Pacific Islands Folk Art

Impressively carved from a single block of wood, this monumental male spirit or ancestor figure originates from the Middle Sepik region of Papua New Guinea. The figure combines stron...

Papua New Guinea: Talipun, Boiken, Sepik River Region  Northern Papua New Guinea, 20th Century  A fine example of the rich cultural heritage of Papua New ...

Papua New Guinea standing figure from the Bioma peoples with raised designs, stylized classic face, and additional face in stomach. Mounted on custom metal and wood base. Traces of...

Two Oceanic ceremonial weapons from PNG highlands circa 20th century. It consists of two pieces. The first is an ax with a wood shaft and a flat elongated he...

A ritual artifact from the tribe of the Asmat poeple, an ethnic group of New Guinea living in the Papua province of Indonesia and South-western regions of Papua New Guinea, bis or bisj pole is carved out of a wild Mangrove tree and can reach a stunning height Their carvings depict stacked human and animal figures standing and on top always phallic symbols, in the shape of a canoe prow. Bis poles...

This striking early 20th century tapa bark cloth from Western Samoa and the greater Tongan cultural sphere is a rare and powerful example of Pacific Island textile artistry. Hand-pai...

Vintage Papua New Guinea Tribal Tapa Cloth A striking vintage tapa cloth from Papua New Guinea, handcrafted from natural barkcloth and decorated with traditional tribal motifs. Made...

This belt is a traditional ceremonial men's ornament, knotted from a strong heavy handmade cord and showing a dark patina vegetable dye. Two rows of cowries are used to cover the su...

Early woven painted basketry yam mask from Papua New Guinea. Bug eyed or bird faced mask with heavy incrustation from many years of use, a striking mask that ...

Early 20th Century Shield, Wahgi Valley, Western Highlands, Papua New Guinea This large, post contact, shield is traditionally decorated in bold colors with a central circle. This ...

Early hand carved stone axe with face, long nose with pierced nostrils, framed by loose oval form. Round eyes and slit mouth. Old worn surface. 8 1/2 inches high, early to mid 20th...

Tapa dance shield. Baining People, New Britain, Papua New Guinea. First half, 20th century Pounded mulberry bark painted with natural pigments Measure...

Early 20th century abstract tapa bark cloth from western Samoa with a royal coat of arms design. Hand-painted in deep brownish-black tones using traditional ‘o‘a sap blended with ch...

Surrealist carved Koa wood vase with a hand form "holding" the vessel. Early 20th century dada works by those such as Marcel Duchamp would have certainly found kinship in the concept...

Early 20th century abstract tapa bark cloth from western Samoa with a royal coat of arms design. Hand-painted in deep brownish-black tones using traditional ‘o‘a sap blended with ch...

A pair of Papua New Guinea Mendi wooden war shields on custom stands from the mid-20th century. This pair of war shields originate from the Mendi region, within the Southern Highlands of Papua New Guinea. These oceanic war shields were not only created for protecting oneself for tribal warfare, but also in ancestral and ritual worship. They are adorn in various motifs, coloring and symbolism, intended to protect the carrier from magic and bring fear to the opponent. The shields are displayed upright on a custom black iron Stand, with the tallest of the set standing at a height of over 4.5 ft tall. This pair of Papua New Guinea shields...

Cache-Sexe Papua New Guinea Culture, Papua New Guinea Natural fibers, boar’s tails, and pigment Mid 20th C. Dimensions: 10 w x 12 h in./13.75 w ...

Gunstock shaped war club ‘Sali’. Ironwood root carved with traditional motifs. An excellent example, mounted on a custom stand in patinated bronze. Measure...

An Unusual Polynesian Fighting Club With a superb geometric upper section and unusual spiral twist grip Dark glossy patina and excellent colour, with a lug to the butt and ‘old’ pa...

This piece is an excellent example of an adornment used by Abelam warriors to frighten their enemies. They are held in a warrior’s mouth for courage and to intimidate their adversary...

Woven painted basketry yam helmet style mask from Papua New Guinea. Hollow woven form with traces of red and white pigments. Would have been put on top of a large yam as a part of th...

A Mendi 'Compensation' or 'Revenge' Doll, traditionally made with pandanus leaves, bilum string, shells, wood, seeds and objets trouve with pigments. These dolls represent individua...

Decorative coral sculpture. The coral is from the 1970s and has a beautiful light colored green shade. Medium size coral sculpture.

Probably Papua New Guinea, or Borneo, Dayak, late 19th/early 20th century H. approx. 12 cm (incl. stand, each) Provenance: Private collection, Flanders

A Tonga Pakipaki war club, Polynesia, 18th century An exceptional ironwood war club originating from Tonga, Polynesia. 18th century and hand carved with complex geometric patterns running the length of the shaft. 4 human and 1 botanical glyphs and a extra carving, see details in picture 2 The Tongan war club...

19th century throwing club, ula, Fiji A heavy throwing club made of dense hardwood with the handle finely carved with geometric motifs and an unexpected detail on the ball head - se...

This rare antique Kukukuku (pronounced "cookah-cookah") war club is from the remote Morobe Province located within the Eastern Highlands of Papua New Guinea. The head is carved from...

Papua New Guinea standing male figure carved hardwood fragment, possibly from canoe? Back broken away and then cut and smoothed (probably by original baser) Based on period block of...

A wonderful 20th Century Samoan/Fijian circular wooden kava bowl called a tanoa fai'ava and carved from a single piece of wood and standing on seventeen round legs. Made of a native ...

This rare antique Kukukuku (pronounced "cookah-cookah") war club originates from the Morobe Province, which is a very remote area located within the Eastern Highlands of Papua New Gu...

An Unusual Polynesian Fighting Club of Tapered ‘Pole’ Form Decorated all over with a geometric design and ‘glyph’ type motifs Dark glossy patina, excellent colour, retaining the or...

Papua New Guinea, Central Highlands, Huli people, 1st half 20th century Crafted from the wearer’s own hair and adorned with colorful bird-of-paradise feathers, flowers, scarab beetl...

Wonderful Sculpture by the noted German born Tahitian artist Andreas Dettloff. The sculpture is titled “My Polynesian Heart” and dated 2003. It, or an extremely similar one is depict...

"Large Ceremonial Wooden Bowl – Admiralty Islands, Papua New Guinea" Large Ceremonial Wooden Bowl – Admiralty Islands, Papua New Guinea Late 19th – early 20th century Exceptional an...

This striking early 20th century tapa bark cloth from Western Samoa and the greater Tongan cultural sphere is a rare and powerful example of Pacific Island textile artistry. Hand-pai...

Papua New Guinea, early 20th century, A Bilum bag from Papua New Guinea, crafted from bark fiber and adorned with cassowary feathers. Provenance: - Collection Rinck Hollnberger, Mu...

Tapa Headdress, Lepau, Santa Cruz Island, East Solomon Islands Paper mulberry tree inner bark, natural dye Late 19th to early 20th century 67.5 by 18 inches (171.4 by 45.7 cm) Ex pri...

A well preserved Yam Ancestor mask professionally presented on a museum quality acrylic display stand. The mask was a classic tribal art piece from Abela...

A Papua New Guinea yam festival mask of a horn-billed bird from the mid-20th century. This vintage ceremonial mask, also referred to as a baba mask, originates from the Abelam people...

A pair of decoratively carved wood splash boards from the southeastern region of Papua, New Guinea, presented on custom stands. This pair of vintage tribal boards have been carved fr...

Early Papua New Guinea abstract hook figure or mask with two opposing hooks, and central looped design, Sepik River area. Some chips missing to central loops. Small hole at top for s...

Abstract and anthropomorphic large figure from the Pie River, located to the east of the Era River. Abstract, anthropomorphic form stands on separate legs with dynamic varying outline, wide hips, and torso leading straight to a rounded head. Figure represents Irivake, the ancestor hero who is considered as the founder of headhunting, also believed to have climbed to the sky and to command lightning. It is enlivened with various curvilinear details highlighted with red and white pigments. The back appears with a collection number in red, and the following: Ipigau (village), Upper Pie River, Papua, P63.20. This is a 'later example', not a first generation piece with several age cracks. It has likely seen field use, but not extensive field use. Provenance: Private New Jersey Collection, ex. Michael Rockefeller...

A rare Papua 'Gope' Spirit board from the Schulze Westrum collection New Guinea, Papua Gulf, probably Urama people, late 19th–early 20th century H. 114 x W. 27 cm Provenance: - Co...

Oceanic Schouten islands Pounder Papua New Guinea A Fine old hard wood Pounder or pestle with a standing female figure from the schouten islands off the north coast of Papua new Gui...

A superbly executed carved and painted Crocodile Headrest from the Sepik region of Papua new Guinea The crocodile image finely carved in linear form with serrated tail with the cane Legs, the crocodile is revered and is a important part of the mythology of the Sepik region and features heavily in Sepik art...

A fantastic hand-carved primitive wood totem sculpture/ figure from the Sepik River people (Ambunti and Wewak) of Papua New Guinea. This work, which features tusked ancestral spirit ...

A striking and culturally rich Samoan bark cloth textile (siapo), dating to the late 19th to early 20th century CE. Measuring approximately 120 x 130 cm, this impressive work was cra...

Santa Cruz, Nendö, late 19th/early 20th century Retaining an original leaf in which these coils were wrapped. L. 72 cm (stretched out) Diam. 34 cm (roll) One of the most remarkabl...

A fine, older Melanesian ebony wood carving. From the Trobriand Islands. In the form of a crouching tree kangaroo (black dorcopsis) with geometric...

"Large Fijian Bowl On Four Feet – Fiji Islands, Melanesia – 19th / Early 20th Century" Impressive traditional wooden bowl from the Fiji Islands, carved from a single block of solid h...

Originally collected in the Solomon Islands in 1938, this one of a kind treasure from the south pacific comes from a private oceanic collection. This is a Solomon Islands Santa Cruz hand carved figure called a Duka, circa 1930s. It was carved in an extremely hard native wood and features a finely carved, unusual extended conical head, a handwoven loin cloth and turmeric encrustation. For your convenience, many of our photographs were taken in natural day light which accurately illuminate surface areas depicting original dark patina that you would expect from an important early carving such as this one. We will include a complimentary custom wood display base that you see photographed. Dimensions: 21.25 inches high Provenance: collected in l938 and originally acquired by a visiting French collecting tourist in the Solomon Islands then to dealer and Texas collector and to our private collection in year 2000 so could have been a specially crafted fine 1930s tourist sculpture piece for the visiting French tourist. History: Duka sculpture from Nendo Island, politically part of the Solomon Islands, is distinctive, and only a limited number of works have been documented. The conical extension at the back of the head represents a man's hairstyle. Called abe, its construction and shape was a symbol of wealth and high social status, and for older men, it also served the practical purpose of covering bald spots. All Nendo figure refer to deities or supernatural beings (Ellis: 2009, pp. 78-85) Auction sale: Bonhams Auctions April 28, 2015 sale. Exceptional Lime Container...

Yua Shell Currency, Bride’s Price Sepik River Region, Papua New Guinea Hand carved from a clam shell Measures: 7.5 x 8.5 in / 19 x 22 cm Height on c...

From Papua New Guinea an early painted Maprik carved wood head sculpture or mask, intense expression showing teeth, and two opposing stylize...

Group of three early Papua New Guinea Sepik miniature tightly woven raffia yam mask with areas of heavy yellow and black pigments. Different Bird imagery in...

Late 19th-early 20th Bailer shell pectoral, Highlands, possibly Mendi People, Papua New Guinea These large shell pectorals were worn ceremonially by men and women in Papua New Guine...

A monumental, rare and important Oceanic Papuan Asmat People tribal carved war shield from the first half of the 20th century, collected from the coast of the headhunting tribe in Papua New Guinea, a Provincial Indonesian island in the mid 20th century. Among the Asmat, war shields are the most powerful symbolic element of a warrior's equipment, and have many layers of meaning. Traditionally, they were functional items used to protect warriors in battle by deflecting an enemy's spears and arrows. The carved and painted images on the surface of the shields were also intended to frighten the enemy and symbolize the power of the ancestors. Ancestral imagery appears on multiple forms of Asmat art...

Small carved darkened wood bird faced mask with long nose/beak. Smaller squatting figure with curled arms carved on forehead. From Sepik River Area of Papua New Guinea. Signs of ...

An Oceanic "Gope" Papuan ancestral spirit board, 20th century, collected from the Gulf Province, Papua, New Guinea, Kerewa or Hohao village tribe. Hand...

Early Papua New Guinea Sepik tightly woven raffia mask from a talipun bride price currency. Areas of white, black and red pigments. Wonderful heart shaped face with open eyes and mouth. This mask or face would have been tied to a large shell which was the currency used...

A rare and important Oceanic Papuan Asmat tribal carved ancestral sago bowl (also known as a platter, serving shield and tray) crafted in the likes of the...