Brass Chairs

Inspiration: The sculptural forms of the 30s inspired the Liberty Collection. The tubular and steel structures that have marked those years are combined with a new inspiration that ...

Known in the late 1960s as the Bond girl, Karin Dor was a German actress who shines during the Hollywood Golden Era. Her attractive redhead made an indelible impression on the Austri...

Calm, patient and consistent, the UCCIO chair was conceived with two key objectives at heart - strength and capacity. A true gentleman in its manner, the chair steps back to allow an...

The Saturn pouffe utilizes gathered bilboquet seat construction, to create a more simplified but still incredibly distinctive form. The sumptuously undul...

Rare pair of foldable theatre chairs designed by Poul Henningsen in 1957 for the renovation of the Betty Nansen Theatre (earlier The Young Theatre) in Copenhagen and made by Andreas Christensen...

Delicate seaming in diagonal shapes throughout Croix upholstered back contrast with the smooth seating. Stylish and elegant, this armchair is extremely comfortable in its’ perfect fi...

Mid century Modern delightful pair of vintage Chiavari side chairs / chairs were made of polished solid brass furthermore the seats are newly covered with green velvet fabric. The vi...

Odisseia counter chair embodies the aesthetic spirit of the space age, a new kind of discreet luxury and comfort inspired by a futuristic era created by new visual experiences and co...

Odisseia chair embodies the aesthetic spirit of the Space Age, a new kind of discreet luxury and comfort inspired by a futuristic era created by new visual experiences and concepts o...

The design of this iconic Ghidini 1961 chair was inspired by the Californian coastline. Blending refined architectural elements with fluid gestures, the chair's form brings surprisin...

Mary Swivel Bar Stool, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection, the Mary bar stool...

Italy, 1950s. A graceful pair of adjustable reclining armchairs in mahogany-stained fruitwood with brass detailing, upholstered in a light chartreuse. The sculpted arms, resting el...

This pair of bamboo armchairs from the Mid-Century Modern French Riviera period is bursting with nostalgia. A beautiful brown bamboo structure with brass accents and graphic chevron ...

Love is all around. Clench yours tight, hold it close, and bestow on it the shiny perch it so wishes it deserved. Love Chair for Ghidini 1961 provides a sumptuously soft landing for ...

Nathalie Hedren, also known as Tippi Hedren, is an American actress and successful fashion model. Having a strong commitment to animal rescue since 1969, while she was shooting in Af...

Stylish and elegant, grace bar stool is extremely comfortable in its perfect finishing’s. With its smooth edges, grace has definitely a familiar retro ...

Love is all around. Clench yours tight, hold it close, and bestow on it the shiny perch it so wishes it deserved. Love Chair for Ghidini 1961 provides a sumptuously soft landing for ...

Love is all around. Clench yours tight, hold it close, and bestow on it the shiny perch it so wishes it deserved. Love Chair for Ghidini 1961 provides a sumptuously soft landing for ...

The Oxford chair by R&Y Augousti is a sophisticated piece that provides comfort, whilst retaining its elegant and luxurious aesthetic. This piece is inlaid in coal black shagreen, wi...

Unique and impressive, Gothic style chairs with an amazing patina. These rare and solid oak church or monastery chairs have a beautiful patination ...

The Saint Germain is a sophisticated armchair in a stylish midcentury shape designed for a contemporary home. Perfect for a conversation. This piece is inlaid in black pen shell crea...

Love is all around. Clench yours tight, hold it close, and bestow on it the shiny perch it so wishes it deserved. Love Chair for Ghidini 1961 provides a sumptuously soft landing for ...

The outlook of Fan chair is delicate and artful. Its elegant backrest part just like a traditional Chinese fan. The fabric edition not only presenting a high-quality sense but also e...

A fine and delicate work of textured seaming, as if a geometric embroidery was made, makes this chair detailed and rich. An astonishing surprise, to perceive how embellished a space ...

Collectible Design / Functional art, Lionel Jadot for Everyday Gallery, Belgium 2020 The chair made with scrap metal laser cuts and a prototype element of one of Lionel’s coffee table, the legs are made with the pantograph of a drawing table from the 30s, hung on an inked piece of Japanese wood from the 19th piece of furniture. Born in Brussels in 1969, Lionel Jadot is an interior designer, artist, designer, filmmaker, adventurer. But all at once, preferably. Lionel Jadot is firing on all cylinders. ‘I never throw anything, I pick up everything. Not having a green thumb, I’m trying cuttings, weddings against nature. I never forget a line.’ He’s inviting us in subtle, off-beat worlds, on the edge of reality. Its material is made of dilated time. A wandering spirit, he seeks a protective balance in a hostile world. It is his constant questioning: what happens to the place where we live? For Lionel Jadot, everything is object, everything is history. He draws from other places, other times, and seeks what’s linking them. He sews, stitches, unpicks, blends materials, combines eras. He will enshrine some wood essence in metal, some mineral in a plant, the old in the new. ‘I take extra care to the joint between two materials.’ With him, there is always some play in the parts, as in a piece of machinery. From a kingdom to another, he provokes organic, viral growths, generating energy. Linking past and future, he never forgets a line. ‘I accumulate them.’ He’s inviting us in subtle worlds, off-beat, on the edge of reality. Are we in 1930 or in 2030? Both, no doubt. Its material is made of dilated time. The eye goes hand in hand with the ear. ‘When I walk into a place, I listen to the good (or bad) it does to me. An ineffable feeling.’ He recreates mutant buildings, like the future Royal Botanique, a 5 stars hotel housed in the Church of the Gesu, a former convent behind a 1940 façade. He talks about a ‘hotel object’, which he holds and turns around in his hand. A wandering spirit, he’s flirting with retro-futurism. The Jam, another hotel, is intended for urban travelers, fans of swiftness, fluidity and hospitality. He designs interiors as a set of objects: a motorcycle cut in concrete becomes a bar counter. He finds gothic cartoon echoes, from the likes of Moebius, Alejandro Jodorowsky, Enki Bilal, sets from Garage Hermétique and Blade Runner, a protective balance in a hostile world. Discovering Jadot’s little cosmos of collected and accumulated goods, it becomes clear that every element has its own story. I tried to collect them and in turn, devour them in the coming paragraphs. But first: the show is best experienced seated, barring the distinction between object of use and object of attention, they invite for different types of conversation. The seats, chairs, thrones all make us think of our own physical comportment, and of how the seat lends grandeur to the person sitting on it, by crowning its presence. The crackling floor, the felt walls and the diffuse light slow you down into an oddly absorbing environment, in which you are left puzzled. In the eclectic collages of objects, bits and pieces collected all over the world come together in ways practical, and logical, though possibly only in the artist’s mind. All his finds eventually seem to fall into place. Starting with the mere conception of a chair, rather than with a set-out plan or sketch, the works are intuitively construed out of an archive that one can only imagine the dimensions of. Things forgotten by others, precious for him, were all once designed for their own purpose. Here they find their fit as a base, a closing system or a balancing element. The first piece that opens the exhibition, the most throne-like of all seats in the show, builds around a chair of his grandmother, protected by mops, and harassed with bed springs. As you enter the space, you pass by a shell leaning over a yellow seat that stems from his old Mustang, and find a white stool piece with Mexican leather dog training whips— the white building blocks of which turn out to be dried molding material, as found and broken out of a bucket by workers every morning. Further, the stone piece that reminds one of the stone age, is indeed made of 400 million old rocks, and the soft seats are lent from construction, where these strokes of textile carry up the heaviest goods. In the corner — but as you walk this walk please be seated on any of the thrones and experience the work for a moment— the green fluffy cover is made by XXXX who remakes cartographies of warzones, one of which is here mounted on a flexible fishing chair...

Slipper chair in the style of André Sornay. Handcrafted in Los Angeles in the workshop of noted French designer and antiques dealer Denis de le Mesiere, who pays homage to the work o...

Chair in stainless steel finished in polished brass designed by Nika Zupanc.

Vintage 1950s high back chairs. Features original floral upholstery with brass tacks. Dark stained wood. Metal spring seats with cushion.Beautifu...

A pair of polished brass Chiavari Opéra chairs. First designed by Giuseppe Gaëtan Descalzi produced since the early 19th century in Chiavari, Ligurian Town in Italie. This solid bra...

Fabulous pair of neoclassical cock fighting chairs with lyre backs and swivel seats. Hand painted with bronze rods in the lyre. Seat height is 19inches.

Round, smooth lines, with a combination of leather and fabric create the delicate balance of Doble chair that stand on copper fittings. A spirit of class and tranquility emanates fro...

This visceral and sculptural chair is designed and made by renown artist Zhipeng Tan. Size and color is customizable upon request, lead time is 45-60 days. We ship internationally. Since graduating with an industrial design degree from the China Academy of Art in Hangzhou, Zhipeng Tan has focused on the ancient technique of lost-wax casting. Through this foundry process, rich in heritage and tradition, Tan explores his interest in organic forms. Often inspired by his environmental surroundings, such as water and plants, he explores anthropomorphic themes, as well. Though trained as an industrial designer, he has become an accomplished self-taught sculptor, eagerly exploring the elastic and permeable boundaries between art and design and finding a harmonious fusion of sculpture and furniture, provocative objects of both beauty and utility. Though from his early work, one may sense the influence of Joan Miró, Henry Moore and Constantin Brancusi, and in his more recent pieces there is a nod to the Post-Pop sensibilities of Jeff Koons and Takashi Murakami, the work of Zhipeng Tan is thoroughly original, an expression of his exuberance and imagination. In all of his work, one may see an exploration of our fundamental humanity and a desire to discover worlds within worlds. From the 33 Step Chair...

Jean Harlow was a 1930s Hollywood reigning symbol and the greatest unconventional actress who inspired Ottiu’s designers to create this lips-inspired armchair. The Jeane armchair sho...

Distinguished by an eye-catching purple tone, this armchair will make an elegant statement in a contemporary interior, especially when paired with others from the same series for a r...

The outlook of Fan chair is delicate and artful. Its elegant backrest part just like a traditional Chinese fan. The fabric edition not only presenting a high-quality sense but also e...

Italo Gasparucci bamboo chairs brass Italian design 1970s midcentury brown gold.

Modern style, wanderlust collection. Chaise lounge and footstool aged brass steel and dark brown leather Serene pieces where exclusivity and precision are shown in small details suc...

The eternal beauty of the fabulous Grace Kelly prevails until today and is still a reference in fashion, cinema and culture.The eternal beauty of the fabulous Grace Kelly prevails an...

Inspired by the lovers’ capital, Paris, Ottiu designed the most romantic bar chair. Paris isn’t known only for its romantic climate; it is especially known for its museums and archit...

Iron, brass and leather curule armchair. Originally meant for Roman magistrates, this version features tooled and gilded leather on an iron frame with ...

Set of three solid brass Italian Chiavari dining chairs with tall backs.

Sober and inviting, this stunning armchair flaunts a clean and essential design of minimalist style. Defined by soft and curved lines, it rests on a brass structure upholstered on th...

Set contemporary chaise lounge and footstool, silver steel & dark brown leather Serene pieces where exclusivity and precision are shown in small details such as the hand-turned meta...

Late English Regency / Early Victorian period, circa 1840, upholstered slipper chair having high back tapering into shaped seat on front tapering spiral twist-turned rosewood legs an...

Introducing the Galleon Chair—a timeless creation by the renowned architects Archer & Humphryes, meticulously handcrafted in Italy. This solid wood chair is not just a piece of furn...

Entirely handmade this is a contemporary interpretation of the Louis chair, playfully called with its feminine Italian name. The Luigina boasts an elegant...

Johnny Nargoodah and Trent Jansen have been collaborating in the design and crafting of collectible furniture since they met in Johnny’s hometown of F...

The design of this iconic Ghidini 1961 chair was inspired by the Californian coastline. Blending refined architectural elements with fluid gestures, the chair's form brings surprisin...

Pensando ad Acapulco (Thinking of Acapulco) is a tribute to the iconic Acapulco Chair of the Fifties. It gives shape to a new understanding of what a ch...

Pair of midcentury Italian brass bamboo side chairs. Newly upholstered in pink velvet fabric. Overall unpolished patina to brass. Stamped ‘Made in Italy’ on the underside. Seat is 1...

Handcrafted solid wood construction, featuring true copper or brass rods. Made in Los Angeles, California. Shown in walnut, copper, and black leather upholstery. Wood type is avai...

Odisseia counter chair embodies the aesthetic spirit of the space age, a new kind of discreet luxury and comfort inspired by a futuristic era created by new visual experiences and co...

Tan’s practice, since graduating from the China Academy of Art, has been focused on the ancient technique of lost-wax casting. This ancient foundry process has created an intersection between Tan’s interest in heritage casting techniques and organic forms. The forms designed by Tan vary from being environmental (water drops, tree roots) to being figurative (spinal cords, pelvic structures). The Lily collection brings together the botanical and human motifs most explicitly. The tension between the two references cause the works to become abstracted and take on a slightly surreal quality, whilst maintaining functionality. The 33 Step chair...

Tan’s practice, since graduating from the China Academy of Art, has been focused on the ancient technique of lost-wax casting. This ancient foundry process has created an intersectio...

And Objects, product design studio founded by Martin Brudnizki and Nick Jeanes based in London. Bringing a touch of glamour to the humble bar stool, the Horton bar stool...

The Saturn pouffe utilises gathered bilboquet seat construction, to create a more simplified but still incredibly distinctive form. The The Saturn po...

Mid-Century Modern vintage Chiavari brass side chair or chair, which was designed, 1950s, Italy. The brass side chair is reupholstered and the seat is covered with light brown velvet...

Celadon lacquered, midcentury, James Mont style Ming chairs with brass accents.