Australian Rugs and Carpets

This fine silk rug was woven by hand in India in the early 21st century. The design has been woven on a subtle grey background with gold accents, making up a symmetrical elegant design. This vintage carpet has been woven to perfection and is sure to seamlessly tie in with any home interior. Constructed with only the best locally sourced materials and traditional techniques this Fine wool rug is sure to last for generations. Hand-spun wool and cotton have been organically dyed with vegetable dyeing techniques that produce both vivid and subtle tones. This elegant silk rug is in excellent condition. Ready for use in any home. Our team source only the finest interior accessories, with years of experience, let our team help you find the perfect accent pieces for your home interior. Our inventory includes a range of modern rugs, vintage rugs and antique rugs. With a huge range of colours and sizes available now. Bohemian silk rug handwoven grey gold carpet...

Rare White Fox Fur Throw

Used as a throw on a sofa and king bed or as a luxury queen bedspread, its exquisite softness and light appearance will bring warmth and refinement to ...

This unique tribal cushion cover is a larger piece suited to a bed or a sofa. Woven with a one of a kind repeating tribal motif pattern in accents of brown, red, beige, orange and gr...

Rare to be found in the U.S., these beautiful sheepskins are of the oldest race of sheep in Sweden. Unique to the island of Gotland, they are renowned for their silvery-grey colored wool, silky-to-the-touch curls (or ‘purls’ as they are known), and supreme suppleness. The fleece is fine, long, lustrous and dense and can appear in all shades of grey, from almost white to silver to charcoal-grey and dark enough to be almost black. A luxuriously decorative accessory, the Gotland sheepskin...

This floral needlepoint cushion cover is an excellent example of vintage cushion covers woven in the 1990s. The floral pattern has been woven in ...

Before woven and knit textiles, animal hides were used as the first textiles of humanity. They are warm, soft and durable enough to last generations. JG ...

Tapis Shaped #030 also known as Zaid is a round rug by HOMMÉS Studio x TAPIS Studio. Its oval shape is ideal to add movement and liveness to a rectangular room. Zaid fragmented shape will make all eyes lay on the floor, so be sure that every detail has its own allure. This rug is the missing link...

Tapis Shaped #046 is an eclectic rug that brings back mid-century modern vibes mixed with Memphis style. This eclectic rug juxtaposes a round with an ov...

Antique rug vintage pillowcase zipper cushion handmade Aubusson pillow cover, view one of the most comprehensive collections of the decorative pill...

TAPIS Shaped #024 is an eclectic rug that brings back mid-century modern vibes mixed with Postmodern style. This rug is handmade using the hand-tufted technique from 100% botanical silk with a thickness of 16mm. Available in sizes Small and Large. Also available in tailor-made colors and dimensions. Made with botanical silk, an eco-friendly material that makes a comfortable and luxurious rug, our shapes rugs...

An antique Chinese Ningxia square throw rug handmade during the early 20th century. Measures: 2' 3" x 2' 4" The craft of the hand-knotted carpet in China, and the surrounding areas including Mongolia and Tibet, extends into the early centuries of the first millennium, C.E., but we really have a firm grasp only beginning in the later 16th century with large, very coarsely woven carpets, often depicting dragons, created for the Imperial Forbidden City palaces. Chinese carpets have always been commercial and there are no tribal groups responsible for any of the carpet weaving strains. When the Ming Dynasty fell in 1644, with no Imperial patrons, production moved to the city of Ningxia in north central China where several workshops turned out more finely woven pieces for the Mandarins of the administrative Ch’ing bureaucracy and well-to-do merchants. Ningxia was the major Chinese carpet center up through most of the 19th century, with first allover and then medallion designs on cotton foundations in medium weaves. Palettes were initially limited to yellows, dark blue and cream, but later widened to include reds, browns and even green. These antiques were the first Chinese carpets to be exported to the West and they fitted in well with the craze for Chinese blue-and-white porcelain in the second half of the 19th century. Ningxia also wove shaped and rectangular small rugs for saddle underlays, chair (“throne”) seats and shaped backs, pillar carpets with dragons or monks for Buddhist monasteries, and long divided runners for monastery meditation halls. These small rugs are among the most collectible of all Chinese weavings. Weavers from Ningxia set up workshops in the capital Peking (Beijing) in the 1860’s and began weaving Western room sizes for export, primarily to America. In blue – and – white and polychrome palettes, with round wreath medallions, precious objects, seasonal flowers, paeonies, lotuses, fretwork, clouds, butterflies and bats, all relatively spaciously drawn. The round “Shou” (Good Luck) character is also a prominent decorative motif. There are also a few Peking landscape pictorials with pagodas, houses, bridges, waterscapes and boats. Peking carpets were woven right up until WWII and production began again after the Cultural Revolution around 1970. They are moderately well-woven, on cotton foundations, exactingly executed and indisputably Chinese. Many are in the blue-and-white style. Nothing else looks like a Peking carpet and for a Chinese “look” in a room, they are absolutely indispensable. Sizes range from scatters and a few runners, through the popular 9’12’ size, to large carpets over 20’ which must have been special orders. The earliest Peking Revival carpets are pliable and fairly thin, but they became heavier and more compact in the 20th century, in competition with Art Deco carpets from Tientsin. The modern, post- 1970, pieces are in the traditional Peking style, but are a little too regular and neat. Exactitude has been favored over character, as hard to explain that as it is. There are a number of all-silk and silk-and –metal thread pieces, many with inscriptions purporting to link them with rooms in the Imperial palaces, bringing very substantial auction prices, but none are really antique. The genre emerged after WWI and the present demand comes from mainland Chinese. The silk piles often stand in pattern relief against flat woven gold metal thread grounds. The inscriptions are apocryphal, the rugs are flashily opulent, perfect for nouveaux riches. The Art Deco period between the two World Wars saw a distinctive carpet industry developing in Tientsin (Tianjin) in northeastern China. These are highly prized for their transitional design character, neither overtly Chinese, nor abstractly modern/contemporary. Woven exclusively for export, usually by and for American firms, such as Nichols and Elbrook, they are totally in the “Jazz Age Modern” style of the 1920’s, often without borders, with abstract or abstracted patterns, and only with, at best, a few Chinese-y pattern elements. Vases asymmetrically placed in the corners are features of some of the more Chinese-y carpets. Open fields with floral sprays and branches growing in from the edges are anther design innovation. Often, Chinese motives have been re-imagined in more sharp-edged, abstract manners. Some have no references whatsoever to natural elements. The patterns are sharp and the rugs are never subdued, soft or restrained. The rugs are heavily constructed, with crisp, unfading dyes and medium to medium coarse weaves on cotton foundations. All are extremely well-executed, with none of the vagaries, variations or twists found on even high-quality Persian rugs. The majority are in the 9’ by 12’ format and a surprising number can be found in top condition. There also was a substantial production in Peking from, especially from the Fette factory. Elliptical and round carpets, and lighter, often pastel colors, were a specialty. Nothing looks like an Art Deco Chinese and they work well with traditional Chinese furniture and the most modern decor as well. These is no substitute for a good Chinese Art Deco carpet. Chinese carpets also include small scatters from Tibet, with high quality wool, floating dragons and allover textile patterns. The colors of vintage and modern pieces are bright, but there are antique small rugs...