Ceramic Pottery

A French cream glazed terracotta pitcher from the 19th century, with floral décor. Created in France during the 19th century, this pitcher features...

Petite pale yellow spice/honey/mustard jar with original wooden spoon designed by Kaj Franck for Arabia as part of the Kilta series produced between 1953-1974 (ca. 1964, Finland). Ch...

This dazzling glazed ceramic vase was handcrafted in Vallauris, France, circa 1950-1959. The primary grey and white colors are truly beautiful.   It can enhance any shelf, table,...

Italian large pines decorated terracotta vase, 1940s.

Beautifully hand thrown and glazed floor vase designed by Heinz Siery for Carstens Tonniesh of circa 1965. Carstens are considered to be one of the finest producers of West German pottery from the mid-century era. This vase, part of the 'Atelier' range, stands beautifully with its simple yet elegant form complimented by the textured moss green lava...

Chinese Blue & White Pottery Bottle Vase with Garden Scene & Deer 20thC Measures - 13.5"h x 7"diam A beautifully crafted Chinese blue and white pottery bottle vase from the 2...

A massive glazed terracotta pottery vessel. Beautifully executed with deep blues and green browns overall. The bottom is incised. It is marked on the base with initial and the numbe...

A sweet set of dessert plates with an all over gilt decoration highlighted with hand raised turquoise enamel. A slight scallop to the shape and i...

A set of well sized ceramic pots. Spain, c1920s. Good antique condition. Price is for the set of three. Internal Ref: 24/04/24/006. Location: Belgium Gallery. Dimensions: 28 Di...

Evoking the artistry of Classical Roman pottery, this antique terracotta amphora embodies both historical elegance and timeless craftsmanship. With its gracefully tapered body, narro...

Pottery from Morocco. Inspired by Swedish midcentury pottery like Stig Lindberg. Designed and made by a local artist in Rabat.

A Charlie Parker gas fired stoneware bowl-unique example in rutile blue and nebula glaze. A quick note about the artist: Charlie Parker’s ceramic career began in 1967, at the age of ...

16th Century Hispano-Moresque Ceramic Charger. Hispano-Moresque pottery emerged following the Moorish occupation of Spain, blending Islamic artistic traditions with European tastes. ...

Mid-century studio pottery tea pot with blue lava glaze, circa 1970s. The pot is in very good vintage with no chips or cracks and measures 11" W x 8.7...

Arts & Crafts tubeline Secessionist Vase In blues and yellows Stamped Mintons 3547 Circa 1900 Height 13.5cm. Diameter 8cm

Fitz and Floyd vintage teapot polychrome ceramic in a shape of sea Shell and coral handle.

Pair of Mettlach vases by Villeroy & Boch, circa 1900, stoneware with ornamental decor. In very good condition. The vases will ship from Germany. Shippin...

Scroll down and click "view all from Seller" to see more than 500 other unique products. (2) In Stock in Los Angeles The bold Don Filippo Vase is part of a remarkable range of mytho...

A wonderful decorative bowl from Vallauris made in the manner of Charles Cart's fat lava ceramics. The firing process reveals the multiple layers b...

Beautiful Japanese stoneware pottery vessel. It is signed on the base in characters. Nice glaze and wonderful form. In good condition, with some m...

Antique 19th century neoclassical Vase By Gerbing & Stephan Germany 1892. Ebonised earthenware, of baluster form with horned mask handles, on a circular footed base, with impresse...

Vessel from ceramic artist Nicholas Arroyave-Portela. No. 105 Medium large desert dusk collapsed open form (Vessel, Interior sculpture, not suitable for holding water) White St.Tho...

Produced by one of America's great potteries in the Arts and Crafts and Art Deco periods, this unique, sculpted pitcher depicts pairs of exotic fish with spiky fins on both sides. The artist worked at the famous pottery of the University of North Dakota's School of Mines...

Jerome Ackerman glazed ceramic bowl signed “Ackerman 93”. Jerome Ackerman and his wife Evelyn were central figures in creating the California mid-century modern aesthetic. This examp...

A black Glazed Studio pottery piece with lid that works well as a vase or could be used on a desk or work station to hold pens, papers or e...

Alive with texture, color, and movement, this early 20th-century French Palissy-style majolica platter brings the natural world to life in vivid relief. At the center, a coiled snake winds through a vibrant marsh, surrounded by frogs, newts, snails, and scattered shells. Glossy glazes in deep green, golden ochre, and cobalt blue add a sense of depth and dampness, while the high-relief modeling invites both touch and close inspection. Evoking the spirit of Bernard Palissy and the rustic naturalism of 19th-century revivalists, this hand-modeled ceramic piece is more than a decorative dish, it’s a sculptural landscape. The reverse reveals a warm, mottled terracotta finish, grounding the piece in its artisanal origins. Whether placed on a console, set into a cabinet, or mounted on a wall, this antique French platter...

A fine mid-century Ceramic Decorative Object in the manner of Berndt Friberg. This tulip or wine glass shaped decorative object cast in a unique design and masterfully shaped by the ...

Large rare vintage Midcentury Modern floor vase by Walter Grau for Fohr Pottery, Germany, circa 1970. The company Fohr started producing decorative pottery in the 1950s under Wilhelm...

Abstract expressionist glazed red stoneware lidded urn created by Edna Arnow of Chicago, Illinois, circa 1950s. Piece measures 10.5" tall by 6.5" diameter and is signed Arnow on reve...

This is an extremely well made and stylish black glazed over natural earthenware vase.

A late 20th Century French Pottery from Vallauris called a Conscience was used to store olive oil. Green glazed in good condition with micro chip at the rim. Circa 1960. Dimensions a...

Two Phil Rogers (1951 - 2020) Yunomi. Artist's impressed stamp marks 'PR'. One wood fired Yunomi with wax resist impressed pattern and ash glaze drip interior. The second, a salt gl...

A collection of 1970's pottery by Royal Haeger from the "Earth Wrap" line. Gold and burnt orange lava glaze on a matte brown ground. Ten pieces available, s...

Beautiful and unique terracotta bowl by Danish artist Ole Bjørn Krüger (1922-2007). The bowl is made from lighty glazed chamotte clay that highlights the natural materials in a raw a...

Mid-Century Danish Studio Pottery Teapot, 1976, in Very Good conditions. Designed 1960 to 1969. Additional information: Materials: Earthenware Styles: Mid-Century Modern Country of ...

Hand-picked by buyers at Ann Morris Inc.

This late 19th century glazed earthenware mug was crafted in the studios of Cincinnati Ohio's renowned Rookwood Pottery Company and has a traditional form with an ear-shaped handle having a thumb rest. The exterior of the piece is finished in standard glaze and features hand painted decoration executed by highly regarded artist William Purcell McDonald (1864-1931). The decor has an appealing wine harvest theme consisting of grape vines that snake across the surface. The vines are studded with leaves in various shades of green along with two dangling clusters of plump reddish grapes. McDonald's application of paint is slightly raised in places giving the image a dimensional quality. The mug is further ornamented with an ornate silver overlay manufactured by Gorham. The silver decoration covers the handle and rim and includes a series of large etched foliate scrolls and flowers that extend across the body. There is also an eye-catching latticed area that provides a strong visual contrast with the gentle curving motifs found on the other parts of the silver overlay. The underside of the mug has an impressed RP mark along with shape 422 and the letter W. It also carries the incised initials of the artist - W. P. McD - and the letter L. The underside of the silver foot rim is stamped Gorham Manufacturing Co. along with a hand engraved mark reading S 1274 S. This highly collectible Rookwood silver...

A beautiful Stoneware weed pot. It is unsigned but features a beautiful earthy glaze. Reminiscent of some work we've had of Tashiko Takeazu. Out of an estate with two other large pi...

Studio ceramic weed pot in soft peach tones with a cream drop banding at the center. Dimensions 6.75" diameter x 6.25" height. Condition Good vintage condition; Professionally clea...

American Mission vase/pitcher decorated with flowers and silver deposit whiplash design attributed to Rookwood.

Studio crafted freeform ceramic weed pot with speckled glaze 1960s.

Chinese turquoise and Aubergine glazed Cadogan wine or tea pot A finely molded and glazed "Cadogan" wine or tea pot. The body is glazed in a rich turquoise color. China, Guangxu peri...

Decorative late 19th Century French walnut oil jar. With time worn patina. Of good size and proportions. Circa 1880.

- Handbuilt white side table - Sade of clay collected from the potter's surroundings. - Slip applied with natural pigments as whitewash with water - Made in the Moroccan Rif mount...

Art lava stunning vase 1960 Italy. Beautiful aqua green colour and red glazed ceramic handles. Perfect centrepiece for a dinning table or credenza.

A nice bowl or cigar ashtray by the French artist Andre Guiron executed in Vallauris. It feautures Lascaux cave painting figures. Signed on the base. In good condition with minor imp...

Gorgeous green glazed ceramic jar from the south of France near Biot With a beautiful lead sulfide glaze, it achieves various shades of green and shadows on the surface of the jug....

Ceramic vase by Montiéres ceramic factory, based in Amiens (in the North of France), who had a very short story of production (1917/1933). This Art Deco vase is part of Samara series.

Made in Italy, 1970s. Made in glazed earthenware. It's a vintage piece, therefore it might show slight traces of use, but it can be considered as in perfect original condition and re...

Cover has tiny piece of glaze which has been glued back on after chip

A set of 6 vintage pottery rice bowls. Earthy speckled terra cotta glazes, each with a hand painted leaf design on one side. Nice tapered shape and footed base. Each measures 4.5"Di...

Antique English Pearlware Blue-Ground Slop Bowl, Staffordshire, Circa 1790 Staffordshire or Yorkshire, circa 1790 This deep hemispherical pearlware slop bowl is dressed on the exter...

Great authentic and rare piece of pottery with a spout in handle from the Provence. Beautiful weathered and an amazing color. Imperfections help authenticate this water cruche as it ...

A pair of plant pots covered in marbled brown glaze emulating agate gemstone encircled with checkered rims accented in gold, made circa 1770 by Wedgwood &...

A near pair of 19th century Sancai green glazed pottery teapots. Both with yoked handles, spouts and lids. Both also have the Republic era official government wax red seal signifying...

Mid Century Belgian Glazed Pottery Jug C.1960 Vibrant verte glaze. In very good condition commensurate with age.

Designed and produced by the Jones & Walley Co. of Cobridge, Stoke-on-Trent, England. This molded earthenware jug depicts a gypsy camping scene in high relief. From the private collection of knitwear designer Joan Vass.

This plant pot in colors light blue, deep brown, and cream white, exclusive for SEM, has the serial number 2022040. Both vases in the collection have been chromatically studied, in a curious contrast of pattern and materials. “Doodle” is a rough drawing made absent-mindedly. And this is how Maya Leroy’s project started, from a need to create without having to be too serious about it or overly think things while having fun. Air dry clay has proven to be an ideal medium to work independently and without firing and, funny enough, from this total freedom, Maya created an intriguing and psychedelic series which looks unlimited. Opening up to new collaborations, SEM became fascinated with this form of hand crafting with the aim of developing two special objects—created ad hoc by Maya for the milanese brand—in an unlimited series produced by the artisans of the brand’s net.One of the most interesting phenomena of the moment is, in fact, the way in which hands-on designers can bring innovations in craft ateliers, challenging and updating the existing techniques and materials, or simply questioning them and creating a real dialogue between craftsman and designer that has unexpected results. MAYA LEROY Born in 1994 to a Swedish mother and French father, Maya Eline Leroy is an artist and designer currently based in Eindhoven — The Netherlands. Expressing creativity through painting, drawing and hand-building clay. Her Doodle series is an ever expanding collection of unique, hand build and hand painted contemporary ceramics.

Avocado and spruce colored glaze surround this vase with horse and tree design. Made in Italy.

A Neoclassical red transferware tile made by Spode 1806-1810, with the ‘Zeus in His Chariot’ pattern. Sir William Hamilton’s Collection of Etruscan, Greek and Roman antiquities, first published in 1766 by Pierre d’Hancarville, was a landmark publication in English design. It intended to disseminate the Antique style through its engravings of Attic pottery. The catalog’s faithful reproductions of Classical vases led British potteries, including Spode, to adapt or even copy the ancient art for modern life. These Spode Greek pattern tiles reflect the major influence of Hamilton’s catalog on English Neoclassicism. The central scene was taken directly from the catalog. This tile can be dated to a narrow window of production in the Spode factory, 1806-1810. During that time, Spode used a technique known as the “Pluck and Dust” method to print in red transfer designs onto creamware. Using this method, source prints were transferred overglaze using tissue imprinted with a very faint rendition of the design outlined in sticky oil. The decorator applied the tissue to the object then carefully “plucked” or pulled it away, leaving the sticky oil design behind. Then, a finely-ground enamel color was “dusted” onto the surface, sticking to any areas that had the oil. A final firing at a low temperature in the enamel kiln made the pattern permanent. The Pluck and Dust technique improved upon bat-printing and enabled larger designers to be transferred. It was short-lived, however, as under-glaze transfer printing soon took over as the preferred method for producing transferwares. Dimensions: 5 in. x 5 in. x 1/4 in. Condition: Excellent. Provenance: The Collection of Nancy and Andrew Ramage Jonathan Horne...