Neoclassical Furniture

A tall and slender pair of Pedestals/columns in Pink Rossa Verona marble with Antico Verdo banded centres. With square plinth and socle terminating in a shaped capital. Images are a ...

Pair of Ferguson Copeland Tortoise and Silver Leaf Upholstered Brighton Armchairs. Feature a Bent Rattan frame with leather strap joints, brown pain...

This very nice neoclassical style round coffee table is made of brass with swan heads and feet topped by a white marble top with greek keys brass incrustations. This is a French work...

An eclectic take on a southwestern style, the Santa Fe bed features a four-square flat panel headboard and fully turned ball top posts with a dramati...

Large antique French ormolu mounted porcelain vase French, Late 19th century Height 138cm, width 59cm, depth 46cm This exceptional 19th-c...

An antique mahogany Hepplewhite end table with a glass top and a drawer. hekidney-shaped tables in the image appear to be Mersman antique vanity console tables, likely made of mahoga...

Pasquale Miranda for Feiss Iron and Alabaster Chandelier 20th Century Offered for sale is a large 12 arm chandelier designed by Pasquale...

A Classic tufted two-seat sofa with a bicast bonded chocolate-colored vintage style leather upholstery, with a tufted cushion backrest, and sides with t...

The display cabinet balances architectural elegance and modern restraint, defined by its dramatic arched dome silhouette and tailored proportions. Its rich walnut-finished frame draw...

This monumental oil painting by Henry Arthur Elkins captures the breathtaking beauty of a Colorado mountain river at sunset. The painting portrays ...

Neoclassical French Photo Frame, circa 1900 This exquisite French neoclassical photo frame dates back to around 1900 and is crafted in gilt bronze with fine green enamel details. The...

Italian antique walnut wood chair with armrests, early 1900s. Chair entirely in walnut wood with worked armrests, as well as the seat and backrest. Dating back to the early 1900s. Go...

A refined female bust in the Neoclassical style, carved from white marble with details in veined red jasper, which provides an elegant chromatic contrast and a strong decorative pres...

This nice and rare pair of round side tables with removable upper trays is made of brass with 3 tiers. This is a French work probably by Maison Jansen. Circa 1940

Circular Coffee Table in Bronze and marble inlaid a brass star, Neoclassical louis XVI style. Attributed to Maison jansen, French made in 1940... in good and original condition.

Presenting the exquisite Tiffany Studios New York Arts & Crafts Bronze Dore Gold Dish Bowl, Model 1708. This round catch-all plate exemplifies the timeless craftsmanship and elegance...

This neoclassical style 4 panels fireplace screen is made of brass and grilling. This is a French work. Circa 1970

The early 19th century Walnut Italian Neo-Classical Commode is a vintage piece of furniture that exudes elegance and sophistication. This commode features a beautiful inlaid pattern ...

An excellent large late 19th century antique bronze of ‘Le Soldat De Marathon Annoncant La Victoire’, also known as ‘The Soldier of Marathon Announcing the Victory’, cast by Ferdinand Barbedienne after a model by French sculptor, Jean-Pierre Cortot (1787-1843). The Barbedienne foundry produced this model in four editions. This bronze is an example of the second largest. Inscribed ‘Cortot 1834’, it is signed ‘F. Barbedienne Fondeur’ and impressed with the official stamp of the Collas et Barbedienne foundry reading: ‘Reduction Mecanique, A. Collas Brevete’. With its attractive patina and impressive scale, this bronze is a beautiful sculpture for any interior seeking artworks that are particularly exceptional. The Soldier of Marathon Inspiration for this bronze is rooted in ancient Greek mythology. It tells the story of the solider Pheidippides who, following the Greek victory at the Battle of Marathon in 490 BCE, ran 40km from Marathon to Athens to deliver the triumphant news before collapsing from exhaustion. The story inspires the modern-day marathon run...

Italian antique ivory color painted and giltwood fireplace mirror, dating back to the mid-19th century. This elegant Neoclassical overmantel mirror...

The Nevin dining chair from Lf upholstery is a comfortable and beautifully crafted side chair that can double as both a dining chair and game chair, show...

Early 19th century Italian terra cotta Athenienne stand, probably made by the Piranesi Factory. The design draws its inspiration from the classical incense burner which had a tripod ...

Continental Neoclassic-style (Possibly Austrian, late 19th Century) parcel gilt mahogany daybed/chaise lounge with scrolled back above a stripped yellow silk...

A beautiful, American classical, looking glass made by The Firm of James Burton from Albany New York. This large and beautiful mirror retains the original bluish glass and gilded sur...

A solid steel table with a hand applied silver leaf. Each of four flat bar legs end in solid brass hooves. The table base is shown here with a heavy beve...

Pair of Tuscan neoclassical mirrors. Pair mahogany gilt and painted with mercury glass in the neoclassical Italian Empire style. Soberly framed with gilt insert bordering original me...

A wall mirror in the neoclassical design style, circa early-20th century. Mirror appears to have been a part of another piece (old glue on back) and removed. I'm showing mirror (with...

A large-scale mid-18th century Italian giltwood wall hanging panel, deeply handcarved in relief with scrolling acanthus decoration. One of similar lots we are selling, this decorativ...

Welsh burl ash chest circa 1820-1849, with three graduated drawers and bracket feet. Constructed with mortise and tenon joints and dovetailed drawers. Ring pulls. Gorgeous decorative...

Iron strong box treasure chest, nicely crafted case and mechanism. Original key included . Possibly stage coach item .

An antique 19th century carved lime wood frieze panel. This architectural panel displays a scrolling design of foliage with a Neoclassical flair, showcasing a look of elegance and c...

A 19th century English Jasperware planter and underplate, stand in a dark blue and white glaze in the neoclassical style. This decorative and usef...

This exceptional sideboard, produced by the renowned Maitland-Smith company, is a stunning revival of Neoclassical and English Regency design. Crafted from rich mahogany, the cabinet...

A Fine & Most Impressive French Gilt, Patinated Bronze and White Marble Mantel Clock by Lepaute of Paris, France. Of impressive scale and refined Neoclassical design, the circular white enamel dial signed Lepaute à Paris within a gilt-bronze bezel surmounted by a finely cast and chased gilt bronze eagle with outspread wings perched on a laurel wreath. The clock flanked by two seated classical figures in dark patinated bronze, each reading from an open book, symbolising Knowledge and Wisdom. The central plinth panel finely cast with cherubs in relief, set upon a rectangular white marble base mounted with ormolu friezes of scrolling foliage and masks, raised on toupie feet. The Lepaute family were among the most renowned horologists of the late 18th and early 19th centuries, supplying timepieces to the French royal court and many important clients of the Empire period. The fine casting and crisp chasing of this example, combined with its balanced architectural design, exemplify the high quality of Parisian clockmaking of the period. Circa 1800-1810 France Condition: Excellent overall condition with minor wear to gilding consistent with age. Movement complete and of fine quality. Fully serviced and in working order. Key present. Biography: Jean André Lepaute...

Handcrafted African Ebonized Wood Figure of a Rhinoceros. Measures 13.5" in width, 8.5" in depth and 11.25 in height.

Classical Elegance: A Set of Four Spode ‘Greek Pattern’ Openwork Dessert Plates Staffordshire, England, Early 19th Century This exquisite set of four dessert plates represents the h...

An elegant pair of late 19th century French cast iron planters in the silhouette of “Medici urns”, displaying a Neoclassical taste that has been given a unique identity by way of a p...

Cast Iron Powder-Coated Floor Table Standing Candle Holders, circa 1900's. Please price listed is per item. Standing 28’ tall each, these elegant freshly powder-coated pricket candl...

Maison Jansen Style Brass And original opaline glass coffee table. Beautiful patina, see pictures

Crafted by Wedgwood, this exquisite and rare assembled coffee cup and saucer set are comprised of the firm’s famous pale “Wedgwood blue” jasperware so prized by collectors and connoi...

Russian (circa 1810) mahogany diminutive recamier with gilt swan carved sides and ball & claw feet front feet and upholstered in a cut green velvet

A stunning pair of antique 18th-Century Italian silvered wood tripod pricket altar candlesticks. These gorgeous cathedral candlesticks are a nice large size, silver gilded and ornate...

A French Neoclassical style walnut side table from the 19th century, with almond shaped top, ebonized accents and tapered legs. Created in France during the 19th century, this walnut...

18th-19th century French neoclassical period fireback with a woman and a cupid. The fireback is made of cast iron and has a natural brown patina. Upon request it can be made black /...

Swedish painted commode, this neo-classic painted commode in an antiqued white London mist finish with three long lockable drawers, canted corn...

pair of circa 1940's French Opaline glass table lamps with gilt details

A beautiful and decorative oval gilt wood wall mirror in the Neoclassical style, dating from the early 1900s. The frame is made of wood, partially finished with hand-applied antique ...

An exquisite Italian mid 19th century neo-classical st. settee with an Egyptian revival influence. The light green patinated frame is stunningly decorated with giltwood designs throu...

I love this mirror! I worked hard to capture the correct color for buyers! This is a neo-classical style faux bamboo mirror with a timeless Greek Key form. The color is original and ...

A neocliassical Italian mahogany three drawer chest or commode, characterized by its exquisite craftsmanship and elaborate marquetry. The front features intricate inlaid designs, s...

Impressive pair of Italian patinated brass big horn ram's head sculptures featuring long curled horns and dramatic neoclassical styling. These pieces stan...

American 19th Century Birdseye Maple Desk attributed to H. Stowell & Son Cabinet Makers, (1828-98) Vermont 1850-60. Beautiful writing desk consisting of three stepped upper panels (...

A reclaimed neoclassical plaster wall plaque with a stunning painted matte black frame. In a large landscape form, this handcrafted plaque is decorated in relief depicting a romantic scene of cherubs or putti accompanied by a dog while they gather around a fire in an enchanted woodland...

This is a heavy Tiffany Style table lamp. Its shade is shaped as an umbrella. Its stained glass depicts different shades of blue, green, red and purple. These different shapes of geo...

A pair of circa 1920’s Caldwell sunburst sconces with crystals. Available in silver plate

Nice warm Tuscan feel. Each fruit panel has a ground of silver foil or leaf. Charming wear to each of the panels (see photos). The beveled mirror plate is a very good distress jo...

Italian Neo-Classic Hubert Robert-style (20th Century) landscape oil painting with figures and an equestrian statue of Marcus Aurelius near the Temple of Vespia in a rectangular carv...

Embossed and engraved silver plaque La Madonna del lago (The Madonna of the Lake) Probably Milan, post 1824 Brass frame It measures 16.14 in x 13.85 in (41 x 35.2 cm) and it weighs 10.357 pounds (4.698 g): silver 1.31 pounds (598 g) + brass 9.03 pounds (4.100 g) State of conservation: some abrasions on the bottom. The frame is old, but not original. The plaque is made up of a sheet of embossed and engraved silver, and held in a solid brass frame. It depicts the “Madonna del lago” – “Madonna of the Lake” - (the Madonna with Child and San Giovannino) by Marco d'Oggiono (Oggiono, 1474 circa - Milan, 1524 circa), while changing only the background landscape. Almost certainly the subject reproduced in the plaque was taken from a famous engraving by Giuseppe Longhi (Monza, 1766 - Milan, 1831), one of the greatest engravers of his era. The silver is unmarked, probably because originally the Madonna was due to be exposed in a church: sometimes precious metals destined for worship and liturgical use would be exempted from payment and were, therefore, not marked. It is very likely that the plaque was made in Milan because in this city in 1824 the engraving by Giuseppe Longhi was made and printed. In addition, in Milan, the alleged lost painting by Leonardo da Vinci in his Milanese period (1482-1500) would be produced; this is the painting from which Marco d'Oggiono took his version. The painting Marco d?Oggiono was one of Leonardo da Vinci's most brilliant students and collaborators (D. Sedini, Marco d’Oggiono, tradizione e rinnovamento in Lombardia tra Quattrocento e Cinquecento, Roma 1989, pp. 151-153, n. 56; p. 225, n. 124, with previous bibliography). His style reflects in every way that of the Tuscan Maestro, so much so that he was the one who executed some copies of da Vinci's paintings. The execution of the “Madonna del Lago” probably draws inspiration from a lost painting by the Maestro, created while he was living in Milan (1482-1500). There are many similarities with other works by Leonardo such as the “Vergine delle rocce” or the “Vergine con il Bambino e San Giovannino, Sant’Anna e l’Agnello”. The painting, from which the drawing and then the famous engraving were taken, is found today at the M&G Museum of Bob Jones University in Greenville, South Carolina, where it came to rest after the sale of the Harrington Collection in London in 1917. The work appears in the inventories of the collection of Napoleon and Joséphine Bonaparte at the castle of Malmaison, before 1809. The Malmaison building was born and developed in the 17th and 18th centuries. In the 18th century it belonged to Jacques-Jean Le Coulteux du Molay, a wealthy banker. Later, during the Directory, Joséphine Bonaparte de Beauharnais bought it on April 21st, 1799, but settled at the castle definitively only after her husband separated from her in 1809. She remained there until 1814, the year of her death. When Joséphine died, the estate passed to her son Eugène de Beauharnais, who moved to Munich with his whole family in 1815, bringing with him the collection of paintings he inherited from his mother. Eugène died in 1824 and his wife Augusta of Bavaria (von Bayern), unable to keep it, in 1828 sold the Malmaison to the Swedish banker Jonas-Philip Hagerman. It is likely that in this period Augusta also sold part of the paintings inherited from her husband, including the “Madonna del Lago”. This painting then came into the possession of Leicester Stanhope, fifth Earl of Harrington (1784 - 1862) and then was passed down to his descendants. In 1917, at the death of Charles, eighth Earl of Harrington, his brother Dudley inherited the title and properties and he put up a part of his collections for sale. Among these, precisely, the painting by Marco d'Oggiono was to be found. On the occasion of that auction the painting was presented as a work by Cesare da Sesto, by virtue of a handwritten note by the Countess of Harrington on the back of the table. However, already in 1857, the German critic Gustav Waagen had identified Marco d'Oggiono as the author of the painting, then exhibited in the dining room of Harrington House in London (Treasures of Art in Great Britain, in 4 volumes, London, 1854 and 1857). The engraving Giuseppe Longhi was one of the most renowned engravers in Italy between the end of the 18th century and the first quarter of the 19th century. In 1824 Giuseppe Longhi, based on a design by Paolo Caronni, made a famous engraving of the painting of Marco d?Oggiono. The activity of Longhi was then at the peak of his notoriety, enough to earn him very substantial commissions; it is not risky to suppose that some of his successful engravings were also reproduced using other means: in our case in silver. (A. Crespi, a cura di, Giuseppe Longhi 1766–1831 e Raffaello Morghen...

A stunning circular wall mirror in a sunburst shape. This antique mirror features an embossed brass and bronze frame that is richly decorated with beaut...

Maple roots on solid beechwood, partially ebonized and gilded. (J-Sam-7).