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Gothic Revival Furniture

Gothic Revival Style

The Gothic Revival movement (also called Victorian Gothic or Neo-Gothic) emerged in Britain in the 1740s, and reached its height in the late-19th century. Gothic Revival furniture's characteristics include such decorative flourishes as pointed arches, floral details, finials, heraldic motifs and linenfold carving.

The movement was rooted in religious and social conservatism. Gothic Revival's proponents, who included Charles Barry and A.W.N. Pugin, the architects of London’s Houses of Parliament (designed in 1840), believed that the art and architecture of the Middle Ages were authentically spiritual and inherently moral.

In the United States, the Gothic Revival movement shaped both public buildings and private houses. Numerous American schools were built in the early-19th century in a style now called Collegiate Gothic. Many builders and craftsmen were inspired by Andrew Jackson Downing’s widely read 1850 book Architecture for Country Houses, which posited that a family’s home should exemplify their values — and that the Gothic Revival style was particularly well-suited to scholars and clergymen. Furniture with detailing that mirrored that of Gothic Revival buildings appeared in the same period. Such pieces typically feature dark, intricately carved wood, and upholstery in velvet or leather.

Much like the castles or cathedrals that inspired them, Gothic Revival chairs, bookcases and beds make a bold design statement. And while you probably don’t have to cross a moat or raise a portcullis to get through your front door, a Gothic Revival piece will declare that your home is indeed your castle.

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Style: Gothic Revival
Large Ornate Pair of Gothic Revival Jeweled Bronze Lamps with Linen Drum Shades
Located in Morristown, NJ
20th c., a pair of large brass reticulated candle pricket table lamps, with grape clusters and leaves in relief, on paw feet, unmarked. These lamps are fabulous in the best possible ...
Category

1950s American Vintage Gothic Revival Furniture

Materials

Multi-gemstone, Brass

Pair of Very Large French Brass Candelabra in the Gothic Revival Style
Located in London, GB
Pair of very large French brass candelabra in the Gothic Revival style French, early 20th Century Height 327.5cm, diameter 115cm The truly...
Category

Early 20th Century French Gothic Revival Furniture

Materials

Brass

Antique & Stylish Gothic Revival Thick Bronze Church Relic or Jewelry Box
Located in Lisse, NL
Wonderfully decorative, intricate and good condition, 19th century box. Over the years we have sold a number of rare and unique boxes, but never a Gothic Revival one with as many ...
Category

19th Century European Antique Gothic Revival Furniture

Materials

Bronze

Patinated and Ormolu Bronze Gothic Style Candlesticks, France, circa 1825
Located in Kinderhook, NY
A fine pair of circa 1825 French Restauration period patinated and ormolu bronze candlesticks of good size in 'Gothic' style; the unusual design typifying the first 'Gothic' revival of the early 19th century merging classical forms with medieval motifs.
Category

Early 19th Century French Antique Gothic Revival Furniture

Materials

Bronze, Ormolu

19th Century Gothic Double-Sided Solid Pine Exterior Door
Located in Dallas, TX
19th century Gothic double-sided solid pine exterior door was crafted from solid pine which has been fully stripped and ready for staining or painting to complement your project! The...
Category

Late 19th Century French Antique Gothic Revival Furniture

Materials

Pine

Gothic Revival Fireplace with its Hood and Carved Salamander, Witch and Ermine
Located in Beuzevillette, FR
Exceptional oak neo-Gothic fireplace and hood. The uprights sides of the fireplace are composed of two columns with capitals foliage patterns, all surmounted by a reserve on which is carved an ermine (heraldic symbol). The lintot of the hearth features a mascaron representing a witch's face carved in high relief with on each side a pattern of parchments. The sculpture on the panelled hood represents a salamander. The salamander is a mythical animal capable of living in fire and extinguishing it. It is a symbol used especially in alchemy and heraldry, it is also the emblem of the King of France François 1er...
Category

Late 19th Century French Antique Gothic Revival Furniture

Materials

Oak

Gothic Revival Pair of Painted Oak Pedestals, United States, Late 19th Century
Located in Chatham, ON
Fine pair of elegant Gothic Revival painted oak pedestals / side tables - exceptional bench made quality with deep carving - featuring Gothic arches to all sides - stepped moldings t...
Category

Late 19th Century American Antique Gothic Revival Furniture

Materials

Oak

Italian Gothic Renaissance Style Brass Pedestals and Glass Top Coffee Table
Located in Plainview, NY
An exceptional Italian gothic renaissance revival style coffee table with a thick (0.75 inch ) glass top. The intricate design of this unique table is one of the best depiction of th...
Category

20th Century Gothic Revival Furniture

Materials

Brass

Stunning Antique Hand Carved Gothic Revival Nutwood Pedestal Sculpture Stand
Located in Lisse, NL
Museum quality and condition Gothic stand for saint sculptures. If only the best and the rarest is good enough for you then this architectural church pedestal...
Category

19th Century European Antique Gothic Revival Furniture

Materials

Nutwood, Oak

Antique Hand Carved Gothic Revival Church Wall Bracket / Saint Statue Console
Located in Lisse, NL
Good size, partially gilt and great looking Gothic Revival bracket for displaying a Saint statue. This Gothic console for wall mounting da...
Category

Late 19th Century French Antique Gothic Revival Furniture

Materials

Metal

Small Gothic Revival Brass and Nickel Hall Fixture
Located in Canton, MA
Small Brass and Nickel Hall Fixture. A single bulb hangs down from central twisted stem. hammered metal ring and harp with cutouts of diamonds and clubs. Excellent for a tudor, g...
Category

Early 20th Century American Gothic Revival Furniture

Materials

Brass, Nickel

GRAND RAPIDS BOOKCASE & Chair Co Oak Gothic Revival Dining Armchairs - Pair
Located in Charlotte, NC
An antique pair of Gothic Revival style dining armchairs by Grand Rapids Bookcase and Chair Company. Solid oak with carved and turned d...
Category

Early 20th Century American Gothic Revival Furniture

Materials

Oak

Antique Handcrafted Gothic Revival Copper on Wood Church Column Pedestal Stand
Located in Lisse, NL
Unique Gothic pedestal with large brass rivots in church window-like patterns. If only the rarest is good enough for you then this good size, architectural church pedestal...
Category

Early 20th Century European Gothic Revival Furniture

Materials

Brass, Copper

Antique Gothic Display Plaque with Swords & Double-Headed Eagle
Located in Dallas, TX
Antique Gothic display plaque with Swords & Double-Headed Eagle is an ideal choice to accessorize the masculine decor! The panel was rendered in...
Category

Mid-20th Century French Gothic Revival Furniture

Materials

Steel

Antique Hand Carved Oak Winged Ox Sculpture, Symbol of Saint Luke the Evangelist
Located in Lisse, NL
Unique and amazingly hand carved Saint Luke symbol wall sculpture. This relatively large, hand carved Gothic Revival wall plaque is another one of our re...
Category

Early 19th Century European Antique Gothic Revival Furniture

Materials

Oak

Antique Icon like Gilt Bronze Mary and Child Jesus Plaque over a Holy Water Font
Located in Lisse, NL
Meaningful and perfectly hand-crafted antique church relic. This religious work of art dates from the earliest years of the 20th century and you could not wish for a better condition antique. This finest of holy water font plaques could not be in better condition, but that is also because it was all handcrafted out of the best materials only. Even the hand sawn, square nuts on the back are gilt. And the cross-like hook with the French Gothic fleur-de-lis ends with the ring on top (for easy mounting this gem to your wall) is another detail that shows us that no expense was spared when this antique was hand-crafted all those years ago. Whenever we find religious antiques of this quality and excellent condition, they usually were made for and used in either a church or a monastery (also, because that is where the budget was for the best quality pieces). The quality and the finish of this church relic really is among the best we have ever seen, but the quality of and the details in the sereen Mother Mary...
Category

Early 20th Century French Gothic Revival Furniture

Materials

Bronze

Contemporary Bronze and Porcelain Sconces by William Guillon
Located in London, GB
Sconces by William Guillon Material: Patinated and polish bronze, porcelain shade Dimensions: H 80 x 45 cm Year: 2023 Resulting from bronze and porcelain, each piece is unique and hand-sculpted from scratch in wax before being cast. We offer a new piece for each order signed...
Category

21st Century and Contemporary French Gothic Revival Furniture

Materials

Bronze

Antique Museum Quality Carved Oak Church Statue of Mother Mary & Child Jesus
Located in Lisse, NL
Beautiful, early 1800s, wooden sculpture of a Holy Mary with child Jesus on her arm. This stunning church relic is another great example of the quality of 19th century, European craftsmanship and we are grateful for it to have found its way to our gallery. Also, because we are certain we will make a private collector or someone's congregation very happy with it. From the amazing body posture, the wonderfully serene facial expressions and the superb manner in which Her draped clothes are hand carved, one can see that this antique and sizeable Virgin Mary statue is the work of a master sculptor. This rare antique statue is made of solid oakwood and can be enjoyed on the floor, on a table, on a wall bracket or even mounted on your wall (via the sturdy antique metal hook...
Category

Early 19th Century European Antique Gothic Revival Furniture

Materials

Wood, Oak

Midcentury Gothic Revival Swag or Hanging Light with Stained Glass Panels
Located in Hamilton, Ontario
This Mid-Century Modern era swag or hanging light fixture is unsigned, but presumed to have been made in the United States in circa 1965 in the Gothic Revival style. The light is com...
Category

Mid-20th Century American Gothic Revival Furniture

Materials

Steel

Set of Original Historistic Guilided Bronze Candle Holder Louis Seize Style
Located in Vienna, AT
Historistic candlesticks rich engraved and decorated two pieces in the Louis Seize style Guilded bronze.
Category

19th Century Austrian Antique Gothic Revival Furniture

Materials

Brass

19th Century Flemish Carved Oak Hall Cupboard on Stand
Located in Debenham, Suffolk
19th century flemish carved oak hall cupboard on stand, circa 1870. Fine quality Gothic revival oak hall cupboard, incorporating older carved elements. Main feature of this unusua...
Category

Late 19th Century Belgian Antique Gothic Revival Furniture

Materials

Oak

Outstanding Gothic Revival Tiger Oak Desk w. Quality Carved Church Window Panels
Located in Lisse, NL
Wonderful Gothic Revival desk with an amazing presence and patina. If you like Gothic Revival furniture then we are certain you will like this quality carved Gothic desk. This good size and highly practical specimen comes with very attractive, church-window-like panels in the perfect condition cabinet doors. This intricate and predominantly solid tiger oak desk...
Category

Early 20th Century European Gothic Revival Furniture

Materials

Brass, Iron

Awesome Antique Bronze Gothic Art Nine Light Chandelier with Phoenix Sculpture
Located in Lisse, NL
Handcrafted and truly impressive Neo-Gothic fixture that can also be used for candles. Over the decades we have sold a number of very good antique bronze, Gothic light fixtures for ...
Category

Late 19th Century French Antique Gothic Revival Furniture

Materials

Bronze, Gold

Rare Set of 4 Antique Miniature Saint Paintings, 3 in Brass Gothic Frames 1890
Located in Lisse, NL
Beautifully hand painted set of 4 Mary & Jesus paintings on porcelain plaques. If you were to spend the rest of your week looking for antique Gothic ph...
Category

19th Century European Antique Gothic Revival Furniture

Materials

Brass, Enamel

Gothic English Ink Stand, circa 1880
Located in Chapel Hill, NC
Circa 1880 brass & wood ink stand, English. Gothic Revival brass strapwork. Ebonized trim accents. Burl walnut. 10 1/2" W., 7 7/16" D., 3 5/16" H.
Category

1880s Antique Gothic Revival Furniture

Materials

Brass

19th Century French Gothic Sacrament Cabinet
Located in Dallas, TX
19th Century French Gothic Sacrament cabinet was artfully sculpted from solid oak and fruitwood to create a remarkable religious artifact designed to be appreciated throughout the ages! The trapezoidal form of the casework is in keeping with the Gothic style, which historians concur originated in the Cathedral of St. Denis during the middle of the 12th century. Boldly molded crown follows the complex contours and overlooks the case below which features a single door flanked by cornerposts that feature pilasters facing front as well as the sides, with recessed arched panels topped with recessed circular frames above filled with carved rosettes highlighted in gold. The arched recesses facing the front are also filled with carved floral and wheat motifs also highlighted in gold, representing the Bread of Life. The door panel, however, steals the show, with a gloriously carved relief work depicting both wheat and fully laden grapevines adding the significance of the Blood of Christ...
Category

Mid-19th Century French Antique Gothic Revival Furniture

Materials

Fruitwood, Oak

Gothic Revival Antique Cast Iron Fire Grate
Located in Wormelow, Herefordshire
Dating from the Mid-19th Century, this English antique cast iron fire grate or brazier is over 170 years old. It is highly decorative, cast in iro...
Category

Mid-19th Century English Antique Gothic Revival Furniture

Materials

Metal, Iron

19th Century French Gothic Revival Carved Bibliothèque Bookcase
Located in Forney, TX
A magnificent 19th century Gothic Revival hand carved painted parcel gilt bibliothèque (bookcase - buffet - china cabinet). Born in France, circa 1840, most impressive size, two-...
Category

19th Century French Antique Gothic Revival Furniture

Materials

Glass, Wood, Paint

Pair of Tall Candelabra O Candelabrum, Neogothic Style, Wrought Iron, Spain
Located in Madrid, ES
Pair of standing Gothic Revival candlesticks. Wrought iron Spain, 20th century. Pair of wrought iron standing candelabra with a tripo...
Category

20th Century Spanish Gothic Revival Furniture

Materials

Wrought Iron

Antique Gothic Revival Bronze 13 Candle Table or Floor Candelabra with Gargoyles
Located in Lisse, NL
Rare and meaningful, 3 feet tall, bronze Gothic floor candle holder for thirteen candles. This antique, Gothic Revival altar or floor candelabra for thirteen candles is another one of those antiques of which you immediately realize that it ticks all the boxes. Even if it is no longer in perfect condition and even with a few minor restaurations that were done over the many decades, this most certainly is still a great looking church relic and one with a deeper meaning that makes it even more special. The many and pure Gothic Revival elements like the Medieval castle tower candle holders, the many trefoil symbols (for the trinity), the winged Gothic gargoyles...
Category

Early 20th Century French Gothic Revival Furniture

Materials

Bronze

Selection of eight restored 19th C Neo-Gothic Stained-Glass Windows
Located in Leuven , BE
The Color Experience: Stained-glass windows “Color is a power which directly influences the soul” (Wassili Kandinsky, Moskou 1866 – Neuilly-sur-Seine, 1944) “Color! What a deep and mysterious language, the language of dreams!” (« La couleur ! Quelle langue profonde et mystérieuse, le langage des rêves », Paul Gauguin, Paris, 1848-Fatu-Hiva, 1903) ‘Color and feeling’, ‘color and meaning’, these are concepts that have gone together since time immemorial. Artists and craftsmen have a special bond with color. After all, it is a means of expression that can have a real reinforcing effect. Especially linking color with light offers unlimited possibilities. Glaziers and glass painters have tried to master both these ‘instruments’ for centuries. The set of beautifully restored neo-Gothic windows in our collection are enough reason for us to let these works of art figure in a broader story. As a bonus, we would like to introduce you to the contemporary stained-glass artist and stained-glass restorer, Daniël Theys. whose workshop is in Sint-Pieters-Rode (Belgium). He talked to us about the materials and techniques he used for the restoration of our set of neo-Gothic stained-glass windows. A fascinating look at the tricks of the trade from a specialist! A bird’s eye view of the history of the European stained-glass window. Although the Romans already used translucent glass plates to cover wall openings, the stained-glass window reached its peak in Europe between 1150 and 1500. A period also known as the era of the cathedrals. At that time, stained-glass windows became more than just a way to let in the light, and to keep the space closed off. From now on, their functionality was also found in their didactic value. The biblical and saints’ stories that adorned the stained-glass windows became a kind of poor man’s bible. They brought, as it were, the knowledge of the holy scriptures in an understandable, pictorial way. At the same time, the colored light provided additional symbolism. The invading light was interpreted as a manifestation of God. It is also no coincidence that the main altar was bathed in light. It was the place where the most important sacrament was celebrated, that of the Eucharist. How were these magical colors obtained? Well, during the 12th and 13th centuries, metal oxides gave color to the glass. Copper, for example, produced different colors in the various stages of oxidation. The metal could color the glass light blue, green and even red. It should be noted that from the 13th century onwards, clear glass, which was cheaper and at the same time allowed more light into the buildings, was used more often. A century later, in the years 1400 to 1500, glass painters frequently painted onto the glass with a ‘stain’ of silver chloride or sulfide. The painted piece of glass was heat-treated in a furnace. The heating process ensured that the silver ions migrated into the glass and became suspended within the glass network. The stain gave colors ranging from a pale yellow to a rather deep red. This new technique allowed glaziers to get more than one color on a single glass fragment. The shades produced by painting in silver chloride were well suited for depicting golden crowns, scepters and other gilded objects and ornaments. But the most important advantage of the technique was the fact that the glass painter could now make transitions from yellow tones to white without having to apply separations with lead strips! This also improved the legibility of the pictured scene. You can imagine that the labor-intensive process of the production of stained-glass windows was a very costly affair and therefore it was often patrons who donated them to a church or a chapel. The benefactors were usually eager to propagate their social status and were moved by concern for their salvation. In the 16th century, stained-glass windows also began to appear in secular buildings such as town halls, the homes of the wealthy and commercial premises such as inns. It is striking that during this period the use of lead strips that border many parts of the image was further reduced in favor of real painting on stained glass. This was due to an increasing love of detail. For example, one wanted realistically painted portrait heads. Working with enamel paints was cumbersome. Each newly applied color had to be burned into the glass before another color or overpainting could be applied. It was not only the coloring of the glass that was complicated, the process of obtaining flat glass plates required many steps as well. The glazier blew a glass bulb with a blowpipe and then cut it open. Finally, each half of the sphere was turned around so fast that it became a disc. In later periods, the glazier blew out his glass bulb into a cylinder. Once the cylinder had cooled, its closed ends were removed, and the long sides were cut open. The pieces of glass obtained were then heated and flattened. During the 16th century, there was a division of labor between the stained-glass designer, the glazier, and the glass painter. It happened as well that the stained-glass artist used prints as models for his stained-glass windows. Whoever drew the design, the glazier always needed a model on the right scale, the so-called cartoon. On the cartoon, the lead strips were clearly marked, and the use of colors was indicated. Contracts at the time show that the price of stained-glass windows was calculated per square foot. The price per square foot included the labor and material costs. The price of the cartoon was not included. In the 17th century, the work of glass painters remained important. At the same time, there was a growing popularity of stained-glass windows with heraldic themes. In the Low Countries there were several high-quality glass painters active. During the 18th century, glass painting went downhill in our regions. The French occupation of the Southern Netherlands resulted in the destruction and sale of religious stained-glass windows. It was only around the middle of the 19th century that the young Belgian state experienced a revival of stained glass. The renewed interest in the Middle Ages, the so-called ‘gothic revival’, caused a wave of restoration of old stained-glass windows of churches and orders for neo-gothic stained-glass windows. The Sint-Lucas art schools in Belgium played an important role in this. Industrial developments in the glass and steel industries naturally had an important hand in the popularity of stained-glass windows. Stained-glass had a wide range of uses; think of stained glasses in winter gardens, domes, windows, and doors of large mansions. Significant glazier’ studios arose in several larger Belgian cities. In Brussels, for example, you had the workshops of Capronnier and Colpaert, in Bruges the studios of Coucke and Dobbelaere, in Ghent the companies of Ganton-Defoin or Ladon. During the 19th century, glaziers followed the style developments in the visual arts. For example, the number of windows in Art Nouveau and Art Deco style is large. The restored stained-glass windows with male and female saints that we offer for sale, come from a building in Laeken, near Brussels. They probably decorated the space of a church, chapel, convent, or Catholic school. In the results of the interview with glass restorer Daniël Theys, you will learn more about the particularities of these splendid windows. Chatting and browsing in the workshop of Daniël Theys The Belgian Glass restorer and glass blower, Daniël Theys (), made a career switch at a later age and has been active in the profession since 1987. He is an important player in the field of stained-glass window art in Belgium. Moreover, he is the only one in the country who still masters the technique of glass etching. Daniël Theys receives many commissions from small parish churches to restore old stained-glass windows to their former glory. He made a name for himself in that niche and that is how Spectandum brought the set of 19th century stained glass windows to his workshop for reconstruction. They were delivered in old numbered wooden crates and Daniel had to start puzzling. Numbered wooden crates with sections of the stained-glass windows Normally a glazier starts working from a drawing with a scale of 1:1 (full size drawing), but in this case each piece had to be cataloged and photographed. The smaller pieces were grouped on the light box and photographed in their entirety. Then Daniël made a drawing of the remaining pieces that he had puzzled together with great care. Smaller pieces identified and grouped on the light box The restauration guidelines of the Agency for Monuments and Landscapes are not always the same as those of a restorer. For this reconstruction, Daniël primarily considered the purpose of the stained-glass windows. It had to be an aesthetic and salable set of stained-glass windows, so the choice of filling the gaps with neutral glass or epoxy was not really an option. Theys left well-executed previous restorations untouched. The windows may have been repaired three or four times in the past. Piece of a cloak with glass shards from different periods (restorations) Another problem Daniel faced during the restoration was the fact that some small parts of the old grisaille had been eaten away by microorganisms. The defect – caused by moisture – can be seen from the discoloration of the grisaille. The black-brown color is turned red. This fragment shows well how the brown grisaille has turned red due to the attack of micro-organisms The stained-glass windows of the 19th century are made of ‘in the mass-colored’ glass. This means that the colors were added to the liquid glass during its production process. This type of glass differs from glass colored with enamel paint, which became popular from the interwar period. The latter process involves applying enamel paint (this is a glass powder with a metal oxide to which a medium has been added) to the colorless glass. When firing the glass with the enamel paint, the powder fuses with the glass. The colors of email painted glass are less intense and less brilliant than those of ‘in the mass-colored glass’. Jars with colored powder for the enamel paints For the restoration Daniël only worked with mouth-blown glass, both with ‘in the mass-colored glass’ and with ‘verre plaqué’. This is blown glass composed of several layers of different shades. Over the years, Theys built up a large stock of old blown glass. Colored blown glass always has sliding shades. For example, a red piece of glass can have a color transition from bright red to light orange. These differences in shades are the result of the different thicknesses of the piece of glass. It allows the glazier to use a wide variety of shades. The purple-red foliage with light blue accents was obtained by etching away parts of a piece ‘verre plaqué’. A small part of the lower glass layer is exposed. The windows were completely re-leaded by the restorer because there was virtually no ‘lead net’ preserved. In general, lead strips only have a limited lifespan because of oxidation processes. Daniël removed the old lead remnants and placed new lead profiles. Then he applied putty between the glass fragments and the lead strips to seal the lead. A window must be made watertight. The current condition of the windows is excellent. Decorative glass part with original lead remnants New lead strip The set of stained-glass windows we present today, originally consisted of windows of 5 to 6 m high. After all, they originally adorned a neo-gothic church. Since the original dimensions are not suitable for private buildings, it was decided to only restore the figurative representation. The original spire of one of the windows Thanks to a suspension eye, the window can be hung. There is also the possibility to place the window in an upright position. Thanks to the craftsmanship of the Theys-Studio, we can once again enjoy the brilliance of color! Looking for the missing link The set of 19th-century stained-glass windows came into the possession of Spectandum without a clear provenance. The renowned Leuven antiques dealer, Cornelius Engelen, recalls that the windows came from a church in Laeken. There is no solid starting point for a search for the provenance. Based on the style of the stained-glass windows – most probably the late 19th century -, their religious iconography, and their original shape (pointed arch windows) and dimensions (5 to 6 cm high), we can assume that they were once displayed in a (neo-)gothic cult building. On the one hand, the stained-glass windows may have been removed after storm damage or other calamities, on the other they may have been taken away during a renovation or a demolition of a church. The Church of Our Lady in Laeken is the most famous church building in that municipality that could qualify. In the early 1920s, the central windows of the transept were badly damaged by a hurricane. Today, glass fragments of these windows (dating from 1893-1894) with the names of the sixteen missing saints and an arch infill of the western window are officially known. It would be interesting to find out if our set of eight saints once were part of the transept of Our Lady in Laeken. Research in the records of the church administrators could provide clarification. Knowing that most neo-gothic stained-glass windows from the Church of Our Lady come from the Jules Dobbelaere’s glass studio in Bruges, it is useful to consult that company’s archive as well. It is kept in the KADOC (Documentation and research center for religion, culture and; in Leuven. Of course, the sizes and shape of the stone window openings of the transept can also provide an indication. If we stylistically compare the grisailles of the set of stained-glass windows with the work of Jules Dobbelaere, we do see some relationship. Especially with a stained-glass window in the chapel of Our Lady of the Saint Anthony Church in Aalst. Another line of research that we could follow, is that of the iconography of the series. One of the saints depicted is Saint Roch. There once was a Saint-Roch church in Laeken with 19th-century stained-glass windows from the Brussels studio of Jean-Baptiste Capronnier. The company archive of the glaziers François and Jean-Baptiste Capronnier is owned by the Flemish government and can be consulted in the above-mentioned KADOC. We already searched the sales catalog of 1892, in which Capronnier’s drawings and cartoons are described one by one. The saints that are represented in our set of windows, does not correspond with the names of the saints mentioned for the church of St. Roch in Laeken. Building on this argument, it can be concluded that the eight saints were not destined for this house of worship. In the absence of lavishly illustrated monographs on the various glazier-companies in Belgium, the execution of a comparative study of the stained-glass windows is time-consuming and complex. Although a limited number of old photos of stained-glass windows can still be found in the database ‘Balat’ of the KIK-IRPA (), this remains far too limited to get a good picture of the output of the various companies. 19th C, Saint, Neo-Gothic Stained-Glass Window with Saint Martin, Belgium, 163 x 73 cm Most people know Saint Martin (Szombathely, ca. 316 – Candes, 397) as the Roman Tribune who cut his cloak in two with his sword and gave one half to a beggar. The artist of the stained-glass window has opted for a different, less common iconographic representation here. Saint Martin is presented as a bishop with a miter and staff. According to a legend, Martin was lured to the city of Tours with a trick to consecrate him as a bishop. He refused the ecclesiastical office and hid in a barn with some geese. The birds betrayed him with their twittering. In the end Martin received his episcopal consecration. The goose at the feet of the saint clearly refers to this event. 19th C, Saint, Neo-Gothic Stained-Glass Window with St. Angela, Belgium, 163 x 73 cm Angela de Merici was an Italian woman who taught young women religion, health care, and household skills. She founded the monastic community of the Ursulines. They played an important social role as founders of schools and orphanages. Saint Angela died in Brescia in 1540. It should therefore come as no surprise that the saint on the stained-glass-window is depicted with a girl by her side. 19th C, Saint, Neo-Gothic Stained-Glass Window with Charles Borromeo, Belgium, 163 x 73 cm Charles Borromeo (Milan, 1538-1584) grew up in a noble family. He was already made Cardinal and Archbishop of Milan at the age of 24. With his writings he contributed to the implementation of the Church reforms determined at the Council of Trent. Among other things, he released a new catechism. With his book on the design of church buildings, “Instructiones Fabriacae et Supellectilis Ecclesiasticae”, he left a mark on Baroque church construction. At the outbreak of the plague in his diocese in 1576, he devoted himself to the care of those affected. Hence, people sometimes pray to him when they have been hit by a serious illness. 19th C, Saint, Neo-Gothic Stained-Glass Window with St. Roch, Belgium, 163 x 73 cm Saint Roch (Montpellier, 1295? /1350? -1327? /1380?) was born with a port-wine stain in the shape of a cross on his left hip. It was interpreted as a sign from God. After the dead of his parents, he gave his money to the poor and went on to live the life of pilgrim. He cared for plague sufferers and healed some of them by making a sign of the cross. He is especially invoked as protector against the plague. 19th C, Neo-Gothic Stained-Glass Window with St. Bernard of Clairvaux, Belgium, 163 x 73 cm Bernard of Clairvaux (Fontaines, 1090-Clairvaux, 1153) decided to become a monk at the age of 21. In 1112 he entered in the monastery of Cîtaux. He was soon commissioned by the abbot to find a new monastery in Clairvaux. Because of his intellectual capacities and eloquence, he was consulted by various ecclesiastical and secular leaders. He ensured the expansion of the Cistercian order throughout Europe. As a Doctor of the Church, he wrote many tracts and sermons and established a new rule for the Templars. Above all, he was concerned with the discipline of the clergy. Therefore, he wrote a spiritual manual for the priests and bishops. Saint Bernard can be seen as a true mystic. He envisioned the union of the human soul with God as the most important goal in life. According to a legend, Bernard once had a vision in which the Blessed Virgin appeared to him and strengthened him with her mother’s milk. In the arts, the saint is mainly depicted with an abbot’s staff and a book with the Cistercian rule. His vision was also often portrayed. 19th C, Neo-Gothic Stained-Glass Window with St. John Berchmans, Belgium, 163 x 73 cm The Belgian Jan Berchmans (Diest, 1599-Rome, 1621) was the eldest of five children. When his mother became seriously ill, he initially took care of her, but at the age of nine he was housed with the town’s priest. After a few years he moved to Mechelen to become the servant of a canon. It also gave him the opportunity to begin his studies in the seminary for priests. He eventually joined the Jesuits of Mechelen. He got their permission to study philosophy in Rome. In the Eternal City, he visited working-class neighbourhoods to teach the children about God. He died of an illness at the age of 22. Saint Jan Berchmans is the patron saint of school children and students. 19th C, Neo-Gothic Stained-Glass Window with Saint Clare...
Category

19th Century Belgian Antique Gothic Revival Furniture

Materials

Art Glass, Stained Glass

Set Solid Oak Wood Foot Stools, 1970s, Holland
Located in Den Haag, NL
Two very nice foot stools, Made in solid oak, comes with a brown leather upholstery. Manufactured and signed Meubelfabriek Oisterwijk Holland...
Category

1970s Dutch Vintage Gothic Revival Furniture

Materials

Oak

Vintage Oscar Bach Attr Telephone Table or Bar Cabinet, Bronze Steel Iron Marble
Located in Philadelphia, PA
A unique bronze, iron and marble telephone stand (better use today is a bar cabinet) Attributed to New York Designer and Manufacturer, Oscar Bach. Stand has an marble top with a heavy veining and a bright finish. The door in the front has ornate bronze figural work with green enameled steel-panel backdrop, framed by green enameled wrought-iron frame. Similar treatment to either side. The back has a slot with slip in a door to allow for the telephone cord...
Category

1920s American Vintage Gothic Revival Furniture

Materials

Belgian Black Marble, Bronze, Iron

Gothic Revival Oak Coat Rack w. Hand Carved Trefoil Symbols & 'Pen Connections'
Located in Lisse, NL
Solid oak and superb condition Gothic wall coat rack with hat rack. This unique and all handcrafted coat rack was made in the exact same way as it would have been in Medieval times. This means that no screws were used to connect all the 'joints' in this coat rack. Instead all have been secured with wooden 'pin-hole' connections and they all are as complete and in place as they were when this antique lefts the artisan's studio 100 years ago. The hand carved Gothic trefoil...
Category

Early 20th Century European Gothic Revival Furniture

Materials

Brass

Antique Bronze Box with Gothic Church Window Panels by Adolph Frankau&Co, London
Located in Lisse, NL
Rare size, solid bronze, Victorian Gothic box with multiple church window-like panels. Over the years we have sold a number of rare and unique boxes, but never a Gothic Revival one of this length and looking like a medieval antiquity. Let us start of by saying that this antique box truly looks much better in real life than in our photos. There are as many as 28 Gothic church-like panels depicting biblical scenes all around. They are not the most detailed, but we feel this was done in an attempt to make this antique box look truly time-worn and medieval. Anyone who knows what it took (in terms of time and skills) to create this box will be just as enthousiastic as we were when we first saw it. It would have taken the artisan(s) working for Adolph Frankau of London quite a few hours (if not days) to first design this luxurious box piece on paper. The Gothic cathedral windows would then have to be hand carved out of wood or handmade using clay or another material. Then molds would have to be made from those sculptural plaques after which they would have been cast in bronze. The castings would have to be polished and the panels would have to somehow be welded together. Then any sharp edges would have to be grinded down and all the pieces of this box would also have been patinated and the lid hinged. When you look at this box with that in mind then you will see it in a whole new perspective. Have you also noticed the beautiful Gothic leaf pattern on the lock plate? This fully marked antique box comes with a working lock and key, but we will not try to close it, because one never knows if it will open again. If it won't then you have to damage this beautiful antique to be able to open it again. This rare and long antique box actually is a copy of what special Gothic boxes would look like in the 14th, 15th and 16th century. Back in those (Medieval) days these long Gothic boxes were made for safe-keeping and transporting parchment rolls and/or ordinances. In all our years we have never seen an antique copy...
Category

19th Century English Antique Gothic Revival Furniture

Materials

Brass, Bronze

Original 19th Century Historistic Chandelier, Laxenburger Gothic Style
Located in Vienna, AT
Historistic chandelier Gothic style of Laxenburg so called after the Franzensburg near "Laxenburg Castle," the favored summer-residence of the Austrian Emperor of the house of Habsburg, which was erected between 1801-1836 in the style of an old Gothic castle. The name originates from the then emperor Franz II...
Category

19th Century Austrian Antique Gothic Revival Furniture

Materials

Gold Leaf

Late 19th Century Neo-Gothic Mahogany Table
Located in New York, NY
Mahogany Neo-Gothic center table with sharp downward carvings and stem base with four extruding stands. Circa 1830.
Category

Late 19th Century European Antique Gothic Revival Furniture

Materials

Mahogany

Gothic Revival Stunning Huge Mirror
Located in Petworth, GB
Absolutely stunning huge oak mirror With Egyptian inspired leaf pattern design In the manner of A.W.N. Pugin In the Gothic Revival style circa 1860 This mirror has been overpain...
Category

1860s English Antique Gothic Revival Furniture

Materials

Oak

1800s Antique Gothic Revival Cupboard, Carved Oak, Credence, with Foliates!!
Located in Austin, TX
Stunning antique cupboard, gothic revival, carved oak, credence, foliates, 1800s, 19th century!! Gothic Revival oak credence cupboard, 19th century, canted case, carved with tracery and foliates throughout, having two small top cabinets, over central cabinet, open medial shelf, linenfold sides, rising on bracket feet, approximately 66.5" height, 49.5" width, 22" depth. Gothic furniture pieces are generally heavy and made of dark wood, with lots of intricate detailing and panels. The wood is usually stained or varnished in a dark colour, and any fabric used is also heavy, with materials such as velvet, leather or brocade. Gothic antique furniture...
Category

19th Century European Antique Gothic Revival Furniture

Materials

Oak

Set of Four Monumental Neo-Gothic Confessionals in Oak
Located in SAINT-OUEN-SUR-SEINE, FR
A group of four antique confessionals in Neo-Gothic style, made of oak.
Category

19th Century Belgian Antique Gothic Revival Furniture

Materials

Wood, Oak

Large Gothic Revival Oak Fire Mantel
Located in Wormelow, Herefordshire
A deep, large scale English solid oak antique fireplace dating from the 1880s. Re-finished, this spectacular fireplace has a rich patina throughout that looks impressive in a variety...
Category

Late 19th Century English Antique Gothic Revival Furniture

Materials

Wood, Oak

19th Century French Gothic Cabinet, Bonnetiere
Located in Dallas, TX
19th century French Gothic cabinet, Bonnetiere is a marvelous example of the genre, with carved detailing across all three facades! Geometric pat...
Category

Mid-19th Century French Antique Gothic Revival Furniture

Materials

Oak

Four Gothic Revival Oak Hall Chairs
Located in London, GB
A set of four Gothic Revival oak hall chairs, (two shown) carved and pierced backs with a crest, solid seats and shaped front supports. I will sell in pairs.   
Category

Late 19th Century Antique Gothic Revival Furniture

Materials

Oak

Gothic Revival Ebonized Lion's Head Pedestal
Located in Riverdale, NY
Elegant Gothic Revival ebonized pedestal from the 19th century. Carved Lion heads are set on 4 sides with carved paw feet at base. Ebonized carved wood. 1870s USA. Measures: top 14...
Category

1870s American Antique Gothic Revival Furniture

Materials

Wood

Gothic Revival Medieval Style, Small Size Wrought Iron & Cathedral Glass Lantern
Located in Lisse, NL
All handcrafted, hexagonal Gothic light fixture. If you are a collector of rare and ancient looking Gothic antiques then this relatively small ...
Category

Early 20th Century European Gothic Revival Furniture

Materials

Metal, Wrought Iron, Brass

Large Cast Iron Cross with Jesus Christ
Located in Praha, CZ
The old cross from "God's torment". These buildings began to be used in the Czech Kingdom and throughout Central Europe from the 14th century. "God's torment...
Category

Mid-19th Century Czech Antique Gothic Revival Furniture

Materials

Metal

19th Century Gothic Revival Armchair
Located in Essex, MA
A 19th century Gothic Revival armchair in carved walnut upholstered in Holland and Sherry turquoise velvet. Inspired both by Japanese design and Eng...
Category

1870s American Antique Gothic Revival Furniture

Materials

Leather, Walnut

19th Century Gothic Revival English Carved Oak Cabinet
Located in Walton-On-Thames, GB
An impressively proportioned unique and unusual 19th century English carved oak gothic revival cabinet with two lower drawers and two doors to the all through cupboard all with worki...
Category

Mid-19th Century British Antique Gothic Revival Furniture

Materials

Oak

Large Antique Neo-Gothic Style Fireplace Made Out of Walnut Wood
Located in SAINT-OUEN-SUR-SEINE, FR
This large Neo-Gothic style fireplace with hood was made at the end of the 19th century out of beautiful walnut wood. The jambs with semi-detached columns support a wide entablature. The carved decoration of the entablature is typical of the Neo-Gothic style: the wood is decorated with finials and pinnacles. The center of the entablature is decorated with a medallion that shows the letter "S". On the entablature there is a frieze of Gothic finials...
Category

19th Century French Antique Gothic Revival Furniture

Materials

Walnut

Neo-Gothic Style Spherical Chandelier in Stained Glass, Late 19th Century
Located in SAINT-OUEN-SUR-SEINE, FR
Rare spherical chandelier made with the technique of stained glass in the late 19th century. Neo-Gothic style, this chandelier is decorated with colored glass cabochons and profiles of men and women...
Category

Late 19th Century French Antique Gothic Revival Furniture

Materials

Bronze

Antique Gothic Blanket Chest / Trunk with Amazing Patina & Original Lock ca 1700
Located in Lisse, NL
Marvelously hand-crafted chest from the late 1600s or early 1700s. One of the things that make antiques so appealing & attractive is the fact that most pieces were handmade in recognizable styles, with proven techniques AND with natural materials that could and would stand the test of time. The longer back in time we go, the more that seems to be the case. This amazing chest from circa 1680-1720 is clearly made in the Gothic Style with Gothic church window-like carvings. With Gothic style chests of this age being very rare, we were (and still are) very enthousiastic about finding it. Put together and strengthened with hand-forged, wrought iron brackets, nails AND with very large dovetails, the master carpenter provided the techniques that would guarantee the owner a chest that would last him (or her) a lifetime. As it turned out, his workmanship, in this case, created a chest that has already served some 15 generations. This heavy quality chest is made of solid elm and wrought iron only and the centuries of usage and natural aging have given this Gothic antique a patina that is simply heavenly. The striking and deeply hand-carved Gothic cathedral-like windows, but also the hand forged lock...
Category

17th Century Spanish Antique Gothic Revival Furniture

Materials

Iron, Wrought Iron

Antique Octagonal Wall Mirror in Gilded Wood, 19th Century Scandinavia
Located in Esbjerg, DK
A medium sized octagonal wall mirror in gilt wood / oak. It was made in the mid-late 19th century Scandinavia - either in Denmark or Sweden. It features its original mercury mirror g...
Category

1970s Scandinavian Vintage Gothic Revival Furniture

Materials

Mirror, Oak

Gothic Carved Oak Open Bookcase with Cupboard by Old Charm
Located in Chillerton, Isle of Wight
Gothic Carved Oak open bookcase with Cupboard by Old Charm A Charming little piece dating from about 1920, the bookcase has an adjustable shelf and a long cupboard...
Category

1930s Vintage Gothic Revival Furniture

Materials

Oak

Geometric Turkish Anatolian 14 Foot Runner
Located in New York, NY
A Turkish anatolian runner from the middle of the 20th century. Measures: 2'7” x 13'9”.
Category

20th Century Turkish Gothic Revival Furniture

Materials

Wool

Red Turkish Anatolian Runner
Located in New York, NY
A Turkish anatolian runner from the middle of the 20th century. Measures: 2'10” x 12'4”.
Category

20th Century Turkish Gothic Revival Furniture

Materials

Wool

Largest Antique & Top Quality Hand Carved Gothic Revival Barometer & Thermometer
Located in Lisse, NL
Exceptional and unique, 3 feet tall, Gothic Revival wall barometer, circa 1890. This unique antique from the second half of the 19th century, in our view, is the dream of anyone with a Gothic (inspired) interior. This design could not be more Gothic and to have found a barometer of this size and with this many Gothic details, again, felt like a blessing. And even though we had to pay-up to be able to acquire it, when you find an antique that is this rare and good then you should always try to buy it. This monumental and solid nutwood antique barometer is entirely hand carved and, as you can see in our photos, the workmanship is second to none. This work of Gothic wall art is perfectly symmetrical and we love the fact that only the large church pilars are carved in a different pattern. This rare design feature, to us, shows the creative nature of its designer. We also love the many Gothic church spires on top and the way this entire 'composition' is superbly balanced. There also is small 'ledge' underneath the barometer and thermometer, possibly for displaying some small sculptures. The only downside would be that the inside of the barometer/thermometer is not squeaky clean. Maybe it is easy to open the front of the barometer, but we have no experience with that. Have you also noticed the amazingly detailed Gothic leafs at the top of both the large pilars? They too display the amazing workmanship of a seasoned craftsman. Besides the enormous height and width, what also makes this rare barometer truly impressive is its depth, because this almost gives you the idea of looking at a magnificent barometer through 3D glasses. All these top quality and impressive details together make this Gothic barometer...
Category

19th Century French Antique Gothic Revival Furniture

Materials

Metal, Brass

Exquisite Gothic Revival circa 1860 Hand Carved Sideboard Must See Pictures
Located in GB
We are delighted to offer for sale this very rare and highly collectable, circa 1860 Gothic revival hand carved English oak sideboard A very good looking and decorative piece, it...
Category

1860s English Antique Gothic Revival Furniture

Materials

Oak

Mid Century Wooden Tiles, Hand Painted Checkerboard Design, Gold Accents, Italy
Located in Bedford Hills, NY
Beautiful hand painted wooden tiles with checkerboard pattern, 14 tiles in total, 2 red, 6 black and 6 gold. Great as a wall installation or a small space paneling, made in Italy.
Category

1950s Italian Vintage Gothic Revival Furniture

Materials

Wood, Paint

Gothic Revival furniture for sale on 1stDibs.

Find a broad range of unique Gothic Revival furniture for sale on 1stDibs. Many of these items were first offered in the 21st Century and Contemporary, but contemporary artisans have continued to produce works inspired by this style. If you’re looking to add vintage furniture created in this style to your space, the works available on 1stDibs include more furniture and collectibles, seating, lighting and other home furnishings, frequently crafted with wood, metal and other materials. If you’re shopping for used Gothic Revival furniture made in a specific country, there are Europe, United Kingdom, and France pieces for sale on 1stDibs. While there are many designers and brands associated with original furniture, popular names associated with this style include John Ruskin, Augustus Welby Northmore Pugin, Gillows of Lancaster & London, and Britt Jewett. It’s true that these talented designers have at times inspired knockoffs, but our experienced specialists have partnered with only top vetted sellers to offer authentic pieces that come with a buyer protection guarantee. Prices for furniture differ depending upon multiple factors, including designer, materials, construction methods, condition and provenance. On 1stDibs, the price for these items starts at $30 and tops out at $189,810 while the average work can sell for $3,122.

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