Polychromed Sculptures

20th Century Carved & Polychromed Carousel Lion, Style of Dentzel This striking monumental carousel lion is a finely carved and polychromed sculptural work executed in the mid-20th ...

A stunning early 20th century French Belle Époque period Bourdois & Bloch Porcelaine de Paris Meissen style porcelain figure of a parrot. Made in Paris, France, circa 1910, exceptionally executed, exquisitely detailed throughout and displaying brilliant hand painted rich coloring, with a unique pierced beak, realistically modeled with wings slightly open perched atop a naturalistic tree stump base, Signed, underglaze blue crossed arrows mark to lower tree trunk. What truly stands out and is absolutely remarkable is how the maker/artist manged to make this work appear like a completely different sculpture depending on the angle it's viewed from. History: Paris Porcelain (Porcelain de Paris), a term that conjures images of grandeur, elegance, and sophistication; is to France what Dresden Porcelain is to Germany. Porcelain by a variety of makers from a region rather than one maker, it's the collective name given to the various porcelain studios and decorating workshops within and around Paris, France. In this case and many others Porcelain de Paris is also as good if not sometimes better than Dresden, Meissen or Sevres porcelain and is certainly a collectible to look out for. The Bourdoir and Bloch factory was originally founded around 1820 and specialized in producing fine quality porcelain in the style of the famous 18th century factories. This most distinctive figural bird was made by the Paris porcelain factory of Bourdoir and Bloch around 1910. This example bears the August 8, 1887 registered trademark of two blue crossed arrows, used around the time that Eugene Marx Clauss had joined forces with Achille Bloch and Leon Bourdois (who were both collaborators of Samson) and were operating under the name Clauss Co from 1887-1890 in the small factory started by Eugene's grandfather Jean-Marx Clauss in 1788 on rue de la Pierre-Levee in Paris. This Parisian antique porcelain parrot...

17th-Century Carved Wooden Angel – Polychrome and Gilded Sculpture (One Wing Remaining) Height: 70 cm Width: 33 cm A beautiful 17th-century carved wooden angel, depicted kneeling i...

Pair of 18th century Italian dancing angels with coordinating baroque pearls on aragonite crystal clusters. The dancing angels are hand-carved wood, polychromed and gilded, original...

Life Size 1980s Crouching Monkey Sculpture, in White/ Cream Gold Representing Pop -Art of of the 1980s, we are pleased to offer this remarkable life-size monkey sculpture that embo...

MAGNIFICENT & RARE! WOMAN IN CANOE POLYCHROMED SCULPTURE AND ACCENT LAMP SIGNED S. MELANI ARNOVA DIMENSIONS: Approx. 21" Wide x 14" Tall x 6" Deep In 1925, France held the "Ex...

Three figures are seated at a table where rests a jug of ale; all on a rectangular oval base where the title of the porcelain is stated in gold gilt script "Auld Lang Syne...

18th Century Carved & Polychrome Bust of a Saint with Glass Eye. Either Italian or Spanish. This piece retains a good portion of the original painted f...

A vintage multifigure action bronze of the "Old West" by C. Kauba. The pristine polychrome sculpture identifies an unyielding American Indian chief brandishing a tomahawk battling ag...

This tribal panel originates from the Batak tribe of Sumatra. The Batak are known for the elaborate decoration of their buildings and these decorative panel additions would have been...

This exceptional and imposing pair of hand-carved and hand-painted wooden horses embodies the rich artistic heritage of traditional Indian craftsmanship. Standing over 80 cm (31.5 in...

Seldom seen Paper Mache , polychromed "NaNa" Sculptures by Niki de Saint Phalle,,

Hubley Cast Iron Boxer / Boston Terrier 'Puppy Size' Doorstop, Circa 1930 An original Hubley cast iron Boxer/Boston Terrier 'Puppy Size' doorstop, circa 1930. This charming and rare...

Pair of 18th-Century Italian urn appliques featuring a flute body, and intricately carved acanthus leaves, bead trim, and ribbon adorned handles.

Vienna Cold Painted Bronze Ten Piece Devil Orchestra, Attributed Franz Bergman Austria, circa 1925, attributed to Franz Bergman, unmarked Embark on a whimsical journey with this rare and delightful Vienna Cold Painted Bronze Ten Piece Devil Orchestra, made circa 1925 and attributed to the renowned Franz Bergman, though unmarked. This charming ensemble features ten individually cast and hand-painted bronze figures, each devil bearing its own instrument and unique action. From the authoritative Conductor Devil to the playful Flute Devil, every character in this orchestra exudes personality and mischief. The ensemble includes the Piano Devil, Cello Devil, Drum Devil, Heraldic Trumpet...

This gorgeous Japanese red lacquer traveling shrine (zushi) protects a miniature statue of Bishamonten, the Buddhist God of Warfare here depicted as an armor-clad warrior. A fearsome protector, he is thought to defend sacred places, punish evil-doers, expel demons and bestow wealth. In this example, Bishamonten stands atop a crouching demon, dressed in finely painted armor...

Exceptional polychrome wood low-relief depicting a werewolf and saint george after a woodcut by lucas cranach (“DER WERWOLF” 1512) Provenance : collection Brimo de Laroussihle colle...

Astonishing brutalist sculpture by Paul Evans, circa 1960's. Welded and polychromed steel, painted wood. 67 x 38 x 26 in. (170.2 x 96.5 x 66 cm) excluding base.

A captivating sculpture after Demetre Chiparus, this striking Art Deco dancer embodies the era’s fascination with movement, theatricality, and opulence. Inspired by the expressive pe...

A stunning pair of mid-18th century Italian Baroque Putti beautifully crafted in polychromed wood - now resting on their iron stands. Charming position w...

Barovier & Toso Murano Glass Fruit 6-Piece Bowl & Fruit Sculpture, Signed Italy, Circa 1980s This 6-piece Murano glass fruit bowl and sculpture set by Barovier & Toso, hailing fr...

A pair of circa 1900 Northern Italian alpine tole figures with original painted finish and patina. Measurements: Height: 15" Width: 6.25" Depth: 3...

Austrian Cold Painted Bronze Owl Sculpture. Bergmann 1900´s. Early 20th century, Bergmann Bronze Sculpture. An Austrian cold painted bronze model of an Owl. The body naturalisticall...

Pair of Continental Carved and Polychromed Wooden Cornucopias, 19th Century These finely carved and polychromed wooden cornucopias exemplify the enduring symbolic power of the horn of plenty in European decorative arts. Each composition is rendered in high relief, the ribbed horn issuing an abundant cascade of fruit and vegetables—pomegranates, grapes, melons, pumpkins, gourds, citrus, corn, and floral sprays—arranged with exuberant Baroque fullness. Now mounted on forged iron bases for display, the pair measures 20" high × 28" wide × 3.5" deep, including stands 12.5" x 6" (carvings alone 28" wide × 17" high × 3.5" deep). The Cornucopia in History Originating in antiquity, the cornucopia (Latin cornu copiae) was first associated with Amalthea, the goat who suckled the infant Zeus, whose horn became a miraculous source of nourishment. In Roman culture it was carried by deities of abundance—Fortuna, Abundantia, and Ceres—as an emblem of civic prosperity and the cycles of nature. Revived in the Renaissance and Baroque periods, the cornucopia became a favored motif in architecture, painting, and decorative arts, symbolizing divine blessing, seasonal plenty, and the wealth of the natural world. Iconography of the Fruits and Vegetables The profusion of produce is not merely decorative but encodes symbolic meanings rooted in both classical and Christian traditions: Pomegranates—fertility, eternal life, and resurrection. Grapes—festivity, vintage, and the Eucharistic blood of Christ. Melons and Watermelon Slices—sensual abundance, refreshment, and ephemeral pleasure. Pumpkins and Gourds—autumn harvest, transformation, and the cycles of plenty. Corn (Maize)—sustenance and prosperity, reflecting New World influence on European symbolism. Citrus Fruits—health, luxury, and Mediterranean prosperity. Floral Sprays—seasonal beauty and the transience of life, underscoring vanitas themes common in still-life art. This allegorical language aligns the carvings with the broader European tradition of abundance imagery found in still-life painting, silverwork, and architectural ornament. Continental Style and Possible Origin The sculptural density, dramatic overlapping of forms, and naturalistic rendering suggest a Continental origin, likely Austrian, German, or Italian, c. late 19th century. While Swedish decorative carving of the same era tends toward flatter surfaces and folk stylization, these examples embody a more theatrical Baroque and Rococo inheritance, later enhanced with a polychrome or silver-toned surface to heighten their decorative impact. Originally conceived as architectural appliqués...

Whimsical patinated and painted bronze by Mexican artist Bruno Luna (b.1963) Man with Cigar, "Don Circo". Depicting a full size man dressed in a tuxedo with a pocket boutonniere, wal...

French Antique Bust of a Young Girl in Plaster A pretty polychrome plaster bust of a young girl wearing a headscarf with her eyes cast downwards. The piece features carvings of b...

This is an outstanding Italian 18th century carved wood polychromed sculpture of Virgin Mary. The Sculpture is hand painted with some remains of a gold gilt in few places and originated until lately in a private Villa in Tuscany (Italy). The colors are typical red, blue and green are spectacular on this large figure. The Virgin's hands are joined together in a prayer, while standing on a pedestal on the both sides of which are devil's horns (bottom left side horn missing ) symbolising Holly Mary defeating the Evil, protected by the Holly Ghost and an Angel. A story tells the pose of the Virgin Mary sculpture...

A wonderful pair of carved wooden angels with nice detail in what appears to be their original painted surface, dating to the 18th century, probably French, in very good condition, w...

Figural standing sailor whirligig, carved from Pine wearing a white hat with metal brim, a blue sailor’s middy with scarf, striped red and white unde...

Carved wooden representing Christ on the cross.

A stunning 17th century "Mannequin De Presentation" from Northern Italy. Wonderfully constructed from polychromed wood with a very handsome face, articulating body and sulfur eyes. T...

Large high relief in carved and gilt wood, with many traces of polychromy, representing the Adoration of the Shepherds. The evangelist Luke first mentions that the scene takes place at night. A sudden light, which frightens the shepherds, signals the arrival of an angel who announces "great joy". He gives them a sign: they will find "a newborn baby wrapped...

A finely detailed devotional figure of the infant Christ (Niño Dios), typical of 19th-century Guatemalan religious art. Carved in wood with polychrome decoration and inset glass eyes...

Cercle of Juan Martinez Montañés (1568-1649) Infant St John the Baptist Spanish, 17th century H 74 cm Saint John the Baptist is here represented naked, sitting on a rock, with...

Bust of a North African Tribesman, DE CAÏD Friedrich Siegfried Goldscheider This exquisite portrait bust of a North African tribesman, titled "DE CAÏD," was masterfully executed by ...

NEAPOLITAN CARVED AND POLYCHROMED CRÈCHE FIGURE OF AN ANGEL Italy, circa second half of the 18th-century 14 3/4" H x 5" D x 6 1/2" W [dimensions approximate] ref. 511CMB09X An exquisite carved and polychromed Neapolitan crèche figure...

An antique carved wooden wood mythical guardian animal from Thailand. This striking antique carved wood mythical guardian animal commands attention with its vibrant polychrome finish...

17th Century Italian polychromed and gold gilded on wood panel Sienese style painting of the Madonna Enthroned with the child and two adoring angels behind them. The halos are beautifully adorned with punch work. She is framed by a hand-carved gold gilded and velvet lined frame and sitting on a hand-carved matching base. The piece is mounted on a Lucite panel and framed with a contemporary hand-finished wood molding.

Carved wooden sculpture of Mary Magdalene, circa 1500. Large limewood sculpture with traces of polychromy representing Mary Magdalene, German work, circa 1500. H: 80cm. W: 35cm, D: ...

This stunning Art Nouveau sculpture is a large-scale painted plaster figure of a partially draped female nude adorned with flowers and flowing drapery. Sculpted with remarkable grace...

Beautiful antique wooden Corpus Christi (body of Christ) statue, sculpture, from around the beginning of the 18th century probably Flemish Beautiful wood carving and polychrome (pai...

A simple exterior of black lacquer belies the splendor within this late 19th-century Japanese traveling shrine (zushi). The hinged doors open to reveal a lustrous gold interior and a...

A polychrome murano glass rooster, from the 1950s, attributed to the firm SEGUSO and designed by Flavio POLI

Well-loved and richly worn, this petite bronze traveling shrine depicts the Hindu god Ganesha. Attributed to 17th/18th century Nepal, the palm-sized icon is sculpted of bronze and fi...

Hand-Carved Wood Life-Size Monitor Lizard, School of Bustamonte, Mexico, 1970s Mexico, circa 1970s An impressively scaled hand-carved wooden monitor ...

The simple exterior of black lacquer encasing this 19th-century Japanese traveling shrine (zushi) belies the splendor within. The hinged doors open to reveal a lustrous gold interior...

Large Impressive cold painted Austrian bronze study of a standing stag / Deer, with intricate detail and very fine color. Additional information Height: 34 cm Depth: 8.5 cm Width: ...

Folk Art carved and painted owl decoy, USA 1900's A decorative barn owl carving decoy Original paint with even wear. Mounted over a new iron stand. We have...

MARCEL DEBUT French, 1865-1933 French Orientalist Model of a Tunisian Young Man Carrying Water Polychromed and patinated bronze signed "Debut" 24 7/8" H x 11 3/8" D x 8 5/8" W A...

Mounted on custom black-painted metal stands, this striking pair of antique Singa sculptures originates from the Batak tribe of Sumatra. Each piece is carved from a single block of wood and features the iconic protective Singa motif, a mythical creature often used in Batak architecture to ward off evil spirits. The sculptures showcase wonderful polychrome detailing, with traces of natural pigments still visible, adding depth and character to the intricately carved surfaces. The weathered patina, fading, and age-related wear and tear speak to their authenticity and long history of use, possibly as architectural or ritual elements. Together, these pieces present a rare opportunity to own a significant example of Batak tribal...

FIGURE OF A PENITENT SAINT Probably Spanish, circa 1720-50 14" H x 6" D x 5 1/8" W A carved wooden figure of a bearded saint, richly polychromed and gilded in the estofado techniqu...

Mounted on custom black-painted metal stands, this striking pair of antique Singa sculptures originates from the Batak tribe of Sumatra. Each piece is carved from a single block of wood and features the iconic protective Singa motif, a mythical creature often used in Batak architecture to ward off evil spirits. The sculptures showcase wonderful polychrome detailing, with traces of natural pigments still visible, adding depth and character to the intricately carved surfaces. The weathered patina, fading, and age-related wear and tear speak to their authenticity and long history of use, possibly as architectural or ritual elements. Together, these pieces present a rare opportunity to own a significant example of Batak tribal...

Fine Decoratively Carved Tang Horse Dimensions: Height 74" Width 18" Depth 75" CW4020

16th century German hand carved painted wood St. Sebastian.

Rare and unusual hexagonal Buddhist base for a statue with a recumbent shi-shi (guardian lion dog), gilded and carved with inset glass eyes and painted with mineral pigments. Most likely the base to a sculpture of Monju Bosatsu...

Beautiful representation of a polychromed hare Vienna bronze, Austria 1900s. The back is encrusted with boar hair and was used to clean writing quills. In excellent condition. Sligh...

An 18th Century carved & polychromed Saint, various old repairs & losses, but truly great original surface! 42 1/2"h. We are a family business that has been a major source f...

An outstanding and exquisite 17th century French capital to a pilaster. Expertly carved from wood with a wonderful cherub stunningly finished in water g...

Bring devotional beauty to a mantel, console, or chapel corner with this graceful antique sculpture of the Virgin Mary, carved in the Pyrenees of France circa 1860. Hand-carved in wo...

While the birth of Christ is briefly told in the Gospel of Luke (2, 7) it is in the apocryphal texts that we find most of the elements and details that have then inspired artists. As of the 14th century and even more of the 15th century the subject of the Adoration of the Child replaces in Western art the scene of the Birth, much favoured in Byzantine art. Instead of being depicted lying with the new-born swathed in the manger, the Virgin is now kneeling, her hands joined in prayer in front of the naked child. This change was probably hastened by the popularity of the visions of Saint Bridget of Sweden to whom the Virgin allegedly appeared to show how she had given birth to Jesus (Visions, VII, chap. 21). Sheltered by a thatch-roofed structure the Virgin is kneeling in front of the Child Jesus. She wears a magnificent red dress under a large gold cloak. Her curled blond hair is partially veiled. The newborn is lying on a straw mat. Joseph is depicted with a parted beard and stands opposite from the Virgin. He wears a tunic and a coat with a purse hanging from the belt. His costume reminds us of the long journey him and Mary have accomplished to reach Bethlehem. Two other women are present. One is looking through the stable’s window to observe the Holy Family while another one kneels in prayer in front of the divine child. The rich costume of the lady might indicate she is a donator. However they could also both represent the women who took part in the birth of Christ, Zelemi and Salome. Salome, incredulous did not believe in the virginal conception of Mary and she is represented far from the scene. The artist has depicted her with an expression of doubt on her face. Zelemi, on the contrary, is a believer. She is rewarded by a place of honour at the heart of the scene, close to Mary. To the left the donkey and ox that have accompanied Mary and Joseph to Bethlehem observe quietly the scene. On the foreground two angels hold a scroll reading an excerpt from the Gloria : “/Gloria/ in excelsis /Deo/.” One of the angels wears a blue cape while the other’s is red Those two colours are very significant as during Middle-Ages blue symbolises hope and red charity. Together they express the hope in redemption thanks to the advent of Christ and his sacrifice to come. Above the main scene, up a cliff, a small shepherd lets his herd of sheep graze amidst the trees. He is framed by two walled cities. This wood carving is the work of a very skilled and inventive artist. The piece bears witness to his exceptional talent. The realism of the scene is emphasised by the amount of details depicted. The refinement of the carving itself is highlighted by the well preserved polychromy. This key moment of the New Testament is set in a contemporary context thanks to the clothes of the characters and the scenes of rural life. The universal dimension of the scene is intensified while allowing contemporary viewers to grasp its meaning more easily. This care for details, the picturesque realism as well as the extraordinary rendition of the cloths suggest it was made by a Flemish artist during the late 15th century. This relief can be compared with the panel of the Nativity from the Saint-Vaast altarpiece made by Jacques Daret between 1433 and 1435, today in Madrid’s Thyssen-Bronemisza Museum. Literature Louis Réau, Iconographie de l’Art chrétien...