Rococo Revival Tables

CARVED WALNUT MARBLE-TOP LOW COFFEE TABLE IN THE LOUIS XV TASTE France, circa 1900 Item # 403KQO18P A wonderful French coffee table with the most spectacular marble top - this gorge...

Rococo Revival side table with marbled tabletop and frame of gilded wood, in great antique condition from the 1860s.

With octagonal top with support carved as a tree with cherub. Shaped carved base.

Contains gilt ornaments and a frieze of putti in heaven on either side. Topped with blind-tooled leather, an inset writing surface. Contains one large drawer that runs the width of ...

An antique table in the Nyrokoko style from the late 19th century. Furniture in very good condition, after professional renovation. Dimensions: height 74 cm / width 114 cm / depth ...

Antique Italian inlaid walnut game table is an unusual find, and will provide decades of enjoyment and good looks for your family! The understated elegance of the cabriole legs and s...

Antique Burr Walnut Occasional Table A fine quality occasional table, the revolving quarter-veneered burr walnut top with shaped serpentine edge and counter-veneered in figured walnu...

A fine Italian 18th century giltwood carved console with the original marble top.

RECORDED: cf. Anna Tobin D’Ambrosio, ed., Masterpieces of American Furniture from the Munson-Williams-Proctor Institute (Syracuse University Press, Utica, New York, 1999), pp. 85, 86, 87 illus. the Munson-Williams-Proctor tables // cf. The Metropolitan Museum of Art, New York, 19th Century America–Furniture and Other Decorative Arts (1970), exhib. cat., [n.p.] no.133 This table is identical to a pair of card tables bearing the stenciled label of Charles A. Baudouine of 335 Broadway, New York, which were acquired by James and Helen Munson Williams of Utica, New York, in May 1852 for their home, Fountain Elms, which is where they remain today as part of the Munson-Williams-Proctor Art Institute collection. The Williams tables were billed as “1 Rosewood Multiform Table” at $160 for the pair, and they were indeed “multiform” in that they could be used separately and folded as a pair of console tables, opened as a pair of card tables, or joined together as a center table. The present table varies essentially in the fact that it does not include the mechanism that would have allowed it to be attached to another to form a center table. Of French descent, Baudouine was born in New York in 1808. He made his debut as a cabinetmaker in the New York directory of 1829/30, where he is listed at 508 Pearl Street. By 1839/40 he relocated to Broadway, where he remained in business at various addresses until about 1854. A sense of the scale of Baudouine’s operation is given by German immigrant cabinetmaker Ernest Hagen...