Stoneware Pottery

Wheel thrown moon jar by Jason Fox. Largely influenced by Korean Pottery, American contemporary ceramic artist Jason Fox shows his love for the rich history of Moon Jars with this...

This is a good early pair of Mason's Ironstone pottery Side or Tea plates, hand painted in the very decorative Basket Japan pattern, produced by the Mason's factory at Lane Delph, St...

This is a fine Ironstone pottery Desert Plate made by the Mason's factory at Lane Delph, Staffordshire, England and beautifully decorated in the Small Vase, flower & Rock Pattern, fully stamped and dating to the earliest period of Mason's Ironstone production, circa 1815. This design is one of Mason's very decorative chinoiserie patterns called the Small Vase, Flowers and Rock pattern, with a bamboo stem border and rich hand gilding. This Imari inspired pattern is illustrated on Page 110 of a Guide to Mason's Patent Ironstone Patterns, circa 1813-1848, produced by The Mason's Collectors Club. This plate has probably the earliest impressed mark stating " Patent Ironstone China" in a circle, dating it to the early 19th century, Georgian period, circa 1815. Overall a very early Masons Plate...

Beautiful stoneware vase with amazing glaze. Designed by Gertrud Lönegren. This studio piece was created at Rorstrand in Sweden between 1936-41. Swedish Grace. Great condition. Impr...

Beautiful and rare vase made by Wilhelm Kåge at Gustavsberg Studio in Sweden, 1940s. Carrara glazed stoneware. Excellent condition. Stamped 'Gustavsberg / KÅGE / CARRARA / Swe...

This is a fine and RARE pair of small or miniature Mason's ironstone Vases or Urns, hand painted in in the beautiful "Fence, Rock and Gold Flower" patter...

Wheel Thrown Moon Jar by Jason Fox. Largely influenced by Korean Pottery, American contemporary ceramic artist Jason Fox pays respect to the rich history of Moon Jars with this pi...

This is a very attractive two handled shallow Desert Bowl or Dish made by Mason's Ironstone Pottery, in the early 19th century. The bowl is decorated in the Fence Vase and Dove chin...

Sylvia Leuchovius (Sweden, 1915-2003), unique vase made for Rörstand, Sweden 1960/70s. Partially glazed. Signed. In good condition, very few minimal signs of age and wear. Sy...

Massive MCM stoneware studio pottery lidded jar by listed artist, Amy Donaldson, circa 1964. This gorgeous hand finished jar has a wonderful design, texture and color. The piece meas...

Hard to find small 19th century antique French ironstone preserving pots or pots à confiture, circa 1890s. These petite earthenware pots were ...

This Ironstone pottery Platter was made by the Mason's factory at Lane Delph, Staffordshire, England and is decorated in the Red Peony & Scrolls pattern, dating to the 19th centu...

A beautiful stoneware bowl with blue glaze. Made by Wilhelm Kåge at Gustavsberg Studio in Sweden. In production 1958-1962. Great condition, only a few light scratches. Impressed wit...

Satin White Wheel Thrown Moon Jar by Jason Fox. Largely influenced by Korean Pottery, Jason pays respect to the rich history of Moon Jars with this piece...

For your consideration, a set of three stoneware casserole dishes, made in Japan. Stamped underneath: JAPAN. Dimensions: 2 H x 5 Diameter. Pleas...

Scandinavian ceramic vase designed by Gunnar Nylund for Rörstrand, made in Sweden, marked on the bottom, in matte enamel, 1960s. Dimensions: Height 22 cm, diameter 8 cm.

A set of 2 beautiful Art Deco stoneware vases with amazing glaze. Made by Rörstrand in Sweden, 1930s. Great condition. Stamped 'Rörstrand'.

A beautiful stoneware vase with blue glaze. Made by Wilhelm Kåge at Gustavsberg Studio in Sweden. In production 1958-1962. Good condition. Some spots in the glaze and some metal mar...

David Cressey Pro Artisan stoneware platter for architectural pottery.. Materials: Glaze Stoneware

Late 19th century Royal Doulton, Lambeth, London stoneware jug. Molded, applied handle smartly decorated with faux screws & acanthus leaves. Around the body hounds give chase to a st...

"Isolated N.11" Stoneware Vase by Raquel Vidal and Pedro Paz One of a Kind Dimensions: D 22 x H 30.5 cm Materials: Hand sculpted, Stoneware with grog Waterproof insert is required w...

This pair of Spode shell-shaped dishes was made in England around 1820 and decorated in the classic iron-red and blue palette associated with Imari decoration. The lively color combination immediately gives the pair decorative authority, while the sculptural shell form adds movement and visual interest. The printed design shows a stylized garden scene with blue rockwork, flowering peonies and chrysanthemums in orange, and bamboo rising behind the flowers. The limited palette of red and blue keeps the composition clear and balanced, with the strong blue elements anchoring the design and the warm orange flowers providing contrast. Spode was one of the most important English pottery manufacturers of the early nineteenth century and played a central role in adapting Asian decorative traditions for the English market. The red and blue color scheme reflects the long influence of Japanese Imari porcelains that began arriving in Europe during the seventeenth century. The molded shell form enhances the design by creating gentle curves that catch the light across the surface, adding dimension to the printed decoration. Dishes of this shape were often used for serving desserts or sweetmeats and were also valued for display. Dimensions: 10 inches long x 8.5 inches wide x 2 inches deep Condition: Excellent Price: $280 for the pair Decoration: Iron red and blue Imari...

A beautiful and unique stoneware bowl with amazing glaze. Made by Rolf Palm, in the artist's studio, Mölle, Sweden, 1978. Excellent condition. Incised ’Palm / Mölle / G8’ and ma...

Studio Pottery Double Fish Dish, La Funente, Dated 2003 The large stoneware Studio Pottery dish depicts two fish within demi-lune panels. The dish was made using enamel and a sgraf...

For your consideration a French provencal stoneware mini pitcher creamer pottery with ochre color. Unique shape, beautiful decorative. Stamped with letter "C" underneath. Dimension...

Etruria, Staffordshire, late 19th/early 20th century, wheel-turned ovoid form vase shape number 1009 with white Jasper bas-relief depictions of muses, lion's masks, and draped flora,...

Etruria, Staffordshire, c. 1790, octagonal wafer-thin white jasper with green jasper dip framing, lilac ground boarder with white jasper floral meander, central decoration with blue ...

A monumental Oil Jar or large floor vase in a green glaze. It was purchased out of the estate of a long time antique dealer's home. He collected Catalina pottery but this is more rem...

Beautiful vase with brown glaze. Made by Gertrud Lönegren at Rorstrand in Sweden between 1936-41. Great condition. Impressed 'Rörstrand', 'LÖNEGREN' and 'HANDDREJAD'. Gertrud Löne...

A beautiful stoneware vase with 'Carrara' glaze. The fascinating design is a combination of two of Kåge’s best known lines of stoneware, “Surrea” from 1940 and “Våga” from 1949. Exc...

Wonderfully made and designed Japanese Chawan or Yunomi tea cup. Great texture and color. Likely Mid-20th Century Showa period but could be older. Fine craftsmanship. Very attracti...

Brother Thomas Bezanson (1929-2007) a large important Sang-de-boeuf glaze two handled vase.

Five stunning 'Surrea' stoneware vases with 'Carrara' glaze. Made by Wilhelm Kåge at Gustavsberg Studio in Sweden, 1940s. Excellent condition. Stamped 'Gustavsberg / SURREA'. Th...

Our stoneware Sheffield Vase is handcrafted using slab-construction techniques. FINISH - Parchment and matte-black dipped glaze DIMENSIONS Vase Height – 8” Vase Width – 4” diameter

A beautiful rectangular Art Deco stoneware box / tea caddy with 'Carrara' glaze and gold details. Made by Wilhelm Kåge at Gustavsberg Studio in Sweden, 1940s. Good original conditi...

Beautiful and rare stoneware vase designed by Gertrud Lönegren. This studio piece was created at Rorstrand in Sweden between 1936-1941. Excellent condition. Stamped 'Rörstrand / ...

A large and beautiful stoneware bowl with blue glaze. Made by Wilhelm Kåge at Gustavsberg Studio in Sweden. In production 1958-1962. Great condition, only a few light scratches. Imp...

Relief foliate strapwork in tones of moss green, cobalt blue, and warm caramel glaze decorates this two-piece English presentation set. Comprising a tapered lidded flagon and a tall ...

Etruria, Stoke-on-Trent, Staffordshire, England, 1910-1932, turned Wedgwood shape no. 317, stoneware with olive green Jasper dip ground, decorated with sprigged white Jasper bas-reli...

Etruria, Staffordshire, England, late 18th century, each white jasper ware with black jasper dip on either side, white bas-relief decoration depicting a classical maiden, impressed "...

A beautiful 'Swedish Modern' stoneware vase with 'Carrara' glaze. Made by Wilhelm Kåge at Gustavsberg in Sweden, 1930s. Excellent condition. Stamped 'Gustavsberg / CARRARA'. Wilh...

A wonderful California Studio Pottery (possibly Mid-Century Modern) artisan tea/coffee cup featuring a beautiful yellow and dark black glaze over a textured stoneware cup form. A li...

Etruria, Staffordshire, c.1895, each white stoneware with burnished green jasper dip ground and three white bas-relief decorations, laurel wreath at neck, hand-decorated in sterling ...

Etruria, Staffordshire, c.1790, lilac dip white jasper body with vertical engine-turned stripes, ornamented with molded strips of green jasper strapwork, bolted to base with nut ceme...

Vintage ceramic vessel or vase features pitcher shaped body with decorative handle. The lower half of the body is lightly faceted, resulting in octagonal outline when the vessel is viewed from above; the upper half has rounded form with lightly flared rim. The minimal handle is accented with tear or water drop shaped element on top. The vase is decorated with complex blue and white glaze with foaming effect; the free-flowing pattern of larger bubble elements adds tactile, textural quality to the unusual glaze. The vessel is signed by the artist on the bottom; same signature can be seen on the bowl in E. John Bullard Collection of Bates College Museum of Art. Provenance: the vessel was acquired at the arts, antiques, and Folk Art collector estate in Western New York state. Clara Katherine Nelson (1890–1984) was a renowned American cubist painter and ceramic artist. She attended the Rhode Island School of Design and taught at the Carnegie Institute in Pittsburgh. Nelson was invited by Charles Fergus Binns to teach painting and drawing at Alfred University at the School of Ceramics in 1920, replacing Marion Fosdick, who shifted to teaching modeling and pottery. Nelson worked with Binns and Fosdick to develop pioneering curriculum for functional ceramic education and started to work in pottery and ceramics herself; in 1927 they were joined by Charles Harder, who brought in the “New Bauhaus” aesthetic and studied with Lásló Moholoy-Nagy in Chicago. Fosdick, Harder and Nelson created the Ceramic Art curriculum throughout the 1930s and oversaw its transformation into Industrial Ceramic Design (from 1939–1951), and on into a more Bauhaus-inspired Ceramic Design (1951–1965). Nelson's students included Jane and Gordon Martz, Glidden Parker, Herb Cohen...

Etruria, Staffordshire, circa 1785, chalky solid buff-green jasper ware rectangular molded body, applied and finely undercut white jasper bas- and haut-relief decoration depicting cu...

British and American, 19th/early 20th century, fifteen Wedgwood solid blue jasper ware two inch medallions, each depicting an individual horse in a unique pose, modeled by Edward Bir...

Barlaston, Staffordshire, 1973, molded, stepped, oval form with bas-relief depiction of a horse cowering from an imposing lion, impressed "WEDGWOOD" recto, "WEDGWOOD/MADE IN ENGLAND/...

Pair of Mettlach vases by Villeroy & Boch, circa 1900, stoneware with ornamental decor. In very good condition. The vases will ship from Germany. Shippin...

Beautiful Japanese stoneware pottery vessel. It is signed on the base in characters. Nice glaze and wonderful form. In good condition, with some m...

A beautiful Stoneware weed pot. It is unsigned but features a beautiful earthy glaze. Reminiscent of some work we've had of Tashiko Takeazu. Out of an estate with two other large pi...

A wonderful California Studio Pottery (possibly Mid-Century Modern) artisan tea/coffee cup featuring an array of beautiful colorful abstract glazes over a textured stoneware cup form...

Martaban jars are basic stoneware storage containers or pots used during the Ming dynasty. Thai, Chinese, Burmese, and Cambodian goods were shipped throughout southeast Asia in these...

This is a good stone China (Ironstone) Teapot hand painted in the tobacco leaf pattern, number 2061, made by the Spode factory in the early 19th century, English Georgian period, circa 1820. This Tea pot is complete with its lid and made from Ironstone China. It is beautifully decorated with hand painted enamels in the very distinctive tobacco leaf or cabbage leaf pattern, pattern number 2061. The decoration also has very good hand gilded detailing. The rim has a dark ochre brown hand painted finish in the manner of 18th C Chinese plates...

Unique Arq 007 vase by Raquel Vidal and Pedro Paz. Dimensions: Ø 15.5 x 15.5 cm. Materials: Hand-sculpted glazed stoneware. Waterproof insert is required when using with water or fr...

Josiah Wedgwood's own factory, Etruria, made these two trays in the Potteries region of England -- Stoke-on-Trent, in Staffordshire. They are white stoneware with olive green jasper ...

Made by Japanese ceramic artist Makoto Yabe (1947-2005), this stoneware vase features a globular body supported by a round pedestal foot. A similarly shaped neck extends to a rimmed mouth opening. Robust in form with thick wall, the vase is noted for its irregular cloved form. The surface is covered in a beige-yellow glaze, on top of which, dark brown strokes and thick white feldspar slip were artistically applied in a splashed and washed pattern. Together with some random shallow incision lines, they form an abstract painting with textured surface where some slip forms small droplets at the end of the stroke. The work was created in traditional Japanese manner and reflects the beauty of Wabi Sabi, a Zen aesthetic for the imperfect perfection. The base was incised with the artist's cipher. "Makoto Yabe's work beautifully exemplifies the transmission of Japanese ceramics to the West. Born in Fukushima, Japan, Yabe began studying ceramics in Kyoto at the age of nine. He completed his training at the age of 24, with a four-year apprenticeship under Jinmatsu Uno and Sango Uno. Yabe then came to Boston, where he was an integral member of the local ceramic community, yet he maintained his Japanese roots. As an instructor of ceramics, Yabe worked in the Boston area at numerous schools and universities, touching the lives of all his students and expanding their knowledge and appreciation of studio ceramics." Biography sited from Pucker Gallery...

Pair of 1900s vases in glazed stoneware, decorated with hunting birds, insects, leaves and fruit, ribbons and masks of lion. The inside is lined with a container of tinplate.

Large wheel thrown textured vase by Jason Fox This textured vase was thrown on the wheel in several parts, scored/slipped, joined and then shaped. After...

White Stoneware Pinakio Plate by Elena Vasilantonaki Unique Dimensions: ⌀ 34 x H 10 cm (Dimensions may vary) Materials: Stoneware Available finishes: With\without handles - Black, Wh...