Islamic Furniture

Fine antique circa 1920-1940s Middle Eastern Persian Brass Tray Polished Collectible Islamic Metalwork Platter. The Islamic polished brass metalwork, antique brass tray is a remarkable piece of artistry that embodies the rich cultural heritage and skilled craftsmanship of Islamic metalwork. This stunning round tray showcases intricate designs and meticulous attention to detail, making it a true testament to the mastery of Islamic artisans. Beautiful Middle Eastern Moorish decorative tray vide poche catchall. Unique, one of a kind, very collectible. Dimensions: 10 inches diameter. Hand made Circa 1940's. Restored, polished. The tray is made from high-quality brass, a durable and malleable metal that lends itself well to the creation of intricate patterns and designs. The surface of the tray is adorned with a variety of motifs inspired by Islamic art, such as geometric patterns, arabesques, calligraphy, and floral designs. Islamic brass metalwork, including brass trays, is an intricate and beautiful form of art that originated in the Islamic world. It encompasses a wide range of decorative objects made from brass or other metals such as copper, bronze, and silver. Brass trays, in particular, are highly regarded for their craftsmanship and intricate designs. This polished Middle Eastern Asian brass tray is a stunning piece of traditional craftsmanship that showcases the rich artistic heritage of Morocco. It is meticulously handcrafted by skilled artisans who specialize in metalwork and imbue each tray with intricate designs and meticulous attention to detail. The tray typically features a circular or rectangular shape, with a slightly raised rim to prevent items from sliding off. The brass material is carefully worked to achieve a smooth and shiny surface, which is then polished to a lustrous finish, enhancing the natural beauty of the metal. One of the distinguishing features of a polished Moroccan brass tray is its exquisite engraving and filigree work. The artisans skillfully carve intricate patterns, geometric motifs, or elaborate floral designs onto the surface of the tray. These designs are often inspired by traditional Moorish architecture, Islamic art, or nature, and reflect the cultural and artistic influences of the region. The tray's design may also incorporate delicate perforations, allowing light to pass through and casting beautiful patterns when the tray is placed in the sunlight. This adds an extra element of visual interest and elegance to the overall aesthetic. In addition to the craftsmanship, the tray is often adorned with decorative elements such as brass studs, metal handles, or ornate feet, further enhancing its visual appeal and functionality. These embellishments are carefully integrated into the design, creating a harmonious and balanced composition. Polished Islamic brass trays are not only decorative but also serve practical purposes. They can be used as serving trays for food and drinks, as decorative display pieces on tables or walls, or as centerpieces for special occasions or gatherings. Their versatility and timeless beauty make them a popular choice for interior design, adding an exotic touch to a wide range of settings. Overall, a polished Moorish brass tray is a testament to the skill and artistry of the artisans metalwork craftsmen. Its combination of intricate designs, polished surfaces, and decorative elements creates a captivating piece that embodies the rich cultural heritage of the Middle East and serves as a stunning focal point in any space. Great to add to your Moroccan room or Islamic decor.

Antique Persian Khatam Marquetry Qalamdan Pen Box with Hand-Painted Equestrian Miniature, Circa 1940s An exceptional Persian Khatamkari Qalamdan (pen box), handcrafted in the celebrated tradition of Khatam-kari, one of the most prestigious decorative arts of Persia. Dating to the 1940s, this elegant rectangular sliding-lid pen case is meticulously decorated with intricate geometric micro-mosaic marquetry and crowned with a finely executed hand-painted miniature depicting a royal equestrian polo match. Traditionally used by Middle Eastern Persian scribes, scholars, and government officials to store reed pens, writing instruments, and inks, the Qalamdan became an important symbol of education, refinement, and artistic patronage. This example beautifully illustrates the marriage of functionality and exceptional craftsmanship that defines Persian decorative arts. The top lid features a richly detailed miniature painting portraying mounted horsemen pursuing deer across a stylized landscape, rendered in vibrant colors with remarkable attention to detail. The sides are decorated with exquisite Khatam marquetry, an ancient Persian micro-mosaic technique composed of thousands of tiny pieces of wood, bone, and metal meticulously assembled into intricate geometric star patterns. The interior is finished in black lacquer, while the sliding cover operates smoothly, preserving the elegant proportions characteristic of traditional Persian Qalamdans. Khatamkari has been practiced in Persia for over four centuries and remains one of the country's most labor-intensive and highly respected crafts. Similar geometric inlay traditions later spread throughout India, where they became known as Sadeli mosaic, influencing Indo-Persian and Anglo-Indian decorative arts. The extraordinary precision of the geometric patterns reflects the Islamic artistic ideals of harmony, symmetry, and infinite design. Originally intended as a writing case, this versatile piece also serves beautifully today as a jewelry box, keepsake box, pencil case, or luxury desk accessory. It is equally suited for display in a library, study, or curated collection of Islamic and Middle Eastern decorative arts. Origin: Asia Date: Circa 1940s Materials: Wood, papier-mâché, hand-painted lacquer, Khatam marquetry (micro-mosaic inlay) Style: Persian / Islamic / Indo-Persian Dimensions: Length: 8 in. Width: 1.75 in. Height: 1.25 in. Condition: Very good vintage condition with light wear consistent with age and use. Beautiful original patina with finely preserved miniature painting and Khatam inlay. An outstanding example of traditional Persian craftsmanship, this museum-quality Qalamdan is highly desirable for collectors of Islamic art, Persian antiques, miniature paintings, and Khatam marquetry. Keywords: Persian Khatam box...

This beautiful huqqa (or hookah), an instrument used for smoking—is a highly collectable antique piece. It created in the late 19th century, most likely in Russia. The huqqa is finely decorated with depictions of Qajar kings, suggesting that it was created for the Persian market. The huqqa features a bell-shaped base with a ribbed cylindrical top. This is covered by a cup-shaped feature on a knopped stem. The huqqa is crafted from porcelain which is white and finely decorated with deep blue stylised vines, leaves and flowers. Half-length portraits of the 19th century Persian kings, Naser al-Din Shah and Mozaffar al-Din Shah, ornament the huqqa’s base...

77171 Vintage Pakistani Oushak Rug, 08'10 x 11'02. A testament to quiet grandeur and impeccable craftsmanship, this hand-knotted wool vintage Pakista...

This mid-19th-century silk chapan coat showcases the refined textile artistry of Central Asia. Its exterior is woven from a vivid sapphire-blue silk brocad...

This beautiful porcelain huqqa (or hookah) is of Continental, possibly Russian origin and was created for the Persian market. The item is a historic smoking accessory which is highly...

It does not come with an insert. Cotton in the back. Zipper closure. Dry cleaning is reccommended.     

Antique Moorish North Africa Silver Cuff Bracelet. Antique Tunisian, Algeria or Moroccan silver cuff. In good condition, sturdy and high quality design, Maker's mark on outer edge. A well made silver bracelet from North Africa from the French Colonial Times. The Arabic calligraphy is stylized Arabic script. This type of bracelet was produced for European rather than local consumption and were mentioned in the seminal work of Paul Eudel: Dictionnaire des bijoux de l'Afrique du Nord : Maroc, Algérie, Tunisie, Tripolitaine (1906). They were known as "Meqiâsat Tounès" or Tunis bracelets, because they mimic a style of bracelet that was originally made in Tunis after the Turkish Islamic design. Vintage Moorish Etruscan Style Silver Filigree Hinged bangle...

Wonderful set of 12 prints of the Middle East Steel engravings mainly after Allom and Bartlett Published by London Printing & Publishing Co. Unframed. The measurement below is th...

Antique Hand Tooled Oversized Moroccan Metal Copper Tray 31 in. D. Circa 1920's. Antique hand tooled heavy huge collectible Moroccan metal copper tra...

Large Moroccan glazed ceramic vase from Fez. Moorish style ceramic handcrafted and hand painted with Arabic calligraphy writing. This kind of Art Writing looks calligraphic is called...

This is a rather large piece with rather good condition. It is pure wool from the mid 19th C. Kashmir, India.

Saudi Arabia, Profile of a Kingdom Book by Claude Avézard and Jan Dobson. Over-sized hardcover book with dust jacket titled SAUDI ARABIA: Profile of a Kingdom. Motivate Publishing,...

An 18th Century Silver Mounted Mogul Hand-Carved and Beveled Rectangular Jade Box. The jade is the finest quality with a natural even green tone. It is beautifully hand-carved and ...

Large Middle Eastern Brass Tray Table on Carved Hardwood Folding Stand A fine and generously sized early to mid twentieth century brass tray table The heavy circular brass tray is ...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th C. Uzbekistan Ready to go on any wall. ...

This wonderful collection of Bohemian glass objects was created in the late 19th Century for the Persian market. The set—which includes three vases, one huqqa base...

This exceptional hand-embroidered textile is inspired by the rich tradition of Ottoman embroidery from the 16th to 19th centuries, reimagined for the present. Created as a unique cen...

Large pair of Moroccan glazed polychrome ceramic jars tureen with cover. Hand painted ceramic Jubbana, handcrafted by skilled Moroccan artisans in Fez Morocco. Moorish designs in t...

Egyptian Blue Wall Ceramique Plate by Edmond Lachenal. Signed: Monogrammed "EL piece unique"

1960s Vintage Moroccan Tribal African Rug in Indigo and Burnt Orange cors.Authentic 1960s vintage Moroccan tribal African rug.For centuries the tribal people of Morocco's Atlas Mount...

An Incredible and Rare Pair of 19th Century French Islamic Style Patinated Bronze Alhambra Vases, Stamped Tiffany & Co. The vases draw inspiration from Islamic design and the Nas...

This exceptionally beautiful and rare silver-inlaid brass tray stand dates from the medieval period, when the Mamluks ruled Egypt and Syria (1250-1517). The Mamluks originated as slave-soldiers, who served the Muslim caliphs and Ottoman Empire. With time, the Mamluks became a powerful military caste, and they managed to take control and establish themselves as rulers of certain areas within the Abbasid caliphate. The Mamluk dynasty commissioned great works of art and architecture, particularly in Cairo, the capital city of Egypt, which was described in the 14th Century as ‘the centre of the universe and garden of the world’ (Ibn Khaldun, 1382). This tray stand is of biconical form, with a raised central band and flared base and rim. It is decorated with scrolling vines, overlaid with Thuluth inscriptions and roundels. On the lower body, the roundels contain floral motifs, and in the upper, stylised depictions of birds. The Thuluth inscriptions praise the patron, referring to him as ‘The High authority, the Lordly, the Possessor’, and ‘the learned’. The underside of the rim is engraved with a heraldic medallion, possibly the patron’s symbol. In the middle ages, when this piece was made, this item would have stood in a grand interior, supporting a tray full of fruit and fine food. The owner of this lavish piece which still bears traces of its original silver inlay would likely have been an Amir (prince) or some other important figure who was close to the Sultan in the Mamluk court. Mamluk tray...

Beautifully made oriental rug in a unique circular shape. At 70" across, this would make a perfect centerpiece on the floor of your home or office. The vibrant colors and elaborate d...

This antique Indian Larestan rug features a rare Khashti (garden panel) design, beautifully preserved from the early 20th century. Woven with premium hand-spun wool, it showcases a g...

Large Moroccan glazed ceramic vase from Fez. Moorish style ceramic handcrafted and hand-painted with Arabic calligraphy writing. This kind of Art Writing looks calligraphic is calle...

A Fantastic and Quit Large 19th Century French Silvered Bronze Islamic Arabesque and Floral Motif Centerpiece/Decorative Bowl, Attributed to Édouard ...

A stately mid-19th-century Uzbek man’s chapan woven in a rich plum-purple silk brocade highlighted with large-scale golden damask motifs. This distinctive textile pattern, executed i...

Antique Turkish hand-knotted wool runner with the brown sienna field. This piece has red, yellow, and brown accents in an all-over geometric floral design. This rug measures: 3' ...

This Turkomen Ersari rug has been hand-knotted in the finest wool. The rug features an all-over repeating Gul design throughout the entirety of the rug, enclosed within a complementa...

This mid-19th-century silk brocade chapan from Uzbekistan showcases a luminous blue ground woven with scrolling floral motifs in shades of black and bronze. The textile’s subtle shee...

A Fantastic 19th century French Islamic/Orientalist Style Champleve Enamel Vase and Underplate, Signed F. Barbedienne. The wide-mouthed vase terminates down a narrowing body and is m...

Elevate your interior architecture with the iron-clad elegance of this exceptional 19th-century Antique Bidjar Style wool runner rug. Renowned among collectors as for their legendary...

Orientalist Enamelled Glass Mosque Lamp Bohemian, early 20th Century Height 20cm, diameter 21cm This elegant mosque lamp is a refined example of Orientalist glasswork, inspired by h...

Antique Islamic metal copper hookah bottle base of spherical form and decorated with a recessed repeated floral, geometric motif with a deer figure. 19th century Bronze tinned copper...

A scarce fine quality antique silver-inlaid solid brass betel nut box (Lutuan), dating to the second half of the 19th / early 20th century, hand-crafted in Mindanao, Philippines. Boxes such as this were used to store the areca nut (also known as the betel nut) which would be wrapped in a betel leaf with lime paste and other ingredients, often tobacco, for chewing. Similar to the European tea caddy, these boxes often served as a way to impress while showing off ones wealth. Betel chewing was prevalent in the southern Philippines as in much of the rest of Southeast Asia. Wealthier Maranao families on Mindanao were able to afford elaborate silver-inlaid brass betel boxes such as this example. Such boxes were used to show off to guests and from which they were offered betel and the other component such as leaves and lime to make up the betel quid. Rare large size, most extant examples of such boxes tend to measure around 5 inches in length. At slightly more than 7.75 inches the example here is larger than most. The distinctive decorative box features a very heavy strong-box like rectangular shaped chest form with canted corners, copper handles, and a conforming hinged lid, lifting open to reveal an interior divided into three compartments covered by four hinged lids. Each of these doors is inlaid with silver in stylized orchid flower patterns. Exceptionally executed throughout, the arabesque silver inlaid exterior is decorated to the top with a large orchid motif within scrolling obid-obid (stylized rope) borders. The front, back and sides are inlaid with sets of stylized tail feathers of the sari-manok bird beneath which are unusual, highly stylized whimsical zoomorphic faces that appear like cat or tiger faces. (Such stylisation is accounted for by Southeast Asian Islamic preferences to avoid the overt and this potentially idolatrous representation of animal and human forms. Designs such as these are drawn from a local design repertoire that has its origins in wood carving. Although the spread of Islam in the Philippines began in the 14th century, mostly through the influence of Muslim merchants from the western Malay Archipelago, decorative arts in this design remain exceptionally rare. This lutuan represents a fine example of Islamic metalwork from the most eastern outreach of Islamic art and civilisation: Mindanao island being significantly further east than even China – artwork from Islamic Southeast Asia remains chronically under-represented in the world’s major collections of Islamic art. PROVENANCE / ACQUISITION Acquired from highly reputable auction house, Austin Auction Gallery, established 1983, Austin, Texas. References Brownrigg, H., Betel Cutters...

This artifact is an Indo-Persian Kulah Khud helmet, a traditional style of head armor used across Persia, India, and the Ottoman Empire from the 17th to the 19th centuries. This traditional Indo-Persian Kulah Khud helmet is primarily made of forged steel. The skull bowl was fashioned from a single sheet of wrought iron or low-carbon steel, which was meticulously hammered, visible in photo #6, over a mold to form a uniform, protective dome. Forged either of iron or a matching steel alloy, the sharp spear-point spike mounted at the absolute top of the dome served a psychological and combative purpose to deflect downwards sword blows. Also attached is a vertical metal strip running down the center front, a nasal guard designed to protect the user's face. The two small, angled metal sockets on the front flanks were designed to hold decorative feathers (such as heron or egret plumes) during military parades or court displays. The darkened, brownish finish on this specific piece is a natural patina, indicating oxidized steel that has weathered over time from environmental exposure and age. The outer bowl features extensive hand-engraved scrollwork, typical of the decorative styles popularized during the Safavid and Qajar periods. Such Indo-Persian helmets...

20th Century Mamluk Style Green Glass Gold Gilded Mosque Lamp French, 20th Century Height 30cm, diameter 22cm This mosque lamp reflects the centuries-old tradition of illuminating ...

Elevate your space with this beautiful Modern Serapi-style wool rug, blending traditional Persian heritage with contemporary colors. Hand-knotted from premium wool, it features a gra...

Copper containers of varying shapes and sizes have been used in Spanish homes and kitchens for many centuries. Copper and its alloys were particularly popular metals for storing and ...

Antique Moroccan Door; handcrafted in an aged wood door & the original frame. The aged pale green paint over the aged wood is original as we...

Hanukkah lamp shaped like a palace, surmounted by Islamic crescent. Made in Laghouat, Algeria. The Hanukkah lamp is made of two parts: a pierced and engraved brass in the shape of ...

A highly decorative (and functional) Spanish standing brass oil lamp, in Andalusian Arab or Islamic style. The five abstracted lions that ring the oil reservoir and support the burning wicks are reminiscent of the lion sculptures surrounding the iconic fountain at the Alhambra Palace in Granada, Spain...

An lavishly decorated Turkish coat likely from the Ottoman Empire period circa 19th century, presented in a shadow box gilt frame with dark blue fabric lining. The jacket was made fr...

This exceptional hand-embroidered textile is inspired by the rich tradition of Ottoman embroidery from the 16th to 19th centuries, reimagined for the present. Created as a unique cen...

Handcrafted of one piece of solid wood, inlaid with silver, scrolling, decorative picture frame. This picture frame is easy to fold into a cross legged standing position and this ra...

A unique antique Moroccan Islamic style octagonal form reticulated brass and green gilt decorated glass multi light lantern chandelier of fine detailed embellished with Islamic writing and gilt decorated blown green glass shades...

This is silk embroidery on a silk blue background. A rare item to come by.

This beautiful Copper Tinned Chest is hand tooled. It has heavy metal handles and hinges. A nice decorative item.

Late 19th century Mughal Indian Raj Style Silvered Traditional Anklet Bracelet from India repurposed as a vide poche, catchall, bowl ashtray or just as a beautiful collectible decorative object from India. Antique silver coin and brass heavy metal Dhokra ethnic tribal ankle bracelet that has been repurposed with a brass inner plate that was later added to use the bracelet as a small ashtray or decorative vanity jewelry bowl. The closure was a push pin mechanism that was closed. Dhokra art old ethnic tribal brass traditional ankle bracelet from India, handcrafted of a hollow band of heavy brass decorated with chevron repoussé banding and lost wax granulation. Measures: Height : 1.5 inches. Length : 7.5 inches. Width : 7.5 inches. Diameter: 7.5 inches Brass silver plated. Rare collectible decorative bowl, catchall, ashtray, Mughal Raj style, North India, Rajasthan. Circa 1900's Weight= 2 Lb 6.9 oz Anklets were important components in a suite of jewels worn by women in India. These very heavy examples are fabricated in two pieces, and tightly secured with a near-invisible pin. Some legends suggest that heavy anklets like these could weigh up to 20 pounds and were used to prevent brides from running away from their new families. How it is made: "Dhokra is an ancient folk art tradition prevalent in India in the eastern states of West Bengal, Odisha, Jharkhand and Chhattisgarh. Dhokra craft objects are made through the process of non-ferrous metal casting using the lost-wax casting technique, which is one of the earliest and most advanced methods of metal casting known to human civilization. Its roots can be traced back 4500 years to the ancient city of Mohenjodaro in the Indus Valley Civilization. The name Dokra or Dhokra was used to indicate a group of craftsmen of nomadic type from the Dhokra Damar tribe, scattered over the regions of Bengal, Orisa and Madhya Pradash, whose wares were identified by their beautifully shaped and decorated metal products. The enchanting Dhokra art objects have motifs inspired by indigenous folk...

Capital Islamic 16th century Marble 31 cm high; 31 × 31 cm; 45 kg Condition: Good state of preservation. Provenance: Private collection of François Antonovich, Paris, France. ...

Large antique 1940s Moroccan Rectangular Polished Brass Serving Tray with Moorish geometric design. Moroccan Moorish rectangular shape heavy solid brass tray with fine delicate geometrical Islamic designs. Could be used as a serving tray, or decorative Moroccan gold brass platter. Fine handcrafted large Moroccan brass platter...

Beautiful Persian wooden chest with opening front. Lots of storage with wonderful ornamental design inside and out.

A beautiful pair of French Porcelain Moon flask vases, made for the Islamic/Moorish Market. Each vase has a moon flask form with a gorgeous turquoise ground. The hand-painted enamels...

Antique Persian Brass Engraved Vase. Persian engraved brass vase with intricate detailed foliage and birds. The vase has been expertly etched by ha...

Very decorative mosque lamp in opalescent glass painted in green-blue and gold tones The frame and chains are in bronze Originally a small oil lamp was p...

Capital. Islamic · Umayyad Period, Al-Hakam, II, 961 – 976 AD. White marble Height 34 cm and width 32 cm Provenance - Private collection, Jaime Arnal, Barcelona, before 1970. - P...

a mid-20th-century Turkish Kars floral room-size rug Details rug no. j5152 size 7' 9" x 9' 5" (236 x 287 cm)

1960s Moroccan Berber rug with pink and black and white cors.From the plains of Marrakech, one of a kind vintage hand woven Rehmana Berber rug.Clector piece vibrant cors and asymmetr...

The carpet manufactory in Hereke, a city in western Turkey, was founded by the Ottoman Sultan Abdulmecid I in 1841 to produce all of the textiles for his palaces. He gathered the be...