1860s Tables

This is a very fine French antique ormolu mounted bureau plat which features fine quality floral marquetry and which dates from around 1860. This beautiful piece of furniture has be...

This gorgeous antique Victorian partners library table is crafted from beautiful flame mahogany and dates from Circa 1860. It features a striking inset green leather writing surface...

This is a gorgeous antique Victorian piano front Davenport Desk, Circa 1860 in date. It is crafted from fabulous burr walnut and the hinged pull out writing slope features an inset ...

This is a fine antique Victorian burr walnut twin pedestal desk, Circa 1860 in date. It is made from fabulous burr walnut. The rectangular top with a fabulous inset gold tooled gre...

Italian walnut marquetry pedestal table, circa 1860, Beautifully crafted with intricate detail. The octagonal top features fine marquetry in variation of walnut. This decorative inl...

This gorgeous Victorian antique partners library table is crafted from beautiful flame mahogany and dates from Circa 1860. It features a striking inset green leather writing surface...

This is a gorgeous antique Victorian Davenport desk, crafted from beautiful burr walnut with striking  inlaid decoration and  Circa 1860 in date. The desk features a beautiful green...

This is a fine and rare antique English mid Victorian, burr walnut, ebonised and fruitwood marquetry, centre table, in the manner of Edward Holmes Baldock and circa 1860 in date. The shaped segmentally veneered circular top is beautifully marquetry inlaid with assorted flowers within shaped cartouches and features a beautiful scrolled foliate carved edge. It sits on a cabochon and acanthus-wrapped baluster column with three cabochon-embedded, foliate-scrolled, rocaille-carved outswept legs, with clasped feet and recessed castors. It is extremely versatile and can be placed in your hallway, living room, dining room, or reception. Condition: In excellent condition having been beautifully cleaned, polished and waxed in our workshops, please see photos for confirmation. Dimensions in cm: Height 74 x Width 145 x Depth 145 Dimensions in inches: Height 2 foot, 5 inches x Width 4 foot, 9 inches x Depth 4 foot, 9 inches In 1805 Baldock's name first appears as the freehold owner of 7 Hanway Street, London. Over the years he expanded his premises. By 1840 his property in this street comprised nos 1 and 2, both with back premises, and in addition he owned a yard and no. 3, which he let. It was in 1 and 2 Hanway Street that he carried on business up to 1843 when he retired, selling his stock and moving to a fashionable residential address, Hyde Park Place. According to one 19th-century source, the business was taken over by Frederick Litchfield's father. He was buried in St Pancras Church, Euston, where he is commemorated by a marble memorial tablet on the north wall, dedicated jointly to him and Mary Frances Westoby. In 1805 he described himself as dealer in china and glass. By 1821 he was styled in the Post Office Directories as antique furniture and ornamental china dealer, and in 1826 he described his activities in a bill heading as ‘buying, selling, exchanging and valuing China, Cabinets, Screens, Bronzes etc.’. Though Baldock's business consisted primarily in dealing in antique porcelain and furniture — largely foreign — he repaired, remodelled and altered existing furniture. He also produced designs for new pieces and had them made. In 1836 Baldock sold French eighteenth-century furniture to Lady Stafford (Countess of Sutherland) for Dunrobin Castle, and in 1842 Scotland’s leading country house architect, William Burns, recommended to his patron O. Tyndall Bruce of Falkland House that ‘for Cabinets and China, do not omit going to Baldock’s Hanway Street, Oxford Street… which is the first place in London’. In 1841 the Duke of Buccleuch was sent drawings of bedroom furniture as well as working drawings of an octagonal table, a bookcase and three stalls. A design of a table in the Buccleuch papers which is annotated ‘No. 3 Amboyna wood ground with coloured flowers’ is almost certainly the preliminary sketch for a table which was later made. Robert Byng (1764-1847) and George Newport, 2nd Earl of Bradford were also customers of Baldock’s. In 1840 he supplied a two encoignures with slab tops to the latter (one illus. FHS Newsletter (February 2017, p. 5). A pair of china cabinets...

Fantastic round tripod coffee table in curved bamboo, rattan and woven wicker with black iron base. This lovely French Riviera style table was designed by Roberto Mango and produced ...

Mid 19th century Swedish elm marble top console table circa 1860. Fine quality console table of grand proportions.  Shaped marble top standing on an elm base.  Single concealed draw...

19th century French Gueridon. Bleached mahogany with a 3 sided pedestal base raised on decorative, stylised lion paw feet and topped with grey figured marble top.

Constructed of solid light walnut and having a rectangular marble top with rounded corners trimmed in brass, the rear of the top with two circular zinc wine bottle receptacles center...

This is a beautiful antique Victorian flame mahogany and satinwood crossbanded pedestal partners desk, circa 1860 in date. The rectanglular top is satinwood crosbanded and inset with a stunning gold tooled green leather writing surface. One side of the desk is fitted with nine drawers, three drawers in the frieze and three drawers in each pedestal. The other side of the desk has three drawers in the frieze with a cupboard to each pedestal, each cupbpard is fitted with a central shelf. The drawers are all fitted withbeautiful brass drop handles, the desk is complete with the original brass locks and key, and is raised on plinth bases. Instill the elegance of a bygone era to a special place in your home with this fabulous antique partners pedestal desk. THE BOTANICAL NAME FOR THE MAHOGANY THAT THIS ITEM IS MADE OF IS SWIETENIA MACROPHYLLA AND THIS TYPE OF MAHOGANY IS NOT SUBJECT TO CITES REGULATION AND DOES NOT CONTAIN ANY RESTRICTED MATERIALS. Condition: In excellent condition having been beautifully cleaned, polished waxed and releathered in our workshops, please see photos for confirmation. Dimensions in cm: Height 79.5 x Width 166 x Depth 105 Dimensions in inches: Height 2 foot, 7 inches x Width 5 foot, 5 inches x Depth 3 foot, 5 inches Flame Mahogany Thomas Sheraton - 18th century furniture designer, once characterized mahogany as "best suited to furniture where strength is demanded as well as a wood that works...

Beautiful antique partner desk in very good condition. The desk has a cabinet on each side and four drawers. It has a dark brown, gold-edged leather top. It is entirely handmade of t...

A very fine quality antique French rosewood & kingwood marquety inlaid & ormolu mounted partner's writing table or Bureau Plat, in the manner of Jacques Dubois, circa 1860. This very...

Classic antique maple Pembroke drop leaf table that's 20.5 " deep with both leaves down. Expands to a large dining size when leaves are up, so very versatile. Beautiful honey warm ...

19th Century French Louis XV Style Painted Table. Offered is a versatile French Louis XV style table which can be used as a side table or center table painted a lovely shade of light...

the richly-figured oval top of exquisite quarter veneered burr walnut with inlaid marquetry perimeter band above a burr walnut apron; the tilt-top, fitted with all original hardware,...

Please message us for a cost effective shipping quote to your location. Leather Travel Trunk. Brass Lock marked 1864. Brass Rivets on top. Iron wheels at corner. Wood Slats at botto...

This rare, two-tiered Minerva teak corner side table was designed by the iconic design duo Peter Hvidt and Orla Mølgaard-Nielsen. This artfully crafted table is made from solid te...

Topped by a beautiful striated Flandres Rouge marble, this giltwood console from circa 1860 was hand-carved with Louis XVI style motifs. The one inch thick red, pink, beige, brown, and gray marble has a chamfered edge. It has been carved with two rectangular protrusions that align with the fluted legs below. The legs are adorned on the lower half by a leaf stalk with a curled tip above lanceolate cup feet, separated by a rectangular joint with a floret. A curvaceous molding of imbricated quatrefoils connects both feet. In the center is pot au feu...

This is a fabulous antique Victorian mahogany, satinwood and marquetry games table in the manner of Edwards & Roberts, circa 1860 in date. It is made of beautiful flame mahogany and satinwood with elegant satinwood inlaid and penwork floral and foliate decoration of ribbons, bellfowers and garlands.. The shaped hinged top opens to reveal a fabulous green baize lined gaming interior for playing cards, above a frieze fitted with a drawer and decorated by a beautiful classical urn. The table is raised on elegant square tapering legs terminating in spade feet. It is an elegant piece which will enhance a special room in your home. THE BOTANICAL NAME FOR THE MAHOGANY THAT THIS ITEM IS MADE OF IS SWIETENIA MACROPHYLLA AND THIS TYPE OF MAHOGANY IS NOT SUBJECT TO CITES REGULATION AND DOES NOT CONTAIN ANY RESTRICTED MATERIALS. Condition: In excellent condition having been beautifully cleaned and polished in our workshops, please see photos for confirmation. Dimensions in cm: Height 74 x Width 89 x Depth 48 Dimensions in inches: Height 2 foot, 5 inches x Width 2 foot, 11 inches x Depth 1 foot, 7 inches Marquetry is decorative artistry where pieces of material (such as wood, pewter or brass silver) of different colours are inserted into surface wood veneer to form intricate patterns such as scrolls or flowers. The technique of veneered marquetry had its inspiration in 16th century Florence. Marquetry elaborated upon Florentine techniques of inlaying solid marble slabs with designs formed of fitted marbles, jaspers and semi-precious stones. This work, called opere di commessi, has medieval parallels in Central Italian "Cosmati"-work of inlaid marble floors, altars and columns. The technique is known in English as pietra dura, for the "hardstones" used: onyx, jasper, cornelian, lapis lazuli and colored marbles. In Florence, the Chapel of the Medici at San Lorenzo is completely covered in a colored marble facing using this demanding jig-sawn technique. Techniques of wood marquetry were developed in Antwerp and other Flemish centers of luxury cabinet-making during the early 16th century. The craft was imported full-blown to France after the mid-seventeenth century, to create furniture of unprecedented luxury being made at the royal manufactory of the Gobelins, charged with providing furnishings to decorate Versailles and the other royal residences of Louis XIV. Early masters of French marquetry were the Fleming Pierre Golle and his son-in-law, André-Charles Boulle, who founded a dynasty of royal and Parisian cabinet-makers (ébénistes) and gave his name to a technique of marquetry employing brass with pewter in arabesque or intricately foliate designs. Edwards & Roberts The firm Edwards & Roberts was one of the best English antique furniture cabinet makers of the second half of the eighteenth century. The company was founded in 1845 and by 1854 was trading as ‘Edwards & Roberts’, 21 Wardour Street, Antique and Modern Cabinet...

This is a beautiful antique French bois de Violette, ormolu and Sevres porcelain mounted dressing table circa 1860 in date. It has been masterfully crafted from beautiful Bois de V...

This is a fine and very rare antique Victorian burr walnut twin pedestal partners desk, Circa 1860 in date. It is made from fabulous burr walnut, the rectangular top with a fabulous inset gold tooled green leather writing surface. One side has an arrangement of three drawers in the frieze over a pair of pedestals each with three graduated drawers, the other side has a central frieze drawer with a cupboard in each pedestal, each opens to a central shelf. The desk is fitted with the original turned walnut handles and it stands on a plinth base raised on brass castors. The desk has its original locks and keys and the locks are stamped H&C, By Royal Letters Patent. Instil the elegance of a bygone era to a special place in your home with this fabulous decorative antique desk...

This beautiful, Antique Napoleon III, Ebonized Wood Fold over, Card Table, Console, dates from around 1870-1880 The structure of this table is partial Ebonized wood and partial natur...

Rare Napoleon III Boulle desk of very high quality, 1860 France

19th Century French Louis XV Style Boulle Desk. Our outstanding antique French Louis XV style Boulle inspired bureau plat, desk or writing table was expertly crafted in the mid 19th ...

Rare and fabulous 19th century faux book with compass legs as legs. Mustard paint on the legs with Gilt on the pages of the leather bound book. Looks to be original tassle.. Possibly...

Bistro dining table in bentwood and cane designed by Michael Thonet. Originally designed in the 1860s and produced by Thonet in the 20th century by multiple factories. Size: chairs: 57x49x96.5 seat height 46 Arm height 67 centimeter table: ø85.5 height 75 centimeter Condition: used. The lacquer has worn out on some places. The stained beech wood has discoloration. Cane in the table top is good. The cane in two seats is damaged. The cane in one back is damaged. One arm has a crack in a curve. Some small wood details are missing. The cane can be repaired or replaced professionally on request. Michael Thonet The development of bentwood for use in furniture is one of history’s most significant innovations in design. A range of renowned mid-century modern designers such as Alvar Aalto, Arne Jacobsen, and Charles and Ray Eames drew heavily on this technological advancement, and the success of their enduring works owes to the efforts of pioneering German-Austrian industrialist and designer Michael Thonet — founder of Thonet and widely considered the father of bentwood furniture. Bentwood furniture dates as far back as the Middle Ages, but it is the 19th-century cabinetmaker and master of parquetry Michael Thonet who is most often associated with this now-classic technique. Thonet in 1856 patented a method for bending solid wood through the use of steam, and from there, the bentwood look skyrocketed to furniture fame. He experimented with bending birch rods into rounded shapes — forming delicately seductive, curving Art Nouveau creations that were a daring departure from the heavy, hand-carved designs attributed to his contemporaries. The Boppard-born Thonet honed his carpentry skills in his father’s workshop, where he carried out experiments with plywood and modified the Biedermeier chairs that populated the studio. He received an invitation from Austrian Chancellor Prince Metternich to contribute Neo-Rococo interiors to the Liechtenstein City Palace in Vienna. From there, the cabinetmaker gained international recognition, including at London’s Great Exhibition of 1851, which featured works created by members of the Arts and Crafts movement as well as industrial products. Thonet showed a range of furniture at the fair and won the bronze medal for his bentwood chairs. He ​​incorporated his family’s company, the Thonet Brothers — or Gebrüder Thonet — with his sons in 1853. Considered the world’s oldest mass-produced chair, Michael Thonet’s ubiquitous Chair No. 14 demonstrated that his patented bentwood technology made it possible to efficiently produce furniture on an industrial scale. Often called the Coffee House chair — the company’s first substantial order was for a Viennese coffeehouse — the No. 14 remains an icon. Thonet originally designed the chair in 1859, and it is considered the starting point for modern furniture. Composed of just six parts, the chair, with its simple, lightweight design, belies its durability. The No. 14 was followed by the No. 18, or the Bistro chair, in 1867, and the 209, or the Architect’s chair, of which Le Corbusier was a fan. (The influential Swiss-French architect and designer used Thonet furniture in his Pavillon de l’Esprit Nouveau at the 1925 International Exposition of Decorative Arts in Paris.) The business began mass-producing furniture. By the end of the 1850s, there were additional Thonet workshops in Eastern Europe and hundreds of employees. Michael Thonet’s reputation attracted the attention of notable architects including Otto Wagner, Marcel Breuer and Ludwig Mies van der Rohe. Thonet’s patented bentwood technology also yielded an improvement to rocking chairs for his company — in the middle of the 19th century, Michael produced a series of rockers in which the different curved parts were integrated into fluid, sinuous wholes. Thanks to Thonet, the humble rocker acquired something unexpected: style. And bentwood furniture was embraced by a series of design greats — the innovation can be found in the seating that Josef Hoffman designed for Thonet, in the elegant Superleggera chair created by Gio Ponti and Alvar Aalto’s expressive Paimio armchair...

A fine & rare antique carved hall table, with the Skipworth Family coat of arms, circa 1860. The table is very finely carved, the back with a carved crest of a pair of dolphins ...

An exhibition quality 19th century walnut and marquetry centre / breakfast table, the circular top having a decorative foliate carved edge, profusely inlaid with exotic specimen timb...

A smart and very useful antique Victorian leather top pedestal desk. This was made in England, it dates from the 1860-1880 period. The quality is fantastic, this is very well made a...

Signed on the keylock P. SORMANI PARIS 10 rue Charlot Charming Louis XV style table, opening with three drawers. The waved rectangular tray, adorned with a floral marquetry, is circ...

An amazing antique Victorian inlaid chess table. This was made in England, it dates from around the 1860-1880’s period. It is beautifully made, the top has an inlaid chessboard made...

A Northern elm wood console table with high stretchers and long cornered legs, from China, circa 1860. This table displays the features of traditional Asian carpentry where no nails ...

Stunning quality burr walnut Victorian marquetry centre table. List 1860 The table is raised upon a triform base with shaped and heavily carved legs and a turned and carved column. T...

A good antique mahogany linen or book press by Tomas Bradford & Co, London & Manchester, circa 1860. The press having an upper frame with a larg...

An antique 1860’s French rococo, mahogany and walnut tilt top serving table having a lovely hand carved four support base.

A very nice Napoleon III side table inlaid with marquetry 1860-1870. Standing on curved and blackened legs with connecting platform. The beautiful instrumental inlaid top and flora...

Circa 1870 19thC Large English Pine Farmhouse Table Single dovetailed drawer sat on stout tapered block legs sku 909 W212 x D68 x H75 cm Apron H57 cm

E.W. Godwin attributed for Northampton town hall. A gothic revival oak refectory table with cross braced legs united by an upper stretcher.

Small antique wooden table from Spain, the mid-19th century. Defined by its modest scale, hand-crafted construction, and richly worn surface, the table carries a quiet architectural...

Victorian mahogany 18 drawer partners desk This desk stands upon a plinth base Circa 1860 The front of the desk having an arrangement of 9 oak lined graduated drawers with turned kno...

This is a stunning pair of antique French amboyna and ebonised card tables, circa 1860 in date. The tables are made from striking and rare ambo...

A centre table attributed to Holland and Sons related to a table in Clarence House, this exceptional table has a circular top decorated with six radiating amboyna veneers with a border of concentric marquetry rings. The decoration comprising kingwood bands within boxwood stringing, a continuous boxwood laurel wreath with ivory berries on a satinwood ground and further amboyna borders. The frieze has amboyna crossbanding and applied ormolu sunburst medallions. The support is composed of purpleheart columns inlaid with kingwood, terminating in low splayed feet, which encircle a classical urn on a plinth. The superb ormolu mounts include acanthus leaves, classical masks and patera. English, circa 1860. A table with a similar base and particularly fine ormolu mounts was exhibited by Holland and Sons in the International Exhibition in 1862 and illustrated as plate 40 in J. B. Waring’s book (see pages 100-103 for further references to this exhibition). A further closely related piece was in the collection of the late Queen Elizabeth the Queen Mother and is shown in the Morning Room in Clarence House in the Daily Mail’s article ‘Inside the private world of Prince Charles’, November 2018. Originally founded by Stephen Taprell and William Holland...

Quality French antique marquetry étagère boasting a pierced gilt gallery with a very elegant and beautifully designed marquetry inlaid kidney shaped ...

An English mahogany 19th century three tier dessert on wheels having shaped and carved columns.

Antique 19th century Victorian oval walnut centre table having a splendid oval solid walnut top and an oval walnut frieze supported by four elegant turned and shaped columns with two...

the round top with inset hand-tooled leather surface above a plain frieze apron; all raised on elegant splayed supports joined by an openwork ebonized stretcher; the top slides open ...

Royal House Antiques Royal House Antiques is delighted to offer for sale this absolutely exquisite circa 1860-1880 hand made in Italy marble and hand carved giltwood coffee or cockt...

This is a gorgeous antique French Louis Revival gilt bronze mounted amaranth bureau plat, Circa 1860 in date. The shaped top has a decorative gilt ...

Victorian mahogany circular dining table This table is raised upon a triform base with carved and shaped legs with brass castors and a turned column Circa 1860 The table top tilts fo...

Antique French Drop Leaf Dining, Kitchen Table Recently Restored circa mid-1800's. Our drop-leaf dining table was constructed out of beautiful and unique French Walnut, which is appr...

19th Century Center table with marquetry, Italy, Ca.1860 Walnut with fruit woods, Late 19th century Italian octagonal center table with...

Circa 1860 Pair of matching ebonised fruitwood Parisian Boulangerie counters, matching with a single drawer and shelves. Breadboard ends to the ...

Italian 19th Century carved wood painted and gilded centre table with replaced top. Circa 1860.

A lovely quality 19th century mahogany serving table with a rectangular shaped top with a thumb moulded edge, shaped and carved back with lovely figuration, supported on elegant shap...

A fine Victorian mahogany extending dining table of impressive scale and elegant proportions The table is raised upon beautifully fluted, ring-turned and carved legs, each terminatin...

Collier and Plucknett. A rare Gothic Revival oak side table. A very accomplished solid architectural design which has a powerful look, with fine turned details and beautifully made.

Antique Victorian c.1860 Mahogany Twin Pedestal Writing Desk – Quality Furniture An attractive Victorian c.1860 mahogany twin pedestal writing desk full of charm and character. With...