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Japanese Wallpaper

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Place of Origin: Japanese
Philip Jeffries Natural Silver Max’s Metallic Raffia Natural Wallcovering, Japan
Located in Brooklyn, NY
Philip Jeffries Natural Silver Max’s Metallic Raffia Natural Wallcovering, Japan. Width 36 in (91.4 cm) Pre-Trimmed Bolt Size: 8 Yards Repeat None Fire...
Category

21st Century and Contemporary Japanese Wallpaper

Materials

Raffia

Antique Japanese Framed Cloisonne Sample Tiles
Located in New York, NY
A set of six antique Japanese Meiji era samples with floral patterns, showing the stages and techniques of the art of cloisonne enameling. Framed. circa 1868 to 1912. Japanese Enamel...
Category

Late 19th Century Meiji Antique Japanese Wallpaper

Materials

Enamel

Phillip Jeffries Champagne Wash Pewter Leaf Wallpaper, Silver Metal Wallcovering
Located in Brooklyn, NY
Phillip Jeffries Champagne wash pewter leaf wallpaper, silver metal wallcovering. “Rembrandt” GV226 Bolt size: 8 yards. Width: 37”; trims to 36” Vertical repeat: N/A Horizontal repeat: N/A Fire rating: ASTM E84 CLASS A Specialty/Artistry Collection...
Category

21st Century and Contemporary Japanese Wallpaper

Materials

Metal, Pewter

Phillip Jeffries Suit Yourself Waistcoat White Textile Wallpaper, Tailored Walls
Located in Brooklyn, NY
Phillip Jeffries Suit Yourself Waistcoat white textile wallpaper, tailored walls. Selling in bolts of 12 yards each. Multiple available. MSRP per yard is 130 USD (1560 per bolt). Gor...
Category

2010s Modern Japanese Wallpaper

Materials

Textile

Japanese Silk Wall Covering JS-37
By Paul Montgomery
Located in Staunton, VA
Japanese silk wall coverings by Paul Montgomery Studio are available in a wide variety of colors. Characterized by irregular thickness of weave and ...
Category

2010s Japonisme Japanese Wallpaper

Materials

Silk

Vintage Artisanal Phillip Jeffries Modern Mosaic Wallpaper Sleek Gray, 5013
Located in Brooklyn, NY
Phillip Jeffries modern mosaic artisanal wallpaper sleek gray, 5013. Artisan’s Guild custom collection. Trade only. MSRP is 200 dollars per yard. List...
Category

Late 20th Century Modern Japanese Wallpaper

Materials

Paper

Japanese Silk Wall Covering JS-41
By Paul Montgomery
Located in Staunton, VA
Japanese silk wall coverings by Paul Montgomery Studio are available in a wide variety of colors. Characterized by irregular thickness of weave and ...
Category

2010s Japonisme Japanese Wallpaper

Materials

Silk

Japanese Silk Wall Covering JS-08
By Paul Montgomery
Located in Staunton, VA
Japanese silk wall coverings by Paul Montgomery Studio are available in a wide variety of colors. Characterized by irregular thickness of weave and ...
Category

2010s Japonisme Japanese Wallpaper

Materials

Silk

Japanese Silk Wall Covering SL-07
By Paul Montgomery
Located in Staunton, VA
Japanese silk wall coverings by Paul Montgomery Studio are available in a wide variety of colors. Characterized by irregular thickness of weave and a rus...
Category

2010s Japonisme Japanese Wallpaper

Materials

Silk

Japanese Silk Wall Covering RS-12
By Paul Montgomery
Located in Staunton, VA
Japanese silk wall coverings by Paul Montgomery Studio are available in a wide variety of colors. Characterized by irregular thickness of weave and ...
Category

2010s Japonisme Japanese Wallpaper

Materials

Silk

Japanese Silk Wall Covering RS-13
By Paul Montgomery
Located in Staunton, VA
Japanese silk wall coverings by Paul Montgomery Studio are available in a wide variety of colors. Characterized by irregular thickness of weave and ...
Category

2010s Japonisme Japanese Wallpaper

Materials

Silk

Japanese Silk Wall Covering JS-11
By Paul Montgomery
Located in Staunton, VA
Japanese silk wall coverings by Paul Montgomery Studio are available in a wide variety of colors. Characterized by irregular thickness of weave and ...
Category

2010s Japonisme Japanese Wallpaper

Materials

Silk

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A field of wild pinks (nadeshiko; Dianthus superbus) blooms under a rising moon in this six-panel folding screen. The anonymous artist arranged the flowers, a relative of the carnation, in dense, rhythmical clusters in three horizontal registers in the lower half of the screen, above which clouds of gold leaf merge with the gilded sky. Interspersed between the layers of flowers are passages where flecks of silver foil, now tarnished with age, represent the ground bathed in the soft moonlight. Tiny pine trees on the green hillside from which the moon emerges add a dramatic element of spatial distance to this work. Autumn flowers such as pinks, bush clover, and Eulalia were celebrated in poetry and painting from the nascence of these cultural forms in Japan. Pinks, also called tokonatsu, appear in poems from as early as the 8th-century Man’yoshu anthology of poetry, and extant paintings, such as the Illustrated Scrolls of the Tale of Genji, prominently feature such autumn flora. Both extant folding screen paintings from the Muromachi period (1336-1573) and depictions of them in narrative handscrolls feature combinations of autumn flowers and the moon, itself a motif with specifically autumnal poetic associations. By the time the present work was completed, autumn flora and the moon were firmly established motifs in the repertoire of yamato-e folding screen and mural paintings depicting native subject matter. Extant screen paintings representing wild pinks as a single subject date only from the Edo period in the mid- to late seventeenth century. The present work, with its combination of wild pinks and the hills partially concealing a rising moon in the background, maybe the earliest work among the known screen paintings of this subject. While it is difficult to establish a date or attribution for the present work, several features and similarities to other extant screen paintings allow us to place the production of Field of Pinks to the early 17th century. Varieties of autumn flowers appear regularly on folding screens from late medieval and early modern Japan, but representations of pinks as a single motif on folding screens are relatively uncommon. A comparable example in the Idemitsu Museum of Arts, for example, pairs pinks in one screen with poppies in the other. A related work in the Museum of Fine Arts, Boston, depicts only poppies and is associated on stylistic grounds with the painter Tawaraya Sotatsu (d. ca. 1641). Barley Field (Burke Collection, Minneapolis Institute of Art), a single screen painting dated to the early 17th century, depicts ripened grain and also incorporates sprinkled flecks of silver foil for the ground. In contrast to each of these other works, in which the uniform floral motifs are painted directly over an evenly sheathed surface of the gold leaf, the present work features round-edged gold clouds that are layered between the banks of flowers and between the flowers and the distant mountain. The arrangement of gold clouds contributes to a subtle modulation of pictorial space found in earlier works but not present in the Idemitsu, Boston, and Minneapolis paintings. The greater concern with pictorial space in Field of Pinks points to an earlier phase of Yamato-e screen paintings. The evolution of screen paintings that depict flowers or plants as the central motif, such as the so-called “Musashino screens” is not well understood. Judging from the evolution of the theme of iris flowers on such well-known examples as the Iris Screens...
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Materials

Paper

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