Enamel Furniture

Vintage Industrial spotlight on wooden tripod. Adjustable height and angle. Black enamel spot with white interior. Measures: Diameter 42 cm. Total height as shown in picture: 195...

The dramatic "POP" wall sconce in brushed brass and our Dusk enamel fabricated in NYC by Blueprint Lighting, 2019. This design is strongly influenced by both French and Italian Mid...

Cloisonne cylindrical jar with matched lid, exposed brass trim with blue enamel interior and on verso. Dimensions: 3 1/8" W x 4" H Condition: Please see detail photos. Various signs ...

Joe D'urso designed and Bieffeplast manufactured, conical dining table with crackled three-piece glass top. Black enamel coated steel cone shaped ...

A rare and spectacular grand format four overture cylinder music box made by the prestigious firm of Nicole Freres in Geneva, Switzerland in c. 1865. Musically sumptuous, visually st...

Stilnovo Black & Brass Suspension Chandelier, Textured Glass, Italy, c. 1960’s

A nicely decorated Japanese Meiji Period Imari charger, late 19th century, Japan. The porcelain charger featuring a design of a hoho bird, or phoenix, per...

1950s Black enamel, cast iron industrial 2 arm machinist work light adjustable in height width as pictures: 70 cm Diameter Wall plate 10,5 cm / 4 inches Priced per individual item....

Moroccan Tamegroute Ceramic Candlestick in the style of Giacometti This vintage handcrafted green enameled candlestick is a mere sculpture from South...

Rectangular photo frame in 925/1000 silver with geometric design and fire-enameled with Chinese influence style. External cm. Internal 11.6 x 14.6 cm. 6 x 9. Weight gr. 194. Created in Art Deco style for Cartier USA in the 1980s, inspired by drawings by Louis Cartier from the early 1900s. Manufactured in Florence in the Salimbeni company headquarters with completely manual execution by artisan artists with high thickness plate and large reinforcements suitable to support numerous high-fire enamelling firings at approximately 750° < 800° C. It is a new object that has never been used but is considered vintage because it was built more than 20 years ago. The hallmarks struck to the underside of this fine box include: manufacturer's mark: 391FI metal mark fineness:925 Art Deco was also born in France and is the abbreviation of "Art Decoratif". With more decisive and geometric features than Art Nouveau, therefore more evident and "harder", with always contrasting and strong colours, Art Deco spread throughout the world, from Shanghai's China to the under construction New York and in various parts of Europe. Many artists and designers of the time dedicated themselves to the creation of drawings, paintings, objects for personal use and furniture, interior furnishings, entire buildings and skyscrapers, in this new style. Sandoz in Paris, Lalique with its crystals, Puiforcat with its silverware, Erté with its "ante litteram" fashion designs, Tiffany with its table lamps, Louis Cartier with its objects inspired by the Far East (hence the connection with Shanghai). Salimbeni was able to interpret and propose new objects inspired by Art Deco, in precious metals, semiprecious stones and fired enamels, when, exhibiting at jewelery exhibitions in the United States, and more precisely in New York, he made contact with Cartier buyers first, and also with Tiffany later, and for them he created objects in this style inspired by the original drawings of Louis Cartier, obtained from the buyer of the time, but with absolutely different and original designs and interpretations. Many of the objects produced by Salimbeni for Cartier in the United States had taken inspiration from famous Cartier objects belonging to famous people. An example of all is Mary Pickford's set consisting of a powder compact, cigarette case, pill case and evening handbag. About cooperation Salimbeni and Cartier. Our first meetings with the Cartier USA Company took place through the Giorgini Company, the first "Buying Office" set up in Florence immediately after the Second World War, which had the purpose of bringing together Florentine, and also Italian, producers with American buyers, who especially appreciated the artistic objects still manufactured by artisans who still took inspiration from the Italian Renaissance, using techniques handed down from generation to generation. Mrs. Gina Pestelli, wife of a Florentine retail jeweller, was in charge of contacts with Cartier USA, above all an employee, while her daughter, also for Giorgini, took care of the fashion that in those years was affirmed in Florence with the events of "Pitti ". With their help, we began to supply frames and boxes in sterling silver gold plated with malachite and other semi-precious stones. At the same time, the official buyer of Cartier, Mr. William Smith, began to appreciate and commission the first objects with fired enamels, a process of which we have always been specialists. In 1975 we began exhibiting at the prestigious New York Jewellery Association Show, which we participated in both the February and July editions, for a good 26 years until 2001. In New York in those years the "Art deco style" was still very much appreciated, still mindful of the beautiful early 20th century architecture of the great buildings such as the "Crysler" or the "Empire State". We then began to produce frames, boxes, evening bags, "objets de vertu" and other objects in "art deco style" which were very popular with Mr. Smith who gave us some photocopies of Louis Francois Cartier drawings to reproduce them. Thus, numerous cigarette cases, powder compacts, evening bags, frames and table boxes were created exclusively for Cartier USA which, at the time, had the prestigious "Silver Department" on the first floor of the Cartier store on Fifth Avenue. An evening bag, with matching cigarette case and powder compact, were redone on the design created for a gift given to Mary Pickford at the time. In a 1986 Cartier...

Scandinavian Modern Blue Enamel Stainless Dish by Cathrineholm of Norway and Grete Prytz Kittelsen stamped by maker 2.75 h x 7.5 x 7.5 Original early vintage preowned condition Refer...

Green Aura Wall Mirror by OOM Contemporary Glass Dimensions: Ø 94,5 cm. Materials: Copper luster and ceramic enamels on green glass, mixed techniques. Discover the Dome Collection, ...

Green Halo Wall Mirror by OOM Contemporary Glass Dimensions: Ø 94,5 cm. Materials: 24k gold luster and ceramic enamels on green glass, mixed techniques. Discover the Dome Collection...

Three identical and timeless Art Deco / Bauhaus Style, enamel & beautiful glass pendants. If you are looking for a group of beautiful and truly stylish pendants for a midcentury, for an Art Deco or for a contemporary, Industrial Style interior then this set of three could be your perfect lighting solution. These truly marvelous design ceiling lights are impressive for many reasons, but their marvelous shape and their top quality enameled and stunningly layered opaline, art glass shades are what make them stand out from anything you ever saw. Both with the light switched on and off, these industrial looking beauties are truly stylish and a joy to own and to look at. Unfortunately we don't know the designer of these gems, but that happens a lot, because we often purchase with our hearts. So if you are looking for a rare and beautiful set of pendants to grace your entry hall, kitchen or gallery then this timeless and stunning materials set could be perfect for you. If you already have a space in mind for them then you could not wish for a more impressive or stylish set. The 1stdibs platform is known for offering the most beautiful things...

This sculptural and dynamic pair of Mid-Century Modern lamps were designed by Harold Weiss and Richard Barr for the illustrious Laurel La...

Presenting a truly captivating and highly collectible pair of Meiji Period Japanese Cloisonné Enamel Pink-Ground Vases, attributed to the renowned artist Hayashi Kodenji. These excep...

Industrial lamp. Black enamel. White interior. Weight: 7.5 kg / 16.5 lb Priced per individual item. All lamps have been made suitable by international standards for incandescen...

A fine French 19th-20th century Régence style gilt bronze mounted tulipwood parquetry regulator longcase clock, after the 18th century model by Julien Le Roy (French, 1686-1759) and ...

Set of 3 plique à jour enamel and gilt 930 silver open salts. Made by Marius Hammer in Norway, ca 1910. Each: Inspired by Viking longboat with dragonhead stempost and tail sternpost,...

Dimensions - H: 4 1/4 in W: 4 1/2 in D: 3 in This Antique French 19th Century Black Cut Crystal and Bronze Jewelry Box showcases the remarkable craf...

Round table box in 925/1000 sterling silver with fire-enamelled Art Deco design. Dimensions diameter cm. 14.5 cm high. 3. Weight gr. 648. With clear amethyst of cts. 15.40, set on the lid, cut in the shape and size of the "Hortensia", one of the hundred most famous diamonds in the world...

This important Picture Frame Green is in 925/1000 sterling silver gold plated 24 carats. It is rectangular shaped photo frame. The surface of this Picture Frame Green is fired enamel...

Industrial petrol enamel pendant light made in Poland during the 1960s. White enamel inside the shade. Cast iron top. The porcelain socket requires E 27/ E26 light bulbs. New wire. F...

Designed by Stürzenhofecker and Becker for Gebrüder Cosack. Manufactured in the 1950’s for Gebrüder Cosack. Pink enameled pierced aluminium shade, bras...

Antique French Onyx & Cloisonné Benetier "Holy Water Font", Circa 1920's.

Industrial hanging lamp made by Philips, Holland gray enamel white interior Weight: 2.20 kg / 4.9 lb Priced per individual item. All lamps have been made suitable by international ...

A set of three (3) Danish Postmodern pendant lights in white gloss enamel by NordLux, circa late-20th century, Denmark. Each are marked "Made in Denm...

A Highly Important Pair of French Japonisme Ormolu, Patinated Bronze & Cloisonné Vases, by Christofle & Cie. Christofle & Cie is a renowned French silver and metalwork manufacturer f...

Portapillole rotondo in argento sterling 925/1000 placcato oro. Portapillole in Argento Sterling con miniatura di barca a vela smaltata e dipinta a mano. Stile inglese primi del XX ...

Factory pendant light White enamel white interior Cast iron top with clear glass Weight 3.4 kg / 7.5 lb Priced per individual item. All lamps have been made suitable by inte...

A very beautiful pair of Chinese brass and cloisonné enamel vases with dragon design, circa early to mid-20th century, China. Vases are predominantly blue; Other colors include white...

Grey enamel industrial wall lamp Bakelite wall base Opaline glass Diameter glass 15 cm Weight: 2.00 kg / 4.4 lb Priced per individual item. All lamps have been made suitable by in...

Enamel color may be specified. Our standard enamel colors are shown in the final image. There is no additional lead time or cost for these colors and they may all be produced in matt...

Unique and elegant, Organic Modern Copper Enamel Bowl by Donna R. Read. Ms. Read was probably a Professor of Art at the Texas Technological College in Lubbock, TX. and this is one of her works in copper enameling. This bowl shows the proficiency and artistic sensitivity of Ms. Read’s technique. The bowl has a muddled effect on the outside and a lovely Modern abstract design in dark brown on a copper color background on the inside. Label on bottom: Donna R. Read – Department of Art – Texas Technological College – Lubbock Texas...

An art deco guilloche enamel box designed by Deakin & Francis. This is a fabulous squared antique case-box, created in the city of Birmingham England at the silversmiths of Deakin &...

A very rare lime green moriage dragonware plate. Created of porcelain, this piece is created with a raised enamel design of a dragon in pearly white...

Rare and old factory lamp by Industria Rotterdam Grey enamel with gray cast iron top white interior Weight: 5.40 kg / 11.9 lb Priced per in...

.800 Silver Miniature Artist Easel and Modern Painting Trompe l'Oeil Sculpture Italy, Later 20th Century  A tour de force of miniature silver scu...

Italian art deco style table lamp with three tiers of perforated brass shades and lamp body in unlacquered natural brass finish, mounted on clear beveled glass base / Made in Italy H...

Pair of petite German desk lamps. Enameled vented steel shades, brass gooseneck, enameled steel base. 40 watts max G-16.5 candelabra incandescent bulbs rec...

A pair of large high quality Japanese enamel over brass vases The sphere shaped vases are covered with polychrome enamel medallions depicting sparrows in blossoming flowers, and Phoe...

Ceramic midcentury lamp by Boch Freres Keramis vase, 1960s. Beautiful midcentury lamp by Boch Frères with geometrical patterns and very modern colours. The enamel is slightly grainy with a beautiful shine. The tapered shape gives it a great elegance. The ceramic measures 23 cm, 41 cm with the lampshade. The diameter of the ceramic is 9 cm. The lamp is in very good condition. Signed under the base. circa 1960. --------------------------- Royal Boch is an earthenware factory located in La Louvière, Belgium. Founded in 1841, it markets its products under the name Keramis. The factory was founded in 1841 by Eugène and Victor Boch, descendants of a family of earthenware makers since the 18th century. Production, which began in 1844, grew rapidly. Kéramis took part in the Universal Exhibition in Paris. During the 19th century, Dutch craftsmen were hired. Charles Catteau was hired at the end of 1906 as a draughtsman (creation and painting of decorations) and quickly became head of the decoration department. We owe him a significant production of Art Deco products...

The chandelier that launched Blueprint Lighting! The Monolith is a commanding statement piece with design elements in the style of both Italian and French modernism—a go-anywhere design that plays well in both modern and traditional interiors. May be fabricated with any of our 36 enamel colors and 6 metal finishes (show in final images). DIMENSIONS: 42" diameter, shades are 11" tall. Overall height may be specified. This fixture uses 10 candelabra socket (E12) bulbs up to 60 watts each (or use LED replacements...

Bronze in its color and gold, lapis lazuli, rock crystal, enamel. In the centre of the work is presented, enthroned, the figure of Mary, with a mantel (fireplace) on her shoulders and hair and holding on her knees the child, who appears addressing one of the angels. The virgin is also sheltered by an ogee arch supported on turned columns, and raised visually by steps. This composition achieves a very striking contrast: the dark bronze figure, in contrast to the lapis lazuli background and the part of the arch and the outside of it, in gilded bronze. Under the steps there is a heraldic enamel shield with a key on an azure background. The angels, kneeling, are flanking this figure, and, appearing in dark bronze, visually share the "category" of religious figures with Mary, while their (lower) position gives more status to both the Mother and Jesus. The rest of the composition is completed with a delicate landscape: constructions and walls on mountains, clouds in the sky, plants, stones, etc. To the outside, another lapis lazuli frame is placed decorated in the corners with appliques, giving way to carved and polychrome wood. The lapis lazuli is a semiprecious stone already known in the seventh millennium BC., found in deposits from the Caucasus to Mauritania. From the end of the middle ages, it increased its export to Europe, its use being more frequent since then both to use it as a pigment in paintings after grinding it (giving rise to the finest and most expensive of the blues, and of the colors in many occasions), as for backgrounds of paintings, incrustations in works of art, jewelry and, a little later, in the well-known "hard stone works". The figure of Mary still shows an influence of Gothic models, although more European than Italian, along with elements that could already show a closeness to the Renaissance: although the nakedness of Jesus is already shown in Gothic works (Madonna with Angels by Fra Angelico ), the creation of space by playing with the cloth in front of Christ can be appreciated in more advanced paintings (Virgin with Child by Domenico Ghirlandaio, National Gallery of London); the presence of a powerful throne can be seen frequently in Italian Madonnas of the Quattrocento (and before), but not quite as presented here. As for the landscape, it is necessary to compare it, for example, with that of the fresco of the Condotiero Guidoriccio de Fogliano (Simone Martini, finished in 1328). This is a work of great technical and aesthetic quality, not to mention the materials chosen for its creation, comparable only to outstanding examples from around the world, such as those preserved in the Palazzo Madama in Torino (Italy), where the coral It also has an important role. It is essential to mention, also, works such as the plate of hard stones (lapis lazuli between them) with a relief of Mary with the Child in...

Black enamel industrial lamp. Frosted glass. Weight 3.0 kg / 6.6 lb. Priced per individual item. All lamps have been made suitable by international standards for incandescent ligh...

Elegant vintage Limoges 22-karat gold trinket ashtray French vintage Limoges porcelain in cobalt royal blue with fine gold decor. Marked on base as “Limog...

An attractive set of 12 demitasse spoons and sugar tongs in fitted fan-shaped box, by Thedeodor Olsens in Bergen, Norway. Done in .925 sterling silver with different colored guilloch...

The Petite Centric wall sconce or flushmount is a stately take on French modernism, featuring a spun metal mesh shade. A more compact versio...

A large antique Japanese early Meiji period vase attributed to Namikawa Yasuyuki, a prominent cloisonne artist of the time. Showcases the highly regarded craftsmanship and intricate ...

This 'Krenit' bowl was designed by mechanical engineer Herbert Krenchel and his good friend Torben Ørskov who put them in production in 1953. They had realised that Americans ate a l...

Large Chinese Qing Dynasty polychrome enamel bronze cloisonne charger. Unusual and rare bronze Chinese Qing Dynasty Cloisonne charger. The brightly ...

A gorgeous Art Deco period gilt bronze plate or tray with enameled decoration By Louis Comfort Tiffany Furnaces (signed to the underside) New York, ...

Birillo Stool Pair, White Leather & White Base, Joe Colombo for Zanotta, 1970. Colombo's iconic design was awarded the golden medal at the International Exhibition M.I.A in 1972 and ...

Large, Edwardian, sterling silver and blue guilloche enamel-mounted magnifying glass, Birmingham, England, 1906, Geo. Hope - maker. Measures almost 9 inches long x 3 3/4 inches diame...

A superb, weighted three-tier stand. The greens and oranges floral patterns are beautifully hand painted on molded enamel trays lined in copper with a brass pole in the center. We th...

having a square onyx base with brass feet below a shaped socle, the lamp a series of onyx and cloisonne sections.

Enameled metal umbrella stand decorated with geometric patterns, Italian manufacture Siva Poggibonzi 1970, inspired by the iconic style of Piet Mondrian. Decorated with bold black li...

Mid-Century Enameled Oak Coffee Table by Törneman for NK Sweden, 1960s. Swedish Mid-Century Modern Triva Dura coffee or cocktail table designed by David Rosén with abstract table to...