Inlay Daybeds

Beautiful and important sculpturakl form brass single bed or day bed circa 1958-1963 by Osvaldo Borsani for 'Arredamento Borsani', Varedo , Italy. The small series of Borsani beds designed were produced in several different designs ,each in very limited numbers and all hand made by the Arredamento Borsani in Varedo, italy. This series of beds never went into serial industrial production , a fact confirmed to me by the Arredamento Borsani archives. Beginning in the late 1950s,Osvaldo Borsani went on to collaborate with many great artists such as Lucio Fontana, Fausto Melotti, Agenore Fabbri, Aligi Sassu and Arnaldo Pomodoro, amongst others entrusting each to provide decorative elements to his designs. The brass headboard features a series of heavy cast solid brass interlocking geometric elements each featuring a beautiful organic three dimensional surface finish creating a supremely elegant and timeless repetitive motif . The bed still retains all its original decorative brass nuts ,bolts and finials which feature the same three dimensional decorative finish as the decorative sculptural forms contained in the headboard. We have had a new bespoke mattress and bolster pillow made with a natural latex foam surface as they would have originally had which also has the benefit that latex breathes. The mattress has an opulent decorative buttoned finish . Botht the mattress and pillow have been finished in 100% wool 'PLOEGWOOL' fabric by the high quality Dutch fabric manufacturer DE PLOEG. MATTRESS DIMENSIONS : Width 100cm x length 200cm / 3ft 3.37inch x 6ft 6.74inch BOLSTER PILLOW DIMENSIONS: Width 100cm diameter 24cm / 3ft 3.37inch x 9.45inch The mattress is supported on a 20mm ( 0.75 inch ) thick plywood board ,with breathing holes, which spans across the transverse brass plated steel frame elements. When used as a day bed SEATING...

This chaise lounge is one of the designs by Martin Eisler and Carlo Hauner, produced by Forma S.A. Móveis e Objetos de Arte. The traditional chaise is a lounge chair characterized by...

This bed is designed to accommodate a contemporary aesthetic. This design is carefully handmade, featuring detailed construction and traditional technique which utilizes the interloc...

This bed is designed to accommodate a contemporary aesthetic. This design is carefully handmade, featuring detailed construction and traditional technique which utilizes the interloc...

Guillerme et Chambron, daybed bench, oak, fabric, France, 1960s. This low bench or daybed shows the admirable, characteristic details of the French designer duo Guillerme and Chambr...

A Chinese canopy bed was typically part of a bride's dowry or a gift to a courtesan. It grew to be an important household status symbol, and the sub...

Bronze and caramel color leather daybed or bench, designed by Nicos Zographos, American, circa 1960s. Retains warm original patina to the bronze.

A striking French folding iron bed, circa 1900, designed for placement against a wall and equally at home as a daybed or guest bed. Its airy, sculptural silhouette is defined by hand-forged scrollwork, a decorative center crest, and a softly weathered iron surface with a beautiful natural patina. At 76 inches wide, it makes a distinctive statement in a bedroom, dressing room, library, or covered porch. The folding construction adds both charm and practicality, while the aged finish gives the piece the authentic character only time can create. This French iron bed...

A fine French Empire daybed - historically referred to as a lit en bateau (boat or sleigh bed) due to its iconic curved shape - from the early to mid 19th-century, featuring a decora...

Float away from the worries of the day in this luxurious post modern chaise lounge newly professionally upholstered in super soft ivory white bouclé. Sculptural form exudes a sophisticated look that's gentle and inviting. Ivory white bouclé fabric's texture is breathable and ventilates well. Cozy in winter and cool in summer. Enveloping padded comfort with a thick seat cushion layered over a descending pedestal base. So sexy from all sides, this chaise lounge is beautiful enough to float in a room. Modern. Fresh. Reminiscent of Vladimir Kagan, Milo Baughman and Adrian Pearsall's iconic amorphous designs. Nestle in with your favorite blanket and read for hours, nap, binge watch your favorite series, or shop 1stDibs on your electronic device...

This architectural bench features a monolithic composition with a rectilinear platform and offset leg structure. The frame is constructed from engineered hardwood panels finished in ...

Pair of very rare Model D90 beds by Carlo de Carli (1910-1999) for Sormani in 1962. Would be wonderful as daybeds for additional sofa seating. What makes these beds literally unique ...

Continental Neoclassic-style (Possibly Austrian, late 19th Century) parcel gilt mahogany daybed/chaise lounge with scrolled back above a stripped yellow silk...

This is one of our custom benches that can be made in walnut or oak. As shown in oak with a distressed natural, weathered looking finish. This can be made in custom lengths and it ca...

French mid-century dark mahogany settee with gilt bronze sabot feet and armrest supported by gilt bronze eagles with brown upholstery. Signed Jean Pascaud, by Vadim Androusov (ref: Les Decorateurs des annee 40, pg 172). Jean Pascaud was born in Rouen in 1903. He took a degree in engineering from the Ecole Centrale des Arts et Manufactures, but his passion for furniture and décor, and the influence of his father in law, Auguste Bluysen, (then President of the Société des Architectes Modernes), led Pascaud to abandon a more traditional career and take up furniture design instead. By the late 1920s Pascaud regularly at the Salon des Tuileries, at the Salon d'Automne, the Salon des Artistes Décorateurs, and the Arts Ménagers.  His work is simple, yet technically ambitious and brilliant; his pieces are impressively large, but aesthetically balanced. Vadim Androusov was born in St. Petersburg in 1895. He was a grandson of the archeologist Schliemann. He arrived in Paris in 1920 and took classes at La Grande Chaumière academy; Bourdelle was one of his professors. His first sculptures date from 1925 and depict female figures and characters drawn from classical antiquity. He rarely used bronze, preferring terracotta, plaster, wood, and stone. He showed his creations at the Salon des Tuileries and the Salon des Indépendants. While a sculptor, he also collaborated with interior decorators and created wall-mounted light fixtures, furniture pulls...