Baltic Porcelain

Majolica plate with rooster signed Hippolyte Boulenger Choisy le Roi, circa 1890. The manufacture of Choisy le Roi was one of the most important manufacture at the end of 19th centu...

A painting on porcelain of a nobleman and nude woman with cupids, elaborately painted and highly detailed. The original gilt wood frame with reti...

A French yellow glazed majolica porcelain basket from the 19th century, with a set of six egg cups and pink ribbons. Created in France during the 19th century, this majolica porcelai...

Majolica plate with rooster signed Hippolyte Boulenger Choisy le Roi, circa 1890. The manufacture of Choisy le Roi was one of the most important manufacture at the end of 19th centu...

Painted Porcelain rooster, Germany, late 19th century.

The Following Item we are offering is a Beautiful Museum Quality Painting on Porcelain of a Woman surrounded by Cherubs holding Garland. Magnificently done with Outstanding Detail. Framed in a Beautiful Wooden Frame, inscribed Ch. Chaplin. Taken out of the Penthouse Estate of the President of Prestige Jewelers Upper East Side, New York City. Framed Measurements: 24" H x 33" W Charles Joshua Chaplin (8 June 1825 – 30 January 1891) was a French painter and printmaker who painted both landscapes and portraits. He was an accomplished artist mastering different techniques such as pastels, lithography, watercolor, chalk, oil painting and etching. He was best known for his elegant portraits of young women. Charles Joshua Chaplin was born on 8 June 1825 in Les Andelys, Eure, France. His mother, Olympia Adelle Moisy, was French, whereas his father, John Chaplin, was an art broker from England. Charles Chaplin spent his whole life in France, becoming a naturalized citizen in 1886.[1][2] He studied at the École des Beaux-Arts in Paris from 1840, and he took private lessons in the studio of Michel Martin Drolling, whose apprentices included Paul Baudry, Jules Breton and Jean-Jacques Henner. Later he also taught at the École des Beaux-Arts.[2] In 1845 he entered the Salon de Paris, the official art exhibition of the Académie des Beaux-Arts, as a portrait and landscape painter with the painting Portrait of the Artist's Mother. Chaplin conducted art classes specifically for women at his studio. The American artist Mary Cassatt, the French artist Louise Abbéma and the English artist Louise Jopling were among Chaplin's students. His son Arthur Chaplin was also a painter. Chaplin died on 30 January 1891 in Paris as a wealthy man and is buried in the Père Lachaise Cemetery.[3][4] Chaplin made his debut at the Salon with portraits, but he also painted landscapes, particularly the countryside of Auvergne. His early works, from 1848 to 1851, were painted in a more realistic style, and are characterized by an interest in realism, which was a style that had been reestablished in France by the French Second Republic, that had the motto Liberté, égalité, fraternité, and was ruled for three years by the republican government of France from the 1848 Revolution until the 1851 coup by Louis-Napoléon Bonaparte. Realism was an artistic movement that began in France in the 1850s, after the 1848 Revolution.[5] From the late 18th century Romanticism dominated French art and literature but was spurned by Realists, who revolted against the display of the emotions of the Romantic movement, seeking to depict real and characteristic contemporary individuals and situations with truth and accuracy.[6] Chaplin painted many works in his early days, including floral studies that were displayed at the Salon de las Flores. Later, in the late 1850s, he abandoned naturalism, his earlier style, exchanging it for a more graceful, elegant and supple technique that brought him a certain notoriety in France during his time as a portrait painter; as such he embraced the idyllic and voluptuous and fashionable style of the prominent French painter, François Boucher (1703–1770).[7] He also embraced the tradition of the great English portraitists. He developed his very own style of painting but was inspired by the British painters Joshua Reynolds and Thomas Gainsborough. He used to engrave the works of the Dutch artist Pieter Paul Rubens and gained further influence from his work.[2] Later work Gradually the muddy colours used by Chaplin transformed into white, grey and pink, depicting his models with an opalescent, mother-of-pearl complexion by applying a subtle palette of rosy flesh tones and light greys. After painting portraits and trying his skills on ornamental painting, Chaplin took up genre painting in the 1850s. His favourite subjects are the feminine grace of a young woman’s everyday life. He portrays women in several poses: resting; grooming; singing; and reading. He captures them with lightness and carelessness and accentuates the decorative elements of the composition.[2] Empress Eugénie, the wife of Napoleon III and an admirer of the "Pompadour style", rapidly fell under the enchantment of the painter's neo-Rococo works. Chaplin was among Napoleon III and Empress Eugénie’s favourite court artists. In 1859, when his portrait of Aurora was banned by the judges of the Salon as "too erotically suggestive", Napoléon III defended Chaplin and overturned the disqualification order.[8] He was similarly valued as an interior decorator and was appointed to remodel the decor of Empress Eugénie's rooms.[8] His sensual portraits of women and young girls, often with models posed erotically in hazy surroundings and frequently wearing transparent clothing, attracted the interest of the high society and aristocracy of Paris during the French Third Republic (1870–1940) guaranteeing his success and wealth. He was one of the most popular painters of his time, but nowadays his work is almost unknown, in spite of the fact that his works hang in many major museums around the world.[2] He employed his Rococo style for his mythological scenes and genre scenes paintings. His genre pictures formed a significant part of his work. In 1861, working as a decorative painter. Chaplin painted the doors and several glass panels above them of the Salon des Fleurs in the Tuileries Palace.[3] The Palace was gutted by fire in 1871 and its ruins swiftly demolished.[9] He also undertook decorating work in the Salon de l’Hémicycle of the Palais de l’Elysée.[3] Honours and awards A Song Silenced, Private collection. As a member of the Académie royale de peinture et de sculpture, Chaplin exhibited his paintings at the Salon de Paris, the official exhibition venue of members' work. He began exhibiting his paintings at the French Artists' Salon in 1845 and was represented there habitually each year. These exhibitions made him one of France's most famous portrait artists. Commencing in 1847, his work was exhibited regularly at the Royal Academy in London.[8] During his lifetime he received acclamation for his artistic talents by the award of several medals: a third class medal in 1851; a second class medal the following year; and an Honour Medal...

Serving piece, fruit bowl center table with 1 plates and 1 high, basfuit basket in enameled porcelain. This highly decorative footed bowl, reti...

French set of four majolica salad plates attributed to the famous Gien factory, (late 19th century) decorated in verdant green glaze to enliven the foliate design, known as “Primefleur”. The broad leaves and crosshatched borders of the plates will coordinate beautifully with other cabbageware and lettuce leaf ceramics...

A beautiful French 'Sèvres' porcelain two handle vase, depicting a classical scene of a young maiden playing music with cherubs around her. Set in a dark blue back ground and gilded ...

A very fine set of six porcelain bowls. By Copeland. Each bowl with an ornate rim with alternating floral garlands and underglaze cobalt blue cartouches that are decorated with gilt insects. The centers of the bowls have hand painted polychrome bird of paradise scenes as well as insects and butterflies. Retailed by L. Goode & Co. of London. Fully marked to the reverse. Simply a wonderful set of Copeland bowls! Date: 19th Century Overall Condition: They are in overall good, as-pictured, used estate condition. Condition Details: There is some rubbing to some of the gilding on some of the plates, and one bowl has a small chip under the rim. Otherwise, there are some fine and light surface scratches and other signs of light wear consistent with age. Marks or Signature: Marked to the reverse with a retailer's mark L. Goode & Co. London and with the backstamp for Copelands China England...

19th Century English Worcester 3-piece vegetable Tureen in Imari Palette, ca. 1820.

19th C. Antique writing stand desk Office Inkwell Center Piece Chinese Porcelain . This beautiful garniture on a desk a table or a console will a...

This 19th-century French porcelain piece is a finely crafted example of the decorative artistry of the time, likely influenced by the Rococo Revival or Neoclassical styles that were ...

Stunning antique 19th century Japanese "Imari" porcelain plate on stand. 18" diameter plate. (21" high on stand).

An enchanting late 19th Century Meissen Porcelain cherub, press two hearts together. Wonderful bold colours, blue underglaze blue crossed swo...