North American Sculptures

This huge 230.25 ct. completely natural and lustrous black diamond is the most unique treasure you will ever buy. This is the largest black diamond available on the market. Scientist...

"Art was always a product" - Gaetano Pesce This pair of resin Invitations for the Allouche Gallery exhibition of Gaetano Pesce One of a Kind Iconic Works 1969 - 2015 may be from the ...

These playful and whimsical figures will brighten up any tabletop! Charming and unique, these talisman-like figures are detailed very artfully with a high gloss finish in a range of super kawaii-colors. Can be used to hold rings and jewelry, or simply to summon riotous joy to any tableau. Like My Little...

Self-taught artist John Seubert, AKA John Dolly, uses objects he uncovers as he rehabs older homes in Chicago. This piece is constructed with a small framed mirror...

Immerse yourself in the timeless beauty of natural history with our exquisite collection of luxury fossil art. Showcasing breathtaking natural specimens from the legendary Green Rive...

Hard to find and much sought after head vase; manufactured by the Tacoma Pottery Company (U.S.A.), circa late 1950's; depicts Japanese young lady dressed in formal traditional Japane...

Beautiful and rare decorative kimono in tessellated stone by Maitland Smith, circa 1970s nice patinated brass inlaid can be used for jewelry.

Large Mid-Century Modern hand-carved Brass Flamingo, Animal Sculpture with stylized legs & feet. Features long legs and body of the Flamingo which are attached with small screws to ...

Venture into the world of vintage artistry with this impressive Brutalist sculpture, thoughtfully crafted in the 1970s. Drawing inspiration from the captivating silhouette of a crow ...

"Nude #1", a rare figural wall sculpture incorporating a femaile nude motif in solid pewter by Philip & Kelvin LaVerne, American 1960's (signed with original gallery label on back st...

Introducing the exquisite Body Grid Sculpture by acclaimed artist Tanya Ragir, a captivating piece that effortlessly combines intricate design with contemporary aesthetics. This uniq...

'The Big Duck,' a captivating bronze sculpture by Edith Barretto Parsons, is a masterpiece of artistry and emotion. Created in 1920, this sculpture beautifully captures the innocence...

19Thc Original cast iron horse windmill weight with custom cast iron mount.This is made by the New York State forger .The iron mount is custom made.

Acrylic, blackened steel, brass, LEDs, stainless steel, shellac, and woven reed Sexual selection requires the use and continual modification of a lure. Sometimes a lure is a behavio...

Aged bronze, stainless steel. Measures: 82" X 51". Kue King created this elongated wall mounted sculpture using bronze and stainless steel wire. The bronze is aged to give the sculp...

A mixed wood abstract sculpture or totem

Decorative stand Rare type Complete slice of TIFFANY stone (a QUARTZ PSEUDOMORPH after FLUORITE) Utah, USA Tiffany stone is only found in one place on earth, Utah, USA. Originally f...

Decorative Rare type CHALCOPYRITE , freeform , Arizona Large polished freeform of chalcopyrite from Arizona. Found several years ago. No current production Welcome positive energy ...

Nude sculpture figure of woman kneeling. Late 20th century.

C. Jeré uncommon kinetic brass and chrome wall sculpture. It’s made of a brass frame with two separate parts that connect or can be displayed separately. It can also be positioned of...

Here we have branch coral, bird’s nest coral (SOLD), and Pacific Elkhorn coral in their natural form, gloriously displayed on Lucite bases, adding a bright and chic presence to any i...

Hand-sculpted in pure, solid alabaster this fascinating sculpture is absolutely arresting from every angel. Sculpted by Mark Leblanc, an accomplished designer and craftsmen renowned for his Organic Modern pieces audaciously carved from all-natural materials, this extraordinary piece is ideal for collectors and designers alike. Reminiscent of a water droplet, with an intricate carved dimple hidden within the piece, this sculpture features exquisite patterns of cream mixed with rose-colored swirls and veins left behind by iron deposits within the ancient alabaster during it's formation millions of years ago. This sculpture is the very definition of one of a kind so when it's gone, it's gone forever. Make it yours today. Mark Leblanc (currently on display in the ABT Modern...

Tessellated coral stone and brass angel fish sculpture on stand by Maitland Smith, circa 1970s. The piece is in very good vintage condition and measures 9....

Baptiz rock bath tub by Andres Monnier One of a Kind. Dimensions : L 190 x W 110 x H 50 cm Dimensions Available: L 170-200 x W 80-110 x H 45-55 cm. Materials: Portoro Black Marbl...

An ionic column and a broken girder make up this chunky, hand built sculpture/candle holder. Its earthenware coloring is complemented by the green drip glaze on the columns and the gray glaze on the girder. Steve Banks Candle Holder (Single), 2022 stoneware, glaze 11h x 6.50w x 4d in 27.94h x 16.51w x 10.16d cm STB017 Steven M. Banks, b. 1972, Cedar Rapids, Iowa Education 1997 Florida State University, MFA 1995 Northwest Missouri State University, BFA Solo Exhibitions 2018 SOFA Chicago, Gallery Victor Armendariz, Navy Pier, Chicago, IL Pop Culture Palimpsest. Figge Art Museum, Davenport, Iowa. 2014 A More Refined Mayhem. Cortona Gallery, Ashford Univ, Clinton, IA. Ill-Suited For The Pleasantries. Black Hawk College ArtSpace, Moline, Il 2013 Dutiful Citizen. Maquoketa Art Experience, Maquoketa, Iowa. 2009 Carry-on Baggage. University of Western Illinois, Macomb, Illinois. 2008 Funky Aftertaste. Davenport, Iowa Moressey Gallery. St. Ambrose Univ 2005 Surfacing. Next II Gallery, New Orleans, Louisiana. Process, Perception and Clandestine Skivvies. Bucktown Center for the Arts, Davenport, Iowa. 2004 Last Gasp. Midcoast Art Under Glass at The Parker Building, Davenport, Iowa. 2003 B.M.O.C. and Nitzles. Peanut Gallery, Rock Island, Illinois. 2002 Walls and the Mask. Peanut Gallery, Rock Island, Illinois. 1997 The Faces of Masks: Color Photographic Studies. Tallahassee Airport Gallery, Tallahassee, FL 1996 Masks. Oglesby Gallery, Tallahassee, Florida. Group Exhibitions 2018 Dr. Portmanteau's Galorium Emporium. Black Hawk College ArtSpace Gallery, Moline, Illinois. Faculty Art Show. Catich Gallery, Saint Ambrose University, Davenport, IA KC/QC. Scott Community College Urban Campus, Davenport, Iowa. 2017 In/ConFLUENCE. Quad City Arts Gallery, Rock Island, Illinois. 2016 North On 71. Group exhibition in conjunction with NCECA 2016, Kansas City, Kansas. 2015 allinitogether. Figge Art Museum Plaza, Davenport, Iowa. Colloquy. Nola Hatterman Art Academy, Paramaribo, Suriname. Moengo Visual Arts Festival. Moengo, Suriname, Tembe Art Studio. Shared Creations. Chicago, Illinois, Bridgeport Art Center. Faculty Show. Northwest Missouri State University, DeLuce Gallery, Maryville Missouri. 2014 On-som’-bel. Water Street Studios, Batavia, Illinois. Artists First. Figge Art Museum, Davenport, Iowa. Good Enough To Eat. Quad City Arts Gallery, Rock Island, Illinois. Text Is A Four-Letter Word. MidCoast Gallery West, Rock Island, Illinois. Spine-Taneous. Redstone Building, Davenport, Iowa. 2013 Merican-Tastic! II: The Son of Tastic! Quad City Arts, Rock Island, IL. Questionable Architecture. Figge Art Museum, Davenport, Iowa. 2012 Impromp-Tu-Tu Bucktown Center For The Arts, Davenport,Iowa. Merican-Tastic! Bucktown Gallery, Davenport, Iowa. 2011 ELEMENTAL Rock Island, Illinois. Midcoast Gallery West. Artifice, Artifact, and Allegory. Moline International Airport, Moline, Illinois. Faculty Show. Northwest Missouri State University, DeLuce Gallery, Maryville Missouri. 2010 Things of Which Our Mothers Would Not Approve. Bucktown Gallery, Davenport, IA PLAY. Quad City Art Gallery, Rock Island, Illinois. 2009 The Dusty World and The Dewy New Moon. Davenport, IA. Bucktown Gallery. Bio-Engergetics. Davenport, Iowa. Saint Ambrose University. Exploring Media: Cardboard. Western Illinois University, Macomb, Illinois. 2008 EX-CH-AN-GE. Quad City Arts Gallery, Rock Island, Illinois. Mechanical Advantage. Bucktown Gallery, Davenport, Iowa. Imperfect Little Creatures. Mississippi Valley Welcome Center, Leclaire, IA. Exploring Media: Duct Tape. Western Illinois University, Macomb, Illinois. Thirty-Second Annual Rock Island Fine Arts Exhibit. Augustana College, Rock Island, IL. The Cube: Bloom. St. Ambrose University, Davenport, Iowa. 2007 Constructs. Quad City Arts Airport Gallery, Moline, Illinois. Blue Vistas and Mile Markers. Leger Gallery, Davenport, Iowa. The Peanut Gallery Rides Again!. Rocket Theater, Rock Island, Illinois. One Night Stand. The Five-Finger Art Collective, Rock Island, Illinois. 2006 Church/State. Midcoast Gallery at Bucktown, Davenport, Iowa. Pop Texture. Mode Gallery, Davenport, Iowa. Harvester. Cabinet Studio Building, Cedar Rapids, Iowa. 35 Years of Ceramics at Northwest MO. Deluce Gallery, Maryville, MO Creative Soul. Midcoast Gallery at Bucktown, Davenport, Iowa. Rewerx. Mode Gallery, Davenport, Iowa. 2005 The Gorilla-Fart Showcase. Midcoast Gallery West, Rock Island, Illinois. 21st Century Cave Painting. Peanut Gallery, Rock Island, Illinois. Triad: Enlarged to Show Texture. Quad City Arts, Rock Island, Illinois. 2004 Group Show. New Orleans, Louisiana. Next II Gallery. 2003 Twenty-Seventh Annual Rock Island Fine Arts Exhibit. Augustana College, Rock Island, IL. Great Mask Auction & Halloween Bash. The McKesson, Rock Island, IL 2002 Great Mask Auction & Halloween Bash. The Villa, Rock Island, IL Divided By… Mississippi Valley Welcome Center, Leclaire, Iowa. 2001 Great Mask Auction & Halloween Bash. The Villa, Rock Island, IL 2000 Earrach Uine. Gallery O...

Beautifully patinated, absolutely exquisite Art Nouveau figural bronze coffee table by C. Conndray. This coffee table is a perfect example ...

Fractus sculptural seating by Andres Monnier. One of a Kind. Dimensions: W 50 x L 90 x H 50 cm. Materials: Coralina clasica. Stone options available...

Self-taught artist John Seubert, AKA John Dolly, uses objects he uncovers as he rehabs older homes in Chicago. This piece has two frames that are hinged together. A mirror adorns the outside. When opened, the right panel has a primitive figure painting while the left has a metal plaque with the phrase "I Need a Boy Toy" stamped into it. When closed, the back panel is stamped with "Like I Need a Refrigerator" and signed. John Seubert I Need a Boy-Toy (Like I Need a Refrigerator) mixed media 12.50h x 8.50w x 1.50d in 31.75h x 21.59w x 3.81d cm JSE074 In the early Nineties, John Seubert was living in a former hotel in a high-rise building on St. James Place in Chicago. The apartment was tiny, as hotel rooms tend to be, and clad with paper-thin walls allowing sound to pass from one apartment to the other. At the time, John’s artwork consisted of pounding copper sheets into tables which was a noisy endeavor to say the least. Following several noise complaints from the neighbors, John had a dream that he was living in a ramshackle house but with plenty of room to work and no attached neighbors. The following day after lunching at the McDonalds in Lincoln Park, John wandered the neighborhood a came upon a shabby, falling-down old Victorian house. He located the real estate agent, put in an offer, and weeks later was pushing a shopping cart full of his belongings to his new home. This 144-year-old Painted Lady provided a blank canvas for this inimitable artist. For many years the house remained so empty that John was able to ride his Japanese fold up bike throughout the 1st floor. “Some people want to have sex...

Rebeca Cors (México,1988). Cors' work oscillates between sculpture and function, studying its limits and meeting points. As a result, Cors creates abstract sculptures -and- utility s...

Raza center piece by Andres Monnier One of a kind. Dimensions: W 40 x L 160 x H 40 cm. Materials: Portoro black marble. Stone options available: Grey, black and white marble, natural...

Pyrus Rock Installation by Andres Monnier One of a kind. Dimensions: W 200 x D 200 x H 170 cm. Materials: Basalt, Stainless Steel Stone options available: Grey, black and white m...

Sleek, machined aluminum "mirror", a semi-functional and fully-conceptual tabletop sculpture by New York City-based industrial design studio Visibility Office. Please note, this list...

Pyrus Dos fire torch by Andres Monnier. One of a kind. Dimensions: W 45 x D 45 x H 100 cm. Materials: Portoro Black Marble. Stone options available: Gre...

A magnificent example of one of the most spectacular fossils. A large and intensely vibrant ammonite, Placenticeras costatum, from the Bearpaw formation, Alberta, Canada, dating to t...

Proteo Dos by Andres Monnier. Dimensions: height: 10 - 20, width: 3 - 8, length: 5 - 10 cm. Materials: nero marquina. Different dimensions available....

Proteo Uno by Andres Monnier Dimensions: height: 10 - 20 cm, width: 3 - 8 cm, length: 5 - 10 cm Materials: Nero Marquina Different dimensions availab...

Psychedelic sconce by Andres Monnier Dimensions: D 10 x W 130 x H 30 cm. Materials: black marble Andrés Monnier, born in Guadalajara but based in E...

This is a welded steel sculpture made by furniture creator Jim Rose. It is sustainable design created from salvaged and recycled steel panels left over from his larger projects. These sculptures reference traditional American Folk Art barn...

Eon vase by Andres Monnier Dimensions: W 20 x D 20 x H 35 cm Materials: Nero Marquina, Metal Piece inspired by Aion, from Greek mythology and ancie...

Sympleglades set of 2 by Andres Monnier Dimensions: Height: 10-20, Width: 8-12, Length: 5-10 cm Materials: Nero Marquina Different dimensions available. Variant of the origina...

Chaos set of 4 by Andres Monnier Dimensions: Height: 10 - 20 cm, width: 5 - 8cm Materials: Nero marquina Piece inspired by Khaos, from Greek mythology. The personification of th...

Rebeca Cors (México,1988). Cors' work oscillates between sculpture and function, studying its limits and meeting points. As a result, Cors creates abstract sculptures -and- utility s...

Artist statement: During the summers in Connecticut when I was a pre-teen, I lived for playing baseball. I grew up on a farm and had to work hard, but I always made time for baseball. I played everyday and sometimes even slept with my glove underneath my pillow. I dreamed of playing professionally for the New York Yankees. The only thing that dragged me away from playing baseball was an arts and craft’s class in my school’s summer program. On Tuesday afternoon, after lunch, baseball was on hold for arts and crafts. In my first class, they taught us how to make pot holders and build things with Popsicle sticks by gluing them together. It was so much fun. I guess this was the earliest telling of what was to unfold in the future years. I continued to play semi-pro baseball until the age of 38. I was also into weightlifting and even placed in a national competition. Sports and art have always been my passions. I was willing to put sports on hold for my art, though. And sports have always influenced my artwork. My first great influence in art was my craft teacher in high school, Shirley Charron. I was not an “A” student by any means and I did not excel in math or science. Ms. Charron knew I wasn’t a great student and encouraged me to apply for art school at Silvermine College of Arts. The college was holding interviews and all I had to do was make an appointment and bring my artwork. I was excited to find out that they didn’t need to know my S.A.T. scores. So I met with Dean Bob Gray and he liked my artwork. I became a student at the Silvermine College and received my Associate’s Degree from there. I went on to the Maryland Institute of Art where I received my Bachelor of Arts degree. I met several students from various backgrounds and different countries. I was fortunate for having great teachers and mentors along the way. Visiting artists were a big influence to me, as well. My college years helped greatly, keeping me out of the ‘real world’ and into the realm of creativity and free­ flowing ideas. After receiving my Masters Degree from the Art Institute of Chicago in 1977. I stayed in Chicago. I became ‘so-to-speak’ a “Chicago” artist, living in lofts, dreaming the dreams of becoming known and reaching for the stars. I was still quite naïve at the age of 30. Luckily, I kept my day job as a cleaning man. I worked hard during those years after graduate school and still do 28 years later. During those 28 years, I tried out for the Chicago White Sox...

Artist Statement: During the summers in Connecticut when I was a pre-teen, I lived for playing baseball. I grew up on a farm and had to work hard, but I always made time for baseball. I played everyday and sometimes even slept with my glove underneath my pillow. I dreamed of playing professionally for the New York Yankees. The only thing that dragged me away from playing baseball was an arts and craft’s class in my school’s summer program. On Tuesday afternoon, after lunch, baseball was on hold for arts and crafts. In my first class, they taught us how to make pot holders and build things with Popsicle sticks by gluing them together. It was so much fun. I guess this was the earliest telling of what was to unfold in the future years. I continued to play semi-pro baseball until the age of 38. I was also into weightlifting and even placed in a national competition. Sports and art have always been my passions. I was willing to put sports on hold for my art, though. And sports have always influenced my artwork. My first great influence in art was my craft teacher in high school, Shirley Charron. I was not an “A” student by any means and I did not excel in math or science. Ms. Charron knew I wasn’t a great student and encouraged me to apply for art school at Silvermine College of Arts. The college was holding interviews and all I had to do was make an appointment and bring my artwork. I was excited to find out that they didn’t need to know my S.A.T. scores. So I met with Dean Bob Gray and he liked my artwork. I became a student at the Silvermine College and received my Associate’s Degree from there. I went on to the Maryland Institute of Art where I received my Bachelor of Arts degree. I met several students from various backgrounds and different countries. I was fortunate for having great teachers and mentors along the way. Visiting artists were a big influence to me, as well. My college years helped greatly, keeping me out of the ‘real world’ and into the realm of creativity and free­ flowing ideas. After receiving my Masters Degree from the Art Institute of Chicago in 1977. I stayed in Chicago. I became ‘so-to-speak’ a “Chicago” artist, living in lofts, dreaming the dreams of becoming known and reaching for the stars. I was still quite naïve at the age of 30. Luckily, I kept my day job as a cleaning man. I worked hard during those years after graduate school and still do 28 years later. During those 28 years, I tried out for the Chicago White Sox...

This extraordinary sculptural portrait head takes its beginnings from classical antiquity. Attention to detail and complete understanding of the human figure are evident. The sculpture, which is made of resin and patinaed with a rusted iron can be shown on a base or lying down. Dean Kugler The Black Road: Iron, 2021 Resin and Iron Patina 20h x 16w in 60.96h x 40.64w cm DK0041 Dean Kugler is a seasoned interdisciplinary artist, painter, and figurative sculptor. His 3D work is featured primarily at Gallery Victor Armendariz in Chicago. In the last three years, Dean has also been featured at Abend Gallery in Denver, The Figge Art Museum, and Bereskin Gallery in Iowa. He has shown at SOFA Chicago in 2017, 2018, and 2019 and participated in ArtPrize in 2013, 2014, and 2015. He sees himself primarily as a sculptor due to the challenges he finds and thrives on within the process. In all its beauty, crudeness, and subtleties, the figure offers infinite opportunities to express feelings and emotions. There is also a physicality to sculpture that requires the work to be experienced through movement in order to reveal more about the piece. Dean has always been drawn to the interactive nature of large-scale sculpture that is available to the public - he loves the idea that his work entices the observer to go beyond what they can see and add tactility to the experience. By using both realism and abstraction, he creates a visual that challenges the viewer to resolve what they are seeing. Therefore, providing a greater connection between the artist and the viewer. Education 1993 – AA from Blackhawk College. 1995 – BFA from Western Illinois University. Texts 1995 – “Drawing: Skills, Means, Freedom”. Jan Clough / Ann Mullin. pub. 1995. 1993 – “Images” College publication featuring multiple pieces. 1992 – “Images” College publication featuring multiple pieces. Bibliography Dec 2022 - American Art Collector. “Room to grow”. Pages 48 and 49. 1 Oct 2018 – River Cities Reader. Article discussing a group show titled “Earth, Wind, and Fire” at Bereskin Gallery. 18 Aug 2018 – River Cities Reader. Article by Mike Schulz about my show titled “Relic” at the Quad City Arts. 1 Nov 2017 – Dispatch-Argus and QCOnline, Coverage of my showing at SOFA. 16 Dec 2016 – River Cities Reader. Article by Rick Martin about one-man art show titled “It Figures” at Black Hawk College. 22 June 2016 – Dispatch-Argus. Coverage of my one-man show titled “Animal Farm.” 22 Sept 2015 – Quad-City Times. “Body of work”. Article by David Burke about a one-man art show at Black Hawk College. 30 October 2014 – WVIK radio and online. Coverage of the ribbon-cutting for “Gravity” installation at the Rivercenter in Davenport, IA. 28 Sept 2014 – TV interview on WZZM13 in Grand Rapids covering ARTPRIZE and my sculpture, Gravity at the Gerald Ford...

This extraordinary sculptural portrait head takes its beginnings from classical antiquity. Attention to detail and complete understanding of the human figure are evident. The sculpture, which is made of resin and patinaed and is then highlighted with gold leaf. Dean Kugler The Black Road: Verdigris resin, gold leaf, patina Measures: 10 H x 13 W x 19 D in 25.40 H x 33.02 W x 48.26 D cm DK0045 Kugler uses scale and the juxtaposition of disparate elements in order to engage and challenge the viewer. He combines elements such as strength and weakness or beauty and damage to be experienced simultaneously within the same piece of work to create a tense energy. Kugler also incorporates the technical skill of tight rendering with the dynamism of abstraction to create this energy to add additional excitement and intrigue to his aesthetic.   Dean Kugler is a seasoned interdisciplinary artist, painter, and figurative sculptor. His 3D work is featured primarily at Gallery Victor Armendariz in Chicago. In the last three years, Dean has also been featured at Abend Gallery in Denver, The Figge Art Museum, and Bereskin Gallery in Iowa. He has shown at SOFA Chicago in 2017, 2018, and 2019 and participated in ArtPrize in 2013, 2014, and 2015. He sees himself primarily as a sculptor due to the challenges he finds and thrives on within the process. In all its beauty, crudeness, and subtleties, the figure offers infinite opportunities to express feelings and emotions. There is also a physicality to sculpture that requires the work to be experienced through movement in order to reveal more about the piece. Dean has always been drawn to the interactive nature of large-scale sculpture that is available to the public - he loves the idea that his work entices the observer to go beyond what they can see and add tactility to the experience. By using both realism and abstraction, he creates a visual that challenges the viewer to resolve what they are seeing. Therefore, providing a greater connection between the artist and the viewer. Education 1993 – AA from Blackhawk College. 1995 – BFA from Western Illinois University. Texts 1995 – “Drawing: Skills, Means, Freedom”. Jan Clough / Ann Mullin. pub. 1995. 1993 – “Images” College publication featuring multiple pieces. 1992 – “Images” College publication featuring multiple pieces. Bibliography Dec 2022 - American Art Collector. “Room to grow”. Pages 48 and 49. 1 Oct 2018 – River Cities Reader. Article discussing a group show titled “Earth, Wind, and Fire” at Bereskin Gallery. 18 Aug 2018 – River Cities Reader. Article by Mike Schulz about my show titled “Relic” at the Quad City Arts. 1 Nov 2017 – Dispatch-Argus and QCOnline, Coverage of my showing at SOFA. 16 Dec 2016 – River Cities Reader. Article by Rick Martin about one-man art show titled “It Figures” at Black Hawk College. 22 June 2016 – Dispatch-Argus. Coverage of my one-man show titled “Animal Farm.” 22 Sept 2015 – Quad-City Times. “Body of work”. Article by David Burke about a one-man art show at Black Hawk College. 30 October 2014 – WVIK radio and online. Coverage of the ribbon-cutting for “Gravity” installation at the Rivercenter in Davenport, IA. 28 Sept 2014 – TV interview on WZZM13 in Grand Rapids covering ARTPRIZE and my sculpture, Gravity at the Gerald Ford...

Using the vernacular of the vessel, I use earthenware clay to create intimate spaces. Each form employs a language that reveals its intentions. My interest lies in the slight shifts ...

Title: Magnolia 03 Year: 2021 Artist: Zoë Powell Large, free-form ceramic sculpture made from marbled porcelaneous and stoneware clays hand-collected b...

Meet the newest member of our Old Plank family, our “Mini Sheep”, “Baby Lamb”, Baby Sheep, or simply a very cute table topper? Whatever your preference, s...

Darkned brass bottle opener by Gentner Design Dimensions: D 14 x W 1.9 x H 1.9 cm Materials: darkned brass Strong in form and heavy in weight,...

Self-taught artist John Seubert, AKA John Dolly, uses objects he uncovers as he rehabs older homes in Chicago. This piece is constructed with a small framed mirror and a drawer front complete with hardware which form the backdrop to a small portrait painting on wood. The painting itself is cut in the shape of the head. The back carries the inscription of the title. These three pieces are mounted onto a found marble base. John Seubert You Treat Me Like a Piece of Fucking Furniture found objects Measures: 17 H x 9 W x 5 D in 43.18 H x 22.86 W x 12.70 D cm JSE045 In the early Nineties, John Seubert was living in a former hotel in a high-rise building on St. James Place in Chicago. The apartment was tiny, as hotel rooms tend to be, and clad with paper-thin walls allowing sound to pass from one apartment to the other. At the time, John’s artwork consisted of pounding copper sheets into tables which was a noisy endeavor to say the least. Following several noise complaints from the neighbors, John had a dream that he was living in a ramshackle house but with plenty of room to work and no attached neighbors. The following day after lunching at the McDonalds in Lincoln Park, John wandered the neighborhood a came upon a shabby, falling-down old Victorian house. He located the real estate agent...

This wall sculpture is a study in natural forms, reflection, and movement. By artist Kue King. Search "Kue King" to see his entire collection of 30+ sculptures.

Important sculpture in black lacquered curved/welded round steel bar by the American artist John Hollister Risley(1919-2002), titled "Lily Pad" United States 1965. Unique piece. M...

This is an extraordinary black bronze sculpture of a male Muay Thai fighter t by artist Dean Kugler. Attention to detail and complete understanding of the hu...

This dynamic coil form object is hand created and fired. The artist achieves the beautiful yellow amber matte surface by sandblasting the sculpture after removing it from the kiln. Jerilyn Virden Amber Recoil Handbuilt earthenware, hollow construction, glazed & sandblasted 12.50 H x 14.50 W x 15.50 D in 31.75 H x 36.83 W x 39.37 D cm Jerilyn Virden Selected Exhibitions 2012 SOFA NY, Ann Nathan Gallery, New York, NY 2011 SOFA Chicago, Ann Nathan Gallery, Chicago, IL 2009 Simply Formal, Arizona State University Museum of Anthropology, Tempe, AZ. Abstraction, Santa Fe Clay, Santa Fe, NM. Smithsonian Craft Show, Washington, DC. Penland: Great Artists, Great Teachers, Habatat Gallery, Tysons Corner, VA. 2009 Yunomi invitational, Akar, Iowa City, IA. 2008 Possibilities: Rising Stars of Contemporary Craft, Mint Museum of Craft + Design, Charlotte, NC. 38th Annual Ceramics Show, Crossman Gallery, U of Wisconsin-Whitewater, Whitewater, WI. SOFA New York, SOFA Chicago, and Palm Beach³, Ann Nathan Gallery. Red, Santa Fe Clay, Santa Fe, NM. New, Penland Gallery, Penland, NC. Fellowship Exhibition, Rocky Mount Arts Center, Rocky Mount, NC. 2007 SOFA New York, Chicago, and Palm Beach 3, Ann Nathan Gallery Core Sample, James Patrick Gallery, Wiscasset, ME. By Six, Santa Fe Clay, Santa Fe, NC. Cup of Tea, Penland Gallery, Penland, NC. 90 Teapots (More or Less), Xen Gallery, St. Louis, MO. Perspectives on Containment, TRAC Gallery, Burnsville, NC. Coming Up Down South, Blue Spiral 1...

This freestanding model C-20 Sculpta-Grille room divider by Richard Harvey for Harvey Design Workshop, Inc was conceptualized and designed in the 1950s a...

Thoscene: Thoughts creating your forms We are all unique in our forms and expressions. Thoscene was created to celebrate our individuality and connectedness. We have a fascination with the impact of new technologies on design, architecture and consciousness. We are at the forefront of the parametric computational design processes and 3D fabrication techniques. For the past 8 years, we have been focused on how to develop and leverage these innovations to pave the way for the first truly personalized design experience. We created the Thoscene customization platform to help people connect more deeply with themselves. Thoscene is the generation engine of these forms inspired by you. Through the Thoscene platform, customers can order one of a kind art pieces that are based on personal inputs such as time, date and location of birth. Thoscene exists for clients to connect more deeply and have a truly personal virtual experience by tapping into the spirit of design oriented users. Thoscene stands to represent an emergence of the timeless with the infinite. Using your astrological data, natural patterns, and sacred geometries, This Thoscene sculpture reveals the relationship between form and our unique human experience.  Thoscene uses this data along with parametric modeling tools to bring people a truly personalized design experience. Through the Thoscene platform, cleints can order one of a kind art pieces that are based on personal inputs such as time, date and location of birth, or a mixture of your families data.  Thoscene stands to represent an emergence of the timeless and eternal with a singular goal to honor our connectedness and individuality. How It Works: 1.Choose the type and size 2.Let us know your month, day, and location of birth 4.We create and render your 3D based on your personal attributes   Thoscene uses your date of birth and forms an experience design, based ones propensity towards different character traits (based on your astrological and vedic data).   If someone’s chart shows that the person is more prone towards being more expressive or extroverted, the design will become more extroverted to the degree at which the expression exists.   The designs are expressed in six unique series, Fabri, Orthofract, Verahedra, Morphogen, and Spherical are based on natural geometries and phenomenology. Their combined forms coalesce into Singularity, whose theme reflects the inseparable relationship of the part to the whole.   These designs reflect the inner strength and boldness of every individual, inspiring a way of living...

Shaman steel, found objects 20 x 6 x 20.5 in. Artist statement I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. In this state, the material becomes quite beautiful. There are figurative elements in my work, though I am more drawn to the non-figurative, to the raw and essential aspect of steel. The industrial purpose of steel must be considered, its use in construction, manufacturing, the military. Steel is forged with enormous energy and power. The process is violent, loud. Here, it is still and approachable. The compositions are constructed mainly from found parts. Their relationships manifest as I interact with the material. The pieces interlock, balance, and become fitted before I fasten or weld them together. The engineering is elemental. Altering the material is avoided. The number of parts kept to a minimum. Art is my spiritual exercise, my selflessness. It identifies me as a creator and satisfies my human longing for place and purpose. It needs not to be great, or preeminent, or commercial. Art speaks because it is primitive. It exists because it is sacred. Bio Scott Gordon was born in Ridgewood, New Jersey in 1966. He attended the University of Denver where he studied business and the University of Washington where he pursued an MFA in creative writing. While he was in Seattle, he was introduced to steel as an employee of the David Gulassa Company, a fabrication shop which produced custom furniture and architectural fixtures. At Gulassa, after hours and on weekends, Scott worked on personal projects, applying the tools and techniques used in his daily work. Lacking resources to purchase stock materials, much of the steel he used came from the scrap bins at Gulassa. He also used steel found along the railways, shipyards, and industrial corridors of Seattle. The characteristics and limitations of the material helped him to define his aesthetic and his approach to sculpture. He currently lives and works in Vermont. Inspirations: David Smith, Anthony Caro, John Chamberlain, Julio Gonzalez, Richard Stankiewicz, Tony Smith...