Canvas Furniture

Magnificent set of three French oil on canvas paintings made in the chinoiserie revival period of 19th century, Europe. The center painting feature...

Seascape with Clippership by George Howell Gay (American: 1858 - 1931), circa 1890, an oil on canvas bow view of a clippership under full sail, running with stun'sls and skysails set, on lively sea under blue cloudy sky, with a second square-rigger visible in the background, signed in the lower right, and titled on the reverse "Clipper Ship Before the Wind." A beautiful and dramatic painting with a cool, brisk feel. The painting is in fine condition, with one small patch along the upper margin and a tiny spot of corresponding inpainting. Measures:24 in H x 20 in W Framed: 29 in H x 25 in W George Howell Gay was born in Milwaukee, Wisconsin, and educated in Chicago under Paul Brown and Henry Elkins, and in 1889 moved to Bronxville, New York. He worked in all media, but was especially fond of watercolor, which allowed him to capture the transparency of the ocean and the luminous qualities of sunlight and clouds. Gay worked along the Northeastern coast from Rhode Island to Maine, but also painted summer and winter landscapes throughout New England. Gay’s seascapes were exhibited at the Boston Art...

Francesco Aviani (Italy - Venice, 25-11-1662 / 1715) att. Couple of paintings depicting Capricci Oil on canvas, 135 x 183 cm, without frame The two large and fine paintings depict two illusionistic architectural renderings, with views of colonnades and arched buildings, animated by figures. The compositions are characterized by the harmony with which the painter introduces the sumptuous architectural monuments, the mirrors of water, the buildings in the distance and the views of the landscape. Dominates with a color on the tones of brown and ochre that stands out on the blue sky, marked by some cloud of steam. The insertion of the figures to enliven the architectural views also balances with the set. The Capriccio, an artistic genre that has made its way into Italian painting since the 17th Century, is characterized by the representation of fantastic architectures or prospective inventions, sometimes combined with elements drawn freely from reality. The two paintings are an example of this type and they are a very interesting and Fine artwork. The remarkable pictorial quality emerges both from the composition of the ensemble and from the way in which the artist describes the views with great attention to detail, highlights and refined, perfectly realistic, chiaroscuro. The same must be recognized for the figures: these are described with a wise brushstroke, quick and quick touches give the dynamism of the moment that is captured, as if time had stopped to show and narrate what is happening. The painting on the right represents a large Baroque building in stone and paved with marbles, two floors, with moving façade, large columns with corinthian columns, a large portal with a staircase with large footsteps, a balustrade with string, from which some figures appear, and two equestrian monuments in bronze. The sumptuous building overlooks a large POOL of water, with a gushing fountain, around which some characters sit. In the second floor is described a white palace from which rises a tower crowned by a structure with wrought iron loggia. In addition there is a bridge and some architectural ruins behind which some mountainous reliefs fade towards the horizon. On the staircase is described a particular scene. The people seem to be part of a very precise story. A woman, in the shadow of a parasol supported by a servant, would seem to drive out of the palace a man, who, taken under his arm by two maidens with a determined attitude, is led to a boat. The scene could be identified with the biblical episode of the parable of the prodigal son (Luke 15,11-32), at the moment when the prodigal son is robbed and driven away by the harlots. The episode tells of a man with two children. The youngest said to his father: “Father, give me the part of my inheritance”. And the father divided the substances. After not many days, the youngest son, collected his things, left for a far country and there he lost his substances with prostitutes and living as a debaucher. When he had spent everything, there came a great famine in that country and he began to find himself in need. Reduced to hunger, he was forced to be a pig herder to survive. He therefore meditated in his heart to go to his father and ask for his forgiveness and to be welcomed anew, even as a servant. While still on the road, however, the father saw him and ran towards him, receiving him with open arms. He then ordered his servants to prepare a great feast for the occasion, killing for the purpose the "fatty calf". The firstborn did not understand why his brother was given such treatment, and reminded the parent that he, who had always obeyed him, had never received a single kid to celebrate with his friends. The father answered him: «Son, you are always with me and everything that is mine is yours; but it was necessary to celebrate and rejoice, because this brother of yours was dead and came back to life, was lost and was found». The parable of the prodigal son was often portrayed in painting and the scene he finds most is certainly that of returning home in his father’s arms. Among the many is a canvas by the famous painter Giovanni Paolo Pannini (or Panini) (Italy – Piacenza, 1691– Rome, 1765) kept at the Hallsborough Gallery in London. Rather rare, however, is the scene of the prodigal son driven and robbed by harlots. There is an engraving by Hans Collaert II (1561-1620) in which this moment is described in the background compared to the moment, narratively later, in which he is penitent among the pigs. The second painting, certainly pendant of the first, represents a similar palace, with some characters overlooking the balustrade marcapiano and other figures around the large bathtub quadrilobata. In the foreground is described a monument with two large stone sculptures. In the distance some architectural elements and, beyond, the mountains are lost on the horizon. The studies related to the numerous painters of architectural views and caprices, active in Italy, and the archival documents found, which could better clarify commissions, biographies and certain works, are scarce and sporadic. Therefore there are still many difficulties in reconstructing a catalogue of autograph works for each author. Through paintings in private collections, in museums and paintings passed on the antique market it is however possible to advance some attributions in order to better delineate the various artistic figures. The style of the works studied here leads to a dating that runs between the 17th and 18th Centuries, with obvious influences dictated by the perspectives of the brothers Galli Bibiena. The analysis of the architectures and the chromatic palette suggests that we are in the presence of a northern Italian and Venetian author. Observing the decorations and the volutes, the brightness and the perspective disposition in fact, we find several analogies with those used by the Vicenza painter Francesco Aviani, excellent in pictorial perspective and architectural views. The biographical profile of Francesco Aviani (Italy - Vicenza, 1662-1715) was essentially traced in 1956 by Andreina Ballarin, then re-visited by Federica Spadotto in 2014 and Giancarlo Sestieri in 2015. Certain documents about his life are scarce, as are the documented works. He was born in Venice, probably on 25 November 1662, to Bernardo and a Magdalene whose surname is unknown, and was baptized on 3 December 1662. Between 1701 and 1703 he worked, together with his brother MarCo, sculptor, for the fresco decoration (now illegible) of the church villa in Soella (Vicenza). On October 16, 1703 he married Isabella Carcano. On March 26, 1715 he made a will and died on April 3 of the same year, in Vicenza. The frescoes in the refectory of the sanctuary of Monte Berico in Vicenza are considered authentic works by Aviani, probably made in 1708; the paintings preserved in the Civic Museum of Vicenza: “Landscape with Lazzaro and the rich Epulone”; “Christ among the doctors”; “The miraculous fishing”, works not datable but with attribution corroborated by style. In addition, the frescoes in the east and west corridors of the Villa La Rotonda, near Vicenza; the fresco in the apse basin of the chapel of the church S. Croce, Vicenza, now destroyed; the frescoes of the central hall of Villa Camerini a Montruglio (1714) and a painting of a “Porto Regio”, of which we have a print engraved by Dall'Acqua. From his works emerges the artistic background that animated the Venetian culture in the early eighteenth century. The scenic grandeur with which Aviani treats the architecture also suggests a stay in Emilia of the painter, in which he could have come into contact with the environment of the Bibiena. These contacts would be confirmed by the press of Cristoforo Dall'Acqua (Vicenza 1734-1787), “Il porto regio”, after a painting of Aviani. The press was part of a group of engravings, representing royal buildings, reproducing paintings of the Bibiena. In the eyes of Dall’Acqua, therefore, Aviani’s work was not foreign among those of the Emilians. Inside the sumptuous architectural whims, Aviani often depicts biblical scenes, in which the characters share the space and the narrative rhythm, along with figures drawn from everyday scenes, memories of the Veronese and Bassano heritage. Also in the works covered by this study the author does not seem to want to give up a biblical subject, though the purpose of the paintings appears to be clearly a staging scenography-architectural within which the characters are relegated to the role of extras. From the examination of the architectural Capriccio gathered under the name of Aviani then emerge common elements. The comparison between these works and the works in question highlights the proximity of the compositions. The imposing and scenic architectures are in fact equally characterized by the perspective-scenographic ability diffused in emilian “quadraturisti” and in Bibiena work. In fact, you can see the spectacular slender architecture in the lower part, the loggias that create chiaroscuro games with arches and binate columns placed on massive bases and overhung by projecting cornices. Significant also the comparison with two paintings with architectural whims in a night vision attributed to Francesco Aviani. In Aviani’s works it is possible to find a certain knowledge of the Roman Codazzi paint nd its early development of the eighteenth century, developed with the Locatelli, the Pannini and the less known Domenico Roberti. To Roberti have been recently attributed two works that have some compositional affinity with the canvases in question. The same can be done for a work on the antique market, attributed to Pietro Francesco...

English oil on canvas horse portrait in burl walnut giltwood and beaded molded edge frame. Signed & Dated by Artist "J. Brown Coventry 1866"

A powerful large-scale oil painting capturing two shirtless laborers in a moment of shared effort and quiet dignity. Set against a dramatic golden sky and industrial backdrop, the sc...

ABOUT THE WORK NGAPA DREAMING In her paintings, Julie Nangala represents “Pirlinyanu”, her father's land of which she is the custodian, close to Mina Mina, a rocky land rich in deep-...

1970s, Norwegian design, relax chair model 'Siesta' by Ingmar Relling for Westnofa. Original good condition with nice patina. No smells and no stains. Black leather, canvas, and bent...

An extremely charming Italian 18th century Neo-Classical oil on canvas painting. The circular painting retains its original giltwood frame with a beautiful mottled designs and finely...

Attributed to Flora Crockett (American, 1892-1979), Untitled Abstraction. Flora Crockett is a newly discovered American abstractionist whose career spanned the middle decades of th...

A stunning and most impressive Flemish late 17th century/early 18th century oil on canvas painting possibly by Frans Francken III. The beautiful and...

This is an antique household carry. An English, waxed canvas and leather log or storage bucket, dating to the late Victorian period, circa 1900. D...

Mid-Century Modern Abstract Oil on Canvas by Frank Walcutt At first glance, this abstract oil painting on canvas is a delight to the eye. Frank Walcutt'...

17th C Neapolitan School Painting Oil Canvas Old Master Mola Giovanni Battista . Circa 1600’s important Painting Oil on Canvas painting of a boy with a bird, in original Hand carved...

Oil painting folksy scenery with cattles, goats and farmer's wifes, ca. 1900s A colorful antique oil painting depicting a bavarian farmers family with their cattles and goats. The scene is located beside an mountain lake in the alpine landscape. Oil on canvas late 19th century. Framed with wooden richly handcarved Black Forest frame. Paint partly with craquelure and peeled off (see detail pictures). A great addition to every folksy wall decor. Alpine oil painting...

This charming European 20th Century still-life oil painting features antique books, a glass bottle filled with water and a rose sitting in a glass. Painted with oil on canvas and is ...

A French framed oil on canvas still-life painting from the mid-19th century, depicting a colorful bouquet of flowers in a vase, set in a carved giltwood frame. Born in France at the ...

Oil painting is composed of vibrant orange tones mingled with neutral brown and grey tones. Verso is titled and signed illegibly. Canvas measures approximate 20 inches squared in height and width. Signed original artwork, abstract Modernist art...

Hans Zatzka, Austrian (1859-1945) A Fine Oil on Canvas "Portrait of Haunz Javorasky Als Knabe Dressed as a Sailor" within a carved gildwood frame. The charming portrait depicts a sea...

Lovely petite Art Deco swivel chair in white embroidered leather by Oxford Ltd. of Chicago. It is in wonderful vintage condition. The leather/leatherette ha...

A rare offering. This amazing vintage hand painted Thangka depicts the Tibetan female celestial goddess Dakinis, whose ferocious expression subdues negative and demonic forces. In Alidh Asana posture, she wears a garland of human skulls, with a Khartwanga wand resting against her shoulder. Her face wrathful in expression, her feet firmly pressing down on devils masqueraded in human form above lotus base. With her right hand the deity holds a blue Kartika symbolizing severance of all material. With her left hand she drinks blood from a skull cup...

Antique Folk Art Fruit Still Life Oil 0n Canvas Painting in the Manner of Severin Rosen, Giltwood Framed, C1830 Measures- 16.5''H x 21''W x 1.75''D

Whimsical acrylic painting on canvas of a glamorous dancing flamingo executed in a modernist style, signed Dan Poole in the lower left and presented in a gilt wood frame.

Belgium / 1950 / painting with frame / R. Remmerie / wood, canvas / Rococo / Baroque / Mid-century Charming and beautiful framed painting of the Belgian artist R. Remmerie of a land...

A traditional Jung Koch Quentell pull-down wall chart illustrating trichina (appearance and inner structure). Published by Lehrmittel Verlag, Duesseldorf. Colorful print on paper rei...

A gorgeous quality water colour painting by Irish artist A.D. McCormick R.I. (1860-1943). "Embarrassing Congratulations" signed 'A.D. McCormick' (lower right). Exhibited Royal Inst...

Large Lee Reynolds abstract oil painting circa 1960s for Vanguard Studios original tag to back with a polished aluminum original frame.

Rare Pair of Jan Vaněk Sculptural Oak Lounge Chairs, 1940s Czech Modernism A rare and striking pair of oak lounge chairs designed by renowned Czech architect and designer Jan Vaněk ...

Gaspar Peeter de Verbruggen the Younger (Antwerp, 1664 – 1730) and Pieter Ykens (1648 – 1695) Still Life with Fruit, Flowers, and Female Figure (Flora) Dimensions: Frame: W 143 cm x ...

Large oil on canvas by Pearl Rebhun.

Abstract pastel painting on canvas, late 20th century. Pencil signed on verso, signature undecipherable. Mounted in oak frame. Measures: 38.88" H, 4...

Titled Cool Canopy - Buffalo artist James Koenig paintings reflected many phases of American painting styles including scenes from the WPA period, abstr...

Signed oil painting on canvas by Swedish artist Ragnar Hult (1916-1986).

Italian floor lectern, rare 1600s Folding Carved Wood lectern, made of dark wood, has the two support elements hinged in the middle part, carved with plant motifs and connected in ...

Set of 2 NY chairs by Takeshi Nii, 1950s Japan. Minimalistic folding chairs with a chrome X-base, beech wood arm rests and reupholstered black ...

Oil on canvas winter landscape by the renowned Swedish-born American Impressionist painter, John Fabian Carlson. Framed in a lemon gold molding. A...

Mid-20th century sofa with veneered walnut wood frame and beige canvas fabric seats. Made in Brazil circa 1960s. The frame of the sofa has been refinished and the original fabric has...

A French painted tapestry cartoon from the 19th century featuring a romantic and charming scene with two noble men playing with their ladies on a swin...

The Inheritance Two Seat Sofa by Stephen Kenn is as comfortable as it is unique. The design features an exposed construction composed of three elements - a steel frame, plush upholst...

‘View Of An Animated Port’ Oil On Canvas And Frame, 18th Century

An old cottagecore wall chart depicting the natural history of the mistletoe (viscum album), its anatomy and its growth. The chart is part of the collection by Jung Koch Quentell pri...

Originally built into the wall, Antique Trumeau mirrors have been the choice of aristocracy for centuries and for top designers in the 21st century as well. This particular couple were probably once a part of a much larger collection since the dimensions are slightly off as they were not machine made. The greek mythological paintings...

Stephen Kenn's Inheritance Collection sectionals are a great to customize your space and create the ultimate lounge environment. Since first designing Inheritance Collection, Stephen Kenn has been inspired by the inherent history in vintage materials. Each piece of washed canvas used in this upholstery is distinctive and will have unique markings from its long history of use as a mailbag. The foam seat cushions have been wrapped in polyfiber, allowing for a soft and comfortable lounge experience. Sitting atop a blackened steel frame, the piece has support belts featuring natural cotton webbing, aged veg tan leather, and antique buckles...

Antique Italian painting from the first half of the 18th century. Framework oil on canvas depicting a religious subject Virgin with child of excellent pictorial quality. Non coeval f...

A set of four Italian chinoiserie painted panels, each within frames, depicting fanciful chinoiserie birds, vegetation, pagodas and figures at leisure, circa 1820. Possibly from Piem...

Exceptionally rare 1970s lounge chair in ash and canvas made by Zanotta. The chair is very solid and disassembles completely when desired. In wonderful vintage condition. All leather...

Early example of American sideshow banner art. Painted at the Sunshine Studio in Witchita, Kansas by Geo Bellis. Signed by artist on front and studio name on front and back. This ban...

Inspired by the cozy elegance of Sergio Rodrigues' armchairs, Alessandra Delgado created the Rô armchair, a modern reinterpretation that captures the maste...

VENICE oil painting, featuring the Doges Palacio, Italian School, circa 1940s in its original 1940s frame. Signed M. Coloman, 20th century.  

Well painted with scene of ancient ruins. In a carved gilt wood frame.

Ivy Lysdal, b 1937. Danish ceramist and painter. Acrylic on canvas. Abstract modernist painting. Colourful palette. Dated 2013. Signed. Canvas measures: 50 x 40 cm. Provenance:...

This framed colorful piece has many different aspects and stages of life in it. If you look closely and pat attention to this artists' myriad of details, you can see people painted t...

A fine and attractive pair of early 19th century English landscape painting in there original Thomas Lawrence frames. In the manner of Sawrey Gilpin (30 October 1733 – 8 March 1807). Medium: Oil on canvas Canvas Size: H: 48.5 cm ; W: 58.2 cm Framed Size: H: 68.5 cm ; W: 79 cm Artists Biography: Sawrey Gilpin RA was an English animal painter, illustrator, and etcher who specialized in paintings of horses and dogs...

Overscale 1970s Rosalie Atkins Abstract Oil Painting on Canvas "Red Sky" Offered for sale is a 1970s over-scale Rosalie Atkins oil painting on canvas titled "Red sky". This graph...

By rivers edge at sunrise. By: Muta Akira. Mica paint on canvas. Exhibited in the 1960 Nitten exhibition.

High Mountain Landscape with Alpine Lake near Kufstein, circa 1950s A large impressionistic oil painting depicting a high mountain landscape with mountain lake and folksy mountain hut in front of the imperial mountains (Kaisergebirge) near Kufstein in Austria. Oil painting on canvas with pastell colors. Painted by Passy-Cornet around 1950s. Framed with vintage decorative gilded frame. Artist signature on the front and paper lable of the reseller on the back. Mid-20th Century oil paintings often reflect people´s deep longing for security, beauty and a peaceful world. The natural landscapes show their beauty and majesty with powerful colors. The paintings of that time leave room for romantic feelings and sentimentality. The artist of the time gave people a sense of just be happy...

Napoleone Luigi Grady (Italian, 1860-1949) A Very Fine Oil on Canvas "A Young Man Bicorne Hat". The beautifully executed artwork depicting a posing young boy in full period celebrato...

The Inheritance Two Seat Sofa by Stephen Kenn is as comfortable as it is unique. The design features an exposed construction composed of three elements - a steel frame, plush upholstery, and supportive belts. The deep seating area is perfect for a relaxing lounge experience. This two seat sofa comes with removable cushion covers to allow for easy cleaning should the need arise. Every Stephen Kenn piece is made to order through our Los Angeles studio in partnership with a number of small businesses and fabricators in the LA area. With this highly customizable two seat sofa you can select from a wide range of finishes and materials to complement your home and lifestyle  - please message us to see our Customization Guide with all available options. This version of our Inheritance Two Seat Sofa is upholstered in black canvas. The foam seat cushions have been wrapped in polyfiber for added softness and comfort. Sitting atop a blackened steel frame, the two seat sofa is strapped with support belts featuring black cotton webbing, black leather, and blackened antique buckles.

Guido Borgianni was born in New York on June 11, 1915, to Florentine Roberto Borgianni, a leather merchant, and Sara Herreshoff, who belonged to one of the wealthiest families in the United States and became a legend in the construction of the racing boats that also participated in and won the America's Cup. Guido was not even a year old when, once his parents' marriage had foundered, his father brought him back to Florence. Of Guido Borgianni's extraordinary gifts as a draftsman and painter, Galileo Chini, his neighbor, noticed, and he worked to see that talent refined. Thus Borgianni attended the Academy of Fine Arts under Felice Carena, a strict teacher but one who knew how to appreciate the qualities of his pupils. In the first part of his life he signed his works in black. Then, when he became a pointillist, he began to use red. Among his great admirers were Alessandro Parronchi and Oskar Kokoschka, who was captivated by Borgianni's paintings during his Florentine stay in 1949. Soffici, Saetti, Malaparte, Montale, Pratolini, and Cesare Zavattini, the screenwriter of Vittorio De Sica and Italian neorealism, all liked him very much, finding him "as beautiful as a Corot." In 1946 he exhibited at the Quadriennale in Rome. After his marriage to Simonetta Avila in 1954, his activities were enlivened by travel: in 1955 to Venice, in 1957 to Paris, from 1958 to 1962 around Italy, in 1964 to Spain, in 1971 to New York and Barbados Islands. In 1950 he was awarded a prize at the Mostra Nazionale del Fiorino in Florence, and in 1956 he was appointed Academician of the Accademia delle Arti del Disegno in Florence. In 1957 he was awarded First Prize at the Portrait Exhibition at Dante's House in Florence. Upon his death, deep condolences were expressed by the president of the Florence City...

This painting comes from Polland and is over 200 years old. Oil on canvas with little restorations.: let's not forget that there were two world wars in Europe. A lovely Madonna and c...

Vividly painted American sideshow banner with larger than life subject matter. Painted by the self-titled Czar of Bizarre, Johnny Meah. Both banners are signed. The Harold huge banner is cleverly signed with the "H" in the legs of Harold's huge chair.