Gabonese Sculptures

A truly fantastic, engaging, and uniquely made African Kota Mahongwe Hongwe Reliquary Guardian Figure/ Sculpture made by the Kota (Bakota) pe...

Early to mid century danced light wood round mask from the Yela or M'bole people, Democratic Republic of Congo, Africa. Finely carved mask with carved raised eyes and diagonal scarif...

Early and rare mask from Gabon, Central Africa, created by the Tsogho peoples. Powerful large mask with carved open eyes, and black painted eyes above, below heavy carved eyebrows. ...

On offer is an African wooden and metal sculptural work called Boho na bwete from Northern part of Gabon made by Mahongwe people. Boho na bwete means Face of Ancestors in local language and the statue represents the deceased family members in an abstract way and was used as a reliquary figure fixed on top of the basket that contains the bundles of the ancestor's bones and remains, serving as a public shrine for worshipping. The style of the Kota figure...

Carved out of a single block of wood, this Gabon Fang male reliquary statue of stylized proportion impresses the viewers with a robust stance and meditative expression. Traditionally...

A fantastically hand-crafted piece by the Kota (or Bakota) tribe who are located in the northeastern region of Gabon. This figure, which is a Mahongwe reliquary figure as exhibited with its truncated almond-shaped face, is made of wound copper, hammered brass and wood. Reliquary figures were used as guardians to protect the revered bones of venerated family ancestors and leaders and ward off unwanted spirits. These figures are meant to embody intense powers and were also commonly used in communal rites and ritual performances. This particular piece came from an American collector who traveled the African continent and collected African artifacts for over 50 years. This piece has a beautiful, organically aged patina acquired naturally over time and use. It is mounted on a custom wooden display stand. We believe it dates back to the early to mid-1900s but could be older. We are listing as 20th century because we did not have it appraised. This African Tribal Statue Osseyba or Reliquary Figure Kota (Bakota) Mohongwe Peoples decorative art would clearly stand out as part of a collection or by itself in any setting. Truly unique, eye-catching and engaging. Dimensions on stand: 25 3/4" High, 7" Wide, 5 1/2" Deep Kota Reliquary...

Early Danced Black Wood Mask From the Guro Peoples Ivory Coast Bird on top. Finely carved mask with carved open eyes, and pointed nose and slightly smiling mouth. It is in good co...

On offer is a Punu ancestor female figure presented on a custom stand circa first half of 20th century. Statue of full Punu figure like this is relatively scarce and the patina on th...

Early to mid century danced light wood mask from the Kumu or Maniema region, Democratic Republic of Congo, Africa with face divided into four opposing quadrants with orange and trace...

African Kota People, Gabon Carved, Metal Reliquary Pipe on Stand, 20th Century Offered for sale is an African hand-carved wood and hammered metal reliquary pipe on stand from the Ko...

Tribal Art - African Art Fang Male Reliquary Figure (Bieri Style), Fang-Betsi Subgroup, Gabon, Circa 1950s Carved from dense hardwood, this 19-inch-tall figure with dark, very beautiful patina, stands in a composed stance, holding a small box-like object close to the chest—a gesture associated with protection or ritual offering. Height: 19 in. (48.3 cm) x Width: 5 in. (12.8 cm) x Depth: 5 in. (12.8 cm) without base. Height: 21 in 1/4 (54 cm) x Width: 5 in 7/8. (15 cm) x Depth: 5 in 1/2 (14 cm) with base. Provenance: Multiple successive collections, France. According to the previous owner, this sculpture was originally brought from Gabon to France during the colonial period and passed through several private collections thereafter. While we have no documentation to verify the original import date, we conservatively date the piece to the mid-20th century, corresponding to the period it remained in the collection of the prior owner. This powerful male figure exemplifies the classical aesthetic and spiritual principles of the Fang Bieri tradition, specifically aligned with the Betsi subgroup. Standing in a rigid frontal stance, the figure clutches a small object close to its chest, a gesture commonly associated with ritual offering, protection, or ancestral invocation. Carved from an exceptionally hard and heavy wood, the figure is marked by a rich, dark patina acquired through age and possible ritual handling. The anatomical emphasis—particularly the pronounced musculature, exaggerated genitalia, and the expressive weight of the limbs—evokes the Fang ideals of vitality, fertility, and ancestral potency. The oversized head, with its serene, meditative expression and stylized features, conveys a sense of introspective calm and spiritual authority. The schematic coiffure, carved in ridged vertical bands, further confirms its alignment with traditional depictions of respected male elders. The figure belongs to the Bieri tradition, an ancestral cult that functioned as the cornerstone of Fang spiritual and social identity for centuries. As the Fang people migrated southward through Equatorial Africa—from present-day Cameroon into northern Gabon—they carried bark containers (called nsek bieri) holding the skulls of revered ancestors. These containers were typically surmounted by carved guardian figures like this one, which both protected the sacred...

A wonderful Punu wooden door panel (one of the original pair) with the iconic carved female figure circa mid-20th century. These door panels were used for granary in Gabon. The door ...