Chicago - Art

Over a hundred years ago, my grandfather registered as a homesteader with the Department of the Interior Land Office in Buffalo, Wyoming. Building a cabin on a remote 640 acre plat,...

Ahzad Bogosian Solstice, 2020 oil and acrylic on canvas 30h x 40w in 76.20h x 101.60w cm AZB123 Ahzad Bogosian SOLO EXHIBITIONS 2025 Ahzad Bogosian, Gallery VICTOR, Chicago, IL 2...

Bernhard Hoetger’s 1914 Expressionist poster for the Darmstadt Artists' Colony’s (Darmstädter Künstlerkolonie) fourth and final exhibition depicts the legend of Saint George slaying ...

A young woman wearing a floral dress examines photographic works in a gallery display. Auguste Donnay created this poster for the Second International Photographic Art Exhibition, he...

"Lichtenstein's Portrait of a Woman " is a direct reference to the iconic Roy Lichtenstein's 1979 painting of the same name. Kaplan's ceramic sculpture brings a three dimensionality to Lichtenstein's painting. Sandy Kaplan Lichtenstein's Portrait of a Woman ceramic, glaze 13h x 9w x 6d in 33.02h x 22.86w x 15.24d cm SAK014 Sandy Kaplan b. 1943, St. Louis, MO 2021 Maturity and Its Muse, Art Saint Louis 2020 Storytellers Exhibit, Art Saint Louis 2019 SOFA Chicago, Gallery Victor Armendariz, Navy Pier, Chicago, IL Honors Exhibit, Art Saint Louis Anthony Bourdain - Parts Unknown: Ceramic Centric, Foundry Arts Ctr, St. Charles, MO Current Profiles, Craft Alliance Center, St. Louis, MO 2018 SOFA Chicago, Gallery Victor Armendariz, Navy Pier, Chicago, IL Maturity and Its Muse, Art Saint Louis Works from the Studios, Craft Alliance, St. Louis, MO Drawn From Life: Artful Aging, Washington University, St. Louis, MO 2017 3-D, Gallery Victor Armendariz, Chicago, IL SOFA Chicago, Gallery Victor Armendariz, Navy Pier, Chicago, IL 2016 Works from the Studio, Craft Alliance, St. Louis, MO A Moveable Feast Exhibit, Oak Park Art League, Oak Park, IL Maturity and Its Muse, Art Saint Louis 2015 Writers Round Table, Craft Alliance Gallery, St. Louis, MO 2014 Save the Last Dance for Me, Art Saint Louis XXX...

The Exodus story, a pivotal event in the Old Testament, has been a rich source of inspiration for artists across various periods and styles. Here, artist Leopold Segedin has made tha...

Edition of 12

Jesús Curiá Lanza, 2024 bronze and stainless steel 38.25h x 28.25w x 7.75d in 97.16h x 71.75w x 19.68d cm ed. of 12 JCP075 Jesús Curiá's sculptures arouse something more than purely...

Carol Stewart Still Life with Green Parrot oil on paper on panel 24h x 24w x 1.75d in 60.96h x 60.96w x 4.45d cm CST018 Through her ethereal and often dreamlike paintings Carol Stew...

A beautiful red-haired woman enjoys a Quinquina Dubonnet aperitif with her white cat companion. In early advertising, artists commonly used a redhead as an example of modern-thinking...

Lithograph of Théo van Rysselberghe's La Libre Esthetique, published by Imprimerie Chaix, the printing house known for publishing the works of Belle Epoque master Jules Chéret. While...

Provenance: Directly from the atelier of the artist Notes: This is an excellent example of a depiction of a French countryside village, with an emphasis in simplicity.

Studio stamp of Gromaire, lower left Provenance: Atelier of the artist Notes: Noyelles, where this drawing was created, is a small town in the Somme department of Northern France ...

Studio stamp of Gromaire, lower center Provenance: Atelier of the artist Notes: A typical Normandy beach scene, perhaps near Deauville or Trouville.

Expressionist lithographic poster by Theodor Paul Etbauer for J. Kosbü Optik, a German optometry practice. Etbauer elegantly merges art and advertisement with a simple, striking desi...

Matthew Cook Ophelia Oil & Acrylic on Aluminum 24 x 24w in 38.25h x 38.25w x 1d in (framed) 97.16h x 97.16w x 2.54d cm MLC021 Bio: Matthew Cook is a realist painter, born in Toledo...

A leader of the cross-cultural craft resurgence, Japan-based artist Toyoharu Kii creates his intricate mosaics with hand-cut Italian marble and smalti, Venetian glass made by the same Italian family for over 400 years. Using traditional Italian techniques, Kii’s art is nonetheless modern. It is monochromatic, abstract, and highly textured and highlights the involved and technical art of mosaic making. In this mosaic entitled "Restoration Test...

Although paintings can be about any personal experience, I believe that important paintings should be about something significant, about life, the human condition, the world we live ...

Jesús Curiá Perez Arco II, ed. 3/8 iron and bronze 26h x 17.75w x 7.75d in 116.84h x 45.09w x 17.14d cm JCP055 It is seemingly easier to identify with the ideas and thoughts of an ...

Intricate, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the technica...

Entitled "We," this exquisite woodcut by Chinese artist Ren Hui celebrates joy and the beauty of humanity with a crowd of smiling faces. Using a style he calls “uncomplicated and honest,” the artist creates beautiful compositions by carving small notches into a painted wood background. Ren Hui's artworks reflect the artist’s richness of experience - he’s been a soldier, a factory worker, and a photographer documenting life from Nanjing to Tibet. He says, “We have family, friends, ourselves, history, culture, trees, flowers, buildings, demolition—all of which are reflected in my work. This is my life.” Full of bold colors and high-contrast imagery, Ren Hui's modern pointillism...

***This artwork is currently on exhibit at the Instituto Cervantes, Chicago until September 2025. If purchased this artwork will be available to ship after September 1, 2025. Contact...

Two-Time World Middleweight champion Tony Zale was know as the Man of Steel. He left the ring in 1948 and is shown here coaching youth in Chicago. The p...

My work is about something I wish I could have seen, imaginary worlds, a commentary on awe that is inspired by nature, science, and history. Objects in my work are a stand in for the...

Artist Commentary: Remnants is a 3-part series with relief-like, sculptural pulp figures. Evolved from Finding Space, Remnants brings personal experience in unexpected incidents and uncontrollable situations into focus. This series narrates fragility and vulnerability. Handmade papers are layered as the accumulations of life and the traces of time. Stories from the past and the reminiscences are layered with another folds. Please reach out to us about purchasing 1 part of the series. Keywords: abstract, white, thread Artist Biography: Yoonshin Park is a Chicago based multimedia artist, curator, and educator working with sculptural papers, artist books, and installations. Her interest in the comprehensive process of papermaking and bookbinding caters her work to encompass various elements woven into complete objects. She often uses her experience as a foreign transplant to question space and its implications in defining one's identity as the inspiration behind her work. Park has shown at the Ukrainian Institute of Modern Art, Hyde Park Art Center...

Woodcut after Peter Paul Rubens (Siegen 1577 - 1640 Antwerp) 337 x 451 mm.; 13 1/4 x 17 3/4 inches Provenance: The Metropolitan Museum of Art, New York, Duplicate stamp on verso...

Etching on paper with Schriftband watermark. Reference: Bartsch 7 III/IV (from VI). A very fine, early impression. Printed with the name of the artist, but before the addition...

Woodcut after Peter Paul Rubens (Siegen 1577-1640 Antwerp) Reference: Le Blanc 6 Hollstein 6 II/III Notes: 1. A very fine impression of the 2nd state (of three) of this majo...

The Red Roofs of the University of Chicago is an oil painting that celebrates the harmony of architecture and nature, captured in a moment of radiant autumn light. It draws the viewe...

This painting is driven by gesture as much as image. The surface records movement first, fast, violent, feral marks that thread the line between instinct and intention. Paint is drag...

This lithograph comes from an edition of 110, it is signed and numbered. Paul Guiramand, painter, sculptor and lithographer, was born in 1926 in Saint-Quentin in northern France. I...

Art Shay photographed the community of Brooklyn, IL for Ebony Magazine, 1952. These photographs are the result of that experience. Brooklyn (popularly known as Lovejoy), is a villa...

This work entitled “The Designers” by Chicago-based artist Patrick Fitzgerald continues his series of abstract “track paintings,” initially born as the imagined racetracks navigated ...

Based in Chicago, IL, contemporary artist Michael Thompson creates unique kites, collages and mixed media works assembled from material fragments of past and present collected in his...

Using pornography as a vehicle for understanding, Rick Sindt's work explores the discovery and development of queer attraction. Sindt transforms pornographic stills, repurposing them into images of intimacy. Rick Sindt Without Heaviness oil on panel 12h x 9w x 1.50d in 30.48h x 22.86w x 3.81d cm RIS040 “This body of work has been crystalizing in my mind for about five years,” says Sindt, “It is the product of reflecting on how the places I learned the most about myself, and my desires, are considered something that sullies a person, something taboo.” Focused on the experiences of gay men, this body of oil paintings depicts moments that range from tender touches to more sexually explicit acts. “It was important to me that I only represent what I know,” explains Sindt, “I identify as a man, and I am attracted to others who identify as men. I don’t believe it is my place to speak on behalf of other members of the queer community whose experiences I am unfamiliar with.” “In creating this work, I spoke with men who told me about how they hid magazines when they were a kid, took out P.O. Boxes in their small hometowns to protect their privacy, and learned how to cover their tracks on the internet. These secretive acts become necessary when the need to understand yourself is great, but your world is bereft of representation." Rick Sindt b. 1990, Hastings, MN, EDUCATION 2013 North Park University, Chicago, IL - BFA Magna Cum Laude SOLO EXHIBITIONS 2016 Two Countries, Rogue Philanthropy, Chicago, IL 2013 Tides, Erosion or Catch, Pull, Recover; The-One-Right-Now, North Park University; Chicago, IL GROUP EXHIBITIONS 2016 Are We Not of Interest to Each Other, Uptown Arts Center, Chicago, IL Reinventing Ourselves From Another Point-of-View, Contemporary Gallery at Zhou B. Arts Center, Chicago, IL Collective: Process, Beans and Bagels, Chicago, IL 2015 Collective: for(a)ging, Hammond Art Center; Hammond, IN How We Make It, The Arts of Life, Chicago, IL Collective: One, Albany Park...

"Lichtenstein's Woman: Sunlight" is a direct reference to the iconic Roy Lichtenstein's 1996 painted and patinated bronze sculpture simply entitled "Sunlight". Kaplan's ceramic sculpture brings a three dimensionality to Lichtenstein's sculpture. Sandy Kaplan Lichtenstein's Woman: Sunlight ceramic, glaze 17h x 11w x 7d in 43.18h x 27.94w x 17.78d cm SAK013 Sandy Kaplan b. 1943, St. Louis, MO 2021 Maturity and Its Muse, Art Saint Louis 2020 Storytellers Exhibit, Art Saint Louis 2019 SOFA Chicago, Gallery Victor Armendariz, Navy Pier, Chicago, IL Honors Exhibit, Art Saint Louis Anthony Bourdain - Parts Unknown: Ceramic Centric, Foundry Arts Ctr, St. Charles, MO Current Profiles, Craft Alliance Center, St. Louis, MO 2018 SOFA Chicago, Gallery Victor Armendariz, Navy Pier, Chicago, IL Maturity and Its Muse, Art Saint Louis Works from the Studios, Craft Alliance, St. Louis, MO Drawn From Life: Artful Aging, Washington University, St. Louis, MO 2017 3-D, Gallery Victor Armendariz, Chicago, IL SOFA Chicago, Gallery Victor Armendariz, Navy Pier, Chicago, IL 2016 Works from the Studio, Craft Alliance, St. Louis, MO A Moveable Feast Exhibit, Oak Park Art League, Oak Park, IL Maturity and Its Muse, Art Saint Louis 2015 Writers Round Table, Craft Alliance Gallery, St. Louis, MO 2014 Save the Last Dance for Me, Art Saint Louis XXX...

In this larger treatment of the light-pillar phenomenon, Aeling demonstrates his mastery of night atmospherics. The bright vertical beam—pure, white, and nearly architectural—cuts through a heavy indigo sky, reflecting the artist’s fascination with moments when the environment becomes momentarily structured by light. His winters in cold climates provided ample opportunities to see such displays, and he painted them with the same meditative intensity he applied to Hawaiian sunsets and surf. In all these subjects, Aeling returned to a central theme: the sky as an evolving organism, capable of sudden, transcendent gestures. Jeff Aeling Light Pillar oil on panel 14h x 10w in 35.56h x 25.40w cm JAE034 Jeff Aeling (1958–2025): The Sky Remembers Through Jeff Aeling’s eyes, the landscape becomes a world shaped as much by air as by earth. In works such as North of Las Vegas, NM and Pond Near St. Cloud, MN, he balances the quiet structure of plains and wetlands with skies alive in constant motion. His mastery of atmosphere is unmistakable in Light Pillars (2023) and Light Pillar (2023), where rare optical events turn night into architecture. Even intimate scenes like Crabapple, Dogwoods, and Red Bud find their emotional power under skies that lend the land its shifting character. Aeling’s winters in Hawaii deepened his sensitivity to movement and weather. Surfing taught him to read the rhythm of the ocean, a knowledge reflected in Wave, Kauai (2018), where a breaking wave becomes a luminous wall of force. In Volcano (2023), he channels the islands’ elemental drama, linking fire, vapor, and sky through the same atmospheric vocabulary found in his plains paintings. Though often compared to American landscape painters like Church and Bierstadt, Aeling’s work engages modernity in subtle ways. He began his paintings with the camera—driving for hours to capture a fleeting alignment of cloud, light, and terrain. In the studio, he removed all traces of people or infrastructure, preserving the landscape as a pure, uncontrollable presence. This blend of tradition and contemporary practice allowed him to honor the past while speaking clearly to the present. Together, these works—whether a crashing wave, a blooming tree, a volcanic plume, or a column of winter light—form a portrait of the world as Aeling experienced it: vast, luminous, and alive with change. The Sky Remembers is both a tribute and an invitation to see the land with the reverence he carried throughout his life. Jeff Aeling (1958-2025) Iowa City, IA Represented in Chicago by Gallery VICTOR Education BFA, Painting and Printmaking, Kansas City Art Institute – Kansas City, MO School of the Art Institute of Chicago – Chicago, IL Solo Exhibitions 2016 Philip Slein Gallery - St. Louis, MO William Havu Gallery - Denver, CO 2015 Perimeter Gallery - Chicago, IL Sherry Leedy Contemporary Art - Kansas City, MO 2014 J Mark Sublette Gallery - Tucson, AZ Philip Slein Gallery - St. Louis, MO 2013 Perimeter Gallery - Chicago, IL Sherry Leedy Contemporary Art - Kansas City, MO 2012 Philip Slein Gallery - St. Louis, MO William Havu Gallery - Denver, CO 2011 Philip Slein Gallery - St. Louis, MO Sherry Leedy Contemporary Art - Kansas City, MO 2010 Perimeter Gallery - Chicago, IL Richard Demato Fine Arts Gallery - Sag Harbor, NY William Havu Gallery - Denver, CO 2009 J Mark Sublette Gallery - Tucson, AZ Sherry Leedy Contemporary Art - Kansas City, MO 2008 Perimeter Gallery - Chicago, IL William Havu Gallery - Denver, CO 2007 J Mark Sublette Gallery - Santa Fe, NM Philip Slein Gallery - St. Louis, MO Sherry Leedy Contemporary Art - Kansas City, MO 2006 Tory Folliard Gallery - Milwaukee, WI William Havu Gallery - Denver, CO 2005 Lisa Kurts Gallery - Memphis, TN Perimeter Gallery - Chicago, IL 2005 Philip Slein Gallery - St. Louis, MO Sherry Leedy Contemporary Art - Kansas City, MO 2004 J Mark Sublette Gallery - Santa Fe, NM William Havu Gallery - Denver, CO 2003 J Mark Sublette Gallery - Tucson, AZ Lisa Kurts Gallery - Memphis, TN Sherry Leedy Contemporary Art - Kansas City, MO 2002 J Mark Sublette Gallery - Santa Fe, NM Perimeter Gallery - Chicago, IL Perimeter Gallery - New York, NY 2001 J Mark Sublette Gallery - Tucson, AZ J Mark Sublette Gallery - Santa Fe, NM Sherry Leedy Contemporary Art - Kansas City, MO 2000 Charlene Cody Gallery - Santa Fe, NM Perimeter Gallery - Chicago, IL Sherry Leedy Contemporary Art - Kansas City, MO 1999 Charlene Cody Gallery - Santa Fe, NM Elliot Smith Contemporary Art - St. Louis, MO Sherry Leedy Contemporary Art - Kansas City, MO 1998 Charlene Cody Gallery - Santa Fe, NM Elliot Smith Contemporary Art - St. Louis, MO Leedy-Voulkos Art Center Gallery - Kansas City, MO Perimeter Gallery - Chicago, IL 1996 Grand Arts - Kansas City, MO 1994 Gallery V - Kansas City, MO 1993 Sean Kelly Gallery - Kansas City, MO 1991 Tribal Textile Gallery - Kansas City, MO Selected Group Exhibitions 2022 Kiss Me, It’s Beginning to Snow, Gallery Victor Armendariz, Chicago, IL 2021 2019 Es-Scape, Gallery Victor Armendariz, Chicago, IL Earth Wind & Fire, Gallery Victor Armendariz, Chicago, IL 2018 Portraits and Places: Select works from Gallery Victor Armendariz, curated by Corporate Art Advisory, Metropolitan Capital Bank, Chicago, IL Art Hamptons, Gallery Victor Armendariz, Bridgehampton, NY Front and Center, Gallery Victor Armendariz, Chicago, IL 2004 Art Chicago, Navy Pier...

Patrick Vale Greg G acrylic, ink, colored pencil on paper 24h x 19w in 60.96h x 48.26w cm PKV015 See What I See Why are Chicago and baseball so perfect f...

Archival Pigment Print Edition of 15 Signed, titled, dated and numbered by Patty Carroll. Image size: 15 x 15 in. Sheet size: 22 x 17 in. From the series, Anonymous Women More sizes ...

[From Ben Duke] The following is from Wikipedia, but I learned of this spot after getting into August Strindberg novels. "Zum Schwarzen Ferkel," translated as "The Black Piglet," was a historic tavern located at the corner of Unter den Linden and Neue Wilhelmstraße in Berlin. Notable for its cultural and historical significance, the tavern was a central meeting point for Nordic writers and artists in the 1890s. It was frequented by figures such as August Strindberg, Edvard Munch, and the Polish writer Stanisław Przybyszewski, among others. The tavern's original name was Gustav Türkes Weinhandlung und Probierstube, owned by Gustav Türke, and it was also known as "The Cloister." The name "Zum Schwarzen Ferkel" was coined by Strindberg, who thought an Armenian wine-sack hanging over the entrance resembled a black piglet. This quirky name was enthusiastically accepted by both the owner and the patrons. August Strindberg, a Swedish playwright and novelist, played a significant role in the tavern's history. After moving to Berlin in 1892, he became a regular at the tavern and a leading figure among the Nordic and German artistic community that gathered there. The tavern was not only a place for socializing but also a hub of intellectual and artistic exchange, with members engaging in vibrant discussions and forming significant relationships, both personal and professional. Edvard Munch, the Norwegian painter, also became a regular after his arrival in Berlin in 1892. The tavern saw its share of drama, including romantic entanglements and artistic disputes. One notable figure was Dagny Juel, a Norwegian music student who became involved with several members of the circle and was later tragically murdered in Tbilisi in 1901. The tavern's influence extended into the literary and artistic works of its patrons. For example, Adolf Paul wrote about his experiences and the people he met at the Ferkel in his book "Strindberg-Erinnerungen und -Briefe," published in 1914. Strindberg's novel "Klostret" ("The Cloister"), published posthumously in 1966, also drew from his experiences at the tavern. Unfortunately, the original building that housed Zum Schwarzen Ferkel was destroyed during the Second World War. Today, its legacy lives on through the stories and works of the artists and writers who once gathered there. Wikkipedia. Ben Duke Zum Schwarzen Ferkel oil on canvas 36h x 36w in 91.44h x 91.44w cm BSD039 Ben Duke b. 1977 Louisville, KY Education 2006 M.F.A., Maryland Institute College of Art, Baltimore, MD 2002 B.F.A., University of Utah, Salt Lake City...

You look at the street with all the cracks in it and the curb. An image communicates the whole sense of that kind of reality. You can't but it into words. I have several books in ...

The sable colored mare bows her head to allow the viewer a better view of her intricate mane which is enhanced with red roses. Red-winged black birds flit around her, a symbol of protection, good luck and even prosperity. The amber rose background intensifies the softness of the horse's coat and the overall aesthetic. This painting is unframed, please contact the gallery for framing options. Rose Freymuth-Frazier Burning Desire oil on canvas 50h x 32w in 127h x 81.28w cm RFF048 Rose Freymuth-Frazier Employing the techniques of the past in the service of contemporary exploration, I seek to add a fresh voice to the sometimes venerable, sometimes dusty and archaic tradition of large-scale figurative painting, while subtly addressing the mythology, objectification and subjugation of women. My subjects are at first glance close to home-new mothers, friends, lovers, artists, dancers-but are then quickly placed at a distance via edgy modification, rigorous technique, minimal contexts and composition, and idiosyncratic use of color. I am also interested in social presentation, artifice, and simulation as they relate to my subjects. I hope to peel away a gossamer thin layer of reality, not just to document the real but also to reveal what might be. BIOGRAPHY Given my restless history, it is curious that I became a figurative painter in New York City. My maternal Grandparents fled Hitler's Germany in the late 1930's. After being refused entry to the United States, they were welcomed into the Dominican Republic, where they happily resided in a small orderly bungalow of their own design and made their living as studio photographer and cheese maker...

Ahzad Bogosian Silent Lake, 2020 oil and acrylic on canvas 24h x 24w in 60.96h x 60.96w cm AZB105 Ahzad Bogosian SOLO EXHIBITIONS 2025 Ahzad Bogosian, Gallery VICTOR, Chicago, IL ...

The intricate retablos of Chicago-based artist Patrick Fitzgerald are his means of paying homage to those who have inspired him throughout his life. Derived from Mexican votive...

Ahzad Bogosian Clouds and Shoreline, 2022 acrylic on panel 15h x 11w in 38.10h x 27.94w cm AZB142 Ahzad Bogosian SOLO EXHIBITIONS 2025 Ahzad Bogosian, Gallery VICTOR, Chicago, IL ...

Ahzad Bogosian Summer Twilight acrylic on canvas 30h x 40w in 76.20h x 101.60w cm Framed Dimensions 31h x 41w x 2d in 78.74h x 104.14w x 5.08d cm AZB156 Ahzad Bogosian SOLO EXHIBI...

Painting created with oil markers on canvas in 2001. The piece is part of the "Original Tourlicoulis" series. Those drawings/paintings have germed from doodles created with pen on pa...

Two patrons examine art objects in Georg Muller-Breslau’s medieval-style poster for the 1896 exhibition of Saxon artisanry and works of art in Dresden, “the old city” (Die Alte Stadt...

Eugénie Buffet was a French singer, actress, and pioneer of the chanson réaliste (realist song) genre, which portrayed the day to day lives of the poor and working-class in Paris. Métivet’s Ambassadeurs poster depicts Buffet as a prostitute working on the cold, windy streets of Paris; Buffet describes following working women to effectively reflect their demeanor in her roles, “Huddled in the shadow of dark alleys, I espied their beckoning calls to passersby, followed them from afar, scraping invisibly along the walls, listened to their words in the doorways of seedy hotels; sometimes, even, made up and dressed like them, I would slip among them, sitting at tables in their dives, and join in the conversation” (Buffet, 1930 via Conway, 2004). Her name, much like that of fellow performer Aristide Bruant, was further solidified in history by their likenesses in iconic and historically important artworks by Métivet’s and Henri de Toulouse-Lautrec. “Métivet’s talent is seen at its best in the Eugénie Buffet advertisements, two studies worthy a place amongst the best posters which have come from the hands of contemporary French artists” (Hiatt, 1896). This artwork is presented in an archival rag mat. Notable museum collections containing this work include: Yale University Art Gallery (large-format version) (1969.3.3) Notable museum collections featuring works by Lucien...

Ahzad Bogosian Welcoming Twilight on the North Branch of the Chicago River, 2021 oil and acrylic on canvas 16h x 20w in 40.64h x 50.80w cm AZB124 Ahzad Bogosian SOLO EXHIBITIONS 2...

Century Guild presents a selection of never-before-seen photographs taken on the set of Caligula in 1976 by legendary Italian still photographer Mario Tursi, best known for his work with Italian directors Pier Paolo Pasolini and Luchino Visconti as well as his long collaboration with Martin Scorsese on the sets of Gangs of New York and The Last Temptation of Christ. These museum-quality fine art prints are available in extremely limited archival editions honoring the Caligula MMXX restoration. Soldiers on the Wall of Death set designed by Danilo Donati...

Century Guild presents a selection of never-before-seen photographs taken on the set of Caligula in 1976 by legendary Italian still photographer Mario Tursi, best known for his work with Italian directors Pier Paolo Pasolini and Luchino Visconti as well as his long collaboration with Martin Scorsese on the sets of Gangs of New York...

Original collotype lithograph of a well-dressed woman wearing a scarf around her face, leaving only her eyes exposed. This work was pubished from Gustav Kilmt’s handzeichnungen (sket...

David Becker Scorn charcoal on paper 40h x 30w in 101.60h x 76.20w cm DB0011 David Becker b. 1937 David H. Becker, painter, printmaker and educator, was born on August 16, 1937 in M...

This calendar advertisement poster for White Horse cigarettes was produced by Hu Boxiang, a famous commercial advertising artist in Shanghai during th...

Uzarski’s expressionist lithograph advertises a stage production of Tristram and Ysoli (Tristan and Isolde) at the Düsseldorf city-theatre in 1919. This example was published c. 1919...

Carol Stewart Back From Morocco oil on paper mounted on panel 36h x 48w x 1.50d in 91.44h x 121.92w x 3.81d cm CST019 Through her ethereal and often dreamlike paintings Carol Stewa...

Artist Statement—Motion Capture Studio Series. Andrew S. Conklin, a native of Chicago, Illinois, is a figurative painter. Conklin's paintings are a product of his direct interaction...

The "Follow the Leader" series started out with the name of the game. I had no idea how extensive the meaning of the game might be. I always worked on the assumption that children'...

A small octopus is inked in the Japanese style of Gyo-Taku print making over a playful background of black and white images of Frida Kahlo. Using sumi ink to "print" the octopus, th...