Veneer End Tables

An elegant, modestly sized Dutch modernist table, exemplifying the refined geometry and architectural clarity of early 20th-century Haagse School design. Executed in richly toned mah...

having a circular top with a slightly raised gallery edge atop a conforming case housing one drawer, the case raised on uniquely shaped square tapering legs

Vintage Mid-Century Modern Telefunken Speakers Designed by Van Ernst Dieter Hilker for Omnia, Circa 1960s Feature a quintessential sleek Scandinavian style design with a beautiful t...

Antique Louis XV Style, solid carved wood end tables with decorative parquetry veneer Cast metal corner hardware, handles and feet in a gilt g...

Gorgeous pair of mahogany side tables or end tables hand-crafted in the Georgian taste decorated with Chinese Chippendale lattice design open fretwork patterns on the sides. The rect...

A striking pair of vintage two-tier end tables from the iconic Acclaim series by Lane Furniture. Designed in the 1960s, these tables feature sculptural walnut frames with bold doveta...

Round 20" in Diameter Inlayed One Drawer Burl Wood Tapered Legs Stand End Side Occasional Lamp Table MINT!

An early 19th Century, antique German Biedermeier demi-lune sewing table made of hand crafted shellac polished, partly veneered Cherrywood, in good condition. The small corner dressi...

Architectural two door cabinet designed by Adrian Pearsall for Craft Associates. The cabinet features two swing out doors, which open to reveal two interior drawers, and open storage...

The collection’s signature experiment with arc and proportion and materiality bears out beautifully in these tables ideal for bedside or bracketing a sofa. Their volumes are inverses...

This mid century modern end table by Mersman features hardwood construction, single dovetail drawer, tall tapered legs, open storage shelf, and durable vinyl top with faux wood grain...

A very fine French 19th/20th century Louis XV style oval gilt bronze-mounted mahogany, walnut and satinwood veneered parquetry occasional center table fitted with a frieze drawer, in...

A pair of French Paul Sormani walnut bedside tables from the late 19th century, with banding. Created in France at the end of the 19th century, each of this pair of nightstands features a rectangular top with inlay, sitting above a single drawer (one of them presenting a Paul Sormani label). A door below opens to reveal either a simple storage compartment or a swiveling shelf...

A scarce period Charles X (1818-1834) French Restoration mahogany travailleuse sewing (thread stand - side table - jewelry dressing table) with light, warm, beautifully aged patina. Born in France in the early 19th century, almost certainly Parisian work, exquisitely hand-crafted, this exceptionally executed example features ornate gilt bronze ormolu mounts, escutcheons, and elaborate gilt metal trim. Having a highly figured light mahogany hinged lid top, lifting open to reveal a striking finished interior with divided compartments and original inset mirror plate. The conforming rectangular case fitted with a faux drawer front over a dovetailed drawer with sectioned interior. Elegantly rising on oval-shaped medial shelf stretcher-joined curvacious legs. Dimensions (approx): 27" High, 20" Wide, 13.5" Deep Stunning light almost blonde antique mahogany coloring and mellow warm tone, superb wood grain detail, and charming, beautifully aged patina over the whole. Great shape overall. Retaining original antique character marks, wear consistent with age and indicative of minimal use, nothing that detracts from the aesthetics or functionality, but only adds to the overall authenticity, refined elegant warmth, luxurious sophistication, and cozy unpretentious rustic elegance. Delivered cleaned, hand waxed, polished French patina finish, ready for immediate use and generational enjoyment! What is Charles X style: The comte d’Artois – or Charles X - was the son of the dauphin Louis-Ferdinand de Franc and Marie-Josèphe de Saxe. He succeeded his two brothers Louis XVI and Louis XVIII and became the King of France in 1824. Thirty years after the French Revolution, he wanted to embody the return of monarchy and became the leader of the catholic party . As the previous kings, he was crowned in 1825 but he was soon overthrown by the revolution in July, 1830, called "Trois Glorieuses". He left then for England, Scotland, Prague and Istria where he died in 1836. Charles X style lasted from 1818 to 1834 and happened during the Bourbon Restoration (French Restoration). This style did not replace totally the style of furniture from the French Empire but it was different from the formalism in the Napoleonic era, during which strictness and simplicity were inspired by Greco-Roman art. Indeed, artistic fields flourished. In terms of furniture, this renewal was suggested by the softening of shapes. Even though the simple aspect from the French Empire was still visible, shapes became curvier with volutes and arabesques. Another distinction is the loss of the massive aspect of furniture and the decrease of dimensions in order to decorate smaller appartments. Handling ability and comfort were key-words in the making of furniture. Apartments had essential elements such as chests of drawers, big rounded tables in the dining room, desks or secretaries, armoires and even dressing tables, comfortable fainting couches in the living room, small tables, pedestal tables, as well as gondola chairs. The wavy aspect of the latters certainly represent Charles X style the best.  One of the most emblematic features of this style is the use of bois clairs – light woods in warm blond tones - and indigenous woods that are varnished in order to highlight the grains. Bird's-eye maple, ash trees, plane trees, yew trees, beech trees, olive trees and cedar trees were most likely to be used. Indeed, at the beginning of the 19th century dark woods were hard to find. In 1806, the Napoleon’s Continental System was established in order to ruin the United Kingdom by preventing the country from any business with the rest of Europe. Therefore craftsmen had to find alternatives from mahogany which was the most commonly used material at this time. After 1815, the import of wood was even more difficult because of peace treaties and the European political situation, which contributed to the popularity of the bois clairs and indigenous woods. The furniture was often decorated with fine inlays made out of dark wood representing foliage, which contrasted with the veneer. Even though these patterns can look like bronze decorations from the Empire era,  they were far more simple and did not represent any military or mythological attributes. On the tables, trays were sometimes made out of marble as in the French Empire, but it was often put aside and inlaid veneer, Verre Eglomisé – a type of glass with a mirror finish –, mirror or porcelain from Sèvres or Paris were more likely to be used. Decorative elements from the Monarchy were highly appreciated again as they suggested luxury. Indeed, marquetry work was particularly fashionable - Boulle marquetry thrived around 1820 as the works of the Levasseur family can show. In the same way, draperies and trimmings referred to the monarchist splendour. Fabrics were often white – the traditional colour of the Bourbons – or light coloured as oppposed to the typical green from the Napoleonic era.  One of the most symbolic figures from this period of time might be Jean-Jacques Werner (1791-1849), a cabinetmaker who worked for prestigious clients such as the Duchesse de Berry who was Charles’s step-daughter. His works can be seen at the Musée des Arts Décoratifs and at the Grand Trianon in the Palace of Versailles. The duchess’s appartments situated at the pavillon de Marsan and at the Palais de Saint Cloud illustrate Charles X style the best with furniture made out of bois clairs and ornamented with dark wood patterns or fine gold decorations. Chales X style allows a transition between the sobriety of the Empire style and the abundant aspect of Louis-Philippe style. The gothic style started at this time through the "style à la cathédrale", inspired by religious architecture, which thrived from 1827 to 1830. Indeed, at the beginning of the 19th century, Romanticism put the spotlight on the Middle Ages. Cabinetmakers were not inspired by the medieval furniture but rather by architectural elements of churches and cathedrals. For instance the backs of chairs were decorated with arches shaped like rib and serration. In the same way, before Charles X abdicated, pieces of furniture were made out of dark woods – such as mahogany, which was used again in France – and were inlaid with light wood. Romanticism also influenced the layout of furniture in appartments to suggest movement through a mix of various styles, various shapes and various sizes, as opposed to the static aspect of Neoclassicism. The start of industrialisation and mechanisation also influenced this style as early technical developments led to the production of pieces of furniture in series. Credit: Marc Maison Bibliography: FANIEL Stéphane (Dir.), Le Dix-neuvième Siècle Français, Collection Connaissance des Arts, 1957, Hachette SASSONE, Adriana Boidi, Furniture from Rococo to Art Deco, 2000, Evergreen -- Extremely versatile: As warm and attractive as it is useful, this remarkable antique table having the ideal size and small proportions for a variety of different uses, including as a side table, accent or occasional table, tall sofa...

Stylish midcentury nightstands sold by John Stuart. Two dovetail jointed drawers on each, with open storage space beneath. Please confirm item location with dealer (NJ or NY).

Straight-lined and sturdy with eye-catching wood grains, this robust table exudes the qualities that made mid-century modern design the envy of the furniture world. Walnut and oak ve...

Wood side table with round tops and made from ebony veneer with bronze inlays. This table was titled after the famous building Palais de Tokyo in Pari...

Attractive pair of French Louis XV style kingwood veneered side tables with gilt bronze mounts and marble inset tops. Stretchers centered with a bronze urns. The pair of tables a...

Bauhaus chrome plated tubular steel end table with one drawer. This table model T9 was designed and manufactured by Thonet, circa 1930 This item is restored on request and available...

Modern Bronze and Walnut End table with Glass top designed by Greg Sheres. In Stock. The "Manhattan" lamp table is a beautiful combination of walnut, stainless steel with an antique...

The collection’s signature experiment with arc and proportion and materiality bears out beautifully in these tables ideal for bedside or bracketing a sofa. Their volumes are inverses...

Two curved wood-cased drawers in our medium sheen lacquer separated by a divide of Eucalyptus in a coffee bean finish stand atop a base that repeats the angle of curve as it rounds i...

A rare and iconic Italian post-modern Donau Collection bed and matching nightstand designed by master architect and furniture designer Ettore Sottsass (Austria/Italy, 1917-2007) in collaboration with Marco Zanini (Milan, Italy; b.1971) for Leitner Interior Design, circa 1988. Scarce design, bold and dramatic, sculptural-form, exceptionally executed in bird’s-eye maple lacquered and laminated wood, including blue accents and columns that offer a visually striking contrast. Retaining the original manufacturer's label, signed, 195/88. Provenance / Acquisition: Acquired from highly reputable auction house Heritage Auctions, Dallas, Texas. Design Signature Auction catalog #8110 Dimensions: (approx) Bed: (Twin XL...

This mid century modern end table features hardwood construction, maple veneer with original finish, lower storage shelf and tall tapered bentwood legs.

Matching dining table with l...

Swedish Modern Art Deco Style fruitwood round pedestal end or side table in very good vintage condition. Measures 24 inches in diameter and stand 17 inches tall.

Stunning vintage Art Deco Revival custom two-toned mahogany round side or accent table with a black granite top custom made by Rialto & designed by Zlata Pericic for Meca Design & Pr...

A most charming antique French mirrored commode stand. Born in France in the late 19th / early 20th century, most likely Parisian work, except...

Whether in the living room, bed room, or even waiting room, this attractive walnut table packs plenty of practicality into a compact space. With a 24" x 24" square design, it makes a...

Art Deco chrome and mahogany side table. Four chrome plated rounded flat metal legs. Mahogany square top and base. Comes with glass top not photographed.

This Bar cart is a rare and elegant piece designed by Martin Eisler (1913-1977) in the 1950s and produced by Forma S.A. Móveis e Objetos de Arte. It presents a chrome structure an...

Refined coffee table veneered in cherry and walnut. Its central leg, turned from solid walnut, stands out for its elegance, with a triangular base completing its line. The round top ...

A 1950's bentwood coffee table by Ewart Myer for Horatio Myer and Co. The table has two tiers with a sleigh Oak bentwood top and a magazine rack or a bookshelf on the bottom. Tapered...

An antique German Biedermeier sewing table made of hand crafted shellac polished, party veneered Walnut, in good condition. The small side table is composed with one drawer, the insi...

Clad in cream lacquer reminiscent of parchment paper, the CUPOLA End Table features the classic NARRATIVE ARC elliptical silhouette, rotated vertically and spliced through the middle...

Classic Mid Century Parsons style nesting tables made by Directional in thick burl veneer over solid wood cores. Very well crafted and solid feeling with corner blocking. The tops ma...

Our “Lucky” end table is shaped like a four-leaf clover. The shape is emphasized by the direction of the grain on the top and base. It is offered in a low, 50cm height and a high, 60...

Beautiful pair of mid-century American Modern end tables constructed in walnut and oak. The ample 3.5 square foot table tops showcase a beautiful book matched veneer, making a perfect stand for lamps...

Handsome Mid-Late 20th Century Baker Furniture Campaign style rectangular end table comprised of walnut & mahogany veneer, burlwood top, triple cane faux bamboo legs, and X cross-str...

Beautiful pair of Heritage one drawer walnut burl side tables. Good condition. Wear appropriate with age and normal use. Measure 22.5"W x 26"D x 22"H W5.

Top quality Baker table designed by Charles Pfister, in exquisite original Primavera finish. Art Deco Revival, Postmodern period, circa 1990's. This example is in very good original ...

Elefante Collection by NONO Furniture A distinguished tribute to the architectural movements of Mexican Modernism and Brutalist design. The collection showcases three minimal furni...

Handsome modern square Parsons style end table or side table by Lane with a carved circular leg design and chevron veneer top. It is in wonderful vintage condition. There are age app...

A very Fine French 19th century Louis XV style kingwood and ormolu-mounted marble top gueridon side table. The semi-circular single-drawer table fitted with a Rouge Royal marble top ...

A 19th‑century Italian craftsmanship, this octagonal table features a richly figured burl walnut top inlaid with concentric geometric banding surrounding a finely detailed roundel of...

Informed by the refined craftsmanship of mid-century Italian design, the Serge Bedside Table features sculptural two-legged brackets, with a gently...

A very good quality French marquetry coffee table features a banded round top inlaid with a geometric pattern. Gently curved cabriole leg...

Wonderful MCM (a.k.a. Mid-Century Modern) to Modern Founders Furniture octagon commode table or end table cabinet #21135 Patterns 21 in solid Mozambique veneer & brass hardware. This...

This amazing table comes from Brede main building outside Copenhagen, Denmark.

Our table was made of birch, solid and veneered, stained a rich brown, and topped off with a slab of Bohemian breccia marble. We date it to around 1928, and attribute the design to Fritz August Breuhaus de Groot, who coined the term Kultivierte Sachlichkeit (Cultured Objectivity) to describe his work, and distinguish it from the Neue Sachlichkeit (New Objectivity) practiced by his contemporaries Walter Gropius, Mies van der Rohe, and Lily Reich. The table bears a passing resemblance to a considerably simplified, marble-topped ovoid one that he designed for his 1934 Berlin living room. Breuhaus was a man on the make. The first of his three marriages was to the daughter of an industrialist, who financed the building of luxury villas and workers’ housing designed by his son-in-law. In 1929, Breuhaus, the son of a dentist, added “de Groot” to his name, falsely linking himself to a distinguished family of painters. By then, he’d been fudging his academic record for years. That didn’t prevent a teaching appointment at the State University of Bavaria, which allowed him to add the prestigious “Herr Professor” prefix to his name. Yet he never followed through on the teaching — he was far too busy designing more luxury villas (commissions he accepted only if he could furnish them as well), and products for his own company, which included furniture, textiles, wallpapers, lighting, and fine silver. In addition to designing aircraft interiors for Lufthansa, and pullman railroad...

A square table, related to the previous three pieces, as they once all lived together (in harmony) in a spacious home in Gothenburg, Sweden. All followed the tradition of elegance wi...

An early 19th century French Charles X mahogany table with a dark grey and white veined marble top. This handsome, sculptural table has a car...

A Superb Quality French 19th Century Louis XVI Style Ormolu Mounted Mahogany and Kingwood Vitrine Table, Attributed to Henry Dasson (French, 1825-1896), with a beveled glass lift top...

Stylish pair of Mid-Century Modern nightstands manufactured by American of Martinsville. Well-built frame with walnut veneer exterior. A nice addition to any modern interior. Please ...

An elegant Art Deco period square table with slight, tapering legs. Beautiful and rich Amboyna veneer, finished with a high gloss clear lacquer.

Pair of diminutive Italian Neoclassical Comodini or night stands, the walnut veneer with a rich, deep patina, shaped tops over three drawers, on cabriole legs. Elegant, petit, unders...

An Austrian Biedermeier period end table from the mid 19th century, with octagonal top, darker accentuation, partitioned drawer, saber legs and lower shelf. Created in Austria during...

Rare and unique cube table pedestal with a pull out work desktop that completely disappears when closed. Covered in a olivewood burl with a black band that completely navigates the t...

Pair of Gallery Top Danish Mid Century Modern Rosewood End Tables Nightstands Dowel legs.

A very good quality near pair of French kingwood veneered, ormolu-mounted side tables, having 'Sevres porcelain plaques mounted and raised on out swept legs and a plinth base.

Two curved wood-cased drawers in our medium sheen lacquer separated by a divide of Eucalyptus in a coffee bean finish stand atop a base that repeats the angle of curve as it rounds i...