 by Juan Bautista Franconio and painted in 1600 by Francisco Pacheco in Seville, Spain. The present corpus reproduces a model attributed to Michelangelo. The best known example, lesser in quality, is one on display at the Metropolitan Museum of Art (MET). The association of this corpus with Michelangelo was first brought to light by Manuel Gomez-Moreno (1930-33) who studied the wider circulated casts identified throughout Spain. The attribution to Michelangelo was subsequently followed by John Goldsmith-Phillips (1937) of the MET and again by Michelangelo expert, Charles de Tolnay (1960). While Michelangelo is best known for his monumental works, there are four documented crucifixes he made. The best known example is the large-scale wooden crucifix for the Church of Santa Maria del Santo Spirito in Florence, made in 1492 as a gift for the Prior, Giovanni di Lap Bicchiellini, for allowing him to study the anatomy of corpses at the hospital there. In 1562, Michelangelo wrote two letters to his nephew, Lionardo, indicating his intention to carve a wooden crucifix for him. In 1563 a letter between Lionardo and the Italian sculptor Tiberio Calcagni, mentions this same crucifix (a sketch of a corpus on the verso of a sheet depicting Michelangelo’s designs for St. Peter’s Basillica [Palais des Beaux-Arts in Lille] may reproduce this). That Michelangelo was working on small corpora in the last years of his life is further evidenced by the small (26.5 cm) unfinished wooden crucifix located at the Casa Buonarroti, considered his last known sculptural undertaking. Michelangelo’s contemporary biographer, Giorgio Vasari additionally cites that Michelangelo, in his later years, made a small crucifix for his friend, Menighella, as a gift. Surviving sketches also indicate Michelangelo’s study of this subject throughout his career, most notably during the end of his life but also during the 1530s-40s as he deepened his spiritual roots. The occasional cameo of crucified Christ’s throughout his sketched oeuvre have made it challenging for scholars to link such sketches to any documented commissions of importance. All the while, in consideration that such objects were made as gifts, it is unlikely they should be linked with commissions. Nonetheless, a number of theories concerning Michelangelo’s sketches of Christ crucified have been proposed and some may regard the origin of the present sculpture. It has been suggested that the corpus could have its impetus with Michelangelo’s work on the Medici Chapel, whose exclusive design was given to the master. It is sensible smaller details, like an altar cross, could have fallen under his responsibility (see for example British Museum, Inv. 1859,0625.552). Others have noted the possibility of an unrealized large marble Crucifixion group which never came to fruition but whose marble blocks had been measured according to a sheet at the Casa Buonarroti. A unique suggestion is that Michelangelo could have made the crucifix for Vittoria Colonna, of whom he was exceedingly fond and with whom he exchanged gifts along with mutual spiritual proclivities. In particular, Vittoria had an interest in the life of St. Bridget, whose vision of Christ closely resembles our sculpture, most notably with Christ’s proper-left leg and foot crossed over his right, an iconography that is incredibly scarce for crucifixes. The suggestion could add sense to Benedetto Varchi’s comment that Michelangelo made a sculpted “nude Christ…he gave to the most divine Marchesa of Pescara (Vittoria Colonna).” Of that same period, two sketches can be visually linked to our sculpture. Tolnay relates it to a sketch of a Crucified Christ at the Teylers Museum (Inv. A034) of which Paul Joannides comments on its quality as suggestive of preparations for a sculptural work. Joannides also calls attention to a related drawing attributed to Raffaello da Montelupo copying what is believed to be a lost sketch by Michelangelo. Its relationship with our sculpture is apparent. Montelupo, a pupil of Michelangelo’s, returned to Rome to serve him in 1541, assisting with the continued work on the tomb of Pope Julius II, suggesting again an origin for the corpus ca. 1540. The earliest firm date that can be given to the present corpus is 1574 where it appears as a rather crudely conceived Crucifixion panel, flanked by two mourners in low-relief and integrally cast for use as the bronze tabernacle door to a ciborium now located at the Church of San Lorenzo in Padula. Etched in wax residue on the back of the door is the date, 27 January 1574, indicating the corpus would have at least been available as a model by late 1573. The Padula tabernacle was completed by Michelangelo’s assistant, Jacopo del Duca and likely has its origins with Michelangelo’s uncompleted tabernacle for the Basilica of St. Mary of the Angels in Rome. The impetus for the Padula tabernacle’s Crucifixion panel begins with a series of late Crucifixion sketches by Michelangelo, depicting a scene of Christ crucified and flanked by two mourners (see British Museum Inv. 1895.0915.510; Ashmolean Museum Inv. 1846.89, KP II 343 recto; Windsor Castle RCIN 912761 recto; and Louvre Inv. 700). A faintly traced block possibly intended for sculpting the sketch of the crucified Christ on its recto was discovered by Tolnay on a version of the composition at Windsor Castle. The Windsor sketch and those related to it appear to have served as preparatory designs for what was probably intended to become the Basilica of St. Mary’s tabernacle door. Vasari documents that the project was to be designed by Michelangelo and cast by his assistant, Jacopo del Duca. Michelangelo died before the commission was complete, though on 15 March 1565, Jacopo writes to Michelangelo’s nephew stating, “I have started making the bronze tabernacle, depending on the model of his that was in Rome, already almost half complete.” Various circumstances interrupted the completion of the tabernacle, though its concept is later revitalized by Jacopo during preparations to sell a tabernacle, after Michelangelo’s designs, to Spain for Madrid’s El Escorial almost a decade later. The El Escorial tabernacle likewise encountered problems and was aborted but Jacopo successfully sold it shortly thereafter to the Carthusians of Padula. An etched date, 30 May 1572, along the base of the Padula tabernacle indicates its framework was already cast by then. A 1573 summary of the tabernacle also describes the original format for the door and relief panels, intended to be square in dimension. However, a last minute decision to heighten them was abruptly made during Jacopo’s negotiations to sell the tabernacle to King Phillip II of Spain. Shortly thereafter the commission was aborted. Philippe Malgouyres notes that the Padula tabernacle’s final state is a mixed product of the original design intended for Spain’s El Escorial, recycling various parts that had already been cast and adding new quickly finished elements for its sale to Padula, explaining its unusually discordant quality, particularly as concerns the crudeness of the door and relief panels which were clearly made later (by January 1574). Apart from his own admission in letters to Spain, it is apparent, however, that Jacopo relied upon his deceased master’s designs while hastily realizing the Padula panels. If Michelangelo had already earlier conceived a crucifix model, and Jacopo had access to that model, its logical he could have hastily employed it for incorporation on the door panel to the tabernacle. It is worth noting some modifications he made to the model, extending Christ’s arms further up in order to fit them into the scale of the panel and further lowering his chin to his chest in order to instill physiognomic congruence. A crude panel of the Deposition also follows after Michelangelo’s late sketches and is likewise known by examples thought to be modifications by Jacopo based upon Michelangelo’s initial sculptural conception (see Malgouyres: La Deposition du Christ de Jacopo del Duca, chef-d’oeuvre posthume de Michel-Ange). Jacopo’s appropriation of an original model by Michelangelo for more than one relief on the Padula tabernacle adds further indication that the crucifix was not an object unique to Jacopo’s hand, as few scholars have posited, but rather belongs to Michelangelo’s original...

Salivasofá: First prototype sofa designed by Salvador Dalí & Oscar Tusquets, 1972. The measurements are: 175 x 110 x 80 cm Comes with a Certificate o...

Classic early 1950s Austrian Bosse cat Figurine Collectible. Nice addition to your room or just for your collection of Austrian bronze items. Found at an estate sale in Vienna, Austr...

Rudolf Marcuse - The Swordsman Germany (Berlin) bronze, marble circa 1910 Dimensions: H x W x D: 24 x 19 x 6 cm Description: Bronze figure standing on a two-tiered base made of bl...

Nice woman head made in plaster. This piece was made in Italy in the 50s. Found near Florence

A stunning Minton majolica pottery figure depicting a girl harvester figurine dating from 1864. The figure sits raised on a round pedestal base and holds a large oval shaped basket u...

Early 20th century Chilean huasos metal spurs. Heavy silvered metal stamped Chile on the side. As found with grosgrain ribbon attached.

Large mounted pyrite cluster featuring densely packed, naturally formed cubic crystals with a striking metallic luster, characteristic of fine pyrite specimens. The interlocking crys...

***Reduced Delivery Rates - See Below or Click “Ask The Seller” to Request a Quote*** Pair of Large Chinese Carved Stone Foo Dog Sculptures 20thC Measures - 23 3/4" x 10" x 13" DE...

Magnificent Amethyst geode, a captivating treasure with a heart of intense purple and a unique large calcite, cradled in a custom rotating stand for a 360-degree view of its splendou...