Rwandan Sculptures

Unique tribal plank art with metal base. The piece features a 5.5' tall wooden plank with a colored ornate fish design. Great conversation piece for any space.

West African hand beaded head dress crown from Yoruba, Nigeria. This artistic beautiful and functional art piece is covered with beads in turquoise, orange, green, yellow red, blue ...

Hand carved Maori sculpture of a hunter carrying a crocodile and fish.

An Ethiopian tribal shield on custom iron stand. This vintage shield, originating from Ethiopia, has an overall convexly rounded-shape, and is made of a rich brown animal hide with wonderful patina. The leather shield...

West African hand beaded head dress crown from Yoruba, Nigeria. This artistic beautiful and functional art piece is covered with beads in ivory, red and black colors with faces bird...

Powerful and haunting carved figural sculpture of a standing female figure in close embrace with an animal attendant, possibly a crocodile. The Sculpture is very worn and distresse...

Expressive, interesting African Baoulé mask from Cote d'Ivoire from last third of the last century, carved from wood painted polychrome. The face is narrow & elegant and has a though...

This early 20th-century Yoruba Ọ̀sanyìn staff, meticulously crafted from wrought iron, features a prominent central bird surrounded by several stylized avian figures, symbolizing spi...

A fantastically hand-crafted piece by the Kota (or Bakota) tribe who are located in the northeastern region of Gabon. This figure, which is a Mahongwe reliquary figure as exhibited with its truncated almond-shaped face, is made of wound copper, hammered brass and wood. Reliquary figures were used as guardians to protect the revered bones of venerated family ancestors and leaders and ward off unwanted spirits. These figures are meant to embody intense powers and were also commonly used in communal rites and ritual performances. This particular piece came from an American collector who traveled the African continent and collected African artifacts for over 50 years. This piece has a beautiful, organically aged patina acquired naturally over time and use. It is mounted on a custom wooden display stand. We believe it dates back to the early to mid-1900s but could be older. We are listing as 20th century because we did not have it appraised. This African Tribal Statue Osseyba or Reliquary Figure Kota (Bakota) Mohongwe Peoples decorative art would clearly stand out as part of a collection or by itself in any setting. Truly unique, eye-catching and engaging. Dimensions on stand: 25 3/4" High, 7" Wide, 5 1/2" Deep Kota Reliquary...

A scarce antique African tribal carved Hemba helmet mask, the Suku peoples, possibly Kwese culture, Democratic Republic of the Congo, Central Africa, early 20th century, surmounted by four-legged animal, over round face, with mouth ajar and incised jagged teeth exposed, protruding almond shaped eyes, scattered remnants of pigment, full raffia fiber fringe, mounted on wood stand. A superb museum quality example, this remarkable tribal folk art sculpture is a wonderful way to add rustic warmth, rich historical depth, and fascinating cultural interest to any space! Dimensions: (approx) Overall: 26" High, 9" Wide, 10.25" Deep; Mask only: 15" Tall; 7 lbs total Provenance / Acquisition: Acquired from the highly reputable auction house, Austin Auction Gallery, est.1983, Austin, Texas. Excellent Condition: Nicely aged distressed patina over the whole. Highly desirable wear consistent with age and indicative of use, including scattered losses, antique character marks and typical signs of aging throughout. Retaining scattered remnants of original pigment. Overall a superb museum quality example Primitive Arts Of Africa: Among the Suku of the southwestern part of the Democratic Republic of the Congo, masks plays crucial role in protecting boys during initiation, the vulnerable period between boyhood and manhood. The power contained in Hemba masks...

Ceramic figurine black glazed and brass earrings, designed in Austria in Vienna in the 1950s by Leopold Anzengruber.

Contemporary stoneware sculpture by French artist Véra Rybaltchenko.The stoneware was fired at 1100 degrees and is therefore very resistant. The chamotte stoneware is rough on the in...