Austrian Ceramics

Delicate Goldscheider Art Déco Ceramic Figurine of the 1930s: A dancer posing gracefully with her head tilted to the right, wearing a close-fitting bustier top and a floor-length, wi...

Very Rare Goldscheider Figure of the early 1920: Naked putto in a wide stance, curly hair, holding a bunch of blue grapes aloft in his right hand, in his left hand at his hip more gr...

Rare Goldscheider Ceramics Figure of the 1920s. Representation of a young dancer in a knee-length dress with a white flounce neckline, elaborate...

Hands-free painted pottery rectangular dish from Austria in Black Forest style. Grren glazed pottery decorated with a hands-painted tree decor in green all around. Showing trees in t...

Large hands-free painted pottery dish in black forest style. Decorated with handpainted trees in green in the and a hands-free painted garlande . Produced and handsfree painted in A...

Goldscheider Art Deco relief in glazed ceramics with woman's face. Austria, 1950s. In very good condition. Measures: 19 x 13 cm. Stamped.

Country Style set of six hands-free painted ceramic dinner plates. Decorated with a handpainted green pomegranate decor in the center and a hands-free painted garlande in pink. The g...

Country Style large hands-free painted ceramic bowl. Decorated with a handpainted green pomegranate decor in the center with butterflies and a hands-free painted garlande in pink ins...

Large hands-free painted ceramic bowl. Decorated with a handpainted green pomegranate decor in the center with butterflies and a hands-free painted garlande in blue inside and outsid...

A Stunning and beautiful Hand Painted ceramic Barzoi sculpture made in Austria by Goldscheider in the 1930s. This very decorative ceramic barzoi figurine by the renowned company of Friedrich Goldscheider in Vienna - Austria. The manufactory of Goldscheider, one of the most successful companies in European ceramic history, was founded 1885 and is world famous for their outstanding figurines and amazing shaped busts. This beautiful crafted early 20th century prowling ceramic barzoi dogs impresses with its realistic depiction. The timeless beauty and quality of this Goldscheider dogs sculpture makes...

Exceptional Austrian Putto in the style of Michael Powolny with bow, arrow and quiver on his back sitting on a colorful bed of blue bubbles. Magnificent s...

This very fine terra cotta sculpture was a high-end creation of the Keramos ceramic company in Vienna. Although the company produced its share of po...

Charming and sensuous at the same time, this finely detailed lidded jar depicting a nude Venus figure accompanied by Eros was sculpted by Willi Russ for the...

Austrian studio ceramicist. Goose in glazed stoneware. 1930s / 40s. Measures: 29 x 16 cm. In excellent condition. Stamped.

Ceramic Sign: Made in Austria Keramos 2051 19/M Wiener Keramos, later Keramos AG or Keramos KG , was a Viennese ceramics manufacturer that made a name for itself especially in the interwar period . In addition to their own designs, designs from the dissolved Wiener Werkstätte were also produced from 1932 onwards. In over 60 years of company history, around 3000 model designs have been produced by around 60 ceramists. Keramos also carried out commissions from the Wiener Werkstätte, such as vases by Dagobert Peche . History The origins of the Keramos company lie in two companies with the same name. The company Keramos – Invalid Society for Viennese Art Ceramics was founded at the end of 1919 on the initiative of the three ceramists Rudolf Wolf, Heinrich Wolf and Ludwig Rys, who had become invalids in World War I. Production started in September 1920. Art-ceramic lamps, figures, vases and boxes were produced. The company Keramos – Viennese art ceramics and porcelain manufactory was founded in 1920. Josef Hoffmann was a shareholder of Keramos for a long time, as was the sculptor Rudolf Podany, who was engaged from the start and created a large number of designs. From 1921 Anton Klieber was employed, who was also responsible for most of the models. Around 1924 both companies were merged and converted into an AG, commercial director became Otto Köller, the technical directors were the brothers Rudolf and Heinrich Wolf. "Some war invalid ceramists founded a workshop with the help of some artists, which was subsequently financed by the state and later enlarged with its participation and converted into a joint-stock company." The company's headquarters were in the Hofburg , Schwarze-Adler-Stiege, the factory in the 10th district of Vienna, Schleiergasse 17. Artistic collaborators at that time were Eduard Klablena , Otto Prutscher , Karl Perl , Karin Jarl-Sakellarios , IDA Schwetz- Lehmann and Grete Fucik-Fischmeister. On February 23, 1928, the triangular mark was entered in the trademark register. It was now also produced for the Wiener Werkstätte. Difficulties for the company arose from the Great Depression . Around 1932, 50 people were employed and a large number of models from Eduard Klabena and the dissolved Wiener Werkstätte were taken over. The works created by Keramos were labeled with their company brands until after 1941. From 1939 the economic situation of the company was better managed by taking over the production of ceramic winter welfare organization badges, the so-called WHW badges. Before 1941 the company is converted into a KG named Keramos, Wiener Kunstkeramik und Porzellanmanufaktur Brüder Wolf KG . Otto Köller was no longer active from this point on. After the end of World War II, Robert Obsieger recommended Robert Mathis as the new head of Keramos, who took over the management of the ceramics manufactory in 1945. In 1949 Mathis introduced a new company logo, which was used alongside the existing triangle mark, the so-called coat of arms mark. Anton Klieber and Rudolf Podany continued to work as ceramists, and new artists such as Josef Lorenzl and Stephan Dakon , both of whom had previously worked for Goldscheider , as well as Rudolf Chocholka, Karl Grössl and Ina Eisenbeisser were engaged. New models such as dancers, children's figures, animals and nudes were created, as well as the well-known wall masks, young people and poodles from the mid-1950s, which corresponded to the trend at the time. In addition, however, traditional designs such as Madonna statues and busts, saints and angels were still made. Utility ceramics such as crockery, vases, lamp bases, candle holders and flower pots also became an important branch of production, and cooperation with the German manufacturer Carstens at the beginning of the 1960s was just as lucrative. In the course of the 1960s, the sales markets for figurative ceramics became increasingly difficult. So until 1982, production was increasingly shifted to everyday ceramics, since ceramic figures were no longer modern due to changing tastes and the spirit of the times. Ultimately, the economic situation at Keramos became more and more difficult and Klaus Mathis, the son of Robert Mathis and then director, who succeeded his father at the helm of the company at the beginning of the 1970s, initiated the liquidation of the company at the end of 1982 . Staff The following artistic collaborators have worked for Keramos over the years: Hans Adametz , Franz Barwig the Elder , Franz Barwig the Younger , Andreas Beck, Hans Bolek, Angelo Bortolotti, Hertha Bucher , Rudolf Chocholka, Stephan Dakon , Ferdinand Doblinger, Eckstein, Franz Eggenberger , Ina Eisenbeisser, English, Stephan Erdös, Alois Feichtinger, Feyslitz, Hans Friedberger, Grete Fucik-Fischmeister, Kurt Goebel, Anton Grath, Karl Grössl, M. Günther, Otto Hafenrichter, Arnold Hartig , Friedrich Herkner, Trude Hillinger, Leopold Hohl, Hostasch, Karl Jamök, Karin Jarl-Sakellarios , Eduard Klablena, Klar, Anton Klieber, Maria Klinger, Josef Kostial, Josef Lorenzl , Wilhelm Otto Lugerth, Viktor Matula, Gusty Mundt-Amman, Novotny, Carl Perl, Rudolf Podany, Friedrich Pollak, Hugo Postl, Adolf Prischl, Otto Prutscher , Max Rieder , Elisabeth Rieger-Hofmann, Walter Ritter , Willibald Russ, Karl Sailer, Schönberg, Schwarz, Ida Schwetz-Lehmann , Sult, Robert Ullmann , Otto Weigand, IDA Weiss-Moricz, Rudolf Wolf. Exhibitions • Jubilee exhibition of the Wiener Kunstgewerbeverein, Austrian Museum , Vienna 1924. • Arts and Crafts Exhibition, Paris, 1925. • Exhibition of Austrian arts and crafts...

Depiction of a female dancing couple, named Katta Sterna and Maria Solveg, in identical costumes with backless, fitted, black and white patterned top with black neck piece closed hig...

Exceptional Art Déco model of the Goldscheider company: Dancer dressed in a light green and black Pierrot costume with a high hat, holding the large cloth decorated with flowers on t...

Exceptional Goldscheider Figurine of the 1920s after an Art Nouveau Design: Representation of a thoughtfully walking harlequin in an elaborate costume decorated with a large floral ...

Circa 1910, by Robert Hanke for Royal Wettina, Austria. Spectacularly ahead of its time, this ultra-modern secessionist vase is bold in shape and subtl...

Rare Goldscheider Art Deco ceramic figure group of the 1930's: A dancing couple in traditional Spanish costume is shown. The lady is wearing a m...

Very Rare Goldscheider Ceramic Figurine: Young female revue dancer with chin-length hair and bare torso in light blue short skirt, holding up the long trains with large-scale floral ...

Austrian Huge Ceramics Vase 'Four Seasons' deriving from Keramos / Vienna manufactory, designed by Susi Singer (1895 - 1965) made circa 1925 Excellently manufactured ceramics vase of most interesting shape: The bellied vase of tapering type stands...

A dancer in a butterfly costume is shown, standing, arms raised and head tilted sideways, making a slight twisting motion. The fabric falling from the sleeves is reminiscent of butte...

Very exceptional decorated Goldscheider Art Deco ceramic figure of the 1920's: Depiction of a standing lady in oriental garb, proudly looking to the side, wrapped in a large blue-gre...

Rare Art Deco Goldscheider ceramics figurine The dancer wears a blue-green dance dress cut low in front and at the back with a wide, short skirt...

Girl with shoulder-length, brunette hair in a gymnastic suit consisting of short trousers and a tight bustier tied crosswise at the front in gymnastic shoes balancing a step on the b...

Depiction of a dancer in Spanish costume: she wears a mantilla, a veil cloth that covers the head and neck down to the shoulders. Often, as here, a high comb is also tucked underneath, the peineta. The cloth is still worn today for festive costumes and is mostly made in lace technique. In addition, the dancer wears an elaborately decorated with floral patterns asymmetrical ruffled skirt. On oval, black-beige marbled base in rare execution. This figure also exists as a group 'Spanish Dance' with dance partner, model number 7557, a more frequent version. Designed by Josef LORENZL (1892 - 1950), an Austrian sculptor and ceramic modeler. His bronze statuettes often show graceful dancers with long...

Exquisite ceramic figurine of the late 1930s: Delicate young dancer with ash-blonde chin-length hair adorned with a flower on the side, wearing only a long green cloth with a light s...

Pair of large Austrian ceramic cake plates by Gmunder Keramik.

Pair of polychromed ceramic vase by Julius Dressler, Austria, early 20th century.  

Ceramic vase signed Ernst Wahliss, Vienna, Art Nouveau period, circa 1890.

Finest Viennese Ceramic Art from the 1920s: Standing young lady, holding a black mask in her folded hands and gazing dreamily to the side, dressed in a green two-piece outfit with a ...

Exquisite Royal Vienna portrait porcelain gilded cabinet plate featuring hand-painted illustrations of two beautiful young neoclassical women lounging in a garden. The cobalt blue bo...

Very Rare Goldscheider Ceramic Figurine. The young lady with a blonde page-boy hair cut is wearing pink pajamas with blue-green hems and is sitting astride a white chair upholstered ...

Excellent and rare Art Nouveau ceramic piece from a series of the four seasons: Naked putto in a wide striding position, his blond head tilted to the right and holding a cascade of ...

Rare Art Ceramics Model by Goldscheider from the 1920s: Portrayal of the dancer Lucie Kieselhausen in an exotic costume consisting of a jacket and knee-length skirt with star decoration in brown, blue and yellow, sleeves and skirt part with tiered flounces with a wavy hem, the waisted jacket on the side and on the back with three peaks similar to a bellflower, jagged headgear with long colored feathers curved upwards, floral decorative element on the side of the posing figure at her feet. The figure is based on a black, round base with the artist's signature 'Kostial' on the top next to the figure. The dancer and actress Lucy Kieselhausen (1897 - 1926) was a student of Grete Wiesenthal and was a successful German dancer at the beginning of the 20th century. Lucy Kieselhausen appeared in three silent films: 'Thousand and one Woman' (18), 'The Seventh Great Power' and 'Earth Spirit'. In addition to her dancing activities, Lucy Kieselhausen also wrote the dance drama 'Salambo', which was set to music by Heinz Tiessen. In 1926, Lucy Kieselhausen died in a tragic accident caused by a petrol explosion with a burning jet of flame in her bathroom. Source: Cyranos ch Designed by Josef KOSTIAL...

Very Rare Goldscheider Vienna ceramic figure of the 1930s: Standing, elegant lady with a dark feather hat, in a long, dark skirt and a red, tailored jacket with a high, light-grey c...

Especially rare goldscheider ceramic figurine group. Boy in sailor suit with shorts, long-sleeved top and sailor hat, carrying a school bag on his back, leading a smaller girl lost ...

Very rare Goldscheider Art Deco ceramic figure of the 1920's: Depiction of a standing Pierrot in a slightly bent position, his right hand in the...

Painted ceramic "Aida Odalisque" by Josef Lorenzl signed Goldscheider. Art Deco period, Vienna, circa 1925.

Very rare Goldscheider Vienna Figurine of the 1920s A standing dancer looking to the side with arms crossed and raised in front of her is shown. The young lady wears a Russian costume, decorated with elaborate blue embroidery, with a high fur cap and a highly tailored, fur-lined coat with wide sleeves, tight trousers and high, black heeled boots...

Excellent ceramic piece in the tradition of Michael Powolny: Standing putto, dressed only in a short-sleeved vest and belt, with a feather crown on his blond curls, a small bow and q...

Rare goldscheider figure of the 1920s: The standing dancer wears a pink cylinder hat on her short brown locks. The flower-patterned top of her costume is tight-fitting and sleeveless. Tilting her head slightly to the right, she pulls up her shoulders and lifts the front hem of the frilled skirt...

Glazed ceramic jardiniére. Art Nouveau period. Austria, late 19th century.

Finest Viennese ceramic art from the 1920s: The standing young lady holds a black mask in front of her in her folded hands and looks dreamily to the side. She wears a blue and rose two-piece suit with a slouchy top and ruff...

Excellent Goldscheider ceramic figurine of the late 1930s: Young elegant lady in an off-the-shoulder top of black lace and a long skirt of red lace swinging up in waves at the back, ...

Extremely Rare Goldscheider Ceramic Figurine of the 1930s: Pale young lady with a well-formed, slender figure and parted, curly, shoulder-length hair, balancing on tiptoe, arms rais...

Impressive Goldscheider Vienna Ceramic Figurine of the 1920s: The young lady with artfully pinned-up hair is wearing only transparent, hold-up stockings and high-heeled shoes, as wel...

Depiction of Russian prima ballerina Anna Pavlova as the dying swan in an expressive dance solo (Pas seul) by choreographer Michel Fokine, which was conceived exclusively for the dan...

Exquisite ceramic figurine of the 1930: Delicate dancer in a tight-fitting, dark blue costume with short legs and a pink and purple frill, on her feet gymnastic shoes, balancing on t...

Posing young revue dancer with a pageboy hairstyle, taking a step forward while lifting the bellflower-shaped hem of her short blue dress with a fur collar and colourful stylised flo...

Rare and delicate Goldscheider Vienna ceramic figurine of the 1930s: Depiction of a standing, elegant lady in a long, red, checkered dress with tiered flounces, matching hat and red ...

Impressive Goldscheider Vienna Ceramic Figurine of the 1920s: The young lady with artfully pinned hair wears only transparent stockings and high heels, as well as a headdress densel...

Rare Goldscheider Vienna Art Déco Art Ceramic Group of the late 1930s: Little blond girl with curly hair in a white and blue checked summer dress with red edges holding a fox terrie...

GOLDSCHEIDER VIENNA SO-SAID "ASCHENKINDL" Designed by Ernst WEBER, circa 1928 made circa 1928 - 30 model number 5790 / 32 / 1 HALLMARKED: Goldscheider WIEN (= VIENNA) stamp mark Made in Austria SUBJECT: THERE IS A FIGURE OF A SITTING BOY WEARING A SMALL ROUND HAT - he balances a pot for keeping matchsticks. Additionally, there is a large round platter for putting ash on it existing. The boy is clad in lovely costume - a jacket with mesh and large-checked trousers...

A very rare Viennese Art Déco ceramic figure: Japanese girl with a flower-adorned page-boy hairstyle standing, wearing only an orange-red cloth draped around her hips, holding a cor...

Ceramic woman with sled sculpture signed Friedrich Goldscheider. Austria, circa 1900.

Very Rare And Exceptional Goldscheider Art Déco Ceramic Figure: Striding girl in blue coat over beige dress and matching blue cap with beige border with red embroidery pattern, gray ...

Exquisite porcelain figurine of the 1930: Aparte dancer in a tight-fitting red costume with short trouser legs and ruff, gymnastic shoes on her feet, balancing on the ball of her rig...

Rare Art Déco Goldscheider Figure Group Of The 1930s: Gallant couple: dancer in a fan-like flared dress with flounces and floral decoration with her upper body and crossed legs lean...