Japonisme Vases and Vessels

Set of two beautiful Satsuma designed in Japan vases from the beginning of the 20th century , 1920s. Meiji-period. Hand-painted ceramic vases depicting men surrounding a geisha, fram...

Eugène Rousseau (1827-1890) & Ernest-Baptiste Leveillé (1841-1913) Japonisme tripod Vase “Épinoches” Unique Piece Collection Giuseppe Cappa France, circa 1878-1880 “Stickleback Fi...

A petite dragon motif cloisonné jar in black with a matching lid. The small chinoiserie jar is made from brass or copper, and encrusted with a cloisonné dragon design. Cloisonné piec...

1900 Japanese Satsuma porcelain huge vase with Samurai scenes.

A rare and important French "Japonsime" Emile Galle Ormolu-Mounted Double Carp Fish Pink-Glass vase, circa 1879, retailed by L'Escalier De Cristal, Paris ...

Tall Bronze Vase, Japan, Early 20th Century. This is a very beautiful eared vase / urn in bronze from Japan. Probably early 20th century. From a hig...

Japanese Large Cloisonné Vase in Midnight Blue w/ Flowers and Birds, Ca. 1900/1910 DIMENSIONS: Height: 46 inches Diameter: 51.5 inches ABOUT This exquisite vase is a remarkable te...

A trio of Modern Kintsugi-style skinny vases, each a unique embodiment of artistry and contemporary design. Crafted in three dimensions—tall, medium, and s...

Baccarat Japonisme Crystal Vase with Sculpted Handles, circa 1878-1890 Clear crystal vase of globular form resting on a circular foot, with a short, slightly flared neck. The decorat...

Large Antique Meiji Cloisonné Enamel Vases Japanese 19th Century Birds Flowers Japanese, Late 19th Century Height 152cm, diameter 54cm This remarkable pair of monumental Meiji peri...

Exceptional Dominic & Haff Japonisme Sterling Cabinet Vase—Dragonfly & Cobwebs This exquisite Dominic & Haff sterling silver cabinet vase is a rare and finely detailed example of Ja...

This series of ceramics are unique work by Norihiko Terayama. This is one of series of practicing relationships with function and decoration. Arti...

An extremely fine and delicate porcelain bowl from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected cer...

This exceptional pair of Japanese hand-painted porcelain wall pockets dates to the early 20th century, circa 1910–1920, a period defined by the international fascination with refined...

Théodore Deck (1823-1891) A 19th French Japonisme Cache-Pot, circa 1875 A Polychrome Enameled Faience Round-Shaped Cachepot and Jardinière Hand-painted design in the Japonisme Aesthe...

French Majolica Japonisme vase, attributed to Theodore Deck  France, Late 19th Century  This exquisite late 19th-century French Majolica vase, attributed to the renowned ceramist Th...

Pair of Japanese-style roll-shaped vases, made in “cloisonné” enamel and gilded bronze. The cylindrical body is decorated with polychrom floral branches, flowers and butterflies on a...

Early 20th century Japanese Bronze Champleve Flower Vase or Urn. Features a colorful champleve design of Pegasus's and butterflies between engraved bronze motifs. Marked Made in Japa...

Large planter decorated on the belly with a rotating decoration of polychrome flowers and geometric patterns in cloisonné enamel on a red background. It is inserted in an important p...

An antique Japanese stoneware storage jar, known as tsubo from Shigaraki kiln, circa 17th-18th century (early Edo possibly Momoyama period)....

PAIR OF JAPANESE VASE Japanese, Meiji period (1868-1912), in bronze with relief decoration of dragons, everyday figures and fish. Dimensions: Height: 45 cm

This pair of antique cloisonne covered jars or urns are unsigned, but originate from Japan from approximately 1900 in a Japanese export style. The pair is done in muted tones and are...

Collection of ten Japanese bronze vases, Japan, 20th century. They all exhibit sculptural forms and have a wide range of patinas from deep browns to warty verdigris greens. The large...

A charming and high quality pair of French 19th century Japonisme st. Cloisonné and Ormolu vases. Each stunning vase is raised by a square pierced Ormolu base supporting the sumptuou...

A 19th century Japonisme vase created in Bordeaux, France by Jules Vieillard et Cie. Dating from circa 1880–1895, this richly detailed large vase features a bulbous cylindrical form,...

Model n° 1567 Beautiful Japanese inspired baluster-shaped vase in tinted stoneware. The rich polychrome rotating decoration illustrates cranes in the moonlight, near a lake lined wi...

Handcrafted vintage pottery ceramic vase with a rounded body and a narrow neck. This piece seems to have been influenced by the Japanese wabi-sabi style pottery featuring simplicity...

This is a 19th century pair of Japanese Bronze Vases. These are an urn shaped vases that their bodies depicts a high relief scene of some Phoenix birds around some foliage together w...

Rare Japonisme Art Nouveau Smoked Glass Bamboo Vase, Signed E. Léveillé Paris, circa 1900 An exceptional Japonisme Art Nouveau smoked glass vase modeled in a naturalistic bamboo for...

Raku fired Large Vessel by Fernande Beland of Canada Mutiple colors of gold, green, amber, charcoal. The iridescence of the glaze is breath taking as the colors change with differen...

Mid century Signed Japanese Kakiemon Arita Imari Vase with Flowers.Signed Japanese Kakiemon vase by Sakaida Kakiemon XIII (1906-1982). A beautif...

Japanese Emperor Shōwa Period, Fine Ceramic Red Vase, Signed, Ca. 1980 Emperor Shōwa Period - from 1926 to 1990 ABOUT In the classic Japanese shape, this exquisite vase has a dram...

Set of five vintage nesting Japanese tea caddy / canisters. Made of tin, cylindrical form painted black and embellished with a word in gold. Two sti...

Strikingly theatrical in silhouette and surface, this Belle Époque decorative vase is constructed around a tall, cylindrical crystal body enriched with multiple zones of decoration, ...

This stoneware vase of a jar form was finely decorated with low relief carving and delicate colored glazes depicting bundles of peony flowers. It was made by Ito Tozan I (1846-1920) circa 1890-1900s in the late Meiji Period. The color pallet was both bold and subtle, with dark green and rusty leaves with golden outlines and white and light yellow peony petals covering much of the surface. Impressed with potter's mark on the base. Examples of two pieces by Ito Tozan I were in the collection of MNAAG (Guimet) Paris. Inventory no. MG 13790 an 13792. A vase with similar shape and decoration techniques is featured as Lot 1340 Fine Japanese Art, 13 Sep 2017 Bonhams New York Tozan Ito I established his ceramic business in Kyoto 1867. His studio made both porcelain and stoneware in a style some considered Satsuma while they retained a sophistication of Kyoto ware...

Vintage Royal Satsuma Japanese Hand-Painted Urn Style Vase, a Pair This exquisite pair of vintage Royal Satsuma vases showcases the timeless arti...

This Japanese-inspired ovoid vase, designed by the ceramist Ernest Carrière, was produced by the renowned silversmith Christofle. The base is adorned with a frieze of seashells, and ...

A very fine miniature ceramic vase in satsuma ware by Taizan Yohei IX (1864-1922) circa 1880-1890s of late Meiji period. The vase with a broad flat should...

Pair of Large 19' century powder-blue gilt-decorated jars. Each gold painted with a composite floral patterns, all against a powder blue ground enriched in gilt with scattered flower...

A magnificent collaboration between renowned glassmakers Ernest-Baptiste Leveillé and François-Eugène Rousseau, this exquisite pot-pourri urn is a testament to the Japonism period st...

Aritaware porcelain vase, Fukagawa, Japan, 20th century. Octagonal shaped vase. Graphic wrapped tassel design in gold and deep red on white ground.

Antique broken ceramic Japanese sake bup repaired with glass. Broken chips are welded by glass. This work is study for relationship between object and decoration. Subject is Destru...

Chinese Peking Cut Blue & White Cameo Glass Vase, Ca. ca.1900-1920 DIMENSIONS: Height: 12.5 inches Diameter: 5.5 inches ABOUT CHINESE PEKING GLASS Peking cut blue ...

A delicate and rare Japanese ceramic vase by the important Meiji imperial potter Makuzu Kozan (1842-1916) circa 1890s. Dated to his underglaze phase post 1887 after he successfully m...

An impressive and very rare 19th century French 'Japonisme' brass mounted turquoise fine earthenware jardinière by French ceramic artist Jules Vieillard & Co, dated between 1880-...

A striking blue and white vase from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama around 1870s and later became one of the appointed artist to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. With an impressively large size, this vase was likely made and reserved as a presentation piece for one of the many expositions the studio participated in the early 20th century. It was decorated with underglaze cobalt blue using the novel technique developed by Kozan called Fuki-e (the blow painting), in order to achieve the striking dimensional literary landscape known as "Mountain and Water". Being one of the most creative ceramists, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze around 1880s. New colors allowed him to create underglaze designs that appeared bright, smooth and glossy. He even invented his own receipt of cobalt blue to achieve a much brighter yet softer shade, as evident on this vase. To create landscape that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama Taikan...

A stunning pair of ceramic vases with gilt, paint and high-relief decoration by imperial artist Makuzu Kozan (1842-1916, also known as Miyagawa Kozan) circa 1876-81 (late Meiji period). These vases belong to early period (1876-1881) of Kozan's repertoire, during which time the high relief sculpturing (known as Takauki ware) was used as a distinguished technique on top of the traditional gilt and paint ornaments of satsuma ware. Due to the relatively limited production and the fragile nature of these wares, not a large quantity of the examples remained in the first place, not mentioning a fine matching signed pair in such impressive sizes. Not only a rarity, this pair of vases is also superb in workmanship, thus the fine example of the work from that short and unique period of the artist's career before he switched to the underglaze period. In a conceptually mirrored fashion, the surface is richly decorated with flying cranes among large lotus leaves and flower, like an idyllic aqua scenery of pure poetry on a circular scroll. The high-relief appliques were rendered and composed in realistic fashion but with a dramatic touch. They are literally about to break the surface free, alive and in motion. The dark colors of the glaze were used to set a moody tone. The approach to create this type of ornamentations is more akin to sculpturing an ink painting in three-dimension than ceramic making. It is not hard to imagine the demand of both the artistry and the technique. Both vases were signed as "Makuzu Kozan Kiln" and each further with another name and seal, which are most likely the individual artist involved in the making process. Similar signatures can be seen in the reference book below. For similarly Takauki vases, see Miyagawa Kozan Makuzu...

We are delighted to offer for sale this lovely pair of vintage Meji Style Bronze Vases depicting Bats and Dragons. A good looking and decorative pair, these are export pieces so mad...

A pair of porcelain vases in classic form, decorated with underglaze blue and copper red painting by Imperial potter Makuzu Kozan. Also known as Miyagawa Kozan (1842–1916), Makuzu was one of the most established and collected ceramist known to the west from Meiji Period. The vases are in a classic Chinese form called "Bang Chu Ping" (grain-mallet vase...

Bicone vase by U-Turn Ushiro. It is baked for several days in an anagama (a kiln that burns firewood). It is shaped vertically symmetrically. The copper contained in the clay blows out on the surface, and reddish-black spots can be seen partially. It is a work where you can see various reactions of various ingredients. U-Turn Ushiro While working at the fire station...

19th century French bronze vase patinated and decorated with cherry blossoms along with branch form handles. The baluster form vase with a quad form pierced base surmounted on a roun...

19th century Japanese Satsuma Vase ~ Jardiniere with Bronze Mounts is an amazing work of art with scenes hand-painted around the en...

Chinese Art Deco Famille-Rose Vase with Flower and Dragon Motif, Ca. 1920 DIMENSIONS Height: 24 inches Diameter: 10 inches

This is a vase made by the Japanese ceramic artist unit "Scarlet Pottery." It is a piece of pottery made using Amakusa pottery stone. Amakusa pottery stone is famous as the raw mater...

Japonesque sterling silver vase. Made by Tiffany & Co. in Union Square, New York. Lozenge pillar bowl on 4 scroll-mounted rectilinear volute-scroll supports. Engraved ornament: Flowe...

A rare porcelain vase by Makuzu Kozan (1842-1916) circa 1870-81 (late Meiji period). The vase is dated to the earlier work from Kozan's studio during his early period (Takauki-ware p...

#350 Japanese Edo Period Bronze Jardinière w/ Birds & Cherry Blossom Tree, 19th C. DIMENSIONS: Height: 9 inches Diameter: 12 inches DETAILS Edo Period (1603-1868) Meiji Period (...

A captivating matched pair of small Japanese cloisonné posy vases from the Art Deco period, each one a miniature showcase of the extraordinary craftsmanship that defines the finest w...

Planter presented at the Universal Exhibition, Paris, 1878, along with several other works on this theme, an extremely rare piece. An identical model is held in the Baccarat Museum's...

A fine Pair of 19th century Japanese Imari Porcelain and French Gilt-Bronze Mounted Thirteen-Light Celadon Torchere Candelabra. The bottle-shaped Japonisme vases with a Royal red background, decorated with parcel-gilt and black soaring eagles in the hunt within a forestall scene. Each Vase fitted and surmounted with a French 19th century Louis XV Style 13-Light scrolled candelabrum and all raised on a circular pierced gilt-bronze plinth. circa: 1880. Imari Porcelain (????) is the name for Japanese porcelain wares made in the town of Arita, in the former Hizen Province, northwestern Kyushu. They were exported to Europe extensively from the port of Imari, Saga, between the second half of the 17th century and the first half of the 18th century. The Japanese as well as Europeans called them Imari. In Japanese, these porcelains are also known as Arita-yaki (???). Imari or Arita porcelain has been continously produced up through the present day. Characteristics Though there are many types of Imari, Westerners' conception of Imari in the popular sense is associated only with a type of Imari produced and exported in large quantity in mid-17th century. This type is called Kinrande. Kinrande Imari is colored porcelain with cobalt blue underglaze and red and gold overglaze. The color combination was not seen in China at that time. Traditional Ming dynasty color porcelain used dominantly red and green, probably due to scarcity of gold in China, whereas gold was abundant in Japan in those days. The subject matter of Imari is diverse, ranging from foliage and flowers to people, scenery and abstractions. Some Imari design structures such as kraak style were adopted from China, but most designs were uniquely Japanese owing to the rich Japanese tradition of paintings and costume design. The porcelain has a gritty texture on the bases, where it is not covered by glaze. There is also blue and white Imari. Kakiemon style Imari is another type of Imari, but it tends to be categorized separately in Europe. History "Imari" was simply the trans-shipment port for Arita wares. It was the kilns at Arita which formed the heart of the Japanese porcelain industry. Arita's kilns were set up in the 17th century, when kaolin was discovered in 1616 by the immigrant Korean potter, Yi Sam-pyeong (1579–1655). (He may also be known by the name, "Kanage Sambei".) Yi Sam-Pyeong, along with his extended family of 180 persons, left Korea on the offer of a privileged position in Japan. This decision was made after the occurrence of certain Japanese invasions of Korea. After Yi Sam-Pyeong's discovery, his kilns began to produce revised Korean-style blue and white porcelains, known as "Shoki-Imari". In the mid-17th century there were also a lot of Chinese refugees in Northern Kyushu due to the turmoil on Chinese continent, and it is said one of them brought coloring technique to Arita. Thus Shoki-Imari developed into Ko-KutaniImari. Ko-Kutani was produced around 1650 for both export and domestic market. Blue and white porcelain continued to be produced and they are called Ai-Kutani. Ko-Kutani Imari for the export market usually adopted Chinese design structure such as kraak style, whereas Ai-Kutani for the domestic market were highly unique in design and are accordingly valued very much among collectors. Ko-Kutani style evolved into Kakiemon style Imari, which was produced for about 50 years around 1700. Imari achieved its technical and aesthetic peak in Kakiemon style, and it dominated European market. Blue and white Kakiemon is called Ai-Kakiemon. Kakiemon style transformed into Kinrande in the 18th century. Kinrande used blue underglaze and red and gold overglaze, and later some other colors. Imari began to be exported to Europe because the Chinese kilns at Ching-te-Chen were damaged in the political chaos and the new Qing dynasty government stopped trade in 1656–1684. Exports to Europe were made through the Dutch East India Company, but the designation "Imari Porcelain" in Europe connotes Arita wares of mostly Kinrande Imari. Export of Imari to Europe stopped in mid-18th century when China began export to Europe again, since Imari was not able to compete against China due to high labor cost. By that time, however, both Imari and Kakiemon style were already so popular among Europeans, Chinese export porcelain copied both Imari and Kakiemon style, which is called Chinese Imari. At the same time, European kilns, such as Meisen also tried to copy Imari and Kakiemon. Export of Imari surged again in late 19th century (Meiji era) when Japonism flourished in Europe. Thus in western world today, two kinds of Imari can...