Stoneware Pottery

Beautiful vase with blue glaze. Made by Gertrud Lönegren at Rorstrand in Sweden between 1936-41. Great condition, some small metal marks. Impressed 'Rörstrand', 'LÖNEGREN' and 'HAN...

Our stoneware Sheffield Vase is handcrafted using slab-construction techniques. FINISH - Parchment and matte-black dipped glaze DIMENSIONS Vase Height – 8” Vase Width – 4” diameter

Scandinavian ceramic vase designed by Gunnar Nylund for Rörstrand, made in Sweden, marked on the bottom, in matte enamel, 1960s. Dimensions: Height 22 cm, diameter 8 cm.

Wonderfully made and designed Japanese Chawan or Yunomi tea cup. Great texture and color. Likely Mid-20th Century Showa period but could be older. Fine craftsmanship. Very attracti...

Excellent hand thrown Kage Farsta stoneware bowl with interesting and nicely drippy matte finish yellow/ochre glaze. Hand signed and stamped, as shown. The world renown Wilhelm Kage ...

Beautiful vase with brown glaze. Made by Gertrud Lönegren at Rorstrand in Sweden between 1936-41. Great condition. Impressed 'Rörstrand', 'LÖNEGREN' and 'HANDDREJAD'. Gertrud Löne...

For your consideration a French provencal stoneware mini pitcher creamer pottery with ochre color. Unique shape, beautiful decorative. Stamped with letter "C" underneath. Dimension...

This pair of Spode shell-shaped dishes was made in England around 1820 and printed in the classic orange and blue palette associated with Imari decoration. The lively color combination immediately gives the pair decorative authority, while the sculptural shell form adds movement and visual interest. The printed design shows a stylized garden scene with blue rockwork, flowering peonies and chrysanthemums in orange, and bamboo rising behind the flowers. The limited palette of orange and blue keeps the composition clear and balanced, with the strong blue elements anchoring the design and the warm orange flowers providing contrast. Spode was one of the most important English pottery manufacturers of the early nineteenth century and played a central role in adapting Asian decorative traditions for the English market. The orange and blue color scheme reflects the long influence of Japanese Imari porcelains that began arriving in Europe during the seventeenth century. The molded shell form enhances the design by creating gentle curves that catch the light across the surface, adding dimension to the printed decoration. Dishes of this shape were often used for serving desserts or sweetmeats and were also valued for display. Dimensions: 10 inches long x 8.5 inches wide x 2 inches deep Condition: Excellent Price: $280 for the pair Decoration: Orange and blue Imari...

Please message us with your zip code to request a more reasonable domestic U.S. shipping quote. Very Rare Huge Antique 30 Gallon Cobalt Blue Star Stoneware Glazed Farmhouse Crock Po...

Beautiful and rare vase designed by Gertrud Lönegren. This studio piece was created at Rorstrand in Sweden between 1936-41. Excellent condition. Beautiful glaze. Impressed 'Rör...

Five stunning 'Surrea' stoneware vases with 'Carrara' glaze. Made by Wilhelm Kåge at Gustavsberg Studio in Sweden, 1940s. Excellent condition. Stamped 'Gustavsberg / SURREA'. Th...

Late 19th century Royal Doulton, Lambeth, London stoneware jug. Molded, applied handle smartly decorated with faux screws & acanthus leaves. Around the body hounds give chase to a st...

A Danish midcentury large studio ceramic glazed stoneware pottery vase made by Noomi Backhausen. hand painted in an abstract motif in muted sage green, blue, and brown. Impressed marks to underside: Soholm Stentoj Bornholm...

Etruria, Staffordshire, 1929-1938 , turned Wedgwood shape no. 317, stoneware with crimson Jasper dip ground, decorated with sprigged white Jasper bas-relief classical cameos, ringed ...

Brother Thomas Bezanson (1929-2007) a large important Sang-de-boeuf glaze two handled vase.

British and American, 19th/early 20th century, fifteen Wedgwood solid blue jasper ware two inch medallions, each depicting an individual horse in a unique pose, modeled by Edward Bir...

Barlaston, Staffordshire, 1973, molded, stepped, oval form with bas-relief depiction of a horse cowering from an imposing lion, impressed "WEDGWOOD" recto, "WEDGWOOD/MADE IN ENGLAND/...

A beautiful rectangular Art Deco stoneware box / tea caddy with 'Carrara' glaze and gold details. Made by Wilhelm Kåge at Gustavsberg Studio in Sweden, 1940s. Good original conditi...

A beautiful stoneware vase with 'Carrara' glaze. The fascinating design is a combination of two of Kåge’s best known lines of stoneware, “Surrea” from 1940 and “Våga” from 1949. Exc...

Beautiful and rare stoneware vase designed by Gertrud Lönegren. This studio piece was created at Rorstrand in Sweden between 1936-1941. Excellent condition. Stamped 'Rörstrand / ...

Hard to find small 19th century antique French ironstone preserving pots or pots à confiture, circa 1890s. These petite earthenware pots were ...

A beautiful 'Surrea' stoneware vase with 'Carrara' glaze. Made by Wilhelm Kåge at Gustavsberg Studio in Sweden, 1940s. Great condition. The glaze is a bit shinier than it usually ...

From a series of large ceramic bowls by Thom Lussier that continues his exploration of geologic and floral textures. Maple leaf imprints decorate the exterior, while the interior has...

Beautiful Japanese stoneware pottery vessel. It is signed on the base in characters. Nice glaze and wonderful form. In good condition, with some m...

Etruria, Staffordshire, c.1790, lilac dip white jasper body with vertical engine-turned stripes, ornamented with molded strips of green jasper strapwork, bolted to base with nut ceme...

A stunning stoneware floor vase with a beautiful hand carved geometric pattern. Designed by Lisa Larson at Gustavsberg Studio in Sweden, 1960s. Good condition. Some metal marks and...

Vintage ceramic vessel or vase features pitcher shaped body with decorative handle. The lower half of the body is lightly faceted, resulting in octagonal outline when the vessel is viewed from above; the upper half has rounded form with lightly flared rim. The minimal handle is accented with tear or water drop shaped element on top. The vase is decorated with complex blue and white glaze with foaming effect; the free-flowing pattern of larger bubble elements adds tactile, textural quality to the unusual glaze. The vessel is signed by the artist on the bottom; same signature can be seen on the bowl in E. John Bullard Collection of Bates College Museum of Art. Provenance: the vessel was acquired at the arts, antiques, and Folk Art collector estate in Western New York state. Clara Katherine Nelson (1890–1984) was a renowned American cubist painter and ceramic artist. She attended the Rhode Island School of Design and taught at the Carnegie Institute in Pittsburgh. Nelson was invited by Charles Fergus Binns to teach painting and drawing at Alfred University at the School of Ceramics in 1920, replacing Marion Fosdick, who shifted to teaching modeling and pottery. Nelson worked with Binns and Fosdick to develop pioneering curriculum for functional ceramic education and started to work in pottery and ceramics herself; in 1927 they were joined by Charles Harder, who brought in the “New Bauhaus” aesthetic and studied with Lásló Moholoy-Nagy in Chicago. Fosdick, Harder and Nelson created the Ceramic Art curriculum throughout the 1930s and oversaw its transformation into Industrial Ceramic Design (from 1939–1951), and on into a more Bauhaus-inspired Ceramic Design (1951–1965). Nelson's students included Jane and Gordon Martz, Glidden Parker, Herb Cohen...

A wonderful California Studio Pottery (possibly Mid-Century Modern) artisan tea/coffee cup featuring a beautiful yellow and dark black glaze over a textured stoneware cup form. A li...

Three stunning 'Surrea' stoneware bowls with 'Carrara' glaze. Made by Wilhelm Kåge at Gustavsberg Studio in Sweden, 1940s. Excellent condition. Stamped 'Gustavsberg'. This is a ...

Etruria, Staffordshire, circa 1900, turned Wedgwood shape no. 317, stoneware with lilac Jasper dip ground, decorated with sprigged white Jasper bas-relief depictions of muses, ringed...

A beautiful 'Guldsurrea' stoneware vase with 'Carrara' glaze and gold details. Made by Wilhelm Kåge at Gustavsberg Studio in Sweden, 1950s. Good condition. Some tiny firing spots a...

A beautiful 'Swedish Modern' stoneware vase with 'Carrara' glaze. Made by Wilhelm Kåge at Gustavsberg in Sweden, 1930s. Excellent condition. Stamped 'Gustavsberg / CARRARA'. Wilh...

This stoneware vessel, produced in Germany around 1930, reflects a purely functional approach to storage and processing. Its compact, architectural form is defined by a square body a...

Etruria, Staffordshire, late 19th/early 20th century, wheel-turned ovoid form vase shape number 1009 with white Jasper bas-relief depictions of muses, lion's masks, and draped flora,...

French Provincial 20th century off-white glazed stoneware double handled crock or storage jar. This large vessel would bring farmhouse authenticity to the modern kitchen by its rust...

A beautiful antique blancmange fish mold. A lovely example of Victoria Ware, this heavy ironstone dish could serve as a planter, or even to display on a ...

Pair of Mettlach vases by Villeroy & Boch, circa 1900, stoneware with ornamental decor. In very good condition. The vases will ship from Germany. Shippin...

Josiah Wedgwood's own factory, Etruria, made these two trays in the Potteries region of England -- Stoke-on-Trent, in Staffordshire. They are white stoneware with olive green jasper ...

Studio Pottery Double Fish Dish, La Funente, Dated 2003 The large stoneware Studio Pottery dish depicts two fish within demi-lune panels. The dish was made using enamel and a sgraf...

Studio Pottery Vase in Stoneware Rock by Tom McMillin Sculptural rock vase by Tom McMillin circa 1960s Round form with exploding multi spout openings Additional Information: Mater...

This is an old Shigaraki (Ko-Shigaraki) jar, believed to have been made between the late Muromachi and Azuchi-Momoyama periods — that is, from the 1500s to the early 1600s. Shigarak...

Etruria, Staffordshire, circa 1785, chalky solid buff-green jasper ware rectangular molded body, applied and finely undercut white jasper bas- and haut-relief decoration depicting cu...

A rare set of 6, mid 1960s stoneware plates by famed Japanese-American potter Teruo Hara. Each plate is signed on the reverse with Hara's TH chop mark. Hara's work is difficult to co...

A beautiful Stoneware weed pot. It is unsigned but features a beautiful earthy glaze. Reminiscent of some work we've had of Tashiko Takeazu. Out of an estate with two other large pi...

Antique Advertising Ironstone 'Margarine' Slab, England, circa 1920's. An advertising piece used by grocers to display Golden Fleece Marg...

Etruria, Staffordshire, c.1790, white jasper pierced grid, molded green body ornamented with bas-relief figure of Venus and alternating urns of flowers within molded arches, high-rel...

Grey Stoneware Pinakio Plate by Elena Vasilantonaki Unique Dimensions: ⌀ 34 x H 10 cm (Dimensions may vary) Materials: Stoneware Available finishes: With\without handles - Black, Whi...

These are a very decorative pair of Large Soup Bowls or Plates by Mason's Ironstone, England dating to the late 19th Century, Circa 1880. These are a pair with very slight differenc...

A large stoneware platter or charger in oval shape by Guido Gambon Italy circa 1960s. Beautifully covered in a white lava-like textured glaze and decorated with a yellow and black ou...

"Isolated N.11" Stoneware Vase by Raquel Vidal and Pedro Paz One of a Kind Dimensions: D 22 x H 30.5 cm Materials: Hand sculpted, Stoneware with grog The pieces are handbuilt w...

This is a good stone China (Ironstone) Teapot hand painted in the tobacco leaf pattern, number 2061, made by the Spode factory in the early 19th century, English Georgian period, circa 1820. This Tea pot is complete with its lid and made from Ironstone China. It is beautifully decorated with hand painted enamels in the very distinctive tobacco leaf or cabbage leaf pattern, pattern number 2061. The decoration also has very good hand gilded detailing. The rim has a dark ochre brown hand painted finish in the manner of 18th C Chinese plates...

Black Stoneware Phiale Plate by Elena Vasilantonaki Unique Dimensions: ⌀ 30 x H 10 cm (Dimensions may vary) Materials: Stoneware Available finishes: With\without handle - Black, Whit...

Claude Conover exquisite large glazed stoneware or ceramic vessel titled "Ulel." This stoneware vase is glazed in gray and white and finely decorated with Conover's signature pattern...

Made by Japanese ceramic artist Makoto Yabe (1947-2005), this stoneware vase features a globular body supported by a round pedestal foot. A similarly shaped neck extends to a rimmed mouth opening. Robust in form with thick wall, the vase is noted for its irregular cloved form. The surface is covered in a beige-yellow glaze, on top of which, dark brown strokes and thick white feldspar slip were artistically applied in a splashed and washed pattern. Together with some random shallow incision lines, they form an abstract painting with textured surface where some slip forms small droplets at the end of the stroke. The work was created in traditional Japanese manner and reflects the beauty of Wabi Sabi, a Zen aesthetic for the imperfect perfection. The base was incised with the artist's cipher. "Makoto Yabe's work beautifully exemplifies the transmission of Japanese ceramics to the West. Born in Fukushima, Japan, Yabe began studying ceramics in Kyoto at the age of nine. He completed his training at the age of 24, with a four-year apprenticeship under Jinmatsu Uno and Sango Uno. Yabe then came to Boston, where he was an integral member of the local ceramic community, yet he maintained his Japanese roots. As an instructor of ceramics, Yabe worked in the Boston area at numerous schools and universities, touching the lives of all his students and expanding their knowledge and appreciation of studio ceramics." Biography sited from Pucker Gallery...

Etruria, Staffordshire, c.1895, each white stoneware with burnished green jasper dip ground and three white bas-relief decorations, laurel wreath at neck, hand-decorated in sterling ...

Unique Arq 009 vase by Raquel Vidal and Pedro Paz Dimensions: Ø 15 x H 23 cm Materials: hand-sculpted glazed stoneware. The Arq series emerged from our own past production. Draw...

Martaban jars are basic stoneware storage containers or pots used during the Ming dynasty. Thai, Chinese, Burmese, and Cambodian goods were shipped throughout southeast Asia in these...

Unique Arq 007 Musgo Vase by Raquel Vidal and Pedro Paz. Dimensions: Ø 15.5 x 15.5 cm Materials: Hand-sculpted glazed stoneware. The Arq series emerged from our own past product...

This is an ironstone coffee can or cup in a rare shape, hand enameled in the Basket Japan pattern, made by Mason's Ironstone of Lane Delph, Staffordshire,...

Etruria, Staffordshire, c. 1790, octagonal wafer-thin white jasper with green jasper dip framing, lilac ground boarder with white jasper floral meander, central decoration with blue ...