German Serveware, Ceramics, Silver and Glass

A 19th century Meissen porcelain 'Elements' ewer emblematic of water. Blue crossed swords mark. The present ewer, representing water,...

A 19th C. Meissen Porcelain Figural Group of Musician Lovers seated on a Sofa with a Pug Dog, After J.J. Kandler. The piece depicts a man and a woman seated on an ornate sofa, each engaged in a musical performance. The woman is elegantly attired in a gown adorned with delicate floral motifs, playing a lute, while the man is dressed in fine blue and gold attire, playing a flute. Their facial expressions reflect concentration and grace as they engage in a shared musical moment. The intricate detailing in their clothing, including the delicate folds of the fabric and the fine detailing of the lace and ribbons, the 24k Gold...

Set of 6 beautiful Limoges porcelain plates, made by the famous Seltmann Weiden manufactory in Bavaria, Germany, 1960s. These beautiful vintage plates have a white porcelain base an...

A stunning set of antique Greek Key rimmed Luncheon & Salad Plates, service for six By C. Tielsch Altwasser Germany, early 20th century Sala...

Johann Haviland Bavaria, Germany. 14 decorative plates in hand painted porcelain. Flowers on a pink background and gold decoration, 1930s. Measures: ...

A magnificent and quite large, Baroque style, Museum Quality, Antique Meissen Porcelain Grouping of Mars, the God of War, Chariot with his Putti Servant, originally designed by Johann Joachim Kändler in 1772-1773 for Czarina Katharina, better known as Catherine the Great. Mars, the Roman God of war, is seen wearing a Roman war attire on his white double horse-drawn chariot. While seated, Mars is seen holding the handle of his sword. On his head is a beautiful silver helmet...

Otto Wolter, German Sterling Silver Tea set, Mid 20th Century A 3 piece German Sterling Silver tea set by Otto Wolter (1875-1991), consisting of a teapot, milk jug and a sugar bowl...

Mid-Century Modern Rosenthal porcelain tea or coffee set for 12.

17th century Frankfurt German Faience Blue & White chinoiserie Trumpet-neck Bottle Vase, circa 1680-90. The vase is decorated in underglaze blue and white with a chinoiserie landscape with a Chinese figure with banana plants...

A large rare pair of 19th century Meissen Chinoiserie style Nodding Pagoda Figures with Movable Head, Hand and Tongue, known as a "Nodder'. This Unusual...

Classic early 1960s bottle opener. Nice addition to your room or just for use at your bar or bar cart. Found at an estate sale in Nuremberg, Germany.

This pair of Meissen figurines depicts four infants, each representative of one of the Four Seasons. Autumn and summer are paired together, w...

Bjørn Wiinblad for Rosenthal. Romanze Blue Flower coffee service. 1960s. Consisting of coffee pot, sugar bowl and creamer. The coffee pot measures: 23.5 x 19 cm. The sugar bowl me...

A Highly Important pair of Museum Quality Louis XV Period 18th century Meissen Porcelain filigree openwork vases with a medially of flowers and vined leaves. This is truly an excepti...

A fine antique 18th century German porcelain teapot. By Wallendorf. In the East Frisian Rose pattern. The lid set with a chain link connecto...

Charming set of four portable and stackable shot glasses gilt silver. They were often used for recreational activities like hunting, fishing, picnicking, or social gatherings. Fantas...

An extremely rare WMF silver plated cutlery set for 18 persons, comprising approximately 256 pieces. Housed in its original Art Nouveau cabinet with silver plated organic stylised mounts, this remarkable ensemble retains the complete original Art Nouveau cutlery...

Mid Century Ceramic Bowl (ideal use as matchbox holder) with matching ashtray, ca. 1960. Emerald green, brown, gold & white internal colour. Black external colour. Measurements: ...

A KPM porcelain model of a parrot German, late 19th century Measures: Height 23cm, width 12cm, depth 9cm Marked for KPM, the leading German porcelain makers, this charming and ...

German Majolica Leaves & Ferns Plate, Circa 1890.

German Majolica Leaves & Flowers Plate Circa 1900.

This exquisite antique salt and spice cellar with centered mustard pot menagere is a stunning example of Art Nouveau design by the renowned German manufacturer WMF (Württembergische ...

midcentury SCHRAMBERG MAIOLICA Barbotine FISH TUREEN TERRINE handpainted Design Period 1955 to 1965 Production Period around 1960 Country of Manufacture Germany H / height: 11cm both ~ Gew. / weight: 2950grs DM / diameter casserole : 30 cm x 15cm x 11cm high ~ 19cm with its lid MARKED: Schramberger Majolikafabrik 5624 :-: fair condition with some very small chips (see photos) - Considering the sensitive material I would even say it is in good condition -- let´s call it charming vintage :-: To ensure a safe arrival, this item is packed in super-safe packaging. (up to 10 Kg) SMF SCHRAMBERG was originally founded in 1820 as Faist'sche Steingutfabrik by the stoneware expert Isidor Faist on the site of the abandoned Schramberg castle. By 1829, Faist and his factory had gained such a good reputation that Baron Ferdinand von Uechtritz became his partner under the new name of Steingut- und Majolikafabrik Uechtritz & Faist. With the Baron's financial support, the partners were able to build a new factory behind the castle, which dramatically increased production. By the 1860s, the company had a permanent workforce of 100 and an impressive number of almost 6,000 homeworkers (decorators, etc.), mainly children and women. From 1882, Faist began taking orders from Villeroy & Boch, who eventually bought the Schramberg pottery in 1883 and continued to operate it as a V&B subsidiary until the early 20th century. In 1911, several of the factory buildings had to be demolished to make way for the local railway, which drastically reduced production and caused Villeroy & Boch to lose interest in the site, which they sold to brothers Moritz and Leopold Meyer in 1912. It was the Meyers who introduced the "SMF" trademark and eventually gave the company its permanent name, Schramberger Majolika-Fabrik. In 1918 the company was transformed from a sole proprietorship to a limited liability company and the transformation was complete. The Meyer brothers were always on the lookout for new talent, and many famous artists joined the factory or contributed designs in the years that followed. Their decorative ceramics, stylized in vibrant colours, attracted much attention in the 1920s. Eva Stricker-Zeisel was a prominent designer for the company from 1928 to 1930. Her designs were strongly influenced by the Bauhaus movement and her modern form and decoration designs gave an avant-garde look to part of the production programme. As well as designing the shapes, Eva Zeisel also supplied the intended decorations for the pieces, although the decoration department often adapted her decorations to shapes for which they were not intended. They would even use them on shapes other than those designed by Zeisel and apply decors not designed by her to her shapes. This particularly happened with the very popular 'Mondrian' pattern, which often appeared on non-Zeisel shapes. The factory continued to produce Zeisel's designs for some time after her departure, but she sometimes felt that the designs were not exactly as she had intended. With the economic crisis of the early 1930s, the focus of production shifted to tableware and utilitarian ceramics, until the Nazis forced Moritz and Leopold Meyer to sell the factory in 1938 as part of the forced aryanisation of the German state. Both emigrated to England with their families during the war, but in 1949 Peter Meyer...

A very large, impressive and rare Meissen Porcelain Model of an Eagle, circa 1880. It is finely engraved and then hand-painted to create texture and realistic coloring. Naturalistica...

Mid-Century German Owl Style Metal Shot Glasses, 1960s, Set of 5, in Very Good conditions. Designed 1960 to 1969. Additional information: Materials: Metal...

A German Art Nouveau crystal with silver cap inkwell, ca 1890 An Art Nouveau elegant inkwell, made of crystal glass with a silver cap, made in G...

Large Set of 27 Rosenthal Crystal Stemware, Germany, circa 1960s. There are three different size glasses, and they measure 7.25"H, 6.5"H and 6"H each.

A set of (3) antique German porcelain tea / coffee pot trivets. Each plate is a 6.5' in diameter and about 1" thick. Each trivet plate features gentle victorian flower design. All tr...

A fine 49-piece Meissen porcelain dinner service in a rare purple/puce color, including 10 10-inch dinner plates, 12 9-inch luncheon p...

Vintage coffee set designed by Kontrollstelle for Rosenthal Germany. The porcelain set comes in a bone white and taupe colorway. A complete serving...

German Majolica red fruits plate, circa 1890. 3 plates available.

Beautiful West German ceramic pitcher or vase. Marked '1609/25' on bottom. Regarded as the golden age of ceramics, highly collectable 1950s-1970s Art Pottery is known for experimenta...

This is a beautiful and ornate Vintage Dresden Revival porcelain centrepiece, late 20th century in date. The centrepiece features a winged cherub on each side holding an oval pierc...

Hand blown crystal vase/latern in purple glass with an antique country style Easter decor all-around. The country style decor shows bunnies and trees all-...

Large West Germany Ruscha Art Pottery Plate, 1950s A stunning vintage ceramic plate by Ruscha, West Germany, handcrafted circa the 1950s. This exceptional piece features a relief-gl...

Bjørn Wiinblad for Rosenthal. Lotus porcelain service. Two serving dishes decorated with pink lotus leaves. 1980s. Round dish diameter: 29.5 cm. In ex...

This is a truly magnificent pair of hand painted porcelain spill vases accomplished in the Dresden manner, dating from the second half of the 20th century. Each vase features a maid...

Mid-Century Italian Ceramic Tray by Bitossi for Rosenthal Netter, 1960s, in Very Good conditions. Designed 1960 to 1969 This piece has an attribut...

Silver 264-piece flatware (cutlery set) for 18 persons, Made by Koch & Bergfeld, Germany / Bremen, circa 1900 Gorgeous German cutlery set / flatware / dinnerware consisting of 264 pieces. Most elegant design = Baroque FORM & engraved initials HG. Additionally, this cutlery set is kept in Gorgeous wooden chest made of oakwood (refurbished by hand): Two doors - having lock and key - are existing at front side / additionally, a hinged platter which is upholstered at inner side is attached to chest's upper side. Inside there are five drawers with knobs visible, all of them well-equipped with finest interior decoration (interior design) presenting this flatware set's parts in most elegant manner. This cutlery set / flatware consists of following parts: 18 dinner knives. 18 dinner forks. 18 soup spoons. 18 appetizer knives. 18 appetizer forks. 18 appetizer spoons. 18 coffee (dessert) spoons. 18 ice-cream spoons. 18 fish knives. 18 fish forks. 18 cake forks. 18 mocha spoons. 18 forks for fruits. 18 knives for fruits. Three napkin rings. Two sugar tongs. One small carving fork. One knife for butter. One fork for cheese. One fork for cake. Two forks for meat...

19th Century Meissen Blue Onion, Handled Three-Section Shell Dish  Germany, late 19th century A large and magnificent 19th-century Meissen Blue Onion-handled three-section shell dis...

Set of 4 1960’s Scheurich Keramik West German Ceramic ‘Folgina’ Vases. Numbered on Base: W. Germany 289-15/17/27. Beige / Brown glaze with the 'Folgina' flower or clove pattern. Thre...

A Monumental Meissen Porcelain Figural Group of Apollo and the Nine Muses on Mount Parnassus. Comprised of sixteen interlocking parts. Apollo standing holding a lyre and with Pegasus besides a tree, atop a rocky outcrop detailed with foliage and waterfalls above nine goddesses: Calliope, seated and shown writing, representing eloquence and epic poetry. Clio, seated with an open book and blowing a trumpet, representing history. Erato, seated and holding a kithara, representing science and the arts Euterpe, seated and holding a flute, representing music. Melpomene, seated holding a knife and with one hand to her head, representing tragedy. Thalia, seated and holding aloft mask, representing comedy and idyllic poetry. Urania, seated with telescope and globe, representing astronomy and astrology, Polyhymnia, standing with one hand raised and holding a book, representing sacred poetry. Terpsichore, standing, representing dance. Each piece exceptionally finely detailed and painted. The base portions with rocaille edges. On a later black polished wooden base. Multiple blue crossed swords marks. Each piece titled to underside. German, Circa 1880. Mount Parnassus, is a spur of the Pindus Mountains in central Greece and was sacred to the ancient Greeks and in mythology to Apollo, the god of music and poetry and of the Sun and light. Mount Parnassus the mythical centre of poetry, music, and learning in ancient Greece was a popular theme in Barqoue and Rococo art, often substitutable with Athena’s arrival at Mount Helicon from the fifth book of Ovid’s “Metamorphoses”, where she asks the Muses to show her the new spring which gushed forth from the spot where Pegasus “with his hoof of horn opened the earth” (V, 250-260). Here, the mountain, formed from rugged rock cliffs, culminates in a plateau on which the youthful Apollo stands and plays the lyre. The Castalian spring flows from beneath Pegasus’ hoof, representing the source of inspiration and attracting the nine muses, who embody the arts and inspire creation through song, music, and dance. Mount Parnassus was created at the Meissen porcelain manufactory as a table centrepiece and an earlier version, apparently with only five muses, is listed in the inventory of the pastry shop of the Meissen manufactory manager and cabinet minister Heinrich Graf Brühl in 1753. The storage in the pastry shop of approximately 3,000 objects and dishes, including many individual parts for centrepieces, is related to their function as table decorations, replacing decorations previously made by the confectioner from perishable materials such as sugar or wax. The purpose of this table decoration was as a feast for the eyes to accompany the feast of the banquet. The sculptural figurines often depicted a particular theme, with characters drawn from theatre and opera, from classical mythology or pastoral idylls. Allegories and mythological themes, such as the glorification of fine arts, were also popular. Stylistically, Mount Parnassus fits Kändler’s style of the 1740s, and was sold by Brühl in 1762 to Frederick the Great of Prussia who used mythology as a means of self-expression and had already ordered individual figures of Apollo and the Muses as table decorations in 1744. Today it is in the Museum of Applied Arts, Frankfurt (inv. no. M.L. 41). There is another version of Mount Parnassus, from the collection of Prince Alexander Dolgorukoff, in the Hermitage in Saint Petersburg. The present version dates to the second half of the nineteenth century when there was a great revival of Kändler rococo figurines which were reissued and a “Second Rococo”. Another nineteenth century example is in the collection of the Museo Francesco Borgogna, Italy (inv. 1906, XIII, 19-20). These nineteenth century versions were made by the Meissen factory using Kändler's period models. It is recorded that a new version of Mount Parnassus, dating to the 1880s, was part of the Royal Porcelain collection in Dresden: 'In the porcelain collection there is a new version from the 1880s based on the old models, the largest group of this genre, the Parnassus, which shows the named muses all around on the lower part of the rock, each practising their own art, while on the top there is Apollo with the lyre and next to it the Castalian spring rises from the hoofbeat of Pegasus. Each figure is executed individually with its rocky background, and all the pieces are then fitted together, as we have already seen in his earlier, larger compositions. The rock pieces are finished off like a pedestal at the bottom with Rococo ornaments.' (Jean Louis Sponsel, Kabinettstücke der Meissner Porzellan-manufaktur von Johann Joachim Kändler, Leipzig, 1900, pp. 203-204). Kunst und kunsthandwerk; monatsschrift herausgegeben vom Österreichischen museum fuer kunst und industrie, Vienna, 1894, v.7 pt.1, p.133. Kari Berling, Das Meißner Porzellan und seine Geschichte. Leipzig 1900, S. 99, 187-200. Helmuth Gröger, Johann Joachim Kaendler. Dresden, 1956. Peter W Meister, Franz Adrian Dreier, Figürliche Keramik aus zwei Jahrtausenden. Kat Museum für Kunsthandwerk, Frankfurt. Frankfurt 1964, Nr. 90. Rainer Rückert, Meißener Porzellan, 1710-1810. Kat. Ausst. Bayerisches Nationalmuseum München. München 1966. Stefan Bursche, Tafelzier des Barock. München 1974, Abb. 300. "Tafelaufsatz, Der Parnass", Auswahlkatalog, Museum für Kunsthandwerk (Frankfurt am Main, Germany), 1987, pp. 86-87. Alfred Ziffer, ‘Meissener Porzellanplastik für fürstliches Interieur und Zeremoniell’, Keramos, Issue 241/242, pp. 29–52. MEISSEN The production of Meissen porcelain began in 1710 at the manufactory at Meissen...

huge French Majolica Fish Platter Sarreguemines 1950s in very good condition German : Saargemünd / French Sarreguemines) is situated in the north-east of France, on the border wi...

Björn Wiinblad for Rosenthal - Studio Linie, Germany coffee or tea set. Large vintage German service of the famous Rosenthal Linie factory from Germany...

Life-size glass head in a unique transparent color. Produced in a German steelworks in the 1970s. Perfect condition. A perfect addition to the interior, photo prop, display or headph...

German Majolica plate with morning glory on a blue basket weave and a brown border, circa 1900.

This set of six champagne glasses, designed by Peter Behrens for Benedikt von Poschinger, dating back to 1898, embodies a skillful blend of innovation and aesthetics. Each glass feat...

A fine stainless steel German carving set with mother of pearl handles, from Carl Wolfertz & Sohne, circa 20th century, Solingen, Germany. Set includes carving knife, fork, and sharpening steel...

German Mid-Century Modern Space Age Ceramic Heidelberg Series Tea Service from Melitta, 1960s, Set of 10, in Very Good conditions. Designed 1960 to 1969 This piece has an attribution...

An enchanting set of four, late 19th century Meissen porcelain groups, depicting the four seasons, each with putti playing around a logs fire, a bail of hay, picking grapes and garla...

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A Unique and Monumental Late 19th Century German Meissen Porcelain Mirror This palatial mirror is made up of around 12 wonderful individually hand c...

This exquisite pair of very large German porcelain figural centerpieces exemplifies the refined artistry and craftsmanship associated wit...

These completely handmade porcelain pastry dish is hands-free painted with a charming easter decor with rabbits and colored eggs. Rimmed by hand with a fine 24 carat gold line. Handm...

Tapio Wirkkala for Rosenthal. Eight rare Modulation porcelain plates with fluted rim. Platinum Detail. Classic and timeless design. 1960...

These completely handmade porcelain bowls are painted by hand with a charming hands-free winter decor. Teh decor comes as a set of three decors. One shows...

A fine antique Dresden porcelain vase. By Thieme Potschappel. Decorated throughout with encrusted porcelain flowers and painted scenes. One side of the bottle is painted with flowers, the other with a scene of 3 children in colonial/medieval garb. With gilt highlights. Simply a lovely porcelain vase! Date: 20th Century Overall Condition: It is in overall good, as-pictured, used estate condition with no chips, cracks, or repairs. Condition Details: There are typical losses to the flowers & foliage. Otherwise, there are some fine & light surface scratches and other signs of expected light wear consistent with age. Marks: Marked to the base with a Thieme...

Stylish MCM teak and stainless steel carving set by Jens Quistgaard for Dansk, circa 1960s. The set includes a 14" carving knife and a 11" double pronged serving fork. Both pieces ar...

Classic early 1970s bottle opener. Nice addition to your room or just for use at your bar or bar cart. Found at an estate sale in Germany.

This is a beautiful single vintage stemmed liqueur glass from Austria. It features a bare women's shaft and is Bimini art style. The glass has a wonderful design, the stem depicts a ...