Delft Sculptures

Nice Delft blue pottery vase, handprinted by Gewina Delft.

A 19th century 6-inch olive-brown majolica glazed dust-pressed tile depicting a profile portrait of a neoclassical figure with laurel wreath headdress before a foliage backdrop. Suc...

A pair of opposing foo lions with elaborately carved curled fur and seated on bases. One places a paw on a ball, the other on an upside down baby foo lion. Overall fine time worn sur...

An antique Delft tile of a figure in Turkish dress, circa 1870, made by Ravesteijn of Utrecht, after the original drawing by Nicolas De Nicolay dating to...

A set of 4 polychrome Dutch Delft tiles with ornamental design. Made in Haarlem, The Netherlands. Circa 1625 - 1650. The Netherlands Haarlem ...

Large heavy seated male dog. Well cast with nice details.Seated on a plinth base.

A pair of large and finely patinated bronze models of a standing bull and a running cow after models by Isidor-Jules Bonheur, Cast on a Naturalistic Base. French, circa 1890. Signed 'I BONHEUR' and stamped 'PEYROL EDITEUR'. Bonheur was a regular exhibitor at the Paris Salon and his naturalistic depiction of farm animals, including cattle, was one of his most popular subjects. The bronze was cast by his brother-in-law, Hippolyte Peyrol, who ran one of the most successful art foundries in Paris at this time. Isidore-Jules Bonheur (1827-1901) was the son of the painter Raymond Bonheur and younger brother of Rosa Bonheur, the famous sculptor. He was born in Bordeaux and studied painting, at first with his father and then with the Ecole des Beaux Arts in Paris, moving on to sculpture in 1848. He made his debut at the Paris Salon in 1848 with a painting and plaster study of the same subject ‘African horseman attacked by a lioness’. From then onwards, Bonheur exhibited regularly at the Salon as well as other exhibitions, winning medals in 1865 and 1869 together with the prized Gold Medal at the Exposition Universelle of 1889. He was awarded the Legion d’Honneur in 1895. Most of Bonheur’s casts were by his uncle by marriage, Hippolyte Peyrol, whose tiny foundry mark is often very difficult to find. Bonheur’s studies range from farm animals, bears and tigers in a very naturalistic vein to equestrian groups. Although noted primarily for his small groups he did complete two large scale commissions, one to his sister Rosa, at Fontainbleau and the other, two stone lions at the steps of the Royal...

18th Century Delft Jar and Lid, blue and white, painted with figural vignettes and bearing bird & ball finialled cover., numbers possibly representing maker's mark and/or age. .

A magnificent pair of 18th century French Hand Carved Limestone Lions. The base measurement is 11.5 inches.

A Polychrome and Parcel-Gilt Marble Group of the Virgin and Child Attributed to Giovanni Di Balduccio (1317 - 1349) Marble Italy Circa 1330 - 1340 SIZE: 65cm high, 28cm wide - 25½ ins high, 11 ins wide PROVENANCE: Possibly Trivolzio Collection, Milan With Piero Tozzi Inc., New York Acquired by the William Randolph Hearst Foundation for The Los Angeles County Museum (A.5832.47-42), 1947 An auction of property de-accessioned by the Los Angeles County Museum of Art to benefit new acquisitions...

Large pair patinated life size bronze statues sculpture of Regal Big Cats Lions. Exceptional detailed high quality Large pair of Patinated bronze statues of...

Pair 18th C. Carved Marble Terracotta Figures Lions Sculptures Garden Statues LA . Rare large Pair of early 18th century carved marble terracotta Figures of regal lions, holding an i...