Budapest - Wall Decorations

Raphael's Madonna della Sedia dates to 1513/14 and is kept in the Palazzo Pitti in Florence. Originally it was part of the Uffizi collection, and has then been brough to Paris during...

Boats in Portofino. The artist's signature is not legible but the painting shows an Impressionist influence in the luminous vibration of the water.  

The painting captures the events of this battle: "Baratieri planned to execute an attack early morning 1st March Baratieri, to strike a surprise on the ethiopians, who outnumbered h...

Size with frame: 12 x 89 x 117 cm Size of the painting: 3 x 83,5 x 55 cm Little damage on the frame as you can see on the photo. Franz Roubaud (1856–19...

Naive Ethiopian Painting Hospital scene, 1970s with Ge'ez language inscriptions.

Naive Ethiopian Genre painting, 1970s oil on canvas with Ge'ez language inscriptions.

Guido Borgianni was born in New York on June 11, 1915, to Florentine Roberto Borgianni, a leather merchant, and Sara Herreshoff, who belonged to one of the wealthiest families in the United States and became a legend in the construction of the racing boats that also participated in and won the America's Cup. Guido was not even a year old when, once his parents' marriage had foundered, his father brought him back to Florence. Of Guido Borgianni's extraordinary gifts as a draftsman and painter, Galileo Chini, his neighbor, noticed, and he worked to see that talent refined. Thus Borgianni attended the Academy of Fine Arts under Felice Carena, a strict teacher but one who knew how to appreciate the qualities of his pupils. In the first part of his life he signed his works in black. Then, when he became a pointillist, he began to use red. Among his great admirers were Alessandro Parronchi and Oskar Kokoschka, who was captivated by Borgianni's paintings during his Florentine stay in 1949. Soffici, Saetti, Malaparte, Montale, Pratolini, and Cesare Zavattini, the screenwriter of Vittorio De Sica and Italian neorealism, all liked him very much, finding him "as beautiful as a Corot." In 1946 he exhibited at the Quadriennale in Rome. After his marriage to Simonetta Avila in 1954, his activities were enlivened by travel: in 1955 to Venice, in 1957 to Paris, from 1958 to 1962 around Italy, in 1964 to Spain, in 1971 to New York and Barbados Islands. In 1950 he was awarded a prize at the Mostra Nazionale del Fiorino in Florence, and in 1956 he was appointed Academician of the Accademia delle Arti del Disegno in Florence. In 1957 he was awarded First Prize at the Portrait Exhibition at Dante's House in Florence. Upon his death, deep condolences were expressed by the president of the Florence City...

Hecker, Péter (1963): Two Old Hippies with Hay Fever Wiping Eachother's Noses (2001) technique: oil, canvas size: 160 x 120 cm signes on the back: Hecker 2001 Péter Hecker's work...

Guido Borgianni was born in New York on June 11, 1915, to Florentine Roberto Borgianni, a leather merchant, and Sara Herreshoff, who belonged to one of the wealthiest families in the United States and became a legend in the construction of the racing boats that also participated in and won the America's Cup. Guido was not even a year old when, once his parents' marriage had foundered, his father brought him back to Florence. Of Guido Borgianni's extraordinary gifts as a draftsman and painter, Galileo Chini, his neighbor, noticed, and he worked to see that talent refined. Thus Borgianni attended the Academy of Fine Arts under Felice Carena, a strict teacher but one who knew how to appreciate the qualities of his pupils. In the first part of his life he signed his works in black. Then, when he became a pointillist, he began to use red. Among his great admirers were Alessandro Parronchi and Oskar Kokoschka, who was captivated by Borgianni's paintings during his Florentine stay in 1949. Soffici, Saetti, Malaparte, Montale, Pratolini, and Cesare Zavattini, the screenwriter of Vittorio De Sica and Italian neorealism, all liked him very much, finding him "as beautiful as a Corot." In 1946 he exhibited at the Quadriennale in Rome. After his marriage to Simonetta Avila in 1954, his activities were enlivened by travel: in 1955 to Venice, in 1957 to Paris, from 1958 to 1962 around Italy, in 1964 to Spain, in 1971 to New York and Barbados Islands. In 1950 he was awarded a prize at the Mostra Nazionale del Fiorino in Florence, and in 1956 he was appointed Academician of the Accademia delle Arti del Disegno in Florence. In 1957 he was awarded First Prize at the Portrait Exhibition at Dante's House in Florence. Upon his death, deep condolences were expressed by the president of the Florence City...

‘Portrait of Nalee’ by Ivan Maria Friedman (limited series of 15) We travel through a significant part of LAOS, once again in search of the enduring spirit of tradition and authenti...

Copy made in the early 19th century of the famous painting by Nicolas Fouché Troyes 1653 - 1733 Paris exhibited in the Museum of Fine Arts in Budapest   

‘Portrait of Yer’ by Ivan Maria Friedman (limited series of 15) PhotoRag Baryta Portrait of Yer, a young lady from the Hmong tribe standing at the window of her home in the Vang v...

Guido Borgianni was born in New York on June 11, 1915, to Florentine Roberto Borgianni, a leather merchant, and Sara Herreshoff, who belonged to one of the wealthiest families in the United States and became a legend in the construction of the racing boats that also participated in and won the America's Cup. Guido was not even a year old when, once his parents' marriage had foundered, his father brought him back to Florence. Of Guido Borgianni's extraordinary gifts as a draftsman and painter, Galileo Chini, his neighbor, noticed, and he worked to see that talent refined. Thus Borgianni attended the Academy of Fine Arts under Felice Carena, a strict teacher but one who knew how to appreciate the qualities of his pupils. In the first part of his life he signed his works in black. Then, when he became a pointillist, he began to use red. Among his great admirers were Alessandro Parronchi and Oskar Kokoschka, who was captivated by Borgianni's paintings during his Florentine stay in 1949. Soffici, Saetti, Malaparte, Montale, Pratolini, and Cesare Zavattini, the screenwriter of Vittorio De Sica and Italian neorealism, all liked him very much, finding him "as beautiful as a Corot." In 1946 he exhibited at the Quadriennale in Rome. After his marriage to Simonetta Avila in 1954, his activities were enlivened by travel: in 1955 to Venice, in 1957 to Paris, from 1958 to 1962 around Italy, in 1964 to Spain, in 1971 to New York and Barbados Islands. In 1950 he was awarded a prize at the Mostra Nazionale del Fiorino in Florence, and in 1956 he was appointed Academician of the Accademia delle Arti del Disegno in Florence. In 1957 he was awarded First Prize at the Portrait Exhibition at Dante's House in Florence. Upon his death, deep condolences were expressed by the president of the Florence City...

JUSZKÓ, BÉLA TATA-TÓVÁROS, 1877 - 1969, BUDAPEST Painter. He trained in the Budapest School of Drawing between 1893 and 1898. His masters were Ede Balló and Bertalan Székely. In 190...

Portrait of a child with a hypnotic gaze. The signature of the work's author is not legible, but to assess its value, one need only stare.

Great and superb oil on canvas period Empire. Measures: 120cm x 160cm!   

Guido Borgianni was born in New York on June 11, 1915, to Florentine Roberto Borgianni, a leather merchant, and Sara Herreshoff, who belonged to one of the wealthiest families in the United States and became a legend in the construction of the racing boats that also participated in and won the America's Cup. Guido was not even a year old when, once his parents' marriage had foundered, his father brought him back to Florence. Of Guido Borgianni's extraordinary gifts as a draftsman and painter, Galileo Chini, his neighbor, noticed, and he worked to see that talent refined. Thus Borgianni attended the Academy of Fine Arts under Felice Carena, a strict teacher but one who knew how to appreciate the qualities of his pupils. In the first part of his life he signed his works in black. Then, when he became a pointillist, he began to use red. Among his great admirers were Alessandro Parronchi and Oskar Kokoschka, who was captivated by Borgianni's paintings during his Florentine stay in 1949. Soffici, Saetti, Malaparte, Montale, Pratolini, and Cesare Zavattini, the screenwriter of Vittorio De Sica and Italian neorealism, all liked him very much, finding him "as beautiful as a Corot." In 1946 he exhibited at the Quadriennale in Rome. After his marriage to Simonetta Avila in 1954, his activities were enlivened by travel: in 1955 to Venice, in 1957 to Paris, from 1958 to 1962 around Italy, in 1964 to Spain, in 1971 to New York and Barbados Islands. In 1950 he was awarded a prize at the Mostra Nazionale del Fiorino in Florence, and in 1956 he was appointed Academician of the Accademia delle Arti del Disegno in Florence. In 1957 he was awarded First Prize at the Portrait Exhibition at Dante's House in Florence. Upon his death, deep condolences were expressed by the president of the Florence City...

Precious frame full of carved faces. The frame is embellished with fruit skilfully arranged on a gilded background. The work of an early 20th century Florentine craftsman, it belonge...

Rare Double painting on canvas. On the framed side a refined representation of the crucifix, on the other a depiction of the Virgin Mary holding the...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The girl's gentle features, while knowing nothing about her, convey a sense of familiar empathy.   

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

"Plancton I" by Taeko Mima oil on canvas painting, 1999.

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

Great and superb oil on canvas by Krupka Ferenc.     

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

"Plancton II" by Taeko Mima oil on canvas painting, 2000.

The upper two lines show Months of Year form September to February and March to August, below the scenes of life. with Ge'ez language inscriptions.

Naive Ethiopian painting, The Greatest Scenes of Religion, Society and History. Oil on Canvas Measures: 100 x 190 cm s.b.r. with Ge'ez language ...

Mengistu Haile Mariam and other Generals looking at the celebrators oil on canvas painting, 90 x 190 cm with Ge'ez language inscriptions.

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

"Stack of watermelons" by Taeko Mima oil on canvas painting, 1997.

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

"Purple Profile" by Taeko Mima oil on canvas painting, 1993.

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...

The painting is part of a series of 75 oil paintings called Stellarium made between 1980 and 2001, when the Japanese artist after the death of two friends in the collapse of the Twin...