Chinese Export Serveware, Ceramics, Silver and Glass

This Chinese export porcelain plate is hand-painted with the Judgement of Paris, after a composition by Peter Paul Rubens. Made during the Qianlong period, circa 1750, it depicts Par...

A fine antique Chinese Export porcelain lidded cider jug. In the Canton pattern. Decorated in underglaze blue with a mountainous Chinese village with houses, mountains, foliage, an...

Japanese Dish or Charger, made in Japan at the beginning of the 19th century. With beautiful colors in red blue and white. The Item is in good condition.

Armorial Elegance: Pair of Chinese Export Blue Fitzhugh Crested Compotes Circa 1805 This exquisite pair of Chinese Export porcelain compotes is a superb example of the beloved blue ...

Large 19th century Chinese Export famille rose porcelain platter. Qianlong Period, decorated with the figure of a mahout astride an elephant and flower sprays with gold rim. The theme of this lot indicates that it was probably made for the European colonial market in India, where East Indian ships...

Antique 19th century Qing Dynasty Chinese Canton export blue and white porcelain serving pieces. Includes two vegetable tureens with lids and one oval serving platter.  Features cla...

A fine Chinese Export porcelain punch bowl, Yongzheng–early Qianlong period, circa 1735–1740, painted in the famille rose palette with a distinctive version of the "Hundred Antiques" theme, unusual for its focus on furniture and precious objects rather than figures. Around the exterior are ranged a canopied couch and red-lacquer scholar's stands set with vases, flowering branches, and jardinières of peonies, together with tables bearing brush pots, censers, and boxes — a catalogue of the furnishings and treasures of the cultivated Chinese interior, giving the bowl an almost interior-portrait quality. The interior is centered with a beribboned vase of flowers within a cell-diaper and floral-panel border. The famille rose palette — named for the opaque rose-pink enamel derived from colloidal gold, introduced in the 1720s — transformed export porcelain in the second quarter of the 18th century. Bowls of the 1730s such as this, painted at the transition from the Yongzheng to the Qianlong reign, are among the most delicately enamelled of all export wares. The "Hundred Antiques" was a favored auspicious theme, a gathering of objects emblematic of scholarship and good fortune; the present bowl's emphasis on domestic...

Pair of Chinese blue and white porcelain glazed decorative figural and floral ginger jars with the original removable lids, 20th century.

This is an antique Famille Verte display plate. An Oriental, ceramic Qing dynasty decorative saucer or dish, dating to the late Victorian period, circa 1900. A vibrant and finely detailed example, rich in colour and traditional symbolism, with strong decorative appeal. A joyful example of traditional Chinese artistry Displays a desirable aged patina and in good order throughout Decorated in Famille Verte enamels, renowned for their vivid green tones Developed during the Kangxi period, celebrated for bold palette and fine detail Represents one of the most distinctive styles in Chinese porcelain history Central medallion adorned with a fascinating dragon motif Encircled by a striking red border to the inner circumference Outer edge profusely decorated with floral motif This is a charming Qing dynasty plate...

Fabulous and large serving decorative bowl from China 1860- 1900. In excellent antique condition with minimal wear from age and use. Wear to the bottom edge. Depicting birds and purp...

This miniature 19th-century Chinese Blue Canton Porcelain Tureen is a great find from the Jiaqing period of the Qing dynasty. The tureen comes with an octagonal platter and matchin...

Chinese Export Porcelain Coral Fish Scale Tea Service, Qianlong, circa 1750 Description This attractive and rare Chinese Export porcelain tea and coffee service is a superb illustr...

Rare antique Mason's Ashworth's Ironstone Chinoiserie pattern hand enameled and transfer decorated footed compote serving dish England, 1862-1880 Vibrant, joyful colors of orange, m...

A large Chinese porcelain duck tureen. Beautifully detailed features and hand painted glazes. Uncommon pale purple glaze with vibrant yellows and greens at the feathers. Blue interio...

This is a 20th century apple green Chinese Export vase with a crackle glaze and elephant mask handles. It is marked. The has the Kangxi mark.

Asian Chinese-style (19/20th Century) blue and white porcelain charger decorated with a bird and floral design and a brown scalloped edge.

Decorative Set of Blue and White Porcelain Plates, China, 18th Century This striking and unusual set of 19 blue and white porcelain pieces includes plates, platters, and lidded pla...

A fine antique Chinese Export porcelain cider jug. In the Canton pattern. Decorated in underglaze blue with a mountainous Chinese village with houses, mountains, foliage, and a riv...

A fine antique Chinese silver flask. Attributed to Wing On & Co. of Hong Kong In solid Chinese Export silver. With engraved bamboo decoration on a hand-hammered background with an...

Chinese export Armorial-style Porcelain Soup Tureen. Tureen features rare matching cover and underplate. This elegant piece features double boar-head handles and finely painted flora...

Chinese Export porcelain armorial crested soup plate, circa 1765 The Chinese Export porcelain armorial plate has a flower festoon border at the rim and a spearhead inner border a...

This is a plate from china, it has been made late 19th century, very nice colors, green, orange blue. It is a canton plate.

River Crossing: Chinese Export Blue & White Canton Large Dish Circa 1800 A monumental Chinese Export porcelain underglaze blue serving platter of chamfered rectangular form, dating ...

Extraordinary hand-painted Chinese porcelain ginger jar with lid, made during the reign of the Emperor Tongzhi (1862-1875), of the Rose Family type. Rose Family is the name given in ...

A handsome Chinese Export porcelain soup tureen and cover, Qianlong period, circa 1770–1780, of octagonal baluster form painted in the famille rose palette with lush bouquets of Euro...

A heavy and well cast Chinese export silver tankard with a dragon handle, made of the Southeast Asian market, mid-late 19th century, China. The double walled mug or tankard featur...

A Canton Famille Rose 12.75-inch charger, the polychrome enameled surface depicting an active palace scene with a distinguished warrior and attendants being presented to the Emporer, the border with an arrangement of butterflies, flowers, and fruit on a gilded ground with four floral reserves with an alternating butterfly and bird (illustrated in J. Feller, p. 42, #2).* Book references Dr. John Quentin Feller, Chinese Export Porcelain in the 19th century: The Canton Famille Rose Porcelains. Salem...

"Canton Maritime": Chinese Export Blue & White Oval Serving Dish Probably American-market, Circa 1810-20 A substantial Chinese Export porcelain serving dish of oval form, dating...

Mercantile Masterpiece: The Elwick Armorial Plate (c. 1730) This rare and historically significant Chinese Export Armorial Porcelain Plate, dating to Circa 1730 during the Yongzheng...

Antique 19th century Qing Dynasty Chinese Canton export blue and white porcelain serving pieces. Includes one shallow bowl / underplate and one compote / fruit basket.  Features cla...

Par of the fabulous collection of art dealer Rodrigo Rivero Lake Chinese Export, porcelain S. XX

Treat yourself and your guests to a cup of tea in the the traditional Chinese way, a teacup with a lid so your tea will not get cold. The 4 antique Chiense-export blue and white porcelain tea cups...

The antique fine bone porcelain blue and white Chinese teapot has a long spout with hand painted scenic design. Enjoy a cup of tea served in this an...

Chinese Export Porcelain Sailor’s Farewell & Return Punch Bowl, Royal Navy Ship This Chinese export porcelain punch bowl was painted in famille rose enamels for the English market with the paired subjects known as The Sailor’s Farewell and The Sailor’s Return, one on either side of the exterior, the two scenes divided by large flowering branches of chrysanthemum and prunus in iron-red, rose and turquoise. The bowl is of deep rounded form on a short straight foot ring, the interior plain but for a spray of the same flowering branches in the well and a narrow border at the rim, so that the two figure subjects carry the whole of the decoration and can be read in turn as the bowl is passed around a table. In the Farewell, a couple stand embracing on a rocky shore, the man in a black tricorn and blue coat, the woman in a striped bodice and full orange-yellow skirt, his free arm thrown out to point across the water at the ship that will carry him away. She is a three-masted vessel lying close inshore, her hull and rigging drawn in iron-red and fine grey-black line, her sails left in reserve and outlined only, with red streamers at the mastheads and a blue ensign with the union in the canton at the stern. The sea is drawn as a band of fine wave lines washing over a green shoal, with a rocky islet and dark blue-green scrub at the water’s edge. In the Return, the same couple stand on a rocky ground scattered with blue-green shrubs, the man now facing his sweetheart across the fortune he has brought home. He wears a black tricorn edged in gilt over a powdered wig, a white cravat, a blue coat lined in puce with wide turned-back cuffs, a striped waistcoat bordered in yellow, an embroidered belt in brown and turquoise, orange-red breeches and white stockings, and he carries a long slender cane with a sword hanging behind him. From his raised right hand, the wrist deep in lace, he dangles a gold pocket watch by its chain over the green apron the woman holds up between them; in the apron lie some ten gold coins and a dark purse studded with gold. She wears a lace-edged cap with blue and yellow lappets, a coral bead necklace, a white stomacher, a yellow jacket with a green shawl and a full ribbed puce skirt, and in her right hand she holds a red flower. Both figures are dressed as gentlefolk rather than as seafarers, which is usual on bowls of this class, the compositions having been copied at Canton from European genre prints rather than drawn from life. The rim is finished with a gilt line at the edge, and inside it a narrow border of pendant trefoils in iron-red with dotted terminals hangs from a second gilt line, the only border on the piece. The flags repay a second look. From 1707 until 1864 the Royal Navy was divided into red, white and blue squadrons, each wearing an ensign of its own color, while British merchantmen wore the red; the blue ensign here therefore marks the vessel as a naval one rather than an East Indiaman, and it is that identification which sets this bowl apart from the more commonly encountered versions flying the striped ensign of the East India Company. The Sailor’s Farewell and The Sailor’s Return were among the most widely circulated of English popular subjects through the eighteenth century, sustained by ballad and by cheap print, and a customer placing an order at Canton sent out the engraving for the Chinese painters to copy, color for color, from an image whose language they could not read. Dimensions Diameter: 10¼ inches (26.0 cm) Height: 4½ inches (11.4 cm) Marks None. Chinese export porcelain painted to European order in this period is characteristically unmarked. Provenance Elinor Gordon, Villanova, Pennsylvania Collection of Roy and Ruth Nutt Earle D. Vandekar of Knightsbridge Condition Very good, with some fading to the grey-black line work of the ship’s sails and rigging, light wear to the gilt at the rim, a few dark firing specks in the glaze and light soiling to the unglazed foot rim. No cracks, chips or restoration. References David S...

The jug has been manufactured in China in late 19th century, it features intricate hand-painted traditional Chinese motifs designs in shades of blue on a white background. The vase it's in original conditions with signs of use and age. it was mostly used by workers in the fields because the thick terracotta kept the water cool for all the day. A late 19th century white and blue ceramic Chinese jug...

Very rare to find a true pair of Famille rose porcelain chargers. Look closely, there is a left hand view and right hand view. Scene depicts an important arrival complete with entour...

Antique 19th century Qing Dynasty Chinese Canton export blue and white porcelain serving pieces. Includes two vegetable tureens with lids and one oval serving platter.  Features cla...

A fine antique Chinese Export porcelain covered butter dish. In the Canton pattern. Decorated in underglaze blue with a mountainous Chinese village with houses, mountains, foliage,...

Fantastic simple and a survivor of over 200 years of use and love. 15.5 x 12 x 1.75 deep, its the perfect size for an intimate dinner part main course, or just a great decoration. Th...

Circa 1740 Chinese porcelain pair of famille rose Armorial soup plates. Qianlong dynasty. From the Rig (Rigg) family service (Rigsland in Scotlan...

18th Century Chinese Porcelain Octagonal Plate in the Kangxi Taste. Decorated with hand painted flowers, rocks & Cabbage in Reds, bl...

Circa 1830 Chinese Export Porcelain Orange Fitzhugh Platter. Gilt rim. Soft color range with a few dark iron red feathers. Minor gilt losses to rim. A popular pattern & color exporte...

19th century Chinese Export Famille Rose Porcelain Part-Dinner Service. 45 PIECES.

A very fine and exceptionally rare pair of circa 1760 Qianlong period Chinese export for the Anglo-Indian market chargers of large size, the molded and scallop-shaped bodies painted with delicately enameled 'bianco-sopra-bianco' floral borders with polychrome lotus flowers and buds surrounding central cusped cartouches painted...

This charming vintage set of six enamelware plates, originating from China, features a delicate blue and white koi fish design. The collection combines the durability and nostalgic c...

20 th c Chinese Export porcelain Handpainted tureen with cover, decorated with gold lions head handles.

This is a hand painted Chinese export bowl from the late 18th century, Qing dynasty, Qianlong period, 1736-1795. We date this piece to...

A fine antique Chinese Export porcelain covered vegetable dish. In the Canton pattern. Decorated in underglaze blue with a mountainous Chinese village with houses, mountains, folia...

These are beautiful late 20th century Chinese Export blue and white vessels or vases. While the exterior has a vivid blue and white geometric pattern, the interior is a bright turquo...

19th century platter in the rose medallion pattern. Losses to paint at edges from age and use.

Large & Very Fine Chinese Export Punch Bowl, with Painted & Gilt decoration in the Mandarin palette. Jingdezhen region, China ca. 1780.

Cross-Cultural Masterpiece: Rare Chinese Export Porcelain Bacchus Mug. After Derby, Circa 1785 An exceptional and rare Chinese Export porcelain mug, modeled in the form of the head...

Later 19th century Chinese export porcelain tea pot. Famille rose figural decoration featuring a lady of the court in a wheeled chair with attendants. Rarely found inner, inset tea i...

Teatime Elegance: Chinese Export Famille Rose Teapot Stand ________________________________________ This charming Chinese Export Porcelain Teapot Stand i...

Chinese Export Famille Rose 'Precious Objects' Porcelain Dish, Qianlong Period, Circa 1765-1775 This superb oval dish is a quintessential example of Chinese Export porcelain create...

19th century hand-painted export bowl with wonderful vibrant colors in patterns of florals, birds and butterflies.

Six Japanese export style blue and white porcelain chargers, 20th century, China or Japan. The blue and white porcelain chargers decorated in the kraak style, and emblazoned with the VOC logo for the Dutch East India Trade Company (Vereenigde Oost-Indische Compagnie). The brilliant blue and white porcelain painted with a traditional pattern of long tailed birds and flowers, with the addition of a pair of pomegranates. The backs undecorated. Based on the original Japanese Arita ware...

Japanese Dish or Charger, made in Japan at the beginning of the 19th century. With beautiful colors in red blue and white. The Item is in good condition.

Pair, Chinese Export ‘Yonge’ Armorial Porcelain Soup Plates Yongzhen or Yongzheng Circa 1731. “Pair of Export Porcelain Armorial Soup Plates, China, c. 1731, centering the arms of Y...

A pair of famille verte porcelain plates, the left made in China during the Kangxi period (r. 1662–1722) and the right a copy by Meissen made circa 1740. Chinese porcelain has alw...